What is the most expensive movie ever produced?

(Credits: Far Out / De’Andre Bush) Sat 21 December 2024 14:15, UK It’s not cheap to make a movie. Even films made on ‘shoestring’ budgets still require thousands to fund them, which most creatives can’t just magic out of their back pockets. Luckily for some filmmakers, a certain level of success allows them to access big budgets so that they can create Hollywood blockbusters where the sky really is the limit.Mainstream audiences love epic productions of mammoth proportions, complete with mind-blowing special effects and expansive settings, as evidenced by the popularity of Marvel and other franchises like Star Wars and the DC Universe. These kinds of films draw us into a world of pure escapism and fantasy that are so far removed from our own lives that we can’t help but want more. In many ways, the popularity of these movies – which become more than pieces of cinema but capitalistic entities, earning copious amounts of money and lining the pockets of millionaires and billionaires – are indicative of our need to escape from the trappings of capitalism. It’s an endless cycle – we want to escape the mundanity of our lives by indulging in these big-budget blockbusters, but in doing so, we fund a machine that continues to shove more flashy shows of wealth and excess into our faces. That’s not to say that big-budget movies aren’t worth our time. Many of them have dedicated fan bases for a reason; they’re impressive achievements within the world of cinema, pushing the limits of what art can be and possessing qualities that make us feel passionate or emotional. Movies like Star Wars and Titanic were made on huge budgets, but you’ll be hard-pressed to find someone who doesn’t have strong feelings towards at least one of them – either positive or negative. While these films, alongside titles like Avatar, the Avengers series, and the Jurassic World franchise might seem like worthy frontrunners for the title of the most expensive film ever made, the answer is actually much harder to pinpoint. However, the movie that most people believe to be the most expensive is Star Wars: The Force Awakens, which cost around $447million – an insane budget for just one movie.(Credits: Far Out / Walt Disney Studios)So, what movie has the biggest budget adjusted for inflation?Yet, we also have to take into consideration the movie budgets that have now been adjusted for inflation. Pirates of the Caribbean: On Stranger Tides was the most expensive film ever made at the time of its release in 2011, costing around $422m. People often still label the movie the most expensive ever made, but it seems like Star Wars: The Force Awakens has now beaten it to the post. Similarly, Cleopatra, released in 1963, had an incredibly large budget, especially for the time. Costing around $350m when adjusted for inflation, the industry had never seen a movie with such an astonishingly large budget before. These days, however, that budget is rather common among big blockbuster epics. …and what is the most expensive movie per minute?Yet, if we’re talking about the most expensive movie in terms of each minute, Jurassic World: Fallen Kingdom has earned that title. Made on a budget of $432m, if you crunch the numbers, each minute of the movie cost a staggering $3,375,000. That’s a rather incredible feat to behold, and if we break that down even further, each second equates to $56,250. The movie, released in 2018, grossed over $1billion, taking the Jurassic Park franchise to even greater heights. So, while Star Wars: The Force Awakens appears to be the movie made on the largest budget in the history of cinema, it’s Jurassic World: Fallen Kingdom that holds another impressive feat of its own. [embedded content]Related TopicsSubscribe To The Far Out Newsletter

Legal Operations Platform Brightflag Reports Steady Business Growth in 2024

Brightflag, the AI-powered e-billing and matter management platform for corporate legal departments, announced that 2024 will be its “best-ever” year of growth.
Ian Nolan, founder and CEO of Brightflag said:
“This year Brightflag has added more customers than ever before. I am very proud that in-house teams increasingly view Brightflag as the best choice for gaining visibility into their legal work and controlling costs.”
Brightflag marked its tenth year of operations in 2024, marking a decade of bringing AI solutions to the e-billing and matter management market that transform the way legal teams “collaborate with outside counsel to support the business.”

In addition to expanding its customer base in 2024, Brightflag took its AI innovation to the next level, becoming the e-billing and matter management provider to release generative AI capabilities.
Michael Dineen, VP of Data Science at Brightflag said:
“This year we brought e-billing and matter management into the era of generative AI with the release of two first-of-their-kind capabilities.” 
In September, Brightflag became the first e-billing and matter management provider to offer a generative AI assistant with the launch of Ask Brightflag.
Ask Brightflag represents the “future” of how in-house teams will manage legal work and spend, enabling them to gain insight “into their data and take action using conversation.”
Brightflag has reportedly launched another innovative generative AI feature, Invoice Summaries, in April.
This feature provides invoice reviewers with information they need to take action from their inbox, including a Brightflag AI-generated “summary of the work performed by outside counsel.”
Brightflag released countless other features and improvements as part of its monthly software updates, including:

A complete reimagining of the invoice review experience to make it easier than ever to conduct in-depth invoice reviews, assisted by Brightflag AI.
An integration with eBillingHub, a leading provider of law firm billing software, to streamline invoice submission.
A new invoice delegation feature, which helps in-house teams temporarily re-assign invoices to another reviewer, such as when an approver goes on vacation or is otherwise unavailable.
Adding more automated checks to the Brightflag AI-enabled PDF invoice validation to remove manual invoicing steps.

Brightflag increased its R&D and customer success headcount by 30% in 2024 to further accelerate the pace of innovation and “support a growing customer base.”
Several new e-billing and matter management experts joined the Brightflag team, bringing with them a total of “49 years of domain expertise in helping in-house teams gain visibility into legal work and effectively manage spend.”
Alongside its investment in product development, Brightflag continues to invest in excellent customer service and achieved a “99% client satisfaction score in 2024.”
This year, Brightflag reports that it has continued to consistently invest in thought leadership for the benefit of the in-house community.
Brightflag developed research reports to help shine a light on current trends in the legal industry, including the 2024 Corporate Legal Operations Compensation Report and the Hourly Rates of Am Law 100 Firms reports.
It deepened its engagement with its customer base by creating a Customer Advisory Board, with members from “in-house thinkers from companies like Zillow, Atlassian, and SharkNinja.”
Ian Nolan added:
“As we look ahead to 2025, I’m looking forward to another year of innovation and helping in-house teams effectively manage their operations and their budget.”
As covered, Brightflag’s e-billing and matter management platform provides  visibility into legal spend and helps in-house teams “control costs.”
The “intuitive” AI-powered platform makes teams more productive by eliminating time-consuming tasks “related to invoicing, reporting, and matter management.”
The firm explains that it serves a global community of legal professionals from offices in New York, Ireland, and Australia.

Children born thanks to IVF pioneer find their biological father is scientist from his lab

Your support helps us to tell the storyFrom reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it’s investigating the financials of Elon Musk’s pro-Trump PAC or producing our latest documentary, ‘The A Word’, which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.Your support makes all the difference.CloseRead moreQuestions have been raised about one of the UK’s most well-known fertility doctors after two people whose parents attended his clinic reportedly made the shock discovery that their biological father is a lab scientist who worked in the same hospital as the physician.Patrick Steptoe, who died in 1988, was an obstetrician and gynaecologist who helped develop in vitro fertilisation (IVF) and ran a fertility clinic in Oldham Hospital, Greater Manchester.The parents of Roz Snyder, 52, and David Gertler, 51, attended the clinic around the 1970s after struggling to conceive children.I just found out my dad’s not my dadRoz SnyderMs Snyder and Mr Gertler were shocked after DNA tests revealed they are half-siblings, the Telegraph reported.The pair were recently alerted by the genealogy website Ancestry that their late fathers are not their biological ones, but that they shared a biological father in Roy Hollihead, who ran a pathology laboratory one floor above Dr Steptoe’s clinic.The 84-year-old told Ms Snyder that Dr Steptoe “used sperm from lab staff, medical students and doctors… but no records of any were kept” and told the Telegraph that he was not sure the hospital was aware of the apparent scheme.Ms Snyder and Mr Gertler do not believe their late parents knew that their mothers’ eggs were inseminated using Mr Hollihead’s donated sperm, and they have raised questions about the ethics around some of Dr Steptoe’s fertility work.Ms Snyder said: “Something definitely doesn’t add up. All the research I have done, spending night after night on the internet. I can’t find anywhere that Dr Steptoe did artificial insemination.“It has been life-changing. It has given me an identity crisis. Who am I? I just don’t know. There have been so many tears. So much crying. I just found out my dad’s not my dad.”I’ve almost got impostor syndromeDavid GertlerMr Gertler told the newspaper about who he had believed was his father, saying: “Technically while he was the man who brought me up and was wonderful, from a biological point of view he definitely wasn’t my dad.“Personality traits everybody said I had inherited from him like a sense of humour and business skills is not true. Your foundations completely shift. You feel you don’t belong as much. I’ve almost got impostor syndrome.“My instinct is they (my parents) were never told.”Northern Care Alliance, the NHS trust that now runs Oldham Hospital, said it had no records of Dr Steptoe’s clinic, according to the Telegraph.His struggle to develop IVF with two other pioneering British scientists – nurse Jean Purdy and physiologist Sir Robert Edwards – was recently dramatised in a new film Joy, starring Bill Nighy as the fertility physician.

Where Will All of Big Tech’s Nuclear Waste Go?

There’s a field in Wiscasset, Maine (Population 3,742) protected by armed guards. On the field is a chain link fence surrounding a pad of concrete. On the pad are 60 cement and steel canisters that contain 1,400 spent nuclear fuel rods, the leavings of a power plant that shut down almost 30 years ago.
The containers are full of nuclear waste. The locals don’t love it, but there’s nowhere for it to go. The issue of what to do with America’s nuclear waste is a problem that’s solved in theory but stalled in practice thanks to a decades-long political fight. The country needs more power, and faster, and tech companies such as Google, Microsoft, Meta, and Amazon all announced this year that they’re moving forward with plans to go nuclear.

That means there’s going to be more nuclear waste than ever before. Where will it go? If the current system holds, it’ll be stored near the reactors. Right now, nuclear waste is put in stainless steel containers and sealed in a concrete structure called a dry cask. Dry casks are, by all accounts, remarkably safe. If they’re undisturbed, they could remain so for centuries.
But the world is not static. The climate is changing. Wildfires, earthquakes, and rising ocean levels pose a threat to those dry casks. An earthquake, flood, or fire swallowing up one or two dry casks might not cause a problem. But there’s about to be more of them.

© Photo by Gabe Souza/Portland Press Herald via Getty Images
Aerial photographs of the old Maine Yankee site in Wiscasset taken Wednesday, February 6, 2013, showing the steel-lined concrete containers that hold spent fuel assemblies.
Big Tech’s nuclear push
America’s nuclear waste is piling up. It’s a political problem, not a scientific one. Other countries with nuclear infrastructure bury their waste deep underground in specially designed storage facilities called deep geological repositories. We could do that in America. We even started building one. The problem is that no one wants a giant cave filled with nuclear waste in their backyard.
It’s hard to blame them. The U.S. has a terrible track record when it comes to handling waste. For years, we’d store it in barrels and dump it into the sea. Waste leftover from the Manhattan Project is still poisoning people today. In South Carolina, radioactive alligators once roamed the Savannah River Site where pieces of nuclear weapons were made. The Hanford Site in Washington state is sitting on 54 million gallons of waste that may never be cleaned up.

To meet Big Tech’s energy demands, we’ll add more to the pile.
2024 was the year Big Tech went all in on nuclear energy. Data centers are power-hungry beasts and the increased use of number-crunching artificial intelligence systems means that tech companies need more energy than ever before. To solve the problem, Meta, Google, Microsoft, and Amazon are all betting on nuclear energy.

Google announced a partnership with Kairos Power aimed at building multiple small modular reactors (SMR) in October. Amazon also announced it was building SMRs in cooperation with Energy Northwest, X-Energy, and Dominion Energy. Meta, later to the game than the others, asked companies for proposals on how it could generate 1-4 gigawatts (the equivalent of hundreds of millions of LED light bulbs) using nuclear power.
Microsoft, who has been working on this for a long time, is partnered with TerraPower to build SMRs. It also announced a partnership with Constellation Energy that would reopen the Three Mile Island nuclear power plant in Pennsylvania.

Nuclear power is hard to do. Its fuel sources are rare and heavily regulated. When it works, it provides clean and efficient fuel for millions of people. When it goes wrong, it’s a disaster that can help topple governments and give cancer to millions. Traditional reactors require billions in investment and decades of construction time.
But Big Tech isn’t looking to go the traditional route. They’re talking about new kinds of reactors. “There’s been a talk of a renaissance for decades. Depending on who you talk to, we could be in our third or fourth renaissance, or our eighth or ninth. So let’s leave the R-word aside,” Cindy Vestergaard, a senior fellow and director of Converging Technologies for the Stimson Center, told Gizmodo. Vestergaard is a nuclear supply chain expert who focuses on nonproliferation.

When people think of nuclear power they often picture the enormous cooling towers and sprawling complexes filled with scientists. The dream of SMRs is that they could do away with much of that. There are dozens of designs, but the basic concept is that these new reactors would be tiny compared to traditional reactors (some of them would even be portable) and can be spun up and decommissioned to match the demands of the grid.
“A lot of these designs have been around for decades,” Vestergaard said. It’s just that the economic incentives didn’t exist to make them a reality. Thanks to climate change and the demands of Big Tech, that’s changed. “Solar and wind are great in many ways, but they need to be supplemented.”
Big Tech may understand business, but energy companies are a whole different thing. “We have a newbie engaging in this…which means we have a lag time in what it all means,” Vestergaard said. “They have a lot of money, so deep pockets, I think, help drive a lot of innovation going forward that we would not have seen in the past. So I think that gives them a nuclear leg-up…most investors do not understand the long game in nuclear.”

The pitch for many of these SMRs is also that they’re safer and they’ll produce less waste. Vestergaard isn’t so sure. “We hear ‘oh, they’re safer, they’re more efficient.’ Well, we don’t know that. Maybe on paper. We have to test and demonstrate this.”
I reached out to Google, Amazon, Meta, Microsoft, and some of their nuclear power partners to see how they’re thinking about how to manage waste. Meta and Microsoft referred me to posts on their websites about sustainability. Amazon told me to reach out to its energy partners. Google didn’t respond.
Of Big Tech’s partners, only TerraPower—who is working with Microsoft—got back to us. It said that its Natrium reactors will produce more energy and less waste than any other reactor on the planet. “The Natrium technology will reduce the volume of waste per megawatt hour of energy produced by two-thirds because of the efficiency with which it uses fuel,” it said. “The waste the Natrium reactor does produce will be stored safely and securely onsite through proven methods used at plants throughout the country until the United States identifies a permanent geologic repository.”
TerraPower identified the core problem of nuclear waste in the U.S. The government needs to identify a permanent geologic repository. It’s having trouble doing that.

© Photo by David Howells/Corbis via Getty Images A test nuclear waste load, heated to 400F to see the reaction of the surrounding rocks deep inside the Yucca Mountain Nuclear Waste Repository in Nevada. | Location: Yucca Mountain, Nevada, USA.
Not in my backyard
According to Vestergaard, Big Tech may not be ready for something it’s been bad at in the past—dealing with an angry populace. “The local populations pay billions into these huge infrastructure projects,” she said. “Big tech, historically, has not had a good sense of what it’s like to have engagement at the local level. That’s another thing where they’re going to have to learn, and adjust, and adapt to public hearings.”
People come out when nuclear waste enters their backyards. The risk of cancer, radioactive animals, and environmental destruction is real. And people know it.

These reactors will be built in someone’s backyard. Several of the companies are talking about building them on-site, next to data centers. Taxpayer cash will go towards these reactors and it’ll expect to get something in return. Not all the power can go to the data centers and large language models.
It’ll all generate waste. Waste with nowhere to go. After decades of mismanagement, the federal government attempted to get hold of America’s nuclear waste problem in the 1980s. Its solution was to build a deep geological repository in Yucca Mountain, Nevada. It even started construction. The people of Nevada, who have long borne the brunt of America’s nuclear ambitions, didn’t want it there.

“In the United States, there’s never really been public consent. It’s not like they went to Nevada and said ‘What if we put it here? What do you guys think about it?’” Vestergaard said. “The United States itself is incredibly split and stuck on its nuclear waste problem, So there’s a law, back from the 80s, that says it’s gotta be at Yucca Mountain.
She added that, at this point, America has enough nuclear waste waiting around to fill Yucca Mountain three times over. “So even if Yucca Mountain was still a viable option, it isn’t. Particularly for new nuclear reactors that would be coming on board,” she said.
Opponents called the law the “Screw Nevada Bill.”
The same law that designated Yucca Mountain as the site of future nuclear waste also created the Office of the United States Nuclear Waste Negotiator. The idea was that this office would negotiate with states and tribal leaders in the U.S. to find an interim storage solution for nuclear waste. Created in 1987, the position wasn’t filled until 1990. It was eliminated in 1995.

One of the problems is that, according to the laws, nuclear waste can no longer be stored in a state or patch of tribal land without the consent of the people who live there. And no one wants it. So instead of going to a central location for permanent disposal, it sits on sites near where it’s made, some 94 locations and growing.
Kissing casks

I kissed a cask (of nuclear waste) and I liked it. pic.twitter.com/xR0ZEERVUk
— isabelle 🪐 (@isabelleboemeke) December 19, 2024

Science and nuclear influencers love to kiss nuclear waste. “I kissed a cask (of nuclear waste) and I liked it,” Isabelle Boemeke, known as Isodope online, said in a post on X on December 19. The attached pictures show her kissing a dry cask filled with nuclear waste.
Boemeke is one of a number of nuclear influencers who use their platform to agitate for more nuclear power. The kissing a cask of nuclear waste stunt is popular among science YouTubers and the only thing strange about Boemeke’s post is that it’s come after so many other people have done it.

“Yes, dry casks are incredibly safe,” Vestergaard said. “I put my hand on them as well and stood by them.”
The problem is not that casks aren’t a great way to store nuclear waste, they are, it’s that they stick around on the site where the waste was made. Boemeke’s pic was at the Diablo Canyon Power Plant in California. The plant is California’s last operational nuclear power site and the state planned to shut it down.
Then Boemeke and Grimes started making PSAs online about why it needed to remain. It worked. Regulators voted to extend the life of Diablo Canyon to at least 2030. That means the site will generate more nuclear waste. Waste which will remain on site. Diablo Canyon is next to major fault lines. It’s near San Luis Obispo, a community now perennially threatened by wildfires. The San Onofre nuclear power plant south of Los Angeles sits on a major faultline. It’s also sitting on 3.6 million pounds of nuclear waste.
For some experts, the dry casks are a fine solution and the benefits of nuclear power generation far outweigh the negatives of nuclear waste. “Climate change is a clear and present danger of global scale with a wide range of damaging impacts on geologic time scales,” Jesse D. Jenkins, an Assistant Professor at Princeton University, said in a post about nuclear waste on BlueSky. “Small volumes of spent nuclear fuel can be contained safely in dry cask storage for century+ time scales.”

“The entire history of US civilian nuclear power, which has produced 1/5th of our electricity for decades with no CO2 or air pollution, has produced less than 100,000 tons of high-level waste. We burn billions of tons of fossil fuels EVERY YEAR,” Jenkins said. “That means the entirety of spent nuclear fuel fits in less than 10,000 dry casks…That’s it. All of it. And this is ‘the nuclear waste problem’ that means we should supposedly eschew this proven source of emissions-free electricity? Nah.”
I am not arguing that we shouldn’t adopt nuclear energy. Jenkins and others are right. Dry casks are mostly safe. But I do think nuclear waste is a problem. And more reactors mean more spent fuel that needs to be managed, more dry casks spread across the country, and more armed guards on patrol like those in that field in Maine.
A 2024 report from the Government Accountability Office uncovered something shocking. The Nuclear Regulatory Commission, the government agency that manages waste, hasn’t studied the effects of climate change on the dry casks and nuclear power plants.
“NRC primarily uses historical data in its licensing and oversight processes rather than climate projections data,” the report said. When the GAO interviewed officials at the Commission, they told investigators that they had it under control. “However, NRC has not conducted an assessment to demonstrate that this is the case,” the report said.

The report detailed the hazards facing nuclear power plants. “According to our analysis of U.S. Forest Service and NRC data, about 20 percent of nuclear power plants (16 of 75) are located in areas with a high or very high potential for wildfire.” More than sixty percent of nuclear power plants, 47 of 75, are located in areas with exposure to Category 4 and 5 hurricanes and in an area where NOAA predicted the sea levels will rise.
Big Tech is going to build more nuclear power plants. Oil and gas are dirty sources of power. Nuclear has the potential to be much cleaner and more efficient. Nuclear energy is also mostly safe, the problem is that when things go bad they go catastrophically bad. More reactors mean more points of failure and more waste. Waste that’s in need of a permanent home.
One can only hope that the same lobbyists Big Tech rolls out whenever it needs something done in Washington can help them find a permanent home for America’s spent nuclear fuel.

Meat-eating squirrels are now a thing – and scientists don’t know why

Squirrels have long been associated with acorns and other nuts, but a truly wild (ha) discovery was made by researchers at the University of California, Davis (UC Davis) and University of Wisconsin-Eau Claire this month when they found evidence of the furry animals tucking into voles – suggesting ground squirrels may actually be carnivorous.The scientists spotted squirrels hunting, killing and/or consuming the animals between 10 June and 30 July this year, both during formal observations of the squirrels’ behaviour, and on days where they were trapping and marking squirrels before releasing them.Out of 74 observed interactions with voles between June and July, 42 per cent concerned active hunting of the animals by ground squirrels.Jennifer E. Smith, UW-Eau Claire associate professor and lead author of the study, said: “This was shocking. We had never seen this behaviour before.“Squirrels are one of the most familiar animals to people. We see them right outside our windows; we interact with them regularly.“Yet here’s this never-before-encountered-in-science behaviour that sheds light on the fact that there’s so much more to learn about the natural history of the world around us.”[embedded content]- YouTubewww.youtube.comIn remarks which could well serve as great promo for The Scurry (an actual comedy-horror about killer squirrels announced earlier this year and set to star Rhys Ifaans and Paapa Essiedu), fellow researcher Sonja Wild of UC Davis said: “I could barely believe my eyes. From then, we saw that behaviour almost every day. Once we started looking, we saw it everywhere.”Well, that doesn’t sound ominous at all…While concluding that the squirrel may be “best characterised as an opportunistic carnivore, rather than a granivore” (animals which feed on seeds), the researchers also state that an “outstanding question” is whether the squirrels in California are “genetically predisposed to engage in hunting behaviour when the opportunity presents itself or if hunting is socially learned”.Other unanswered questions concern “how widespread the hunting behaviour is among squirrels” and whether it is “passed down from parent to pup” – and if so, how.The study has been published in the Journal of Ethology and is available to read for free online, if you’re curious…Sign up to our free Indy100 weekly newsletterHow to join the indy100’s free WhatsApp channelHave your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

Barack Obama’s 10 Favorite Movies Of 2024 Include Dune: Part Two

Niko Tavernise/Warner Bros

As 2024 draws to a close, everyone who’s prone to opining on the art they’ve consumed throughout the year is making their lists of bests, worsts and so on. Your friendly neighborhood entertainment junkies at /Film have been busy little beavers over the last couple of weeks, compiling what we collectively believe to be the year’s 20 best movies and 15 best TV shows. You may or may not agree with our selections, but we do hope you’ll give each and every title a shot if you’ve got the time.

This list-making bug doesn’t just bite critics; regular ol’ moviegoers love to get in on the act as well. All you have to do is spend a little time on TikTok or YouTube, and you’ll find folks of all ages weighing in on their favorites of the year. One person we’ve become accustomed to hearing from every December is former president Barack Obama. Even when he was in office, he managed to set aside time to watch movies and television, and read a load of books. He even formed his own production company when he left office (Higher Ground Productions), so entertainment is clearly much more than a hobby for him.
If you’ve been waiting for Obama to release his 2024 lists, that time has arrived. What were the former chief executive’s favorite movies of 2024?

Obama’s favorite movies of 2024 include Dune: Part Two and Anora

Netflix

Here are Barack Obama’s (apparently unranked) top ten films of 2024:

“All We Imagine as Light”
“Conclave”
“The Piano Lesson” (pictured above)
“The Promised Land”
“The Seed of the Sacred Fig”
“Dune: Part Two”
“Anora”
“Dìdi”
“Sugarcane”
“A Complete Unknown”

Obama typically offers up a varied list, and this year is no exception. All of these films received widespread critical acclaim, so it’s hard to say that any of them feel like left-field choices. Due to its omission, we’ll have to assume that Obama somehow couldn’t slot “Hot Frosty” into his viewing schedule prior to releasing his top ten.

The best part of Obama’s list is that it might compel American moviegoers to give foreign films like “All We Imagine as Light” (an Indian film that was controversially denied Oscar consideration by the country’s Academy Award-nominating committee), “The Promised Land” and “The Seed of the Sacred Fig” a shot. They might also watch Malcolm Washington’s barely-promoted-by-Netflix adaptation of August Wilson’s classic play “The Piano Lesson” (which stars greats like Samuel L. Jackson, John David Washington, Erykah Badu, and Danielle Deadwyler). And they’ll hopefully read up on “Anora” before they gather the family around the television to check out Sean Baker’s extremely randy comedy.
It’s especially heartening that Obama not only listed one blockbuster, but that he chose the very best of the year in Denis Villeneuve’s “Dune: Part Two.” All in all, this is a very respectable top ten, Mr. President. We salute your taste in cinema.

10 Great Movies Leaving Netflix At The End Of December

As the year closes out, Netflix will initiate its biggest movie exodus of 2024. Between now and January 1, 2025, dozens upon dozens of films will exit the streaming platform, meaning you have less than two weeks to squeeze in some of your favorites—or perhaps discover a great new movie. And I’ve got ten great recommendations for you. From a romance about a couple whose memory of one another is slowly fading away, to an epic buddy cop epic that features some of the best on-screen chemistry ever, to a psychological thriller about a man convinced of an apocalyptic event, this grouping of movies has something for everyone, no matter what genre or kind of story they’re looking for.

So what movies should be on your radar? Below, I’ve put together ten great options, some of which are amongst my favorite movies ever. Then, at the bottom of the article, you’ll find a massive compilation of every single film leaving Netflix before the end of December 2024. Hopefully you find your next movie night movie in this bunch. Happy watching!

The 10 Best Movies Leaving Netflix in December 2024
Eternal Sunshine of the Spotless Mind (2004)

Why not start with one of my all-time favorite movies: Eternal Sunshine of the Spotless Mind. I have cherished this movie ever since seeing it in theaters twenty years ago, and I still get those warm nostalgic fuzzies every time I rewatch it. The story follows Joel Barish (Jim Carrey, in his best performance ever) after he discovers his girlfriend Clementine Kruczynski (Oscar winner Kate Winslet, who matches Carrey’s every step) underwent a procedure to erase all memories of their relationship after a big fight. Heartbroken, Joel also decides to take the same path. But as he relives the highs and lows of their relationship during the operation, Joel suddenly has a change of heart. The film then takes viewers on a surreal journey through Joel’s subconscious, revisiting memories both new and old as he holds onto fragments of Clementine before they vanish forever. Director Michel Gondry’s dreamlike aesthetic—his practical effects, his in-camera tricks, his minimal CGI to create a surreal environment—makes this movie feel as though it hasn’t aged a single day. If you haven’t seen Eternal Sunshine of the Spotless Mind, then do yourself a favor before it’s gone from Netflix.

Take Shelter (2011)

The descent into paranoia is both deeply unsettling…and frighteningly familiar. Sometimes we believe something we’ve been told couldn’t possibly be true, that defies all logic and reasoning—but for whatever reason, it persists. Few movies have allegorically captured that mental struggle better than Take Shelter. This critically acclaimed film from director Jeff Nichols centers on Curtis LaForche (Michael Shannon), a small-town blue-collar worker who suddenly experiences a wave of apocalyptic visions. Fearful these visions could be premonitions, Curtis obsessively builds a storm shelter in his backyard to protect his family—his wife Samantha (Oscar winner Jessica Chastain) and their young, hearing-impaired daughter Hannah (Tova Stewart). As his behavior increasingly grows erratic, Curtis struggles with whether his warnings of an impending disaster are genuine or the onset of mental illness. The slow-burn approach from Nichols, the deliberate pacing, the quiet, domestic moments juxtaposed against Curtis’s growing fears, it all creates a palpable sense of dread that permeates the entire film. This movie will shock you throughout—and that includes its final, awe-inspiring frame.

Before Sunset (2004)
This is one of those cases where if you haven’t seen the first movie, it’s okay to see the sequel. But…if you’re able to watch Before Sunrise before you see Before Sunset, you should. Regardless, Before Sunset can be thoroughly enjoyed thanks to how simple-yet-magical it is. Picking up nine years after the events of the previous film, this story finds successful author Jesse (Ethan Hawke) on a book tour in Paris. Based on his chance encounter with Céline from the first film, Céline (Julie Delpy) meets back up with Jesse at a bookstore event. These two separated lovers have a limited amount of time to spend together before Jesse must catch his flight back to the United States. Set in real time, the sun slowly sets in the background as they stroll through the streets of Paris while they discuss their lives, relationships and the lingering impact of their brief yet profound connection years earlier. Directed by Richard Linklater, and co-written with Hawke and Delpy, Before Sunset crafts dialogue that feels organic and deeply personal throughout, always flowing seamlessly, always capturing the rhythm of a genuine conversation. This is simply one of the most watchable movies ever, and it will leave you feeling happy and hopeful in the end.
Bad Boys I & II (1995, 2003)
Say what you will about Michael Bay, who has unleashed his “Bayhem” brand of filmmaking upon moviegoing audiences for over three decades now. While his high-octane approach isn’t for everyone, there are some of his movies that seem to be universally loved—starting first and foremost with the Bad Boys movies, which follow the heightened escapades of Miami narcotics detectives Mike Lowrey (Will Smith) and Marcus Burnett (Martin Lawrence). In Bad Boys, the duo must recover a stolen cache of heroin while protecting a key witness, Julie Mott (Téa Leoni). Along the way, their drastically different personalities—Mike’s smooth-talking, risk-taking demeanor versus Marcus’s cautious, stress-laden approach—create both thrilling and hilarious friction as their mission spirals out of control. Then Bad Boys II, which might just be Bay’s best film to date, ups the ante even further, as Mike and Marcus take on a powerful Cuban drug lord smuggling ecstasy into Miami. As their personal lives become entangled—especially with Mike secretly dating Marcus’s sister, Syd (Gabrielle Union)—the explosive action and chaotic comedy escalate to even greater heights. If you’re looking for some grade-A entertainment, it’s hard to do worse than these films where Smith and Lawrence register some of the best on-screen chemistry you’ll ever witness.
Funny People (2009)
Judd Apatow isn’t afraid to incorporate drama and tragedy into his comedies. In fact, it should be expected at this point for a director whose made a career of finding comedy in the most uncomfortable and dire of situations. But no Apatow movie goes quite as far as Funny People—which might be why it’s his best film. The story centers on George Simmons (Adam Sandler), a retired comedian who became a very successful and rich movie star. But despite his wealth and seeming good health, he is diagnosed with life-threatening leukemia and only has an 8% chance to love. Facing his own mortality, George hires struggling stand-up comedian Ira Wright (Seth Rogen) as his assistant and opening act, and the two form an unlikely bond. As George reflects on his life, he reconnects with Laura (Leslie Mann), the love of his life who is now married to a nice man named Clarke (Eric Bana) and has children. The film provides an inside look at the stand-up comedy world, exploring the struggles and insecurities faced by someone like George, whose career and personal life serve as a lens through which the movie examines the price of fame and the ways humor can both connect and isolate people. Watch out for appearances from awesome real-life funny people like Jonah Hill, Jason Schwartzman and Aubrey Plaza in this super-funny-yet-super-sad gem.
Ella Enchanted (2004)
There have been some great films that blended together classic fantasy elements with modern humor and sensibilities, from charming films like Enchanted and Big Fish to darker movies like Pan’s Labyrinth and The Little Princess. But one has always, unfortunately, flown a bit under the radar, has never been taken quite as seriously as the rest: Ella Enchanted. And that’s too bad, because it’s great. This musical romantic comedy follows the story of “Ella of Frell” (Anne Hathaway in an early role), a who was cursed at birth with the “gift” of obedience by a well-meaning but misguided fairy named Lucinda (Vivica A. Fox). This magical compulsion forces Ella to obey any command given to her, no matter how harmful or absurd, and Ella’s cruel stepmother Dame Olga (Joanna Lumley) and wicked stepsisters Hattie (Lucy Punch) and Olive (Jennifer Higham) constantly take advantage. Determined to free herself, Ella sets out to find Lucinda and break the spell. Along the way, she falls for Prince Char (Hugh Dancy), who helps her in her plight. The vibrant costumes, the whimsical sets, the magical creatures create a fairy tale atmosphere, while the witty dialogue and pop culture references make the movie feel fresh and accessible to a modern audience.
Step Up Revolution (2012)
Okay, it’s time for some honesty: I love Step Up Revolution. In a couple different ways. At first, I loved it for so-bad-it’s-good reasons, as the movie is chock-full of ridiculous moments you can enjoy with a crowd (and perhaps a few libations). But after several watches, I truly, genuinely began to love the movie and its up-to-the-ceiling high energy. If you’re a fan of dance movies (like I am), then this one is for you. The story is simple enough: Emily Anderson (Kathryn McCormick), an aspiring dancer, moves to Miami, hoping a prestigious dance company. Along the way, she crosses paths with Sean (Ryan Guzman), the charismatic leader of a dance crew called “The Mob” that specializes in elaborate flash mob performances. As Emily and Sean grow closer, the crew faces a challenge when a wealthy developer (who happens to be Emily’s father), Bill Anderson (Peter Gallagher), plans to demolish their historic neighborhood and build luxury properties in their place. The story is pretty basic, but is also secondary to the film’s true core strength: the highly choreographed, vibrantly colorful, visually stunning dance performances that take full advantage of Miami’s beautiful architecture. Each routine, no matter how insane it gets (and trust me, they get quite insane), is meticulously planned and incorporates diverse styles, from contemporary to street dance to…uh, bungee cords? Trust me, if you’re in the right mood, this movie is one heck of a time.
300 & 300: Rise of an Empire (2007, 2014)
The last one-two punch on this list provides two decidedly different paths for action movies. The first, 300, is directed by ever-controversial Zack Snyder, a man whose artistry I find inspiring. At this point, I’m flummoxed by how polarizing his style has become, especially when 300, which might be his best film, delivers some of the most intoxicating visuals we’ve seen in the modern era of film. But if you’re not into his brand of storytelling, then 300: Rise of an Empire might be more your speed. Director Noam Murro gave us a hyper-stylized action epic that paid homage to Snyder’s unique vision, while also crafting his own aesthetic, a desaturated color palette punctuated by splashes of vivid red and gold. The first film recounts the Battle of Thermopylae during the Greco-Persian Wars, where King Leonidas (Gerard Butler) of Sparta leads 300 of his finest warriors against the massive Persian army commanded by King Xerxes (Rodrigo Santoro). And the following film serves as both a sequel and a parallel story to 300, focusing on the naval conflict between the Athenian general Themistocles (Sullivan Stapleton) and the Persian forces led by the vengeful Artemisia (Eva Green), a ruthless commander in service to King Xerxes (Rodrigo Santoro). Enjoy these either back to back or separately—you really can’t go wrong.
Every Movie Leaving Netflix in December 2024
Note: The dates mark your final days to watch these movies.

December 22: Garfunkel and Oates: Trying to be Special (2016)
December 24: The Flash (2023)
December 26: Gatham (2020); Parugu (2008); Pressure Cooker (2020); Seethamma Vakitlo Sirimalle Chettu (2013); Sri Rama Rajyam (2011); Yevadu (2014)
December 27: A Twelve Year Night (2018); Django & Django (2021); Fifty (2015)
December 31: 2 Guns (2013); 3:10 to Yuma (2007); 300 (2007); 300: Rise of an Empire (2014); 8 Mile (2002); A Biltmore Christmas (2023); A Heidelberg Holiday (2023); A Merry Scottish Christmas (2023); Alfie (2004); Along Came Polly (2004); American Gangster (2007); American Psycho (2000); An Elf’s Story: The Elf on the Shelf (2021); Anchorman: The Legend of Ron Burgundy (2004); Aruna & Her Palate (2018); As Above, So Below (2014); Bad Boys (1995); Bad Boys II (2003); Before Sunset (2004); Being Julia (2004); Big Daddy (1999); Black & White (2009); Blippi The Musical (2021); Blippi’s Spooky Spell Halloween (2021); Boss & Me (2014); Bridesmaids (2011); Brüno (2009); Call Me by Your Name (2017); Captain Phillips (2013); Chicken Run (2000); Christmas in Notting Hill (2023); Christmas Island (2023); Christmas on Cherry Lane (2023); Christmas with a Kiss (2023); Cloudy with a Chance of Meatballs 2 (2013); Collateral (2004); Couples Retreat (2009); Dragnet (1987); Easy A (2010); Elf Pets: Santa’s St. Bernards Save Christmas (2021); Ella Enchanted (2004); Ender’s Game (2013); Escape Plan (2013); Eternal Sunshine of the Spotless Mind (2004); EuroTrip (2004); Fast & Furious (2009); Fast Times at Ridgemont High (1982); Field of Dreams (1989); Fireproof (2008); First Daughter (2004); Friday Night Lights (2004); Funny People (2009); Get Him to the Greek (2010); Goosebumps (2015); H (2002); Haikyu!! Movie 3: Genius and Sense (2017); Halloween (2018); Haul Out the Holly (2022); Haul Out the Holly: Lit Up (2023); Here Comes the Boom (2012); Hero (2002); House of Flying Daggers (2004); How High 2 (2019); In Good Company (2004); Jarhead (2005); Jaws (1975); Jaws 2 (1978); Jaws 3 (1983); Jerry Lee Lewis: Trouble in Mind (2022); Jersey Girl (2004); Just Go With It (2011); Kung Fu Panda (2008); Kung Fu Panda 3 (2016); Life (1999); Long Story Short (2021); Luccas Neto in: Children’s Day (2019); Matilda (1996); Memories of Love (2018); Midnight Run (1988); Midnight Sun (2018); Midway (1976); Million Dollar Baby (2004); Miracle in Bethlehem, PA (2023); My Sunshine (2015); Non-Stop (2014); Paul Blart: Mall Cop (2009); Paul Blart: Mall Cop 2 (2015); Paw Patrol: The Movie (2021); Posesif (2017); Predestination (2014); Psycho II (1983); Red Dragon (2002); Redemption (2013); Robin Hood (2010); Safe House (2012); Salt (2010); Scarface (1983); Shark Tale (2004); Shot Caller (2017); Sky Captain and the World of Tomorrow (2004); Spookley the Square Pumpkin (2004); Spy Game (2001); Starsky & Hutch (2004); Step Up Revolution (2012); Superbad (2007); Take Shelter (2011); Tangerine (2015); The Birds (1963); The Bounty Hunter (2010); The Boy Next Door (2015); The Butterfly Effect (2004); The Covenant (2006); The Deer Hunter (1978); The Family Man (2000); The Girl Next Door (2004); The Great Waldo Pepper (1975); The Hospital (2006); The House Bunny (2008); The Karate Kid (2010); The Last Dragon (1985); The Legend of Hercules (2014); The Little Rascals(1994); The Mechanic (2011); The Money Pit (1986); The Notebook (2004); The Prince & Me (2004); The Prince of Egypt (1998); The Sentinel (1977); The Sweetest Thing (2002); The Take (2016); The Tale of Despereaux (2008); Transformers (2007); Transformers: Age of Extinction (2014); Transformers: Dark of the Moon (2011); Transformers: Revenge of the Fallen (2009); Twisted (2004); U-571 (2000); Unfriended (2014); Van Helsing (2004); Vera Drake (2004); Wallace & Gromit: The Curse of the Were-Rabbit (2005); Wimbledon (2004); Win a Date with Tad Hamilton! (2004); You’re Next (2011); Zathura: A Space Adventure (2005); Zombieland (2009); Zookeeper (2011)