The publisher of the novel that won France’s top literary prize has strongly defended its French-Algerian author after an Algerian survivor of a 1990s massacre in the North African country claimed the book is based on her story used without her consent.
French-Algerian writer Kamel Daoud this month won the Goncourt for his novel Houris centered on Algeria’s civil war between the government and Islamists in the 1990s. The novel, banned in Algeria, tells the story of a young woman who loses her voice when an Islamist cuts her throat as she witnesses her family being massacred during the civil war.
However, the survivor of a massacre during the period has alleged on Algerian TV that the main character in the book is based on her experiences. The woman, Saada Arbane, said she had told her story during a course of treatment to a psychotherapist who is now Daoud’s wife. She accused Daoud of then using the details narrated during their therapy sessions in his book.
Publishers Gallimard however said Daoud and his wife were the victims of orchestrated attacks after the banning of the book in Algeria, adding that the publishing house had also been banned from Algeria’s main book fair earlier this month.
“Although Houris is inspired by tragic events that occurred in Algeria during the civil war of the 1990s, its plot, characters and heroine are purely fictional,” said publisher Antoine Gallimard who heads the Gallimard publishing house. “Since the publication of his novel, Kamel Daoud has been the subject of violent defamatory campaigns orchestrated by certain media close to a regime whose nature is well known,” he added.
Arbane has alleged that she told the psychotherapist not to reveal her story but has found that there are details in the life of the main character in the book – Aube – that would only have been known to the doctor. Speaking on television with a speech aid, she has described the book as a “violation of my intimacy” and accused the psychotherapist of going back on a promise that her story would not feature in Daoud’s work.
But Gallimard said, “It is now the turn of his wife – who in no way is a source for ‘Houris’ – to be attacked over her professional integrity.”
Daoud, who used to work as a journalist and columnist in Algeria, has stirred controversy with his analyses of society in Algeria and elsewhere in the Arab world in French and international media.
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