Redding van business Shasta Conversions considers relocating after 26 break-ins in 2024

REDDING, Calif. — Shasta Conversions, a local business specializing in custom vans and car campers, is grappling with a surge in break-ins, prompting the owner to consider relocating to Texas. The business, known for its sustainable designs featuring solar panels, has been targeted 26 times this year, causing over $45,000 in damages.The owner, a University of Colorado Boulder graduate and former software engineer at Seagate Technology, left his full-time job to pursue his passion for van conversions. He lives in a van himself but is now questioning his future in Redding due to the persistent break-ins.”Yeah, it’s hard to sleep at night knowing that I might get that notification on my phone that, ‘hey, someone’s at the shop’ and my livelihood is basically being broken into,” the owner said.Recently, a van intended for donation to a family in need was vandalized, with the carpet torn out and the radio stolen. Additionally, the owner’s personal car had its windshield smashed.The business is also dealing with frequent trash dumping and vandalism near its location. Despite these challenges, Shasta Conversions remains hopeful for change with the enactment of Proposition 36, which could influence their decision to stay in Redding.If you are interested in RV solar or van builds, you can contact Shasta Conversions at [email protected].

Children’s book festival coming to city

A book shop franchise has announced the launch of a festival in the heart of the city. Waterstones is celebrating creativity and inspiring young readers with its first ever Children’s Book Festival set to come to Lincoln from Friday, February 14 to Sunday, February16. Featuring author events, comic and writing workshops, storytelling, craft activities and…

‘Fateh’ Movie Review: Sood Sood’s Directorial Debut Is a Feeble Mocktail of ‘John Wick’ and ‘The Beekeeper’ (LatestLY Exclusive)

Fateh Movie Review: With his directorial debut Fateh, Sonu Sood wears his Hollywood influences on his sleeve. The film feels like a love child of John Wick and The Beekeeper – with maybe a few distant cousins thrown in, even within Bollywood. A hallway fight scene, for instance, screams ANIMAL! Sood has borrowed Keanu Reeves’ fighting style for the brutal action scenes, while the plot channels Jason Statham’s action thriller. Replace bees with cows, phishing scams with fake loan apps, sprinkle in a pinch of Man on Fire and a bucketload of melodrama, and voilà – you’ve got the screenplay for Fateh. Unfortunately, there’s one crucial element Sood forgot to borrow: panache. Sonu Sood Prays at Shirdi Temple Ahead of ‘Fateh’ Film Release, Shares Video on Social Media; Says ‘Sabki Fateh Ho’ – WATCH.
The movie opens with Fateh Singh (Sonu Sood) cosplaying as either John Wick or Agent 47 – take your pick – while a score plays that sounds suspiciously like someone being strangled. (And yes, it plays throughout the film.) Fateh then goes all “one-man army” against a gang of baddies in their hideout. After a generous amount of stabbing, shooting, and body-dropping, he’s taken out by a blast. Naturally, this triggers a voiceover where he reflects on how he got here. Time for the first flashback.
We rewind to a month earlier in a quaint Punjabi village, where Fateh runs a dairy farm. He has no family but takes good care of his employees – so much so that he sneaks money into their lockers instead of, you know, giving them a raise. When one employee falls victim to a fake loan app and tragically dies, Fateh heads to Delhi to investigate, spurred on by the mysterious disappearance of a neighbouring girl who introduced the app to the village. Enter Khushi (Jacqueline Fernandez), an ethical hacker who helps Fateh uncover a criminal syndicate run by Raza (Naseeruddin Shah). Raza operates out of a CGI-drenched lair surrounded by screens straight out of Krrish, a detail that we wished Naseeruddin Shah probably remembered before signing to go through the same motions here. There’s also another main villain – Satyaprakash (Vijay Raaz), the Ronan to Shah’s Thanos.
Watch the Trailer of ‘Fateh’:
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Of course, Fateh isn’t just a dairy farmer. Turns out, he’s a former agent of some nondescript agency. Cue flashback within a flashback to show a glimpse of what he can actually do.
Spoiler alert: Fateh doesn’t actually die from that earlier blast. He gets up, dusts himself off, and kills many more people. If you think that’s a spoiler, you probably need to watch more movies.
‘Fateh’ Movie Review – Bloody But Not Saucy Enough!
Violent action films are all the rage right now. Animal smashed box office records in 2023, Kill became an international sensation in 2024, and even the lacklustre Pushpa 2 was a financial juggernaut. Marco is holding its own despite one traumatising sequence, and we’re mere weeks away from Himesh Reshammiya slicing a goon in half in Badass Ravikumar. It’s no surprise that Sonu Sood wanted to cash in on the trend.
A Still From Fateh
To his credit, the action in Fateh does show effort, even if it feels derivative. The problem lies with the director, who – unfortunately for Sood – is himself. For a film like Fateh to succeed, it either needed a megastar whose charisma could gloss over the flaws (Pushpa 2, anyone?) or slick editing, gripping cinematography, and well-choreographed action (Kill is a prime example). Fateh, sadly, has neither.
The lighting is flat, and the dull colour grading makes the film look like it’s stuck in 2010. The editing is choppy, especially during fight scenes, and the shaky camerawork ensures you can barely follow the action. The brutal and violent climactic fight sequence where Fateh goes ‘Raid’ on the villain’s hideout – a sequence meant to leave you breathless – feels more like a poorly staged rehearsal. Somehow, Indian cinema has managed to make hallway fight scenes boring in just two years.
A Still From Fateh
Earlier in the film, a chase sequence through a crowded market suffers from the same issues. Fateh and Khushi are pursued by police and a hulking goon, only to inexplicably escape after some generic running and shoving. The film doesn’t bother explaining how they got away.
‘Fateh’ Movie Review – Dumb Characters
The characters in Fateh are ill-defined and, let’s face it, mostly dumb. At one point, a villain instructs his henchmen to follow Fateh, but instead, they try to kill him in his hotel room. Later, Khushi takes Fateh to her house, assuring him it’s “safe.” Just two scenes later, the same villain sends another batch of henchmen to her house to kill them both. The irony is amusing because, before Fateh became a thorn in their side, the villains were desperately searching for Khushi. Now, all of a sudden, they know exactly where she is.
A Still From Fateh
A corrupt cop reveals his dark side to Fateh to scare him off. Why? No clue. There was no need for him to take that risk and put his life in danger when one of the two villains could have done the same job. Even the main villains are daft. After Fateh shows his calibre to a villain by barging into his house and killing all his bodyguards, and then – plot twist – the villain destroys the one thing that could have saved him from Fateh. Genius moves all around. ‘Fateh’: Not Ranbir Kapoor’s ‘Ramayana’, Hans Zimmer Makes His Bollywood ‘Debut’ With Sonu Sood’s Movie With a Surprise Twist!
Also, can someone explain why the baddies are so intent on keeping some random village girl in Punjab alive? Apart from giving the story an excuse to send the hero after them, there seems to be no logical reason. Meanwhile, Fateh keeps delivering impassioned lectures on the dangers of online scams. He even tells Khushi he carries a diary because it can’t be hacked. Admirable logic, except he’s also lugging around a smartphone and a tablet.
A Still From Fateh
The dialogues aim for a massy vibe but often fall flat or leave you scratching your head. Take this gem from Fateh Singh: “Pehle, satyaprakash ke ghar chai piyunga aur dusra, woh bhi pehle hi hai.” If someone could explain what this means before the year ends, I’d be eternally grateful. The movie also jumps locations on a whim, from Delhi to Punjab to Delhi to Dubai to San Fransisco to back to Delhi, just so Sonu Sood can make cool poses in various locales.
Sonu Sood, the director, does deserve credit for one thing: convincing actors like Naseeruddin Shah, Vijay Raaz, and Dibyendu Bhattacharya to show up and phone their way through some badly written lines.
A Still From Fateh
And what about Sonu Sood, the actor? Well, he does a decent job channelling his inner John Wick. Despite the frantic editing and shaky camerawork, he manages to look reasonably convincing when reloading a shotgun or stabbing a man repeatedly with a pen. But when he tries to bring swag and charisma to the role, I couldn’t help but agree with a side-villain’s cutting remark: “Sab 6-footiye Amitabh Bachchan nahi hote!” Sorry, bro.
‘Fateh’ Movie Review – Final Thoughts
Fateh is a missed opportunity for Sonu Sood to reinvent himself as an actor or for us to take him seriously as an action star. Sood’s earnestness in the fight scenes is commendable, but his overreach as a first-time director is glaring in several places. For all its stabs at gritty action, Fateh lacks the finesse, coherence, and adrenaline-pumping thrill needed to truly make its mark. Instead, it limps along, weighed down by its patchy execution and the nagging feeling that we’ve seen it all before – and done far better. Rating:1.5 (The opinions expressed in the above article are of the author and do not reflect the stand or position of LatestLY.)(The above story first appeared on LatestLY on Jan 10, 2025 10:15 AM IST. For more news and updates on politics, world, sports, entertainment and lifestyle, log on to our website latestly.com).

Business News | GTPL Hathway Reports Stable Performance in Q3 FY25

PRNewswireAhmedabad (Gujarat) [India], January 10: GTPL Hathway Limited, India’s largest Digital Cable TV Service Provider and a leading Broadband Service provider, announced its Financial Results for the Quarter ended December 31, 2024Also Read | India Women vs Ireland Women Live Score Updates of 1st ODI 2025: Get Toss Winner Result, Live Commentary and Full Scorecard Online of IND-W vs IRE-W Cricket Match.Key Financial Highlights: Key Consolidated Business & Financial Highlights: Q3 FY25 (Y-o-Y) Also Read | Hrithik Roshan Birthday: Check Out His Cool, Casual & Comfy Wardrobe (View Pics).* Q3 FY25 Total revenue stood at Rs 8,957 million, a growth of 4% Y-o-Y* EBITDA for Q3 FY25 stood at Rs 1,138 million with an EBITDA Margin of 12.7 % and an operating EBITDA margin of 21.8%.* Q3 FY25 Profit After Tax stood at Rs 102 million.*Operating EBITDA (%) = (EBITDA net of Activation & Other income) / (Subscription+ ISP + Other Operating income)Operational HighlightsDigital Cable TV* Active subscribers were 9.60 Mn as of December 31, 2024, with an increase by 200K Y-o-Y* Paying subscribers stood at 8.90 Mn, increasing by 200K Y-o-Y* Total subscription revenue from Cable TV stood at 3024 MnBroadband* Increase in broadband subscribers by 37 K Y-o-Y thus standing at 1042 K* Homepass as on December 31, 2024, stood at 5.95 Mn – an addition of 350 K Y-o-Y. Of the 5.95 Mn, 75% available for FTTX conversion* Broadband average revenue per user (ARPU) stood at Rs 465 per month per subscriber for the quarter, increased by Rs 5 Y-o-Y.* Average data consumption per user per month was 365 GB, an increase of 6% Y-o-YCommenting on the results, Anirudhsinh Jadeja – Managing Director, GTPL Hathway Limited said, “GTPL continues to consistently grow subscriber base across both business divisions, reflecting our commitment to provide best in class and innovative products and services to our customers. Our focus on providing a holistic experience for our subscribers has enabled us to maintain our position as the largest MSO in the country. We are confident of our growth in upcoming quarters in both the business segments based on favorable industry dynamics towards continued consolidation. “About GTPL Hathway LimitedGTPL Hathway Limited is India’s largest MSO providing Digital Cable TV services and is one of the largest Private Wireline Broadband service providers in India. The Company is the largest Digital Cable TV and Wireline Broadband Service Provider in Gujarat & is a leading Digital Cable TV Service provider in West Bengal. The Company’s Digital Cable TV services reach 1,500 plus towns across India in 23 states. The company enjoys an expansive network, comprising over 47,000+ business partners, 200+ broadcasters, 1,750+ enterprise clientele, and active participation in 30+ government projects. The company offers an enviable catalogue of 970+ TV Channels with 130+ channels which are GTPL Owned & Operated Platform Services. As on December 31, 2024, the Company has 9.60 million Active Digital Cable TV Subscribers and 1.04 million Broadband Subscribers and a Broadband Home-pass of about 5.95 million.Safe HarborAny forward-looking statements about expected future events, financial and operating results of the Company are based on certain assumptions which the Company does not guarantee the fulfilment of. These statements are subject to risks and uncertainties. Actual results might differ substantially or materially from those expressed or implied. Important developments that could affect the Company’s operations include a downtrend in the industry, global or domestic or both, significant changes in political and economic environment in India or key markets abroad, tax laws, litigation, labor relations, exchange rate fluctuations, technological changes, investment and business income, cash flow projections, interest, and other costs. The Company does not undertake any obligation to update forward-looking statements to reflect events or circumstances after the date thereof.Logo: https://mma.prnewswire.com/media/1982843/GTPL_Logo.jpg(ADVERTORIAL DISCLAIMER: The above press release has been provided by PRNewswire. ANI will not be responsible in any way for the content of the same)(This is an unedited and auto-generated story from Syndicated News feed, LatestLY Staff may not have modified or edited the content body)

Movie Review: Game Changer – 3/5

Game Changer Story: Ram Nandan (Ram Charan), an upright IAS officer, is committed to eradicating corruption and ensuring fair elections. The film juxtaposes his modern-day battles with the historical struggles of his father, Appanna, highlighting a generational fight against systemic injustice.Game Changer Review: The highly anticipated film Game Changer, directed by Shankar and featuring Ram Charan, Kiara Advani, and Anjali alongside SJ Suryah and Srikanth in pivotal roles, is a political action drama that delves into the murky waters of corruption within the Indian political system. Shankar, renowned for his grand storytelling, makes his Telugu directorial debut with Game Changer. His signature style is evident in the film’s lavish production and narrative structure. The story, penned by Karthik Subbaraj, weaves together action, drama, and social commentary, though it occasionally leans heavily on familiar tropes.Ram Charan delivers a compelling performance in dual roles, seamlessly transitioning between the principled Ram Nandan and the rustic Appanna. As the central figure of the story, he carries the narrative with remarkable ease. While his portrayal of Ram Nandan is high on style and swag, it is his heartfelt performance as Appanna that truly resonates with the audience.Kiara Advani, as Deepika, plays Ram Nandan’s love interest. Her character moderates Ram’s anger and inspires him to take up the IAS. While Ram and Kiara light up the screen, their love track feels somewhat clichéd. Anjali, as Parvathy, gets a meaty role as Appanna’s wife, championing his principles and cause. The emotional depth she brings to the story bolsters the film’s core.Srikanth, as Bobbili Satyamurthy, surprises with his antagonist role. His dynamic interactions with Appanna add layers to the narrative. SJ Suryah, known for his distinct style and mannerisms, delivers yet another solid performance as Bobbili Mopidevi.The film opens with Ram transitioning from an IPS officer to an IAS officer, featuring a stylish action sequence where he settles old scores. The first half chronicles his journey from a fiery college student to a committed civil servant. Although it employs some usual tropes and forced humour, the first half ends with an interval twist, setting the stage for an engaging second half. The latter part of the film takes a different trajectory, transitioning into a politically driven narrative rooted in the soil. The screenplay, treatment, and even the colour palette shift to complement this transformation.Thaman’s musical score elevates the film, with a soundtrack that complements its themes. Tirru’s cinematography captures both the grandeur and grit of the story, employing dynamic visuals that enhance the viewing experience. Editing by Shameer Muhammed and Ruben ensures a cohesive narrative flow. The production values reflect Shankar’s commitment to high-quality filmmaking, with grandiose visuals in the song sequences. “Jaragandi” stands out as the highlight track, while the popular “Naanaa Hyraanaa” is yet to make its way into the final cut. The team has announced its inclusion starting January 14.While Game Changer impresses with its grand visuals and socially relevant themes, it falters in areas that detract from its overall impact. The narrative occasionally veers into predictability, relying on familiar tropes of love, political corruption, and systemic injustice. The screenplay’s didactic tone, though impactful at times, can feel heavy-handed, leaving little room for subtlety.Overall, Game Changer is a well-executed commercial film. Shankar’s grand scale and Ram Charan’s brilliant performance, combined with strong supporting roles and technical excellence, make it a compelling watch for enthusiasts of the genre.

Study: Outdoor recreation drives Bedford tourism

<!– SHOW ARTICLE –> BEDFORD — More than 50 business and community leaders gathered at Omni Bedford Springs on Wednesday night to discuss the results of a wide-ranging study on county tourism trends that indicate developing outdoor recreation assets is key to local economic growth. The study, which was conducted by Pittsburgh advertising agency Red…

Meta Abandons Fact Checking & CES Debuts Fresh Tech: Tech & Gaming News This Week

What’s up, gamers? It’s our first week back in the year, and honestly, it feels like we’ve got an entire month’s worth of stories to cover here. Don’t believe me? Lemme give you a quick skim.
So far, this week, we’ve had the Consumer Electronics Show (CES), which debuted a bunch of fresh tech that ranged from useful to trash. Meta also announced a significant change to its fact-checking policies, which isn’t going to keep your Mum from sending you fake news.

In a bizarre move, Meta CEO Mark Zuckerberg announced that the company would be moving away from fact-checking and embracing X’s own Community Notes approach to verifying information on its platforms. He said this was to avoid “political bias” within the Meta fact-checking team.

This information comes a month after Meta (along with other tech giants) personally met with the president-elect and donated $1 million to the upcoming presidential inauguration.

NBC News also reported that following the announcement, the company has revised its policy to allow for discriminatory language to be used against LGBTQ+ individuals.

“We do allow allegations of mental illness or abnormality when based on gender or sexual orientation, given political and religious discourse about transgenderism and homosexuality and common non-serious usage of words like ‘weird,’” as per the revised company guidelines.

A fresh new low for a company you thought couldn’t get any lower.

4. CES debuts brand new tech

The Consumer Electronics Show (CES) happened this week, where some of the largest and most influential tech companies debuted new tech that was planned to hit the market this year. Nvidia took the show by storm by announcing a series of graphics cards loaded with AI tech to help improve your game’s visual performance. One of these, by the way, will cost a whopping $4,039 AUD.

Of course, AI was the big talking point of this year. Remember when “smart” was the tech buzzword? Well, everything smart is now AI. Instead of just a smart microwave oven, you have “A 27-inch smart microwave oven powered by AI”. Across the many round-ups of the event, every recap was drawing attention to how every showcase on the floor was quick to admit that it was using AI technology, even if it was in truly absurd ways. For example, an LG Smart Fridge would install cameras to see what was inside and give you recipes based on those items. Is that neat? I don’t really know, maybe? Does anyone need it, especially on the cusp of a recession? God, no.

That’s not to say it was a bad year for CES; there was some interesting and useful tech on display, but it definitely felt like a transitionary year. Trump’s suggested tariffs are looking to massively increase the price of tech this year, and the AI bubble seems more speculative. With that in mind, it’s fair to expect 2025 to be a weird year for the wider tech world.

3. Assassins Creed Shadows delayed until March

Video game company Ubisoft announced this morning that Assassin’s Creed Shadows has yet again been delayed to March 20, 2025. The game was originally meant to be released on November 12 before suddenly being delayed until February 14, 2025.

The delays are a bit unusual for Ubisoft, which often has no issues dropping seasonal Assassin’s Creed games. However, following its previous flagship game, Star Wars Outlaws underperformed by their own admission, it’s speculated that Ubisoft’s future is based on the success of its next game.

In saying that, I’m all for games getting delayed if it means they release in a more polished state and closer to what the devs envisioned, and hopefully, when the game drops, this will all be a blip in its history.

2. Pornhub leaves Florida leading to a surge in VPN use

Once again, horny finds a way. Following Pornhub’s decision to pull out of Florida (heh) due to the state’s new age-verification laws, VPN use has gone through the roof. Thanks to data released by vpnMentor, statistics have shown VPN use has surged more than 1150 per cent.

How did this all happen? Well, it’s a familiar story. New legislation was passed in Florida mandating websites hosting adult content must verify users’ ages through official identification. The goal of this was to prevent minors from accessing explicit material. Platforms that didn’t comply with the mandate would face up to $50,000 per violation.

Following Australia’s recent social media ban, this might be a foreshadowing of what might come later this year. Either way, if you haven’t considered a VPN before, now might be a good time to read up on some.

Dead internet theory prevails yet again.

On December 27 last year, the Financial Times published a story about Meta’s plans to further integrate AI profiles into its social media platform. The company said that the intention was that these accounts would be user-generated and that users could tweak them to their liking. The report also revealed that AI profiles have existed on the platform since 2023, but they have since been deleted.

One of which was called “Liv” depicting, in its words, a “Proud Black queer momma”. This chatbot would later admit in a conversation with a Washington Post columnist that it lacked diverse references and that its own development team lacked any Black people. Meta hasn’t addressed the authenticity of the AI character’s claims.

Remember back in 2023 when a rogue white Republican congressman forgot to switch to their alt X account and claimed they were black and gay? Well, if Meta’s plans for user-generated AI profiles continue, the potential for some truly cursed and deeply problematic profiles are bound to pop up. It’s a good thing Meta is committed to the truth and protection of protected communities, right? Oh wait…

And that’s all for the big news this week. Be sure to check in next week for hopefully far more optimistic stories (one can dream)!