The most memorable Irish movie quotes that stole our hearts

When it comes to Irish movies, the dialogue is often as charming and witty as the rolling hills of the Emerald Isle itself. Whether it’s the lilting cadence of an Irish accent or the depth of meaning behind the words, certain lines from Irish films have a way of sticking with us.
Here’s a countdown of the 10 most unforgettable Irish movie quotes that have us laughing, crying, and craving a Guinness.

 “I’m a man, not a whimpering boy!”
Movie: “The Quiet Man” (1952)
Who said it: John Wayne as Sean Thornton

10

Maureen O’Hara and John Wayne in “The Quiet Man”.

Few films capture Ireland’s cinematic soul like “The Quiet Man”, and this line, delivered with gusto by Sean Thornton, is the stuff of legend. It’s a timeless declaration of Irish masculinity—passionate, but dignified. In a film full of fire and romance, it’s this proud defense of one’s honor that encapsulates the Irish spirit.

“Is this a pub or a convention of the Salvation Army?”
Movie: “The Commitments” (1991)
Who said it: Jimmy Rabbitte (played by Robert Arkins)

10

“The Committments”.

A beloved cult classic, “The Commitments” brought the heart of Dublin’s working-class youth to life through music and humor. This line is a cheeky jab at a slow night in a Dublin pub, but it also serves as a wry commentary on Ireland’s love affair with its social hub—the local pub. Whether you’re a pint-puller or a pint-drinker, it’s a sentiment that’s universally understood in Ireland.

“It’s not the same thing, is it? Eating a man and killing a man.”
Movie: “The Guard” (2011)
Who said it: Brendan Gleeson as Sergeant Gerry Boyle.

10

Brendan Gleeson in “The Guard”.

In this darkly comedic crime drama, Gleeson’s Sergeant Boyle delivers razor-sharp lines with a blend of deadpan humor and moral ambiguity. This line is a perfect example of “The Guard’s” biting wit. It’s bizarre, it’s hilarious, and it forces you to do a double-take. That blend of humor and edge is what makes it so memorable.
 “We all have our crosses to bear.”

Movie: “Angela’s Ashes” (1999)
Who said it: Malachy McCourt Sr. (played by Robert Carlyle)

10

“Angela’s Ashes”.

Based on Frank McCourt’s best-selling memoir, Angela’s Ashes is filled with heart-wrenching lines, but this one stands out. Spoken by the often-absent, charming yet troubled Malachy McCourt, this line captures the resilience of the Irish people, even in the face of hardship. It’s a quiet yet powerful acknowledgment of the struggles everyone faces, making it one of the most profound lines in the film.
“Do you want to hear my final words?”

Movie: “Michael Collins” (1996)
Who said it: Liam Neeson as Michael Collins

10

Liam Neeson as Michael Collins.

This film chronicles the life of Irish revolutionary leader Michael Collins, and Neeson’s powerful performance elevates this historical figure to mythic proportions. This line, poignant and heavy with the weight of imminent death, leaves viewers hanging on Collins’ every word. His bravery and patriotism make this one of the most unforgettable lines in Irish cinema.
 “You’ll never beat the Irish!”
Movie: “The Wind That Shakes the Barley” (2006)
Who said it: Cillian Murphy as Damien O’Donovan

10

Cillian Murphy in “The Wind That Shakes The Barley”.

Spoken with fire and conviction, this line from “The Wind That Shakes the Barley” is a testament to the Irish fighting spirit. In a film about the Irish War of Independence, this line distills centuries of rebellion, pride, and resilience into one unforgettable moment. It resonates with the same intensity today as it did in 1920s Ireland.

“It’s only a flesh wound.”
Movie: “In Bruges” (2008)
Who said it: Colin Farrell as Ray

10

Brendan Gleeson and Colin Farrell in “In Bruges”.

While technically set in Belgium, “In Bruges” features Colin Farrell delivering some of the most hilarious lines with his trademark Irish flair. When Ray dismisses his injury with this line, it’s an understatement in classic Irish fashion. It’s also an ode to the humor Irish people often find in the face of adversity—after all, what’s a bit of blood between mates?
“Your mother was right, you’re a gobs***e.”
Movie: “The Snapper” (1993)
Who said it: Colm Meaney as Dessie Curley

10

Colm Meaney in “The Snapper”.

“The Snapper” is beloved for its hilariously honest portrayal of working-class Irish families, and this line, spoken by the iconic Colm Meaney, encapsulates the banter and biting wit that are synonymous with Irish households. The term “gobshite” is delivered with the kind of affection only an Irish dad could muster.
“I’ll give you a hundred pounds to sleep with my wife.”
Movie: “Intermission” (2003)
Who said it: Colm Meaney as Detective Jerry Lynch

10

Colm Meaney in “Intermission”.

This shocking yet comedic quote perfectly reflects the dark humor of “Intermission”, a film that embraces the grittier, quirkier side of Dublin life. Colm Meaney, yet again, delivers with impeccable timing, balancing tension and humor in one outrageous line. It’s blunt, it’s bold, and it’s the kind of dry humor that Irish cinema does best.
Did we miss your favorite Irish movie quote? Share it with us in the comments below!

Just what on earth are those funny little square things on 35mm film?

You may think of 35mm film as a purely analog medium – a simple roll of chemically-coated celluloid that reacts when exposed to light to create the negatives from which photographs are produced – but there’s actually some digital trickery going on too. Have you ever considered what those strange silver-and-black squares printed on the canister are – or even noticed them? Or did you stop to ponder what the tiny barcodes that appear beneath the processed negatives signify?YouTube channel Technology Connections explores this in a video that’s part of its No Effort November series, where purportedly ‘no effort’ was made in the making of the video (though I suspect that there actually was quite a lot of effort involved in making it look like no effort was involved – a blooper reel at the end shows the outakes, so it clearly took a fair while longer to put together than the 15 or so minutes that the video runs for).As you’ll learn from the entertaining and irreverent video, those squares encode important information that helps the photographer to correctly expose the film without even thinking about it, all thanks to the DX (Digital IndeX) Encoding standard introduced by Kodak and subsequently adopted by all the major film manufacturers.

The clever camera code on rolls of film – YouTube

Watch On
It turns out that the silver squares are electrically conductive, while the black ones aren’t, and a series of electronic contacts in the host camera could read all sorts of data about the film that had been loaded into it.Most importantly, it could automatically tell the camera the sensitivity of the film. Just as today’s digital cameras have an ISO setting that determines the ‘sensitivity’ of the sensor output (that forms part of the exposure triangle, along with shutter speed and aperture, to work out the correct exposure), film was manufactured with different ISO ratings.Bog-standard ISO100 film was for shooting in daylight, while ISO400 was better suited to gloomy conditions. ISO1600 film was an exotic stock reserved for action photography, such as sports, or used when the light was low.The barcodes under the negatives contain the frame number and information for how the film should be developed (Image credit: Technology Connections)Before DX Encoding came along, photographers would need to manually select the ISO rating of the film in the camera – and if you forgot, you’d have a whole 24 or 36 incorrectly exposed frames (incidentally, DX Encoding could also tell the camera how many frames were in the roll, and also other stuff, such as the exposure latitude of the film).The best camera deals, reviews, product advice, and unmissable photography news, direct to your inbox!As for the barcodes: this would tell the processor how to process the film. Look, just watch the video and all is explained!If you’re fan of all things retro, see our guide to the best film cameras and the best 35mm film. You might also be interested in this YouTube video charting the rise and fall of DX coding pioneer Kodak.