Hallmark Orders Next Hannah Swensen Mystery Films: ‘Cooked To Death’ and ‘A Pie To Die For’

Mystery is back on the menu with Hallmark’s latest offerings—two brand-new Hannah Swensen Mystery films are in the works! The network has greenlit ‘Cooked to Death’ and ‘A Pie to Die For,’ both starring Alison Sweeney, Barbara Niven, and Gabriel Hogan. While the cast is confirmed, details about the crew remain under wraps for now.

Department of Corrections stops nonprofit from sending free books to Wisconsin inmates

Anna Hansen

For the third time since 2008, a Wisconsin nonprofit dedicated to sending books to inmates has been barred from the state’s facilities.Wisconsin Books to Prisoners was formed in the fall of 2006 through Madison’s Rainbow Bookstore. That year, the volunteer-run nonprofit started shipping the first of more than 70,000 books to the state’s inmates under the DOC’s administrative code guidelines regarding mail, according to WBTP co-founder Camy Matthay.As of August, though, WBTP’s efforts have been halted.In an email dated Aug. 16, DOC Administrator Sarah Cooper told WBTP officials that the DOC has seen “many instances” of drugs coming into facilities via mail, publications and books that appear to be coming from legitimate senders such as child support agencies, the IRS, the Wisconsin Public Defender’s Office, the Department of Justice and individual attorneys.

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The DOC’s concerns don’t stem from WBTP itself, but rather with people who might imitate the WBTP via book mail — bad actors trafficking in drugs under the guise of distributing literature.“Over the last several years, DOC has had to take additional, important steps to ensure the safety of our institutions, including addressing drugs entering our facilities via paper from personal letters, legal mail, and books, among other materials,” DOC spokesperson Beth Hardtke said in an email Thursday.Bad actors in Wisconsin and elsewhere have exploited otherwise positive programs that rely on donations from the public and have historically supported people in correctional settings, she said. “Recently, for example, donated books have been among materials that have tested positive for drugs.”Drugs making their way into prisonsDrugs have been a significant problem in Wisconsin’s prisons. In March, amid a string of deaths at Waupun Correctional Institution, Gov. Tony Evers announced a federal probe into an apparent smuggling operation involving prison employees.Five inmates at Waupun have died since June 2023, one of whom was killed by a fentanyl overdose. Nearly a dozen Waupun Correctional Institution employees have been suspended. Nine employees, including a former warden, face a litany of charges.The DOC has developed new protocols for distributing mail to thwart would-be imitators and their efforts to distribute drugs. Implemented in 2021, current personal mail policies dictate that all mail has to be electronically scanned. Additionally, legal mail is being vetted more carefully, details and senders’ names being carefully inspected by prison staff.Not the first timeWBTP was first barred by the DOC in May 2008, when officials cited concerns about contraband, but the organization was let back in in early November that year with the provision that only new books would be accepted. In 2009, DOC officials denied a portion of an American Civil Liberties Union records request seeking evidence of any contraband being found in books shipped to prisons, Matthay said.After that initial temporary ban, WBTP continued fulfilling inmates’ book requests until the organization was again banned by the DOC in 2018. That ban was overturned by the DOC within days, and at that time the project was given explicit approval to send used books (as well as new books), as long as they were clean copies free of underlining, highlighting, imprints, mildew, water damage or other flaws.WBTP remained an approved vendor, reaffirmed by subsequent security chiefs, according to Matthay, until January 2024. In February, the DOC reaffirmed its ban on used books, citing concerns over sprayed-on narcotics and other illicit substances in used books. WBTP continued sending books and appealed the used book ban in May.Part of rehabilitationMoira Marquis founded Prison Banned Books Week, an initiative aimed at aiding inmates’ access to literature and other educational materials. On Thursday, Marquis called the DOC’s repeated barring of the WBTP “antithetical” to the department’s purported mission of rehabilitation.Among the most requested of WBTP’s library are titles on industry: finding work in the trades, starting a business, entrepreneurship. It isn’t just recreational literature the inmates are losing, Matthay said.“People inside are very nervous about their release and what they’re going to do and are they qualified for things, and they’re not being offered enough resources,” Marquis said. “How much energy and time does an all-volunteer nonprofit need to spend to just argue with the state institution that they have a right to do what their mission is?”Inmates do have access to some titles, according to Hardtke. In addition to the libraries maintained by each prison, the department partners with educational institutions and programs that provide textbooks and other reading materials. The department is also working on the introduction of free electronic tablets that will allow inmates to access e-books, Hartdke said.“The Department of Corrections (DOC) fully supports the educational goals and aspirations of persons in our care and believes in the power of reading to change lives and aid in rehabilitation,” she said.Matthay is looking into ways around the ban. Providing tracking numbers for each book parcel WBTP sends is one idea.“It’s just unfortunate that a few bad actors are preventing thousands of prisoners from getting books,” Matthay said. “There’s going to be a lot of disappointed people, a lot of really disappointed people.”

Rehab on hold: COVID devastated prison learning programs

A copy of Leonardo da Vinci’s, “The Last Supper,” hangs on the wall of Valley State Prison’s chapel in Chowchilla, Calif., Friday, Nov. 4, 2022. In a nation that incarcerates roughly 2 million people, the COVID pandemic was a nightmare for prisons. Overcrowding, subpar medical care and the ebb and flow of prison populations left most places unprepared to handle the spread of the highly contagious virus. (AP Photo/Jae C. Hong)

Jae C. Hong

Officer Jimmy Bliatout closes a gate after letting a prisoner enter the yard at Valley State Prison in Chowchilla, Calif., Friday, Nov. 4, 2022. (AP Photo/Jae C. Hong)

Jae C. Hong

Prisoners stand with at-risk shelter dogs during a program designed to train the dogs to be adoptable at Valley State Prison in Chowchilla, Calif., Friday, Nov. 4, 2022. In a nation that incarcerates roughly 2 million people, the COVID pandemic was a nightmare for prisons. Overcrowding, subpar medical care and the ebb and flow of prison populations left most places unprepared to handle the spread of the highly contagious virus. (AP Photo/Jae C. Hong)

Jae C. Hong

Filmmaker Sol Guy gets a hug from a prisoner during a screening of his personal documentary film, “The Death of My Two Fathers,” at Valley State Prison’s gymnasium in Chowchilla, Calif., Friday, Nov. 4, 2022. (AP Photo/Jae C. Hong)

Jae C. Hong

Prisoner Daniel Henson, 40, holds up an instant photo of him taken with filmmaker Sol Guy after a screening of Guy’s personal documentary film in Valley State Prison’s gymnasium in Chowchilla, Calif., Friday, Nov. 4, 2022. (AP Photo/Jae C. Hong)

Jae C. Hong

Filmmaker Sol Guy stands for a photo at Valley State Prison in Chowchilla, Calif., Friday, Nov. 4, 2022, after the advance screening of his personal film, “The Death of My Two Fathers,” at the prison. The screening was held in the prison’s gymnasium which, until that day, had been closed for recreational activities like basketball as part of ongoing COVID restrictions. (AP Photo/Jae C. Hong)

Jae C. Hong

Miguel Rodriguez, a 24-year-old resident at Valley State Prison, eats his popcorn while watching a personal documentary film, “The Death of My Two Fathers,” by director Sol Guy in the prison’s gymnasium in Chowchilla, Calif., Friday, Nov. 4, 2022. (AP Photo/Jae C. Hong)

Jae C. Hong

Valley State Prison’s gymnasium is pictured in Chowchilla, Calif., Friday, Nov. 4, 2022. The gym had been closed for recreational activities like basketball as part of ongoing COVID restrictions. About 150 prisoners were allowed in for director Sol Guy’s deeply personal film – individual bags of buttered popcorn and cold beverages included with admission – their excitement palpable after many months of isolation. (AP Photo/Jae C. Hong)

Jae C. Hong

A shaft of light falls on prisoners as they watch a documentary film produced by director Sol Guy in Valley State Prison’s gymnasium in Chowchilla, Calif., Friday, Nov. 4, 2022. The gym had been closed for recreational activities like basketball as part of ongoing COVID restrictions. About 150 prisoners were allowed in for the film – individual bags of buttered popcorn and cold beverages included with admission – their excitement palpable after many months of isolation. (AP Photo/Jae C. Hong)

Jae C. Hong

50-year-old prisoner Ray Lincoln, left, sobs while being comforted by Aru in Valley State Prison’s gymnasium after a guided meditation led by her in Chowchilla, Calif., Friday, Nov. 4, 2022. (AP Photo/Jae C. Hong)

Jae C. Hong

Prisoners watch a personal documentary film, “The Death of My Two Fathers,” by director Sol Guy in the prison’s gymnasium in Chowchilla, Calif., Friday, Nov. 4, 2022. The gym had been closed for recreational activities like basketball as part of ongoing COVID restrictions. About 150 prisoners were allowed in for the film – individual bags of buttered popcorn and cold beverages included with admission – their excitement palpable after many months of isolation. (AP Photo/Jae C. Hong)

Jae C. Hong

Rapper Bobby Gonzalez, a former prisoner at Valley State Prison, gets emotional as he enters the prison yard in Chowchilla, Calif., Friday, Nov. 4, 2022. Gonzalez was released on parole from the prison in September of 2019, after serving 16 years of a 25-year sentence as a juvenile offender. He left a mark at the prison and on the California Department of Corrections and Rehabilitation, emerging as an established artist by the name of “Bobby Gonz.” (AP Photo/Jae C. Hong)

Jae C. Hong

Rapper Bobby Gonzalez, right, a former prisoner at Valley State Prison, hugs resident Jesus Cecena, 61, in the prison yard in Chowchilla, Calif., Friday, Nov. 4, 2022. Gonzalez was released on parole from the prison in September of 2019, after serving 16 years of a 25-year sentence as a juvenile offender. He left a mark at the prison and on the California Department of Corrections and Rehabilitation, emerging as an established artist by the name of “Bobby Gonz.” (AP Photo/Jae C. Hong)

Jae C. Hong

Prisoner Miguel Nunez, left, watches as Rufus Delgado plays with Nala, an at-risk shelter dog being trained to be adopted, at Valley State Prison in Chowchilla, Calif., Friday, Nov. 4, 2022. In a nation that incarcerates roughly 2 million people, the COVID pandemic was a nightmare for prisons. Overcrowding, subpar medical care and the ebb and flow of prison populations left most places unprepared to handle the spread of the highly contagious virus. (AP Photo/Jae C. Hong)

Jae C. Hong

Prisoners form a large circle during a guided meditation in Valley State Prison’s gymnasium in Chowchilla, Calif., Friday, Nov. 4, 2022. In a nation that incarcerates roughly 2 million people, the COVID pandemic was a nightmare for prisons. The highly contagious virus disrupted the very educational and rehabilitative programs prisoners most desperately need. (AP Photo/Jae C. Hong)

Jae C. Hong

A prisoner’s jacket hangs on a chair during a special screening of Sol Guy’s personal documentary film at Valley State Prison’s gymnasium in Chowchilla, Calif., Friday, Nov. 4, 2022. The gym had been closed for recreational activities like basketball as part of ongoing COVID restrictions. About 150 prisoners were allowed in for the film – individual bags of buttered popcorn and cold beverages included with admission – their excitement palpable after many months of isolation. (AP Photo/Jae C. Hong)

Jae C. Hong

Joseph Sena, 27, walks to his cell at Valley State Prison in Chowchilla, Calif., Friday, Nov. 4, 2022. Sena spent years trying to make himself a better person after spending nearly half of his 27 years in prison for killing a man. He took courses in poetry and mental health and other topics at a central California prison, hoping to be seen as fit for parole and ready to live outside prison if the day he was free ever came. (AP Photo/Jae C. Hong)

Jae C. Hong

Vehicles carrying the crew members of Quiet and Anti-Recidivism Coalition (ARC) head toward Valley State Prison early in the morning for a special film tour in Chowchilla, Calif., Friday, Nov. 4, 2022. In a nation that incarcerates roughly 2 million people, the COVID pandemic was a nightmare for prisons. Overcrowding, subpar medical care and the ebb and flow of prison populations left most places unprepared to handle the spread of the highly contagious virus. (AP Photo/Jae C. Hong)

Jae C. Hong

Joseph Sena walks across a prison yard at Valley State Prison in Chowchilla, Calif., Friday, Nov. 4, 2022. Sena spent years trying to make himself a better person after spending nearly half of his 27 years in prison for killing a man. He took courses in poetry and mental health and other topics at a central California prison, hoping to be seen as fit for parole and ready to live outside prison if the day he was free ever came. (AP Photo/Jae C. Hong)

Jae C. Hong

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Palizzi Farm worries developer’s pipeline plans — allowed by eminent domain ruling — will hurt business

Palizzi Farm lost a big battle at the beginning of the summer when a judge ruled a metropolitan district could run a stormwater pipe across the 95-year-old Brighton farm to support a planned housing development nearby.But tucked into the final page of Adams County District Judge Sarah Stout’s 41-page eminent domain ruling was an “expectation” from the court “that the Palizzis will be able to continue to farm on the land at the conclusion of the Project.”It’s that directive that Debora Palizzi, whose great-grandfather Antonio started the farm on East Bromley Lane in 1929, is counting on to keep the 57-acre operation running past this year. The current plans from Parkland Metropolitan District No. 1 for the outfall project, Palizzi said, don’t set the pipe deep enough underground in her field to be clear of her ripper and plow come planting time.Debora Palizzi poses for a portrait at Palizzi Farm in Brighton on Wednesday, Sept. 18, 2024. A stormwater pipe for a nearby future subdivision is planned to run through land that the Palizzi family has been farming for 95 years. (Photo by Hyoung Chang/The Denver Post)Her equipment needs a minimum of 5 feet below the surface to operate unimpeded, she said.“Is this my final year of being able to do this?” asked Palizzi in an interview this week with The Denver Post. “I’m not going to know if it works or not until it is too late.”She grows sweet corn, tomatoes, peppers, chili peppers, okra, beets, onions and cucumbers that she sells at the farm and at five area farmers markets.Faye Hummel, a Brighton resident since 1987 but a customer at Palizzi Farm since the late 1970s, said she hopes the city takes a closer look at the plans for the pipe. She wants it to require whatever changes are needed to keep the farm in business before approving anything.In the June 26 ruling, the judge wrote that access to Palizzi’s land by Parkland officials and work on the outfall project could begin as soon as Nov. 1. The ruling relied on Colorado’s eminent domain statute, which allows governments and quasi-governmental bodies to condemn land for public use.“The fact they are still here — still persisting — is absolutely remarkable,” Hummel said of the farm, where she had recently purchased freshly harvested chili peppers. “Palizzi is a crown jewel of Brighton.”Parkland’s condemnation actionTrouble at Palizzi Farm began a year ago, when the Brighton City Council approved a metro district service plan with Parkland that allowed it to use eminent domain to obtain easements for underground infrastructure. Parkland is the metro district building infrastructure for a future housing project called Bromley Farms, located just east of the farm.In court filings earlier this year, Parkland said Bromley Farms required the construction of a “regional drainage outfall” — complete with pipelines, culverts, manholes and inlets —  across Palizzi Farm. It tried to negotiate a price for access to Palizzi’s land, but the parties couldn’t reach an agreement.In April, Parkland filed a “Petition in Condemnation” in Adams County District Court. To move ahead with building the new neighborhood in “a timely manner,” the petition argued, the metro district “requires and is entitled to immediate possession of the Subject Property” under state condemnation law.The resulting hearing on May 14 drew hundreds of residents to the courthouse to support Palizzi in her fight against condemnation.A month later, Stout granted “immediate possession of the Subject Property” — an easement across Palizzi Farm — to Parkland Metropolitan District No. 1 for its flood control project.“It is clear to this Court that the taking meets the great needs of the City and residents of Brighton, that for the reasons stated above a benefit is bestowed upon the City who cannot otherwise finance this type of improvement, and that the Project is necessary for the long-term safety of the Brighton community as development continues,” Stout wrote.A portion of the Palizzi Farm, front, in Brighton on Wednesday, Sept. 18, 2024. A stormwater pipeline is planned to run through the farm as infrastructure for a future housing development. (Photo by Hyoung Chang/The Denver Post)Jack Hoagland, president of the Parkland Metro District, told The Post in an interview that Palizzi had previously said a 4-foot depth was sufficient, and his engineering team designed its pipe project accordingly.“All the pipes going onto her property are all at least 4 feet deep,” Hoagland said. “No one had heard anything about 5 feet.”The project will carry stormwater runoff for Bromley Farms, which will sit on 135 acres and feature 750 residential units in a mix of single-family and multi-family homes. Hoagland, who helped lead development of the sprawling Sterling Ranch community in Douglas County, said his team was making every effort to be as minimally disruptive as it could.“We’re going onto her farm this fall so that we won’t interfere with her (growing) season,” he said.No Brighton City Council hearing on the pipeline project has been scheduled at this point, Hoagland said.Brighton Mayor Greg Mills said the “potential pipeline and related infrastructure improvements have not been finalized at this time so it would be inappropriate to speculate about the details.” But in a followup email to The Post, the mayor said the current depth — ranging from 4 feet to 6 feet — and off-season construction schedule meant Palizzi should be able to operate without any problems.“I do not believe farming will be impacted,” Mills wrote.The only plan Palizzi says she’s seen puts the pipe at a 3 1/2-foot depth at her eastern boundary, before reaching a depth of 5 1/2 feet at the west end, running across the northern portion of her property. She estimates that the eastern half of her farm, nearest to East Bromley Lane, will be put out of operation if the pipe isn’t buried deeper.“If we lose the north end, we’re going to lose half our acreage,” said Palizzi, 62. “We’ll have to reduce everything.”She would like to see Parkland avoid her land altogether and run its drainage pipe south of her field. But she said the district is using her land “because I’m the cheapest, most direct route.”“I think it’s all about their damn money,” Palizzi said.“Once it’s gone, it’s gone”Palizzi Farm is at the northern edge of what has been dubbed Splendid Valley — a 5,000-acre expanse of mostly fertile farmland in Adams County south of Brighton that’s dedicated to preserving Colorado’s agricultural past.But the farm’s reach goes beyond Denver’s northern suburbs — Palizzi sells its produce at farmers markets in Parker, Denver and Evergreen. Anne Davis, the food resource manager for Evergreen Christian Outreach, better known as EChO, said Palizzi Farm had proved indispensable for the nonprofit food pantry’s inventory.Farmers harvest tomatoes in a portion of Palizzi Farm where a stormwater pipeline is planned to be built in Brighton, as seen on Wednesday, Sept. 18, 2024. (Photo by Hyoung Chang/The Denver Post)EChO has been working with Palizzi Farm for four years, buying produce during the summer at a discounted price. The organization serves more than 300 households per week in the Jefferson County foothills.“We probably average about 300 to 350 pounds a week (from Palizzi Farm),” Davis said. “If Debbie can’t farm, it will impact a lot of Coloradoans. I hope that will be taken into account in the decision-making process.”Hummel, 73, remembers packing up her children in the car to make trips to Palizzi Farm during the Carter administration. Now she takes her grandchildren to the farm.“To be in the presence of people who toil and work the land is humbling. To have this absolute gem in our midst — it’s irreplaceable,” she said. “Once it’s gone, it’s gone.”Get more Colorado news by signing up for our daily Your Morning Dozen email newsletter.Originally Published: September 20, 2024 at 6:00 a.m.

How Oni Yewande grew her footwear business with N25,000

Oni Yewande is the founder and chief executive officer of Wande Fashions, a cobbling company that produces all kinds of footwear for both males, and females, either children or adults.
Yewande, an undergraduate at the National Open University of Nigeria (NOUN) was inspired to establish her business in 2021 owing to her passion and love for leather products and fashion.
“What inspired me into the shoe-making business is passion. I love fashion a lot and good shoes,” she said.
“I was also inspired to venture into shoe making the day I ran into two ladies on the pedestrian bridge of Ikeja- Along whose shoes got my attention the most,” she explained.
“Loved the designs on their shoes and was fascinated with it and this further promoted me to learn the art of shoe making and establish my business,” she added.
The young entrepreneur took up a year of training in shoe-making to enhance her skills. Yewande said her initial start-up capital was N25,000, which she got from her savings. She has leveraged social media platforms to grow her business.
“I started with the sum of N25,000, I was working from home, making use of my social media – displaying my designs on my WhatsApp platform,” she explained.
According to her, the business which started from taking orders from family and friends has expanded to eight people, and is still thriving.
“My family members and friends were my first clients and since then the business has grown. So due to the increase in demand, I couldn’t work at home anymore. After a few months, I got an office at Egbe –Ejigbo Road, Oke-Afa to expand production,” she said.
“Currently I have two employees and six student apprentices,” she noted.
She said that passion, determination and quality are basically her leading edge between her competitors. Related News
“Our quality is our pride. We believe in giving a top-notch quality will make our clients come back and place more orders.”
She cited finance as one of the major business challenges, especially in the face of surging inflation.
When asked what the biggest challenge of the business, she stated that funding still remains the greatest.
“Our major challenge is funding, we have low funding, and that’s slowing down our expansion plans,” she said.
However, she said the company can deal with this challenge by saving part of its revenue, while investing for expansion to boost sales.
On the organisation’s expansion plans, she said, “One of our expansion plans is getting a bigger office space, whereby we have our production and showroom.”
In navigating the murky business terrain prevalent in the country, Yewande disclosed that the firm creatively produces a variety of footwear for different classes of clients.
“We all know inflation reduces the purchasing power. However, what we’re doing is “creative production.”
“We produce varieties, and various segments for our clients to choose based on their purchasing power, hence, we have products of N30,000, N25,000, N20,000, N15,000, and N10,000, among others. We are sure there’s something for every class,” she explained.
In evaluating the country’s shoe making landscape, she said that there are lots of opportunities in the shoe production business in Nigeria.

Yewande advised upcoming entrepreneurs to ensure having a business plan, noting that it is the road map to attaining goals for a successful business.

Fans given first glimpse of latest Liam Neeson action film

Liam NeesonChristopher LeebodyToday at 13:41Fans have got the first look at Liam Neeson’s latest action movie as the Northern Irish actor stars alongside Ron Perlman.Absolution sees the Taken star playing an aging gangster enforcer who apparently “does everything he can to reconnect with his family after years apart from them.”In the trailer Neeson can be seen doing what he does best as the Hollywood action hero dispatches villains from the criminal underworld.”When he has to dismantle a rival gang that comes after him, he discovers that it is not so easy to escape from the underworld and build a new life,” the synopsis adds.Neeson will also star alongside Yolonda Ross, William Xifaras, Daniel Diemer, Josh Drennen, Frankie Shaw, Javier Molina, and Jimmy Gonzales.Absolution is set to release in cinemas from November 1, 2024.We need your consent to load this Social Media content. We use a number of different Social Media outlets to manage extra content that can set cookies on your device and collect data about your activity.Please review your details and accept them to load the contentIt marks the latest string to Neeson’s bow which has seen him establish himself as an action mainstay after starring in the likes of The Grey, Non-Stop and his latest release In the Land of Saints and Sinners.The Ballymena-born actor is also currently in production on Naked Gun before he takes up his Mongoose role – in which he’ll play Ryan “Fang” Flanagan – a war hero accused of a crime he didn’t commit.Earlier this year, Neeson said he was “surrounded by violence” while growing up during the Troubles.He was speaking ahead of the Netflix release of In The Land Of Saints And Sinners.Neeson said it was an interesting experience reliving the Troubles as “a piece of entertainment” in that role.“Growing up, I was surrounded by violence. I never took part in it, but I was always surrounded by it,” he told YouTube channel MovieWeb.“So, it was interesting to play a piece of entertainment based on those Troubles, as they were euphemistically known as.”

Accounting’s ethical considerations and adherences in modern business practices

Success Ajilore is a highly seasoned accounting professional and business analyst with over eleven years of experience specialising in enhancing operational efficiency, policy improvement, governance, and process optimization of various companies in Nigeria.
Introduction
The quickest way to know a company with haphazard financial operations is through the ethical practices of its financial practitioners. The absence of a credible ethical framework guiding the practitioners of any career is a gateway to professional disrespect and mistrust. The world is currently fast-paced; modern businesses are expanding and gaining standard formal outlook; this summons the need to conceive a credible accounting team, ensuring the reflection of values such as integrity and trust. However, this would only be realised when vehement accounting ethics are considered.
Ethics is not entirely a body of laws and rules governing a given practice; in accounting, it’s a habitual cycle that must be imbibed to birth legitimate and responsible business practice leading to financial security, accurate reports, and reasonable assurance that enhance confidence to the users of the financial statements, devoid of manipulation and personal interests. The advent of emerging technologies used to ease complex financial problems has grown to threaten the ethical adherence of accountants, reducing their integrity in businesses. This article explores accounting ethics and how they can be carefully adhered to in modern business practices.
Historically, accounting operations were conducted informally, with ethical practices lacking due to the focus on earning salaries. However, with evolution, accounting has developed robust structures to guide businesses and ensure accountants’ professional dispositions align with accepted standards, reshaping the profession and guiding accountants’ practices.
The accounting profession has evolved through regulatory bodies like GAAP and IFRS, which set ethical standards for transparency, accuracy, consistency, and comprehensiveness in reports. The Sarbanes-Oxley Act of 2002 introduced professional accountability, particularly in the Enron and Worldcom scandals. In Nigeria, organisations like ICAN and ANAN have contributed to ethical frameworks for accounting experts, highlighting the distinction between ethics and law. These frameworks aim to ensure professional accountability and transparency in the accounting profession.
Ethics in accounting has grown to dimensions of complexity; accountants now go about their day using modern technologies and abandoning salient ethical codes. Contributing factors to this rising challenge include the emergence of advanced financial tools and technologies and the unwillingness of large corporations to embark on thorough checks. These concerns demand the need for exploring ethical codes, broadening the awareness of professional responsibility in accounting.
Globalisation has led to a shift in modern businesses, presenting new ethical challenges for accountants. Companies must align operations with local regulations and socio-cultural norms, requiring them to produce accurate financial reports. This can lead to ethical dilemmas, such as accepting gifts from external individuals to influence figures in Nigeria or balancing the need to meet cultural standards with the need to avoid violating professional ethics in multinational companies with branches in different countries.
Globalisation has led to advancements in accounting technologies, such as artificial intelligence (AI) and automated software. These tools have improved efficiency and accuracy but raise ethical concerns. Automated technologies reduce the intellectual potency of accountants, as their intelligence is traded with machine intelligence. This raises questions about responsibility in cases of AI predictions or fault detection, highlighting the need for ethical arrangements with technology.
Financial instruments and off-balance-sheet activities can compromise trust and make it difficult for companies to make informed decisions. Accountants must use creative accounting to manage financial inflow and outflow, improving financial ratios. The Enron financial scandal illustrates how complex financial instruments can be used to conceal true figures, leading to misguided financial reports. However, critical analysis revealed the financial team’s conniving offence, causing heavy bankruptcy and job loss for workers. This failed ethical duty resulted in the annihilation of the accounting firm and the loss of jobs. Related News
The case study brings to light why ethical considerations in accounting are important and the dangers that lurk around when they’re not upheld. It’s therefore a necessity that amidst the technological rave and advancements, accountants must remain upright and devoted to their jobs, maintaining integrity and the profession’s standards even when faced with compromising situations.
Accountants are responsible for maintaining a company’s finances and upholding strong integrity. They should stay updated on new accounting practices, learn from professional dilemmas, and advocate for ethical conduct within their companies. They should also issue consequences for erring workers to cultivate integrity values, leading to long-term success.
Strategies to promote ethical considerations
Ethics can be initiated in diverse ways, especially as it actively involves an organisation and its workers:
Training programmes:
Accountants should engage themselves in training programs to be trained and exposed on ethical issues. When they get more exposed and in-depth in ethics, they integrate it into their daily practice, enabling them to accomplish complementary services such as conflict resolution, ethical decisiveness, and core values on transparency, responsibility, and accountability.
Corporate governance:
Companies should adopt strong and strict governmental structures, as this ensures that ethical standards are consistently applied. These structures are in the form of external virtual auditors, an independent board of directors, coherent internal managers, and human resource personnel to facilitate ethical behaviours in compliance with the company’s guiding policies.
Ethical culture:
To foster a culture of commitment and integrity, companies should highlight ethical behaviours in all aspects of their operations. This can be achieved by rewarding diligent employees, punishing those who violate ethical standards, and ensuring leaders reflect credible ethical practices. This approach creates a high awareness of the dangers of unethical practices.
In the future, ethical challenges will continue to grow as long as businesses are on the rise and technologies are also in rapid growth. It’s therefore pertinent that accountants stay informed and abreast of ethical values, developing strong integrity values, fairness, ethical judgement, and continually promoting ethical culture in their individual companies.
Conclusion
Professional ethics are beneficial, fulfilling, and prestigious, but challenges arise due to modern business approaches and excessive use of advanced technologies. While technology ensures reliability and transparency, ethical use requires a balance. Integrating integrity, objectivity, professional competence, confidentiality, accountability, independence, and fairness into accounting practice is crucial to navigating strong ethics in modern businesses.

‘The whole human condition is encased in the story’: why Beatles films just keep coming

The Beatles broke up in 1970 but – as far as the film industry is concerned – they are more current than ever, with a flood of Beatles-related films in cinemas and on streaming platforms. The band’s final film Let It Be was restored and released on Disney+ in May; Midas Man, a biopic of their manager Brian Epstein is to be released in October; and One Hand Clapping, long-lost footage of Paul McCartney in the studio in the early 70s with Wings will get an airing in cinemas across the world starting next week. Oscar-winning director Morgan Neville is readying another McCartney documentary, Man on the Run, about his post-Beatles career. And on the horizon is Sam Mendes’ mammoth Beatles tetralogy – one film each for John Lennon, McCartney, George Harrison and Ringo Starr – planned for release in 2027.The reasoning behind Beatles-related films is not hard to discern. Music writer and broadcaster Peter Paphides says: “For me, it’s like the greatest story ever told. We all know the story now. We know what the narrative arc is. We know it has everything in it. We know it has friendship, love, incredible music. The whole human condition is just encased in the story of the Beatles.”View image in fullscreenPaphides identifies the Anthology TV series and accompanying album release in the mid-90s as the point when interest in the Beatles began to mushroom. “All of a sudden, for younger people who might have been into the emerging British guitar music, they could be into them almost like they were a current band. At the same time, you had their parents’ generation who never stopped loving them.” The steady stream of documentaries and features that followed – from the Sam Taylor Wood-directed Lennon biopic Nowhere Boy in 2009, to Martin Scorsese’s George Harrison documentary Living in the Material World in 2011, to the Richard Curtis/Danny Boyle fantasia Yesterday in 2019 – underscored the strength of the band’s appeal to film audiences decades on. These build on the five feature films – A Hard Day’s Night, Help, Yellow Submarine, Magical Mystery Tour and Let It Be – along with the various promos, videos and tour documentaries that the Beatles made during their active existence to create a mammoth archive of Beatles and Beatles-adjacent moving-image product.Paphides says that this endless stream of films is part of a strategy by Apple Corps, the corporate entity that controls Beatles-related business. “What I notice in the way Apple are doing things these days is there’s a real sort of consciousness that you just keep having to put new projects out there, new releases, new films. There always has to be something on the go which will sort of keep the Beatles name right up there.”Get Back, Peter Jackson’s eight-hour restoration of the footage shot by Michael Lindsay-Hogg for the Let It Be sessions in 1969, is a case in point; in the run-up to Lindsay-Hogg’s original film’s 50th anniversary in 2020, Apple asked Jackson to examine the raw footage sitting in its archive, and a combination of the pandemic and the director’s enthusiasm for what he found turned the project into arguably the TV event of the year.Such is the power of the Beatles brand that peripheral figures can claim a share of the attention; Paphides points out that “there are so many interesting characters in the Beatles story, and you can carve out little plots, little arcs, within the overall story, and really hone in on them”. Midas Man, a biopic of the band’s manager Brian Epstein, is the latest to emerge, and takes in Epstein’s journey from running the record department at his family store in Liverpool to becoming a entertainment-industry mogul with a string of stars under contract.Midas Man is produced by Trevor Beattie, a renowned advertising executive, for whom the Epstein project has been years in the making. “I’m aware that this film is going to be viewed through a microscope because everything Beatles-related is. However much I say this is not a Beatles film, it’s about Brian, I know that people are still going to look at it through that microscope. And that’s OK, you have to accept that.”A key point for any Beatles film is the band’s music, and Midas Man doesn’t have original Beatles recordings, or any Lennon-McCartney compositions; because of the story’s chronology, it can use the standards, such as Besame Mucho, that the band regularly played in the early part of their career. Beattie says they also benefited from the co-operation of the late Gerry Marsden (of Gerry and the Pacemakers) as well as Freda Kelly, Epstein’s secretary and president of the Beatles fan club (and who had her own documentary, Good Ol’ Freda, in 2013). “Unlike Brian’s family, she’s very much still with us, and she really enabled us to get it right.”View image in fullscreenThe question of accuracy, and whether it is ever possible in the swirl of myth and counter-myth in the Beatles story, crops up time and again. For Beattie, the myth-making goes right back to the start of their film career, to their 1964 picture A Hard Day’s Night. “The most important thing that Hard Day’s Night did was to create four caricatures of the Beatles – and guess what, those caricatures stuck for the rest of their lives.” Paphides agrees: “Maybe in the long term that’s kind of all that matters. Everyone is doomed or sort of fated to become a fictional character of one kind or another, they start off real and then over the years become fictionalised versions of themselves.”But whether it’s Let It Be, One Hand Clapping or Midas Man, in the end it all comes down to the music. Beattie says: “In the 1960s, it was kids screaming over the songs. And here we are, half a century later, studying them like Bach or Shakespeare. But they are still the same songs.”

The Substance is the most disgusting film I have ever seen

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The Substance is the most disgusting film I have ever seen, as a truly gruesome movie that takes body horror to the extreme.
With a vomited-up breast and buckets of blood and slimy, naked flesh – to give but a hint of what’s in store – it’s been grabbing headlines since its premiere at Cannes back in May.
It also provides a bold and original big-screen comeback for Hollywood star Demi Moore.
She bares all, in more ways than one, in a vulnerable and exposing performance – and while her devastating turn powers the heart of the film, a last-minute fumble at The Substance’s climax left me uncomfortable and questioning its message.
Nevertheless, at Cannes it won a prize for its screenplay, and was lauded by gleefully grossed-out critics as ‘demented’, ‘an instant classic’ and ‘the most bats**tf**kinginsane movie of the last 20 years’.
I would agree with most of the above as Coralie Fargeat’s film really enjoys spattering the audience with blood, gore and organs as it embraces being a literal body horror.

Demi Moore’s movie comeback is a grotesque body horror that truly pushes the boundaries (Picture: MUBI)It’s almost hard to describe how truly graphic it is, so whatever you expect from my descriptions – brace yourself for worse.
The Substance follows fading A-list actress Elisabeth Sparkle (Moore) who, after being axed from her exercise segment on a morning show by Dennis Quaid’s hideous TV exec Harvey, takes an experimental substance that ‘generates a new, younger, more beautiful, more perfect, you’.
This new, shiny version of Elisabeth, played by Margaret Qualley, then bursts forth from Moore’s body in just the start of the movie’s descent into monstrous grotesqueness.
The pace is easily driven along by the massive and tawdry secret both must hide as they attempt to deceive the public – and themselves – and continue glossy Hollywood lives, one week each at a time.

She plays fading actress Elisabeth Sparkle, who is inspired to take drastic measures to preserve her beauty and youth in The Substance (Picture: MUBI)

Margaret Qualley is her alter-ego Sue (Picture: MUBI)For that’s the rule neither must break, lest they face truly stomach-churning consequences. In fact, the finish of the film becomes genuinely so nauseating that it could drive fans to throw up, faint or shocked laughter – or even a combination of all three.
Elisabeth and Sue (what Qualley’s character dubs herself) may enjoy separate lives and bodies, but they are connected by Elisabeth as ‘the matrix’ and must ‘stabilise’ every day by injecting spinal fluid. While one is out living their life, the other is locked away in the bathroom like a living – if comatose – version of Dorian Gray’s portrait.
Of course it is emphasised that they must never go beyond seven days each out in the world, and so of course they inevitably do as each gets more frustrated by the other’s decisions. And hell hath no fury like a woman feeling scorned by herself apparently, if their viciously violent and bloodthirsty fight across Elisabeth’s apartment is anything to go by.
Fargeat revels in The Substance’s brightly coloured glamour which she merrily contrasts with the feral behaviour in which her two leading ladies engage – or more accurately by the end, slug it out. She also enjoys depicting the unexpected and building the tension of what you know is inevitably coming from the first time Elisabeth jabs herself with a needle.

Obviously the rules are broken in The Substance, leading to some horrific consequences (Picture: MUBI)

Dennis Quaid is the gross TV executive in what has been praised a feminist film (Picture: MUBI)However, even with that anticipation, the third act unveils a truly unpredictable creature of limbs, teeth, slime and flesh – a nightmarishly impressive creation of the special effects department that truly embraces the high-camp drama and ridiculousness of this horror film.
This is when the boob vomiting comes in, but do stay for the blood hosings and explosions of body matter too!
The Substance truly serves the body horror fanbase who want to be entertained and grossed out by its descent into disgustingness.
However, by the movie’s outrageous climax, it does feel uncomfortable to laugh at a woman trying to conform to society’s ideals of perfection – namely beauty, thinness, and youth.

It’s truly hard to describe the horror of the movie’s stomach-churning climax (Picture: MUBI)The Substance has been hailed as a feminist film that skewers the pressure women are put under to be cosmetically perfect.
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Read More StoriesBut for me, it misses that mark slightly and doesn’t feel like it’s adding anything groundbreaking to that discussion.
In terms of repulsiveness though, it’s an impressive effort from Fargeat and Moore, bringing body horror to mainstream audiences.
The Substance is out in UK cinemas today.
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Netflix movie starring 00s icon hailed ‘best this year’ with 98% Rotten Tomatoes score

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Netflix’s newest ‘heartfelt’ and ‘moving’ film, His Three Daughters, stars Natasha Lyonne, Elizabeth Olsen and Carrie Coon as distant sisters who reunite to care for their ailing father.
The Netflix original from director Azazel Jacobs (French Exit) delves into the complicated dynamic between three sisters that comes to a head in a New York City apartment haunted by the anticipation of their father’s death.
‘As they wait at his bedside, old resentments rise to the surface, and the sisters’ relationships face new strains. Will their father’s imminent death bring them closer together — or push them apart for good?,’ the synopsis reads.
In His Three Daughters, Carrie, 43, plays the ‘uptight’ eldest daughter Katie, Natasha, 45, appears as struggling middle child Rachel, and Marvel star Elizabeth, 35, plays new mum and the youngest Christine.
The film, expertly helmed by a powerhouse Hollywood trio, just landed on the streaming service to huge praise as it secured an impressive 98% on Rotten Tomatoes.
‘[Azazel] gives these three crackling, perceptive actors plenty to work with and then steps back to capture their workaday magic,’ Time.com reflected in its review.

Netflix movie His Three Daughters has been showered with praise (Picture: Sam Levy/Netflix)And Rolling Stone didn’t hold back, calling it ‘nothing less than the single best movie you’ll likely see this year’ due to ‘[Azazel’s] extraordinary ear for how people use words to wound and mask, and a holy trinity that knows not only how to speak those words but how to complement one another’s disparate performing styles.’
New York Times echoed this praise, adding: ‘[Azazel] is sensitive to life’s contradictions; he knows how abruptly love seems to boil over into hate, and how quickly adult siblings can turn into whining, raging children.’
‘As this claustrophobic indie — one of the year’s best — makes exquisitely clear, there’s no easy way to pre-grieve, especially when dysfunction is the dominant language,’ The LA Times added.
Amid the reviews there was particular adoration for American Pie star Nataha’s performance as Rachel, the daughter who has long lived with her father and fears his impending death.
‘It’s Natasha Lyonne, though, who steals the show,’ Digital Spy wrote in their review. ‘The Russian Doll star masks her character’s pain under a faux nonchalance until the emotions burst out of her in some incredibly affecting scenes.’
Empire magazine dubbed it a ‘refreshing change of pace for the actor’ as she adopted this ‘more subdued and internalised role’.
And The Guardian called Natasha’s ‘signature disarming, earthy frankness’ portrayal ‘fully formed’.

The movie digs into the complex dynamics between the sibling trio (Picture: Netflix)Discussing what drew her to the film, Gilded Age star Carrie Coon shared that the movie felt ‘real’ to her.
She told Yahoo UK: ‘There was never anything that felt like a big movie scene about somebody dying, it all felt like real people in real time dealing with their grief as it occurred to them.
‘And that seemed to me to be a very instructive, moving and honest experience.’
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Read More StoriesAzazel wrote the characters with these three specific actors in mind, something Natasha was particularly moved by.
‘What I never had was in a vacuum, like, a really seasoned writer, director, auteur [writing something for me] without us ever having a relationship,’ the But I’m A Cheerleader actor told Radio Times.
‘It’s always been like me and Amy Poehler, [saying] like “Babe, let’s f***ing make something. Let’s write it.” This was so different in that sense, that there was no pre existing conversation.’
His Three Daughters is now available to stream on Netflix.
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