Since her death, Didion has become a literary subject as popular for her image and writing as for the fascination she inspired for almost half a century.
It’s still bright afternoon when the writer Lili Anolik slips into the dim recesses of the Odeon restaurant. Here, at New York’s timeless destination for downtown cool, she prefers to sit in the same place every time, a small booth by the host’s stand.
Anolik orders an Earl Grey tea but furtively sips from a Pepsi she pulls from her purse. On the table: galleys of her new book, “Didion and Babitz,” out in November.
Despite the split billing in Anolik’s title, the conversation quickly turns to Joan Didion.
“She’s so opaque,” Anolik said. “I felt like I’ve been trying to understand her for years, but I’ve been standing outside a locked door.”
Anolik isn’t the only one trying to crack open that door. “Didion and Babitz” is one of four books featuring Didion written since her death in 2021, with at least two more scheduled in the years to come. The published books include a memoir from Didion’s nephew Griffin Dunne about his family in Los Angeles; Cory Leadbeater’s memoir of his time working for Didion at the end of her life; and Evelyn McDonnell’s meditative tribute, “The World According to Joan Didion.” Next year, The New York Times’s movie critic Alissa Wilkinson’s depiction of Didion in Hollywood will be published in March.
These writers, of course, bring their own gaze and interpretation of Didion, a figure whose distinctive blend of opacity and confession seems to invite dissection, speculation and projection perhaps more than any other contemporary writer. It’s not only Didion herself that these books grapple with, but the fascination she inspired and the enduring patina of cool she held onto for nearly 50 years.
Lynn Nesbit, Didion’s longtime agent and now one of her three literary executors, expressed a lack of enthusiasm for the trend. “It makes me somewhat uncomfortable that so many writers are trying to understand their own lives through the prism of examining Joan’s life and her work,” Nesbit said. “Their books become so much about them, and not about her.”
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