The film has ended, but the names of the many people who worked on it are rolling across the screen. Do you stick around?
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Q: Is it morally correct to stay seated until the end of the credits in a cinema?
I’ve thought about this question my entire adult life! I think a lot of other people have, too. But to answer it, we have to think about what movie credits do, and why they’re there at all.
The stayers and the leavers
There are two schools of thought here, both of which, I think, are pretty reasonable.
On the one hand are the “stayers.” I used to be one. When my partner and I began seeing movies together, I was often writing about them, and he was working in film production, so we had two good reasons to stick around. We felt it was a way of honoring and celebrating all the people who pitch in to make a movie. Filmmaking is inherently collaborative, more than most arts, and even the office assistants toward the end of the credits sequences (especially the office assistants) deserve acknowledgment for doing a stressful, surprisingly difficult job.
And let’s be honest — we also stayed to the end because it was fun to spot our friends’ names in the credits.
Over time, though, I’ve become more of a “leaver,” for a few practical reasons. I often see several movies in a day, and I’ve got to get across town for the next one. Sometimes I really need to use the bathroom. And in this era of ultra-budget productions and mega-effects-driven movies, those credits can go on for 10 or 15 minutes, especially when you add in post-credits scenes.
This was not always the case. “End credits” weren’t really a common thing in American film until the late 1960s, when a much larger number of people involved in the production began getting credit for their work in the movie itself. Before then, there were usually a few title cards that announced major cast and crew credits. Adding the monkey wranglers and location scouts and drivers and production interns results in longer credits.
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