‘It’s about what the world needs’: how Colin Farrell is helping Irish short film Room Taken in its quest for Oscars glory

Writer Michael Whelan and director TJ O’Grady-Peyton on their film about a
Gabriel Adewusi as Issac and Bríd Brennan as Victoria in Room TakenLauren MurphyToday at 03:30If you want to raise the international profile of your short film, making one of the most famous Irish actors of his generation an executive producer will do the trick. It has certainly done no harm to Room Taken, the 19-minute short written by Michael Whelan and directed by TJ O’Grady-Peyton. The film has been shortlisted for an Oscar nomination and tomorrow its makers will find out if it has made the final cut. It tells the story of a homeless immigrant called Isaac who surreptitiously weaves himself into the life and home of Victoria, a blind woman.

Melanie Finn: Is quirky Irish-language film ‘Kneecap’ Ireland’s best hope at 2025 Oscars?

Kneecap, whose film has made the Oscars longlist. Photo: GettyMelanie FinnToday at 03:30Despite being a tiny island nation, Ireland has always punched above its weight when it comes to the film industry.We have become accustomed to having our home-grown stars featuring heavily at international award ceremonies. In 2023, we had a record-breaking 14 Oscar nominations for Irish talent.

New Star Wars Movie: Ryan Gosling In Talks For Deadpool & Wolverine Director’s Standalone Star Wars Film, Details

Deadpool & Wolverine’s Shawn Levy is reportedly set to work with Ryan Gosling on his mysterious up-and-coming Star Wars movie.Levy made history for Marvel Studios upon his first collaboration with Disney, which came in 2024 with Deadpool & Wolverine. That team-up became one of the year’s biggest successes, as the threequel became the highest-grossing R-rated movie of all-time and earned rave reviews from critics and fans.Levy has also been in line to join the Star Wars universe since 2022 following his highly-regarded work on Netflix’s The Adam Project. Now, as that project inches closer to being made, Levy seems to have gotten one particular big gun in tow for a starting role.Deadpool 3’s Shawn Levy Teams Up with Ryan Gosling for Star Wars Movie
Ryan GoslingAccording to The Hollywood Reporter’s Borys Kit, Barbie star Ryan Gosling is in negotiations with Disney to star in Shawn Levy’s upcoming untitled Star Wars movie. This will be Levy’s second major collaboration with Disney after leading the way on the hit 2024 summer blockbuster Deadpool & Wolverine.As of writing, Gosling’s potential role is still a mystery, as is the specific story being told in the movie.However, it is also said to be a standalone story, separate from the story being told in the next main Skywalker Saga trilogy, which should come in Episode X through Episode XII.Levy has also avoided speaking much on this movie, even avoiding a question about a potential Kylo Ren inclusion in the cast.It is currently unclear when this movie could begin filming or when it could come to theaters. Currently, the only Star Wars movie with a confirmed release date is The Mandalorian & Grugu, which is set to debut on May 22, 2026.

10 Recent Movies NOBODY Watched

Modern moviegoers have quite the enviable problem – there are more great films being released every month, perhaps every week, than anyone with a full-time job and other hobbies can possibly keep up with. Even with many decrying the lack of originality in modern cinema, it’s still an embarrassment of riches out there, especially if…

Every Bruce Lee Movie Ranked

Warner Bros.

In many walks of life, a combination of recency bias and genuine progress makes it easy to think that the latest thing is also the greatest thing. However, this thought process doesn’t apply to the martial arts movie genre, where a man who died in 1973 continues to be the yardstick all other stars are measured with — and generally fall short.

Bruce Lee’s death at the age of 32 cut short his life but not his legend. It can be easy to forget that his “Bruce Lee era” was just the final, star-making phase of his career. Before breaking through with his English name on “Green Hornet,” Lee appeared in 20 Hong Kong movies, often using his Chinese name Lee Jun Fan and stage names like Lee Siu Lung (“Lee Little Dragon”). This means that a true Lee aficionado has plenty of comparatively obscure material to wade through — from the 1941 film “Golden Gate Girl,” where he appears as a baby, to his drama turns in “The Thunderstorm” (aka “Lei yu,” 1957) and “The Orphan” (aka “Ren hai gu hong,” 1960).
Even so, when we think of Bruce Lee, we generally think of the very specific period of his career where he used the name to make a series of instant martial arts classics. Because he died so young, he only had time to star in a handful of these high-kicking movies, but fortunately for viewers, many of them are very good. But which of the five Bruce Lee movies is the best? Let’s find out.

5. Game of Death (1978)

Fortune Star Media Ltd.

There’s no way around it: Bruce Lee’s final movie, “Game of Death,” is a mess. The five years between Lee’s death in 1973 and the film’s premiere in 1978 created a strange golem around the skeletonized remainder of what the movie was originally supposed to be. The footage Lee had filmed before passing away had been padded with extra scenes that feature patchwork methods ranging from semi-competent body doubles to actual cardboard cutouts of the deceased star.

Lee filmed select scenes for “Game of Death” in 1972 before heading off to make “Enter the Dragon” (1973). The original plot was heist-themed, and Lee’s character spent much of the film scaling a large pagoda, facing a series of increasingly difficult opponents. In a truly historic and time-consuming act of Brucesploitation, the Golden Harvest studio and “Enter the Dragon” director Robert Clouse merged the available Lee footage with a reimagined revenge story that’s 100 minutes long and contains some 12 minutes of Bruce Lee … depending on whether you count the footage of Lee’s very real funeral that the movie chose to incorporate.
“Game of Death” has its moments. In the rare instances you actually see Lee, he’s reliably great. The film is also notorious for unveiling his famous yellow jumpsuit, an iconic look that inspired Beatrix Kiddo’s (Uma Thurman) getup in “Kill Bill: Vol. 1.” However, if the cringe factor of the movie’s many flaws and unsavory origin story is too much — as it very well might — you might want to check out the 2019 cut “Game of Death Redux,” a 40-minute version that’s included in the “Bruce Lee: His Greatest Hits” Criterion Collection (2020) and focuses on Lee’s original footage.

4. The Big Boss (1971)

Golden Harvest

“The Big Boss” – sometimes known as “Fists of Fury” — may fall short of “Game of Death” when it comes to its pop culture prominence, but it overcomes the 1978 film and earns its place among Bruce Lee’s greatest hits by virtue of being a complete movie. It doesn’t hurt that “The Big Boss” is heaps of fun, either. It unleashes the Bruce Lee of legend upon the unwary world — or at least Thailand, where the movie takes place. 

“The Big Boss” pulls a bit of a bait-and-switch with its protagonists, first focusing on brave martial artist Hsu Chien (James Tien) while Lee plays unassuming ice factory worker Cheng Chao-an, who’s made a solemn vow to stay away from physical combat. This goes roughly as well as one might assume, and as Tien’s character exits stage left, Lee steps front and center to unleash his full fury. 
This makes for a slow burn experience where you only get to watch a Bruce Lee movie after sitting through a considerably worse non-Bruce Lee martial arts flick, which doesn’t do “The Big Boss” any favors. Combine this with production values that compare poorly to Lee’s later fare, and the movie is effectively a demo tape from an artist at the brink of a breakthrough. The intro is far too long, the comedic beats and fights are rougher around the edges than you’d expect, and the plot is flimsy even by the genre’s standards. However, director duo Wei Lo and Chia-Hsiang Wu’s movie is still an entertaining watch, and essential viewing for any Lee fan. 

3. Fist of Fury (1972)

Golden Harvest

What “The Big Boss” started, “Fist of Fury” perfected. Director Wei Lo’s streamlined tale of Kung Fu student Chen Zhen’s (Lee) quest for vengeance against an antagonistic Japanese dojo features thrills, disguises, some extremely pointed commentary on the wrought history between China and Japan — and, above all else, Lee in full kicking, wailing, raging, nunchuck-wielding invincibility mode.

If the Bruce Lee image you have in your head is that of the quintessential Hong Kong Kung Fu hero, this is the ultimate Lee film for you. For all intents and purposes, Chen Zhen is presented as a borderline superhero who’s completely unable to lose a fair fight and who’s more than willing to fight dirty to even the odds. The film’s invariably intense martial arts sequences do their level best to hammer home his nature as a walking cheat code.
Apart from Chen Zhen’s ability to kick his way through a fully-staffed dojo, the thing that sets “Fist of Fury” apart from Lee’s other martial arts films is its comparatively serious tone. If Lee smiles here, it tends to be before or after a killing blow. No victorious walks toward the sunset for him, either. As mighty as Zhen is, at the end of the day he’s just a man who’s victimized by political forces he’s utterly powerless to stop. Of course, things are still just as corny as you’d assume from a 1970s martial arts film, but the themes of discrimination and the obsessive, unrelenting nature of Zhen’s rampage make sure that you won’t mistake this for a Jackie Chan movie in a hurry.

2. The Way of the Dragon (1972)

Golden Harvest

Thanks to the various completely Bruce Lee-free Brucesploitation films that flooded the market after his death, diving into the star’s filmography can be surprisingly challenging for the casual fan. It doesn’t help that some of his real movies carry multiple titles — for instance, the 1972 film “The Way of the Dragon” is sometimes labeled as a 1974 movie called “Return of the Dragon.”

Still, whatever its title card says, “The Way of the Dragon” remains an essential piece of martial arts cinema. Its improbable premise — a battle over the fate of a Chinese restaurant in Rome — works to its favor, as Lee’s rural martial arts master Tang Lung expertly dismantles both prejudices and an all-star array of opponents. “The Way of the Dragon” is a true Lee showcase, as he not only plays the main role but also wrote and directed the movie. Among the many highlights that ensue, one stands out above the rest. Indeed, the tense, tactical Colosseum showdown between Lee and fellow martial arts legend Chuck Norris (who plays the fist-for-hire Colt) is easily one of the most legendary movie fights of all time — even with the otherwise slim Norris eating lots of cheeseburgers beforehand to become noticeably bigger than Lee.

That being said, the rest of the film is well worth watching, as well. From the unassuming and even negative first impression the protagonist gives to the other characters to the laundry list of different martial artists he mows down after unveiling his true talents, “The Way of the Dragon” is a masterful lesson on making an efficient martial arts movie.

1. Enter the Dragon (1973)

Warner Bros.

If you’ve ever seen a martial arts film where the protagonist competes in a mysterious tournament, there’s a decent chance that the movie in question owes a nod to Bruce Lee’s best-known film, “Enter the Dragon.” It distills every aspect of Lee’s previous movies — such as spy antics, revenge missions, memorable antagonists, and great fight scenes — into one silly yet extremely impressive and entertaining package that’s rightfully revered as one of the best kung fu movies in history. Even if nothing else in Lee’s catalog interests you, be sure to check out the mind-bending mirror scene in “Enter the Dragon” where his character — who’s also named Lee — faces off against Han (Kien Shih), a nefarious villain who wouldn’t look out of place in a James Bond movie.

Lee died mere days before “Enter the Dragon” released in theaters in Hong Kong, so he never got to see how his greatest movie impacted the world. However, he put in plenty of work to ensure that the film adhered to his vision. Lee didn’t show up on the first day of shooting because of a creative dispute with Warner Bros., which the studio passed off as Lee getting a case of nerves. Apart from this, “Enter the Dragon” faced a multitude of challenges that could potentially have disrupted the movie or even ousted Lee from the production. Fortunately, Lee prevailed and managed to make a Hollywood film that didn’t lean on traditional Western-style action tropes but instead stayed true to his Hong Kong action roots. To say the least, Lee choosing to do what he did best paid off.

What Was The First Color Movie Ever Made?

American Mutoscope & Biograph

Color is such an important aspect of modern-day filmmaking. From the sunny pastels of Jacques Demy’s playful romances and unconventional musicals to the gloomy monochrome of Tim Burton’s Gothic fairy tales, like his masterpiece “Edward Scissorhands,” color plays a crucial role in setting the mood and tone of a film. We know that movies were not always in color, as this technology was developed later. But when, exactly? It’s difficult to pin this down because there are a lot of different definitions of the first color movie, depending on how you look at it — ranging from short films to documentaries to animated films.

Up until the emergence of techniques to create color, cameras were only capable of producing black-and-white images. Although filmmakers were able to play with shadows in visually thrilling ways — like the haunting presence of Count Orlok in “Nosferatu” or the towering futuristic society in “Metropolis” — finally being able to tell visual stories with color opened filmmakers up to whole different forms of creative expression.

Was The Wizard of Oz the first color movie?

MGM

Many moviegoers mistakenly assume the early Technicolor live-action films, such as “The Wizard of Oz” from 1939, as the first color movie ever, but the use of color in film has a more lengthy and complex history. Now considered a cinematic classic for the ages, “The Wizard of Oz” was one of the first movies to be filmed in Technicolor, specifically. Technicolor requires a special camera that separates three black-and-white negatives for each of the primary colors to make a single, full-color strip of film. The filmmaking technique has vibrant and detailed colors, making everything really leap off the screen.

“The Wizard of Oz” revolves around the power and beauty of that strong color. When Dorothy opens the door of her tornado-swept house, leaving behind the drab, sepia-toned world, we are just as awestruck by the vivid, rainbow-hued land of Oz, with its bright yellow brick road and glistening Emerald City. While the use of this new technique was stunning and would sweep Hollywood in the coming decades, animation had been utilizing Technicolor, and even other forms of color, for some time already.

The first full-length animated feature movie made in English and Technicolor

Walt Disney Animation Studios

Walt Disney Studios made a groundbreaking change by using Technicolor for their animated films, starting with their short “Flowers and Trees” about a forestry romance and rivalry, then the full-length “Snow White and the Seven Dwarfs.” “Snow White and the Seven Dwarfs” was Disney’s biggest box office gamble because studio executives were skeptical of all the elements that would eventually make it so revolutionary. In the documentary “The One That Started It All” from the film’s Diamond Blu-ray and DVD edition, animator Ward Kimball shares what the Hollywood bigwigs were so worried about: 

“It was okay, six or seven minutes, like the shorts, but an hour and a half, no way! The big reason was that you run out of funny things to do, you had to have a laugh-a-minute. And the bright colors would hurt your eyes; everybody would get up and walk out.”

Not only was the story completely captivating, taking us from the horrors of the spooky forest to the sweet, loveable dwarfs bonding with the princess, but the colors were eye-popping and gorgeous to look at. We all remember the shot of the bright red apple dripping with green poison in the shape of a macabre skull. The rich colors were perfect for a main character whose beauty, with her porcelain skin, ruby-red lips, and jet-black hair, made her the fairest of them all. 

Disney would go on to use Technicolor for other animated classics such as “Pinocchio” and “Cinderella.” The oversaturated palettes became the standard for feature films through the mid-1950s, both live-action and animated. However, there were other color processes before Technicolor, allowing color to appear in films as early as the beginning of the 20th century.

What Is the Kinetoscope and how did it change cinema?

Warwick Trading Company

Many early short films were originally filmed in black and white, but transformed into color movies by manipulating the film stock — either by hand-painting each frame or applying tints. An early color version of George Méliès’ 1902 short “A Trip to the Moon,” one of the best space movies ever, uses color to make the cosmic adventure feel even more fantastical, bathing the interstellar goddesses in vivid pinks and turquoises. Similarly, “La Vie et la Passion de Jésus Christ” from 1903 features the same hand-painting technique, where only certain elements are colored to emphasize their significance in the Biblical story, such as the bright yellow star above Jesus Christ’s manger.

Technically, “A Visit to the Seaside” from 1908 was the first movie made in color, but it is only an eight-minute short. The collage of young ladies frolicking in bathing suits or stately couples strolling on a boardwalk promenade was filmed in a new process called Kinemacolor. Kinemacolor was a special camera tool used to put red and green filters on black and white film. The striking colors made the scenes stand out and as close to resembling real life as possible. Of course, to our contemporary eyes, the first thing we notice is the limited range of hues, with only red and green being noticeable. Kinemacolor also required a special projector that had too many issues. In 1912, the documentary “With Our King and Queen Through India” also used Kinemacolor, depicting the coronation and triumphs of King George V and Queen Mary of Teck. It must have been exciting for viewers to see authentic images of their leaders captured on screen, with the use of color highlighting their royal importance. 

The World, The Flesh and the Devil is the first full-length color movie

American Mutoscope & Biograph

Considering the most popular definition of a movie as a full-length narrative, “The World, The Flesh and the Devil” made in 1914 can be regarded as the first color movie. At 50 minutes long and made in Kinemacolor, the drama follows a devious woman who conspires to swap the babies of rich and poor families. Unfortunately, all footage of this film is lost. While the technique of Kinemacolor paved the way for future color processes and was less painstaking than other approaches, it still had many kinks to work out before Technicolor would go on to revolutionize filmmaking.

It’s incredible how far we’ve come with color in film and how much it changes the way we see movies. Looking back, we can understand how early color techniques transformed films beyond the black-and-white ones that came before them. The history and role of color in cinema is as rich and varied as the color wheel itself, and it’s worth exploring more about in books such as “Color in Motion: Chromatic Explorations of Cinema” by Jessica Niebel and Sophia Serrano.

Sweet Dreams: When and where to watch Amol Parashar-Mithila Palkar’s OTT film

Just as they appear to their fans, OTT’s National crushes Amol Parashar (Tripling) and Mithila Palkar (Little Things) are coming back on the digital platform, this time with Sweet Dreams. A film that promises to be a sweet tale of romance, Sweet Dreams also leaves you wondering if they might end up with a bitter-sweet ending as they navigate the challenges of modern relationships. Sounds interesting already? Here’s when and where you can watch the film on OTT…Sweet Dreams is the story of Kenny (Amol Parashar) and Dia (Mithila Palkar) having a sweet dream, where they find each other and lead the happy life they always imagined. Now that reality gave them an opportunity to find one another, they set off on the very journey, despite their current living situation. Kenny is just out of a messy breakup but figuring life out, while she already has a partner (played by Meiyang Chang) and is just starting out her career as a songwriter. The real question is – will Kenny and Dia figure out that they are meant to be or will fall apart like most modern relationships? Was forgetting one another as a sweet dream better, or the chase was very much worth it all? The Victor Mukherjee directorial explores their journey of falling in love, a moment of falling out and navigating life apart as well as together. Akashdeep Sengupta, Dev Arijit, Shubham Shirule, and Mukund Suryawanshi have come together to compose the film’s lyrical music, which appears to complement its dreamy, whimsical tone.