Gwyneth Paltrow and Timothée Chalamet share passionate kiss on set of new movie

Your support helps us to tell the storyThis election is still a dead heat, according to most polls. In a fight with such wafer-thin margins, we need reporters on the ground talking to the people Trump and Harris are courting. Your support allows us to keep sending journalists to the story.The Independent is trusted by 27 million Americans from across the entire political spectrum every month. Unlike many other quality news outlets, we choose not to lock you out of our reporting and analysis with paywalls. But quality journalism must still be paid for.Help us keep bring these critical stories to light. Your support makes all the difference.CloseRead moreGwyneth Paltrow and Timothée Chalamet were filmed locking lips in steamy footage from the set of Marty Supreme.The Goop founder, 52, and Dune star, 28, were spotted on the streets of New York City, immersed in an intimate scene for their forthcoming movie.In footage obtained by TMZ, Paltrow is seen pushed up against a brick wall with Chalamet cradling her face. The Call Me By Your Name lead appears to have surprised Paltrow’s character with the passionate kiss in the scene, moving her from the middle of the street to the wall. Photos also show the wellness mogul shoving Chalamet away as she looks away from the camera.Chalamet is dressed in a tailored suit and round glasses, while Paltrow is pictured in a billowing red ball gown with long black opera gloves.The two A-listers were cast in the new sports drama written and directed by Josh Safdie, the director and actor behind Uncut Gems and Good Time. In Marty Supreme, Safdie tells the story of Marty Reisman, a professional table tennis player who won the US men’s singles championships in 1958 and 1960.Gwyneth Paltrow and Timothee Chalamet lock lips on set of Marty Supreme

The Exact Moment ‘Scream’ Movies Stopped Making Sense

One of the defining horror movies of the 1990s is Wes Craven’s Scream. It spawned a massive franchise, but that doesn’t change the fact that the sequels stopped making any sense a long time ago. Perhaps this issue would have been solved if the screenwriter had more time to work on Scream 2.
Why would characters from the ‘Scream’ movies keep using the Ghostface mask?
Part of the reason why people love 1996’s Scream so much is its twist ending. We learn that the masked slasher Ghostface was two killers working together. They are both disposed of, and the audience goes home feeling good. Roll credits.
In Scream 2, someone takes on the Ghostface identity and starts offing college students. It feels a little odd that someone would want to be Ghostface, considering that the original Ghostface murderers were killed. Notably, the villain from Scream 2 also dies horribly.
The problem with Scream 2 only gets worse with each passing Scream movie. By the sixth entry in the series, it’s become all too clear that anyone who takes up the mantel of Ghostface is just signing their own death warrant. Why would anyone think being Ghostface is a good idea? While the Scream movies are known for their use of metafictional humor, they never bother to joke about this glaring problem.

[embedded content]

Why the ‘Scream’ franchise will not fix this issue
Of course, there’s a real reason why we see so many Ghostface killers. The mask from the first film became iconic. It’s impossible to go outside in a crowded area on Halloween without seeing at least five of them. Audiences want to see those masks in each movie, no matter how contrived that is.
Furthermore, Hollywood is always thinking about merchandise. The people who make Scream movies want to sell Scream masks. Who knows if there would be five Scream sequels and a television show if not for the popularity of Ghostface costumes? If the movies stopped using the Ghostface identity, those masks might fade from the public consciousness.

[embedded content]

The writer of the 1st movie and its sequel bares all
During a 2022 interview with Entertainment Weekly, Scream writer Kevin Williamson discussed the origins of Scream 2. “There was always conversation about it during the filming of the first one,” he recalled. “I remember when I was on the set, they were playing this game: ‘Why don’t we hire Kevin to write a sequel, just in case?’”
Other forces were skeptical about the prospect of a sequel. “And then the agents got involved, and they were like, ‘No, you can’t write anything, let’s wait until you know the success of [Scream],’” he recalled. “And then, of course, it came out to low numbers. But we had gotten a couple of good notices, and they started just papering those reviews out, and the press kind of went: ‘Oh, what’s going on over here?’” The film was a sleeper hit, and a sequel went into production. 
“When I sold the first Scream, I had a treatment [for the second],” he recalled. “I had the whole Sydney-goes-to-college. A lot of it changed along the way, but it pretty much stayed intact. Yeah, I wrote really fast. I was down in North Carolina, working on Dawson’s Creek, and I remember just sitting here, just panicked and frantic, trying to write Scream 2.”
Sceam 2 came out 12 months after Scream. Perhaps if Williamson and company had put more time into it, they could have avoided the Ghostface contrivance.

‘Black Cab’ Exclusive Trailer – Nick Frost Gets Haunted in Shudder Original Horror Movie

From Shudder, Sony Pictures Television and Stolen Pictures comes Black Cab, a supernatural horror movie starring Nick Frost (Shaun of the Dead) that’s headed to Shudder.
Black Cab debuts on Shudder beginning Friday, November 8.
Exclusively watch the official trailer below.
Nick Frost will play “an erratic cab driver” in the upcoming horror movie from director Bruce Goodison (Murdered By My Father, Leave To Remain, Then Barbara Met Alan).
In Black Cab, “When Anne (Synnøve Karlsen) and Patrick (Luke Norris) hail a black cab after a night out their driver (Nick Frost) is chatty, jovial even, but they are in no mood to talk. In fact, the couple is barely on speaking terms. That is, until they realize the driver has no intention of taking them home.
“Locked in the cab with no means of escape, the driver transports the couple to a stretch of deserted and supposedly haunted road. But what is his purpose? Is he mad or just plain evil? And why has he selected Anne and Patrick as his victims?”
David Michael Emerson and Virginia Gilbert wrote the screenplay.

Bruce Goodison has established himself as one of the country’s leading drama directors, behind series as diverse as RTS and BAFTA nominee “Our World War”, ITV’s hit series “Home Fires,” BBC1’s “Doctor Foster” and Murdered by My Father. “Born to Kill” for World Productions/C4, “Anne” for World / ITV, and Then Barbara Met Alan for Netflix/BBC.
Following directing Nick Frost in Black Cab, he is slated to write and direct his third feature Girl Next Door to feature Bella Ramsay. Bruce has won two RTS awards, a BAFTA, a Broadcast Award, a Grierson and has been nominated three times for a BAFTA and once for an Emmy.
[embedded content]

NYCC Marvel Logo Teases The Future For Movies, TV, And Games

Posted in: Comics, Conventions, Games, Marvel, Marvel Comics, Marvel Studios, Movies, NYCC, TV | Tagged: Marvel is at New York Comic Con, and the massive logo on the wall at its booth teases all sorts of fun for the future of movies, TV, and games.Article Summary
Marvel wows at NYCC with a massive logo unveiling future films, TV shows, and games excitement.
Catch Captain America, Fantastic Four, and Red Hulk teases in the Marvel booth’s intriguing display.
Agatha All Along and Daredevil: Born Again steal the show in Marvel’s TV series lineup.
Marvel Rivals game art features Jeff the Land Shark and Galacta, confirming their gaming push.
New York Comic Con has officially kicked and Marvel is on site with some fun stuff for attendees to see. The booth usually rotates out different costumes and props for people to photograph throughout the weekend. Sometimes, the best information can come from the walls. In this case, the booth wall features a massive Marvel logo that teases everything coming soon for film, television, and games. A friend of mine, Amy S, was on the show floor today and graciously sent me a bunch of pictures of the logo so we can all take a look at what is coming because there are some things we haven’t seen before.On the movie side of Marvel, we can see some familiar faces like Anthony Mackie as Captain America, with the new film set to drop in February on the logo’s A. Also, on the A, we see some teases for The Fantastic Four: First Steps, including another look at Johnny Storm and a look at Herbie, who we feel is about to become everyone’s new favorite robot. There is more movie stuff on the R as we get an awesome shot of the Red Hulk in Captain America: Brave New World. Harrison Ford is stepping into the role of Thaddeus Ross after the sad passing of William Hurt and spent the better part of the year trolling everyone by saying he doesn’t know what a Red Hulk is. Never change, Harrison. The Thunderbolts* art is probably the best of the movie art because it’s stylized—the yellow outline over what appears to be Yelena, Bucky, and Red Guardian.
Marvel television has been a bit on the back burner ever since it became more apparent that the studio was shifting its focus more toward movies. That doesn’t mean we don’t have some projects on the board that are being teased. The most obvious is the cast of Agatha All Along in the V, which just aired its sixth episode. The other big one is obviously the art for Daredevil: Born Again right front and center in the M. This might be the Marvel show with the most hype behind it, considering how popular the initial run was on Netflix and how promising all of it is looking so far. We also have some art from the next season of What If…? in the V. It doesn’t look like there is anything from Ironheart, the other big Disney+ series on the way.
The E is almost entirely taken up by art for the upcoming game Marvel Rivals. Jeff the Land Shark is already a confirmed character, and that’s Luna Snow in the E. Magik is at the bottom of the L, which looks like the Marvel Rivals art for Scarlet Witch. That’s Galacta, the daughter of Galactus, hanging out at the top of E, and she’s also a confirmed character for Rivals, so we know that Marvel will have a big video game push at NYCC.
So, where does that leave comics? Well, we have Storm up on the M, and while people are pretty sure that is Wilson Fisk in the M as well, that doesn’t mean it’s art connected to the Daredevil show. The Marvel logo at Comic Con looks like it’s lacking in comics. Well, there is a giant wall art of Doctor Doom riding a Doom Dinosaur, so comics are still there. Also, this is an amazing photo-op.
Credit: Amy S (Used With Permission)

Enjoyed this? Please share on social media!

‘The Shadow Strays’ Netflix Review: Is This The Goriest Film Of The Year?

Somewhere deep in the woods of Japan, a Yakuza leader tries to abuse a geisha when something lurking in the shadows suddenly pops up and brings him to his demise in less time than it took him to take off his robe. With this scene alone, you can imagine that the Indonesian action film The Shadow Strays is a spectacle from start to finish. I’ve never seen the film The Raid, but when I think of Indonesian cinema, that’s the first film that pops into my head, and because of that, I already know that they stand a class apart when it comes to action films. Funny how my introduction to Indonesian films has been through horror, but I’m happy to have finally moved on and actually found something that’s worth your time. Before you go any further into this review, I want to emphasize that this film is tremendously gory and not for the faint of heart. It’s a highly stylized thriller with barely any breaks, and over 2 hours at that, so if bloodshed is not your thing, then I’d tell you to turn around right now because you’re barely going to be able to sit through even 5 minutes of this film. 

With that disclaimer out of the way, The Shadow Strays tells the story of 13, a young assassin who’s told to take a break after she messes up on her first mission and is sent back to Jakarta. 13 meets a young boy named Monji there, and without really forming a bond, when his mother is killed, 13 takes it upon herself to protect the boy and keep him safe from any harm, even if that means facing the most immoral syndicates in the city. Overkill is the only word I can use for director Timo Tjahjanto’s style. It’s a shame really that I haven’t watched any of the man’s previous work to make comparisons to, because this film oozes stylization that’s beyond explanation. I’m not even a big fan of action myself, but just seeing how certain action sequences are choreographed had my jaw on the floor, and some of the kills had me turning away. This is clearly a stylistic choice though, lingering when the audience expects the camera to move on. Of course, it’s not new; recently, a lot of horror films have done the same thing. I recently watched In a Violent Nature, and still, I could easily say this film is one of the goriest I’ve ever seen. I suppose it’s the difference in genre that really makes it stand out. Even John Wick looks unworthy in comparison. 

Now if you’re wondering why a film with such a simple story requires a 2-and-a-half-hour runtime, then I’ll be happy to let you know it’s for prolonged action sequences that move at the pace of the KTX, so in no way will you feel the runtime while the action is taking place. However, there’s something I’d like to point out that kind of messes with the otherwise fast pace of the movie. While the film is generally focused on 13’s story, this is the perfect kind of movie that can be turned into a franchise, so for the world-building, we’re introduced to some other plot lines that completely steal away from the main plot, like a fly that’s bothering you while you’re trying to eat a good meal. 

If you’re looking for emotional investment, then find a different bank, because this one’s only doing kill counts. I mean, sure, the whole point of the film is for 13 to find her place in this terrifying world. I guess that’s where it lost me a little bit. I mean, it’s not a new story, and we don’t really delve into it at all, despite the 2.5-hour runtime, so there’s a sort of emotional disconnect between us as an audience and the character, who is making some seriously insane life choices based on said emotions. However, this is my little critique as an emotional girl who likes to cry every chance she gets. On the other hand, if you just care for the gore and the violence and all of the many creative ways someone can be killed, then by all means this is the movie for you. 

Aurora Ribero stars as the stoic 13, and she does a fantastic job in keeping the character distant, a little bit brazen (or a lot), and of course, the action sequences are insane. Hana Prinatana is alongside her as Umbra, the strict instructor, who gets sidelined in the middle of the film and then reunites with her pupil right at the end. I think she’s underutilized for sure. There could’ve been more about this sisterhood and how these emotionless women are trained to keep everything at bay to essentially become monsters. But I guess that’s what sequels and prequels are for. For the rest of the cast, they’re barely in the film, especially the villains. Yes, there are many, and I really don’t appreciate having to watch a scene of abuse because, in this day and age, it feels incredibly regressive and unnecessary. Anyway, Aurora is the star of this film, and one can very clearly see that while watching it. 

Yes, there’s a “post-credit” scene in The Shadow Strays, though just seeing the director’s title card show up before the scene makes it seem almost disrespectful to be calling it a “post-credit” scene. I’m guessing this means Timo Tjahjanto plans on making this a massive franchise, an Indonesian action franchise that takes the world by storm just like The Raid did back in the day (I know, it wasn’t that long ago, but hey, I was still basically a child, so it’s fine). Anyway, if you’re looking for something that’s action-packed from start to finish and will blow your mind with its gore and violence, then this is the film for your weekend watchlist. If that’s not your thing, I’d say “stray” away from The Shadow Strays. I’m sure we can find something more attuned to your tastes. I’d give The Shadow Strays 3 out of 5 stars; I’d have given it another .5 had it been a little more tightly packed, but here we are. 

Related

‘Last Party’ Movie Review: A Strange Coming-Of-Age Drama That’s Too Confusing To Judge

There are two types of confusing movies. On one hand are those films that do confuse you while keeping you entertained so that even if you don’t “get it,” the viewing experience feels fruitful. Some examples that come to mind are Donnie Darko, Mulholland Drive, Memento, Predestination, Tenet, Coherence, and Nocturnal Animals. If you tell me to explain what was going on in these movies, I will probably fail miserably, but if you ask me if I am up for rewatching them again and again, I’ll say, “Hell yes.” That said, on the other hand, you have films that confuse you while forgetting to engage you in any meaningful way. I am talking about I’m Thinking of Ending Things, Under the Skin, Primer, Vanilla Sky, Lost Highway, and what I consider my arch-nemesis, Enemy. I’ve rewatched these films more than I have rewatched some of my favorite films just to understand what the hell they’re trying to say through their narrative, and I guess I despise them for being so perplexing. Is Last Party confusing in a good way or a bad way? Let’s find out.

Nicolas Dozol’s Last Party, written by Dozol, Leah Ladoux, Paul Tomasini, and Chloe Vittenet, begins its story from the perspective of Angela, a shy and reserved girl who is going to a party with three friends of hers. Initially, she rejects the advances of the guys and refuses to drink too much, but when she is pushed by an ominous figure, she begins to let go of her inhibitions. Then the focus shifts to one of the popular guys from school, Alexander. He rejects the advances of the girls around him and partakes in some naughty business with the host of the party, Romain. Then we follow Lily, who is a rich brat stuck amongst a group of “friends” who actually hate her because of her wealth. She suffers from some health condition and she desperately needs her medication, which she gets access to only after Ethan finds out that Lily’s bag was accidentally exchanged with Angela. Talking about Ethan, he finds himself disturbed by Angela’s weird behavior and burdened by the fame that comes with being a relatively famous musician. And as the night gets longer, it becomes evident that all these characters are inextricably connected to one another.

The official synopsis of Last Party states that the aforementioned characters confront their angst at their graduation party and feel like they’re not going to see the light of the next day. And, yes, that’s one way to describe the film. But what is the source of their angst, and why do they think that that party is the last night of their lives? If I have to guess, Angela regrets not “living it up” all this while, and now that she has finally decided to let loose, she feels like she is spiraling out of control. Ethan probably doesn’t like the fame he has achieved throughout his school years, and he hates the fact that he never got to confess his love to Angela. Lily has all the money in the world, but she doesn’t have anyone she can call her friend, and she fears that isn’t going to change all throughout her life. The writers don’t bother to go into what’s on Alexander’s mind. I mean, in an American or Indian setting where homosexuality in schools is still considered something that should be mocked, his apprehensions would’ve been understandable. However, this is set in France. So, what’s the big deal? I don’t know. Then, after all that, there’s the ending, which comes out of left field. Is it about old age? Is it about getting some kind of terminal disease? I have no idea, and maybe that in and of itself is intriguing.

Last Party is both a one-location film as well as a faux one shot film. How does it fare in both of these aspects? I think it’s fine. Despite having a fairly simple production design and set design, with the lighting and the cinematography, the house where the whole film takes place does feel claustrophobic with each passing minute. I think the paranoia and uncomfortable vibes of the film could’ve been heightened if there were more background actors in it. I can understand the budgetary limitations, but there are so many empty spaces all over the set that the pressure that the characters are feeling doesn’t seem all that palpable for the viewer. I mean, if everyone has room to breathe, why should the audience feel breathless while watching it? I get and applaud the use of the faux one shot. Dozol clearly wants to achieve the sense of delirium that comes with party nights like the one we see in the movie. However, a lot of the “invisible” cuts are very visible, and that kind of diminishes the effect of the audio-visual trickery. It’s an admirable attempt, and, in an era where everyone is trying to do a faux one take sequence, this is one of the cases where the gimmick feels essential to the plot instead of a distraction. Yet, I am saying it could’ve been done better.

The performances from the cast of Last Party are decent. Lucie Cecchi does a lot of the heavy lifting during the first act. The contrast between her introverted and extroverted sides is showcased so vividly by Cecchi. It’s tough to act like you’re drunk and high on cocaine for the first time in your life, but Cecchi makes it look like a walk in the park. I mean, she is so good that I wish she was the POV character throughout the film. That’s not to say that the rest of the central cast is bad or anything like that. Uma Condolo has amazing screen presence. She does a great job of helping the audience understand why she wears a suit of armor and how the practice of shielding herself has made her so lonely. Teddy Hardy conveys Ethan’s sense of frustration in a very relatable way. Remi Gerard gets to share a pretty romantic scene with Victorien Bonnet, and it’s pulled off in a very sensitive fashion, which is something that I can’t say for a lot of Y.A. films with explicit moments. They always tend to go overboard and forget the fact that they’re responsible for setting standards for teenagers while also portraying the reality they live in. As for the performances from the supporting cast, I think they’re all just fine.

In closing, I want to say that I am confused about whether or not Last Party is confusing in a good way or a bad way. But I do think that that’s the precise reaction that Nicolas Dozol wants to see. Yes, the confounding tone of his film is no accident; it’s by design. If you take a look at the posters hanging in Romain’s room, you’ll notice references to Mulholland Drive, Donnie Darko, and Mysterious Skin. And if you know anything about any of those films, you’ll probably have a better understanding of what Dozol is trying to convey through his characters and why the vibe of the film is so weird. At the cost of repeating myself, I don’t think a film should be labeled “bad” just because one didn’t understand it. Maybe the themes, characters, and messages that are alien to me will resonate deeply with someone else. That is the beauty of the subjective nature of cinema. So, by all means, feel free to give Last Party a try and let me know how it made you feel.

Related

‘Brothers’ Movie Ending Explained And Summary: Did Jady And Moke Escape? 

As the name suggests, Brothers, directed by Max Barbakow, is the story of two siblings who, from a very young age, entered the world of crime and started committing burglaries. Jady and Moke had very distinct personalities, and a lot of the time, their viewpoints clashed with one another. Their mother left them when they were quite young, and it had been 30 years since the woman went missing. Moke missed his mother, but he was helpless, and he didn’t have any option other than to move ahead with his life. So, let’s find out what happened in the film and if the brothers ever got reunited with their mother.

Spoiler Alert

How did Jady come out of jail? 

Jady and Moke Munger, the twin brothers, came from a family of felons, and all their lives they had seen their family members committing crimes and running from the law enforcement authorities. At the beginning of Brothers, we saw that Cath Munger, Jady and Moke’s mother, came running to their home with her partner Glenn. They had stolen emeralds, and as usual, the entire state police force was behind them. Moke was extremely disheartened to know that, once again, their mother wouldn’t be spending Thanksgiving with them. He craved his mother’s presence in his life, and she didn’t seem to understand what her priorities should  be. While leaving, Moke asked her mother to take them with her, but her reply left him heartbroken. She told her kids that she didn’t have any use for them, and so she couldn’t take them. Moke didn’t know how a mother could be so unaffectionate towards her kids. He didn’t know if she even loved them or not. Cath escaped with Glenn, and during their chase, the latter decided to swallow all the emeralds so as not to let the police take them away from them. But Glenn couldn’t swallow the emeralds properly, and he died on the spot, leaving Cath to fend for herself. Cath buried the body of her partner at a particular spot and then escaped from there. Jady and Moke grew up to carry on the family tradition and became burglars. Moke was a gifted lockbreaker, and there was no safe in the world that he couldn’t break open. Jady, on the other hand, was the one who made all the plans and laid out the blueprint of every heist. Had it been up to Moke, he wouldn’t have become a fugitive, but Jady’s presence didn’t let him leave this life behind. During one such heist, the police caught Jady and put him behind bars. Moke was able to escape, and he started a new life. He married a girl named Abby and decided to lead a normal life. But things changed when Jady made a deal with a prison guard named Farful and got discharged on account of good behavior after serving 5 years in the prison. 

Why did Jady keep Moke in the dark? 

Farful’s father was a judge, and so Farful asked him to grant an early release to Jady. Jady had told Farful that he had emeralds in his possession and that he would give him 50 percent of the proceeds when he made the sale. Farful believed that he would be able to keep a tap on Jady’s movements once he was out, but that didn’t happen. Jady was able to escape, and he was able to convince Moke to help him for one last time. Jady knew that so long as Moke was employed, he wouldn’t be willing to take any risk. So he called Moke’s employer and pretended to be an officer from the labor and employment bureau. He told Moke’s boss about his background, and eventually the boss had no option but to fire Moke. Abby was livid, and she didn’t want her personal life to be hampered because of Moke’s actions. Moke made an excuse, telling Abby that he had to accompany Jady to visit their grandmother as she was on her deathbed. Moke had no clue what the real plan was, and Jady kept his brother in the dark because he was well aware of how he would react. Cath was in contact with Jady, and she had asked him not to tell his brother anything about her involvement. She knew how Moke could lose his calm and get all emotional. Jady went and stole the identity card of a woman named Bethesda (the woman who had a pet orangutan at her place), whom he met during his stay in the prison. He needed her ID so that he could steal a bulldozer from her work place and then use it to dig up the corpse of Glenn and take out the emeralds that he had swallowed back in the day. Moke eventually figured out that his mother was also part of the plan and that his brother had been behind him getting fired from his job. Moke met his mother after 30 long years, and he was livid as the woman had never tried to contact him for all that time. Moke didn’t want to be a part of the plan, but the love he had for his family and, somewhere, the greed to earn quick money didn’t let him leave. 

How were Jady and Moke able to escape? 

Farful was able to catch Moke and Jady, and he asked Cath to give the emeralds to him if she wanted to save her kids. But Cath ran with the emeralds, and Moke once again got triggered as he realized that whatever feelings he had about her were absolutely right. Moke always felt that his mother didn’t love them and she could throw them under the bus if the need arose. Moke and Jady were able to track down their mother, who had gone to their uncle’s place to sell the emeralds. Cath and both her kids got struck in a shopping center. Farful also arrived at the scene with a shotgun, and he threatened them to come out and hand over the emeralds to him if they wanted to stay alive. The police also arrived at the shopping complex and surrounded the building. That was the moment in Brothers when Cath proved Moke wrong. To save her kids, she handed herself over to the police while Moke and Jady escaped from the back door of the complex. Now Farful’s father, who was the judge, had Jady’s gun that had his finger prints over it. Moke gave him all the money he got after he sold the emeralds in exchange for that gun. Jady also wanted to express his love for his brother, and so he used all his money to open a life trust fund for Moke’s daughter. Moke didn’t understand why he would do that, as he believed that after giving Judge Farful his share, he would take money from Jady if he needed it in the future. 

Brothers’ ending, in a twisty turn of events, revealed that Cath still had some emeralds with her that she had swallowed just before the police caught her. She secretly handed over the emeralds to Jady when the entire family came to meet her in the prison. Though Jady didn’t tell Moke anything, the latter saw him taking the emeralds. At the end, we also got to know that apart from those couple of emeralds, Jady had secretly kept one for himself. Things ended well for the Munger family, though I don’t think Jady had any plans to retire from the crime world. I believe it was just a matter of time before the brothers found themselves stuck in another perilous situation. 

Related

‘Outside’ Movie Ending Explained And Summary: Is Francis Dead?

The Filipino horror drama Outside is set in a post-apocalyptic world where zombies have spread far and wide. But the horror does not stem from the zombie attacks but rather from the sudden shift in the familiar. A family of four, Francis, Iris, Josh, and Lucas, arrived at Francis’ parental home in the suburbs. Their blood-stained car and their messy clothes were a clear indication that they had been through a lot to stay alive. Francis courageously entered the house. He discovered that his father had shot himself after he was bitten by a zombie. Francis grabbed hold of the gun in his father’s hand and also removed the watch he was wearing. As he walked out of the room, he came across his mother. She had turned into a zombie, but she was too weak and could barely move. Francis had no choice but to shoot her. Francis decided his parental home would be their safe haven, and they would stay there until the situation got better. But the house had its secrets, and they were deeply intertwined with Francis’ childhood.

Spoiler Alert

Why did Francis decide against finding help?

Francis tried to make his family feel at home, but it was not as easy for Iris. She was well aware that Francis was abused by his father when he was a child, and he had traumatic memories in the house. But according to Francis, the people who did him wrong were dead, and he believed he had no reason to worry anymore. The kids were happy to have the constant flow of clean water and an endless supply of sugarcane, though at dinner Josh mentioned how most of his friends were making their way to the camp and they must do the same. Francis seemed to be against the idea. He was afraid that they would be attacked again. Not only that, Francis and Iris’s strained marriage had impacted his decision. Iris had wanted to leave Francis before the zombie madness began, but he had proved to be a protective husband and a reliable father throughout the zombie outbreak, and Iris considered giving him a chance. She had convinced him that it was important that they try to find help outside since they were already low on supplies. 

The next day the family drove in the direction the camp was supposed to be, but Francis had to pull the brake when he saw dead bodies and cars blocking the bridge. But Iris refused to give up. She bravely stepped out of the car to remove the obstacles, and all of a sudden the zombies reacted to the noise and smell. Francis jumped in to protect Iris, and they had to leave their car behind and run for their lives. Francis later walked to the bridge to bring back his car, but he changed his mind. He realized that as long as they had the car, his family would pressure him to drive to the camp. Francis had assumed that as soon as they would reach the camp or when things would go back to normal, Iris would leave him, and this was his desperate attempt to keep his family together. Iris had been romantically involved with Francis’ elder brother, Diego. When Josh mentioned that he had overheard his mother and uncle discuss that they must head north, Francis got scared. He feared that if they headed north, his family would fall apart, and he became all the more desperate to be the one in control.

Why was Francis acting differently?

Francis had turned into his dominating father without even realizing it. He had started to believe that the outside world would only ruin them, and the only way the four of them could be together was by staying locked up in the house. Francis was not thinking about his family; they were clearly afraid of him, and they were tired and frustrated living inside the house all the time. They wanted to connect with the world outside, but Francis made sure that they remained unsuccessful. He believed, as the head of the family, he would decide how they would deal with the crisis. Francis was replicating his father’s method of torture—locking up his family and punishing them if they dared to question his ways. When Josh tried to convince his father to drive to the camp, Francis handed him a gun and intimidated him. He repeatedly screamed and shouted at Josh until he shot the target. But Francis had no idea that he had invited trouble. The sound of the gunshots resulted in zombies coming in their direction. 

The family locked themselves in the house, and Iris begged Francis to come up with a solution. But instead, Francis gave up. Thankfully, Diego was in the area, and he distracted the zombies and tackled them singlehandedly. The incident should have been a lesson for Francis—it was obvious that they were unsafe in the house and they needed to find a better solution. But Francis refused to accept it. The next day, when he met Diego by the river, his brother explained that he had stopped by to meet his parents one last time. Diego’s wife and son were infected, and he was on his way to the safe camp. Diego’s relationship with his parents hadn’t been as messed up. Francis called him the ‘golden boy,’ hinting at the possibility that he was always compared with Diego and he was expected to excel always. Diego suggested Francis move to the camp with his family. The place was already dead, and they were low on supplies; it was impossible to last long. Diego clarified that he did not come to the house to meet his parents but to help Francis. He felt guilty for his past mistakes, and he hoped that his brother would let him help. But Francis refused to allow Diego to come anywhere near his family. He pointed his gun at Diego and asked him to leave. Before he left, Diego handed him a map to the camp. Francis’ first instinct was to burn it, but he ultimately decided to keep it.

Why did Josh run away?

As a teenager, Josh missed his social life. He could not contact his girlfriend; he was out of touch with his friends, and his father always seemed to be disappointed in him. As much as he was grateful to be alive, he also wanted to live, and he could not do that within the four walls of his grandparents’ home. As time passed by, Josh and Iris realized that the zombies were getting weak. They could easily outrun them and kill them. Francis freaked out when he heard Iris telling Lucas that soon they would be free to step out of their house again. So, Francis walked to the sugarcane farm and killed a zombie, who was already weak, to prove to his family that the threat was not yet over. When Josh walked into Francis’ room looking for Lucas, he noticed the map in his father’s belongings. That evening Francis decided to celebrate Christmas in September, and when he asked his children to tell him what they wanted as presents, Josh did not hesitate to ask for the map from him. Francis pretended not to know what Josh was talking about, and he promised that he would gift his son a map next Christmas.

Francis stated that all he wanted for Christmas was another child from Iris. His wife was traumatized. Iris reminded him that they did not have food to eat, they were under constant threat, and they had forgotten what it was to live, but none of these were good enough reasons for Francis. He was so disappointed in Iris that he decided to tell his children how their mother planned on leaving them. Iris begged Josh and Lucas to not listen to their father. She wanted to leave not because she hated her children but because she was not happy with Francis. Iris did not expect Francis to stoop so low. Francis was convinced that the only reason Iris wanted to leave was to find Diego or simply to run away from him. When Francis pressurized Iris to tell their children about the man she had an affair with, Iris lost her cool. She reminded Francis that she wanted to leave him, and that was all the reason she needed. During their argument, Francis had addressed Josh as a ‘bastard,’ confirming he was not Francis’ son, and that was all the more reason why he never appreciated Josh. Later that night, Josh walked to his mother’s room and told her he was leaving. Iris wanted him to know that he was Diego’s son, but Josh had figured it out quite some time back. He wanted to take the risk to find out what was going on in the world, and he could no longer imagine staying confined within the four walls of the house. Iris did not stop him, and Josh left.

What happened to Francis, Josh, Lucas, and Iris?

That night, a stranger had come to Francis’ house begging for help. As it turned out, Diego had sent him there after he and his team were attacked by zombies. Iris was surprised to find out that Diego was still alive when the stranger last met him because Francis had led her to believe that he was killed trying to protect Francis and his family from zombies. While Francis was against helping the stranger, Iris refused to listen to him and dressed the stranger’s wound. Francis had him sleep in the basement because he suspected the man was infected. The next morning, when Francis realized that Josh had left, he lost control of himself. Francis killed the stranger with a hammer and locked Iris and Lucas in the basement. He feared that they too would leave him just like Josh did. He blamed the stranger for showing them a ray of hope, and therefore he thought killing the man was justified. Francis had turned completely insane. He hunted a dog and tried to feed his wife and son the meat. Francis was no longer the man Iris knew. His desperation to keep everything together was visible, but he failed to realize that he had massively failed. Iris and Lucas came up with a plan to trap Francis in the basement, and they managed to run out.

During Outside’s ending, when Iris and Lucas were finally about to leave the cursed house, they saw Diego in the driveway. He had turned into a zombie, and Iris was visibly heartbroken to see his condition. She tried to stop him, but he was too powerful. By the time she managed to stop him, Francis escaped from the basement, and he punched Diego and crushed his skull. Francis thought Iris was the reason why his family had fallen apart and he was about to kill her, but just then Lucas cried for help. They discovered that Lucas had been bitten. While Iris showed courage and strength by coming up with a solution, Francis gave up. He had always been a weak, insecure man, and when challenges were thrown at him, he struggled to keep himself together. Iris was a nurse, and she used her knowledge to stop the virus from infecting Lucas. She chopped off Lucas’ arm, and the little boy was brave enough to survive the pain. Francis finally listened to Iris when she begged him to search for help to admit Lucas to a hospital. He ended up at the bridge, and he ran into Josh. The teenager had a gun in his hand, and before his father could say much, he shot him. It pained Josh to kill his father, but he knew that his family would never be free otherwise.

In Outside’s ending, before taking his final breath, Francis addressed Josh as his son, underscoring that Francis never despised him; it was the house, Francis’ memories of his father, and his childhood trauma that turned him into a cruel man. Iris and Lucas had given up hope, but when they saw the lights of an approaching car, they knew help was here. We can only hope that Iris, Lucas, and Josh found help and they managed to reach the camp. Even if they survive, the memory of that old house will continue to haunt them forever.

Related