Who was the first female movie director hired by Universal Studios?

(Credits: Far Out / Public Domain / Press) Sat 25 January 2025 22:15, UK The film industry has typically been very male-dominated, with Hollywood existing for many years as a glorified boys club that didn’t care for the stories and experiences of people they didn’t directly relate to. However, there have always been pioneering female filmmakers who have fought for this to change, with writers and directors like Dorothy Arzner, Lillian Gish, and Ida Lupino paving the way for future women in the field. Since then, directors like Chantal Akerman, Claire Denis and Catherine Breillat have forged fearless careers through their bold and challenging filmographies, exploring feminist ideas and infusing them into the medium in a practically unheard-of way. These stories were seen as taboo and deeply controversial, and their legacy can be felt today in the work of Julia Ducournau, Celine Sciamma and even Greta Gerwig. Despite the fact that there are far more female directors working today, the overall statistics aren’t changing and there is still a huge gender disparity at the heart of the industry. Those in power would like us to be content with what we have, even though there is still much more work to be done in order to even the playing field. As we look forward to the future and the ways we can improve the current state of filmmaking, it is important to recognise the trailblazing women who did it first and began to break the wheel. During the early days in Hollywood, there were very few women let into leading roles, yet alone allowed to direct films. But while it was uncommon, Louis Weber managed to do this, even with all the odds stacked against her. What was Lois Weber’s first movie as a director? Weber was one of the most prolific and influential directors within the silent film period, working in Hollywood until she died in 1939. She is considered one of the first genuine auteurs, working to change the framework of film production and modernise the medium by infusing her political ideas into her films. She is most known for films such as Suspense, Shoes and Hypocrites, but her very first film as a co-director was A Heroine of ‘76 in 1911. Her work was extremely forward-thinking and progressive, exploring subject matter relating to poverty, birth control, and abortion, with her 1915 film Hypocrites being the first to feature full-frontal female nudity. After her co-directed short film in 1911, her first feature film in which she was the sole director was The Merchant of Venice in 1914. Weber also became a studio ownerAs well as being the first female Hollywood director, Weber was also the first woman to found her own studio, becoming an equally prolific producer. Her studio was aptly titled Lois Weber Productions, which was formed in 1917 and led to projects such as The Blot and What Do Men Want? Despite her unprecedented success as a director, the studio only survived for four years, with her distributors at Paramount refusing to release What Do Men Want?, leading to the studio’s collapse entirely. The demands of the audience were shifting with the rise of the ‘Roaring Twenties,’ and cinema began to change rapidly. Despite the unfortunate end to her studio, Weber was an astonishing force that changed cinema forever and continues to be remembered for her unparalleled contributions. [embedded content]Related TopicsSubscribe To The Far Out Newsletter

How to watch Mary J. Blige’s ‘Family Affair’ Lifetime movie streaming free, on demand

New from Lifetime, Mary J. Blige’s ‘Family Affair’ premieres tonight, Saturday, January 25 at 8/7c. The movie, inspired by the hit song, follows the story of Kendra and Ben as they continue their romance away from the city. For a look at the trailer, check out the video here. Then, watch for free live with a trial of Philo.• Don’t have cable? You can watch Mary J. Blige’s ‘Family Affair’ for free with Philo(free trial) or with Fubo (free trial).What is Mary J. Blige’s ‘Family Affair’ about?Kendra and Ben move out of the city to continue their lives together in this Lifetime movie inspired by the Mary J. Blige song of the same name. When Kendra clashes with Ben’s son, their relationship comes to a head and Kendra takes some space for herself. Will their families be able to come together to keep their love alive? Tune in to find out.Who is in the cast of ‘Family Affair?Ajiona Alexus stars at Kendra and Da’Vinchi stars as Ben.HOW TO WATCH MARY J. BLIGE MOVIES ON LIFETIMEWhat: Mary J. Blige’s ‘Family Affair’When: Saturday, January 25 at 8/7cTV Channel: LifetimeWatch the show live streaming online: You can watch the Lifetime movie LIVE for free with Philo(free trial) or with Fubo (free trial). If you already have cable, you can stream this movie live on Lifetime Live with your cable or satellite provider login information.

‘The Librarians’ EP Sarah Jessica Parker On The Spread Of Book Banning: “It’s A Fear Of Children Having Information” – Sundance Studio

TITLE: The Librarians
Section: Premieres

Director: Kim A. Snyder

Logline: As an unprecedented wave of book banning is sparked in Texas, Florida, and beyond, librarians who find themselves under siege join forces as unlikely defenders in the fight for intellectual freedom on the front lines of democracy. Kim A. Snyder (Us Kids, 2020 Sundance Film Festival) takes us to an unexpected front line where librarians emerge as first responders in the fight for democracy and free access to information.

Company: Radical Gaslighters

Watch on Deadline

Panelists: Sarah Jessica Parker (EP), Kim A. Snyder (director), Allison Benson (producer), Becky Calzada (librarian and film participant), Amanda Jones (librarian and film participant)Key quotes: E.P. Sarah Jessica Parker on the motivation behind book banning:

“I sometimes feel as if it’s fear of children having information that might be counter to a home’s ideology, religion, political point of view. And when young people have information, they might ask questions and that might be counter and it might feel as if there is conflict when in fact it’s really just healthy curiosity about subjects, people, religions, culture that is unfamiliar.”

Librarian Becky Calzada: “The current state of book banning… initially it started in Texas and has spread out through Louisiana, Florida now even in Utah, where we’re seeing even the state telling students that they can’t even bring a book that they personally own to school… if it’s banned in their schools.”

RELATED: Book-To-Movie Adaptations Coming Out In 2025

Librarian Amanda Jones: “I’m from a very small town in Louisiana and I can’t even go out grocery shopping in my town. I’ve received death threats for the crime of giving a speech at the public library about how libraries are for everyone. And it’s not just an attack on librarians, but it’s an attack on the books. But they’re also trying to devalue and defund libraries as a whole, across the board.”

E.P. Sarah Jessica Parker: “The safety and wellbeing of these librarians who are pursuing the idea of education, the gateway to information and curiosity — for anybody to step in the way of the opportunity to learn is really tragic.”

Director Kim A. Snyder: “We’re very excited to be partnering with PBS and Independent Lens. They have a built-in network of over 150 libraries. We’re partnering on an impact campaign with PEN America and a lot of their courageous authors who’ve been affected with these banned books. And also, CAA Foundation is going to become involved to really do a tour and get this out as widely as we can.”

RELATED: TV Show Book Adaptations Arriving In 2025 So Far

Watch our conversation with The Librarians team above.

Deadline Studio at Sundance presented by Casamigos

Buffy & Friends Show “The Power of Friendship” in Little Golden Book

Posted in: Books, CW, Pop Culture, streaming, TV | Tagged: buffy, buffy the vampire slayerBuffy, Willow, Xander & Giles wield “The Power of Friendship” in author Virginia Murphy and illustrator Pernille Orum’s Little Golden Book.Published Sat, 25 Jan 2025 13:07:08 -0600 by Ray Flook | While we wait patiently to see if anything will result from Sarah Michelle Gellar sounding much more comfortable about the idea of a possible Buffy the Vampire Slayer return (more on that in a minute), Penguin Random House is giving “Buffy” fans to learn more about “The Power of Friendship,” the newest Little Golden Book, written by Virginia Murphy and illustrated by Pernille Orum. Released on July 1st (though available now for pre-order), Based on the overview that was released, readers will learn about the importance of friendship and working together as a team from Buffy, Willow, Xander, and Giles (even if you don’t have a pesky little Hellmouth to worry about). Here’s a look at the cover art, followed by the overview that was released.Image: Penguin Random House/Little Golden Book
Join Buffy Summers and her friends from the fan favorite TV series “Buffy the Vampire Slayer” in this adventure-filled Little Golden Book for all ages! Whether it’s slaying vampires, fighting monsters, or breaking curses, Buffy Summers and her friends Willow, Xander, and Giles always stick together to save Sunnydale–and the world! This Little Golden Book is perfect for Buffy the Vampire Slayer fans of all ages as well as Little Golden Book collectors.
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Buffy Return Timeline: Sarah Michelle Gellar, Dolly Parton & More
“It’s funny. I always used to say, ‘No,” ’cause it’s in this bubble and so perfect. But watching ‘Sex and the City’ and seeing ‘Dexter’ and realizing there are ways to do it definitely does get your mind thinking.” And with those words, Sarah Michelle Gellar dumped a whole lot of gasoline on the dumpster fires of hope that Buffy the Vampire Slayer fans have had for years that Gellar would return to her iconic role. Ironically and interestingly enough, Gellar shared her evolved perspective on a possible “Buffy” return while promoting Paramount+ with Showtime and Showrunner/EP Clyde Phillips’s (Dexter, Nurse Jackie) Patrick Gibson-starring Dexter: Original Sin – a franchise (along with the upcoming “Resurrection”) that getting renewed life now that Michael C. Hall has returned to his famous role. With all of the building buzz, it got us thinking about where things stand with the possible reboot/revival/spinoff/sequel series (there are differences, we promise) – and how Gellar’s recent comments could get things rolling again.
Image: Paramount+ with Showtime; WBTV Screencap
Back in 2018, 20th Century Fox Television announced that it was developing a reboot. Monica Owusu-Breen (Midnight, Texas; Marvel’s Agents of S.H.I.E.L.D.) would serve as showrunner, and Joss Whedon would co-write and executive produce. That would change beginning in early 2021, when Buffy & Angel star Charisma Carpenter went public with accusations against Whedon that involved years of unprofessional and abusive behavior. This prompted many others connected to both shows to voice their support for Carpenter and offer their own allegations. Whedon’s efforts in early 2021 to address those matters and others in “The Undoing of Joss Whedon” by Lila Shapiro for New York Magazine appeared to only worsen matters, with many seeing Whedon as attempting to “play the victim” instead of addressing the accusations leveled against him in a reasoned, honest manner.
Shortly after, the allegations would return to the spotlight with the publication of Evan Ross Katz’s Into Every Generation a Slayer Is Born: How Buffy Staked Our Hearts. Offering a behind-the-scenes look at the series from its cast, creative team, and production crew, the book included interviews with Gellar, Carpenter, Emma Caulfield, Amber Benson, James Marsters, Anthony Stewart Head, Seth Green, Marc Blucas, Nicholas Brendon, and many others. In terms of a series return, things were understandably not looking good heading into August 2022, with executive producer Gail Berman sharing with The Hollywood Reporter’s Katie Kilkenny that the project was “on pause.” Now, flash ahead to January 2024 – when music legend and pop culture icon Dolly Parton made some “Buffy” headlines…
Image: WBTV Screencap/NBCUniversal
For those of you who don’t know, Parton and her former manager, Sandy Gallin, founded Sandollar Productions – and it was the production company’s television division (Sandollar Television) that co-produced all seven seasons of “Buffy” as well as the David Boreanaz-starring spinoff series Angel. Co-producing the original film with Kuzui Enterprises, the two production companies would join Whedon’s Mutant Enemy Productions and 20th Century Fox Television (now 20th Television) to develop the television series. “They’re still working on that,” Parton shared with Business Insider. “They’re thinking about bringing it back and revamping it,” she added, not offering additional details at the time. Three months later, in April 2024, Gellar shared with US Weekly during a fashion awards show in Los Angeles that Parton was one of the very few people she would take a call from regarding a return. “I mean, like, if Dolly Parton is going to call me, I’m always available to take a phone call from the queen,” Gellar shared.
To offer you some perspective on just how much “The Queen” means to her, Gellar discussed Parton being a “silent” producer on the series, how crucial Parton was in getting the series off the ground, how she reacted after Parton praised the series, and the moment when she realized that Parton knew who she was during a February 2023 visit to NBC’s The Tonight Show – with the interview waiting for you above.
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What Choice For Smaller Publishers, If Lunar & Penguin Aren’t Options?

Posted in: Antarctic Press, Boom, Comics, Comics Publishers, Current News, Dark Horse Comics, DC Comics, Dynamite, IDW, Image, Marvel Comics | Tagged: diamond, lunar, PenguinWhat choice for smaller publishers oif Diamond goes away, If Lunar Distribution and Penguin Random House aren’t options?Article Summary
Diamond Comics’ bankruptcy spells trouble for small press publishers seeking distribution.
Lunar Distribution and Penguin Random House hesitant to take on smaller publishers.
Retail shifts towards pop culture may shrink indie comic presence in stores.
New distribution models and alternatives may emerge to support small publishers.
Diamond Comic Distributors does one extraordinary thing. It gives small press comic book publishers the opportunity to gain national, indeed worldwide distribution for free, across the direct market. And what money Diamond took, was a small fraction. Given processing costs, on the smallest titles, they probably took a loss. The qualifications were ridiculously low on a commercial nature. I mean, they even distributed by own black and white small press comics back in the early nineties, which raised enough money to me to fly from London to San Diego Comic-Con several times. Looking back now, especially what I was then, it was… well… extraordinary. Even then, when there were several distributors I was initially going through, Diamond brought in the biggest buck, even as they then bought up all their rivals.Diamond logo
Now Diamond Comic Distributors has declared Chapter 11 bankruptcy. The big publishers had already left, after taking advantage of lockdown making their exclusive contracts with Diamond bulk and void. A rather cut throat and mercenary decision, but inevitable after the train started rolling down that hill.
So what remains? Well, Lunar Distribution have a lot on their plate. The survivors of the DC distribution war, they had initially stepped up to distribute Marvel Comics at one point, but Image Comics has taken up much of their resources. They have a number of small publishers, who chose not to be Diamond-exclusive, but taking on more right now seems to be a no-no. While Penguin Random House has Marvel, Dark Horse, and IDW… and will soon have Boom. Their interest in taking on smaller publishers seems negligible. Dynamite may be considered, but no one smaller. Publishers will likely stick with Diamond, but would that be throwing good money after bad? As it stands, they are owed and owed stock. Full bankruptcy may deprive them of either or provide pennies on the dollar. Will they risk greater exposure by allowing Diamond to distribute more of their comics?
This also comes at a time when shipping cost increases has made crowdfunded comics less prevalent, printing costs have made publishing header and increased warehouse costs are also pressing on people who just want to make comics. Ben Dunn of Antarctic Press writes on social media, “With the bankruptcy of Diamond Comics distribution what exactly does this actually mean to comic stores? For now, it is business as usual. Comic stores will continue to get their comics, but this portends a shift in buying. Many comic stores are making the shift to being pop culture stores selling mostly toys, merchandise, cards, etc. Despite what you may personally think of Diamond, it was the ONLY distributor of small press comics. If they go, where will these publishers and creators go now? Imagine a world with no BONE, no USAGI YOJIMBO, no TEENAGE MUTANT NINJA TURTLES or no NINJA HIGH SCHOOL. If the direct market had not arisen, then chances are none of these small press comics would have gotten into stores and found an audience. Yes, Diamond made some mistakes, and hopefully, they will learn from them, or maybe it may be too little, too late. We shall see. Apparently, both Lunar and Penguin have shown little interest in AP. Not for lack of trying. We have attempted to contact them on many occasions but to no avail. We are essentially on our own, as I am sure many other small press publishers. Will we survive? Yes. AP will survive but it may be changed. Our method of distribution will change. Our product line and editorial content will change. What that change will be remains to be seen, but I believe we will know in a few months where we will be. Will someone pick up the baton? Perhaps. Will retailers care? I hope so. The thing is, if comic stores disappear or stop carrying small press comics, the indie small publisher will have a greatly diminished presence to the public. Will it be the end? Well, not really, as we have various new ways to make money, but our reach will no longer be as influential. No real chance for a new small indie to break out and build an audience. Right now the industry is relying on nostalgia. Oh, there will be a success here and there, but not nearly as much as it could be. I lament how the comics industry has self-destructed. I long had advocated to re-think the distribution model, but it fell on deaf ears, with many saying that it is outdated or impossible to implement. Well, here we are. Looking into the abyss. Had we just taken a moment to look to the future instead of lining our own pockets or indulging in personal drama, we might have had a healthy, thriving industry. Now we are looking to one that will soon disappear. I don’t wish to end this on a down note. I love comics. Always have. Always will. I love the creators who make them. I love the fans and readers who support us. We need to work together to revitalize the industry and the best way to do it is to give people a reason to read comics. Give people what they want, and they will beat a path to your door!”
Diamond Comic Distributors was very effective, but only at scale. And a scale dwarfed by Pnguin Random House. There are moves I hear for new smaller-publisher and small-press distributors to set up if Diamond does indeed go away. I heard UCS, who lost the DC distribution war formed by Midtown Comics, may be revived for just this purpose. But the chances are it will be less financially remunerative for the publishers and creators. How does that song go? “You don’t know what you’ve got till its gone.” Mayeb they’ll put up a parking lot.

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32 Movies Actresses Did Immediately After Winning An Oscar (And How They Went)

The Academy Award for Best Actress has been handed out every year since 1929 — it was initially awarded to star Janet Gaynor for her roles in 7th Heaven, Street Angel, and Sunrise: A Song of Two Humans — and in the near-century since, it’s been presented 97 times to 79 actresses. Winning that coveted statuette is unsurprisingly a dream come true for many a big-screen performer, but the award does come with added attention on the actress’s next projects. Will whatever they work on next be as critically acclaimed or commercially successful? Here are 32 films that Oscar-winning actresses did after taking home the Academy Award, and how they were received.(Image credit: Summit Entertainment)Emma StoneThe whole La La Land Oscars brouhaha at the 2018 ceremony was quite memorable, but clearly so was star Emma Stone’s performance as aspiring actress Mia Dolen opposite Ryan Gosling’s jazz pianist Seb Wilder. One of Stone’s best movies, the role earned the star her first Best Actress win (she would strike gold yet again with her 2024 victory for Poor Things). Her next performance also stirred up awards buzz: she was nominated for a Golden Globe and a Critics Choice Award for portraying tennis legend Billie Jean King in the sports drama Battle of the Sexes.(Image credit: Universal Pictures)Meryl StreepMeryl Streep’s history with the Academy Awards is long and legendary: over her decades-spanning career, she’s been nominated for a record 21 Oscar nominations, winning thrice. After taking home the Supporting Actress statuette for Kramer vs. Kramer, Streep got her first big Best Actress win for one of her most iconic performances: as the titular character of the devastating 1982 drama Sophie’s Choice. Her next role was just as haunting: as Karen Silkwood in the 1983 thriller Silkwood, for which she earned yet another Best Actress nod.(Image credit: A24)Michelle YeohAlong with kicking major butt, Michelle Yeoh made history with her starring role as Evelyn Quan Wang in the 2022 action-dramedy Everything Everywhere All at Once, for she became the first Asian performer to win the Academy Award for Best Actress. Following that notable win in 2023, the Wicked star lent her voice to the sci-fi flickTransformers: Rise of the Beasts as Airazor, a Maximal warrior who transforms into a peregrine falcon. That title earned largely mixed reviews, and it currently sports a 51% rating on Rotten Tomatoes.(Image credit: Searchlight Pictures)Jessica ChastainAfter losing out on the Oscar for Zero Dark Thirty, Jessica Chastain took the Best Actress trophy home for her transformative role as televangelist Tammy Faye Bakker in the 2022 bio-drama The Eyes of Tammy Faye. Her next project was far less successful with awards bodies — the action-spy thriller The 355 was both a critical and commercial bomb, reportedly losing Universal an estimated $93 million. Robbie Collin of The Daily Telegraph wrote: “Despite the strong cast, this is the film equivalent of a corn-syrup-based fizzy drink being passed off as chic in taller, slimmer cans.”(Image credit: Gramercy Pictures)Frances McDormandThree-time Best Actress winner Frances McDormand took home her first Oscar in 1997 for her instantly iconic performance as Minnesota police chief Marge Gunderson in the classic Coen Brothers dark comedy Fargo. Later that year, the acclaimed performer joined a heavyweight lineup of actresses — including Glenn Close, Cate Blanchett and Jennifer Ehle — in the World War II drama Paradise Road. However, despite that acting clout, the film received mixed reviews, with its approval rating at a lowly 43% on Rotten Tomatoes.(Image credit: A24)Brie LarsonChild actor turned Marvel superhero Brie Larson took her career to a whole new level with her performance as kidnapping victim Joy “Ma” Newsome in the 2015 survival drama Room, for which she swept the subsequent awards season and took home the Best Actress Oscar. In 2016, the Lessons in Chemistry lead starred in another survival drama, this time the Ben Wheatley-directed action-comedy Free Fire. CinemaBlend’s own Gregory Wakeman wrote of the film: “Free Fire has enough gun blasts and violence to entertain, but ultimately lacks the requisite surprises or savvy to be anything more than a frivolous diversion.”Your Daily Blend of Entertainment News(Image credit: Searchlight Pictures)Olivia ColmanOlivia Colman’s Best Actress win for her portrayal of Queen Anne in the black-comedy period piece The Favourite was a deserved yet delightfully shocking moment at the 2019 Oscars. Her next role was equally strange, but less acclaimed: she appeared alongside Kaitlyn Dever, Jim Gaffigan and Walton Goggins as snake-handling fundamentalists in the horror mystery Them That Follow. Though it was nominated for the Grand Jury Prize at Sundance, it earned mixed reviews from critics.(Image credit: Sony Pictures Classic)Cate BlanchettOne of the most versatile actors in the industry — she’s played Queen Elizabeth I and Bob Dylan, for crying out loud! — eight-time Oscar nominee Cate Blanchett secured her first Best Actress win in 2014 playing a neurotic former socialite in the Woody Allen-directed dramedy Blue Jasmine. And speaking of versatility, the Aussie star followed that awards win with a voice role in the animated fantasy sequel How to Train Your Dragon 2, which got its own Oscar nod for Best Animated Feature.(Image credit: Warner Bros)Sandra BullockRom-com queen Sandra Bullock received her first Best Actress nomination and win in 2010 for her portrayal of Leigh Anne Tuohy in the biographical football drama The Blind Side. Her next film credit was the Stephen Daldry-directed 2011 drama Extremely Loud & Incredibly Close, which did manage to score a Best Picture nod but not without controversy. Chris Krapek of The Huffington Post called the film “not only the worst reviewed Best Picture nominee of the last 10 years, [but] easily the worst film of 2011.”(Image credit: RKO Pictures)Katharine HepburnHollywood icon Katherine Hepburn earned four Academy Awards for Best Actress out of 12 nominations across her illustrious film career—a record for any performer. The leading lady’s first Oscar win was in 1934 for the Pre-Code drama Morning Glory (the rest would come later in the star’s life), which she followed up with John Cromwell’s Spitfire. Some viewers found Hepburn miscast as “hillbilly” faith healer Trigger Hicks — the film has a 35% audience score on Rotten Tomatoes.(Image credit: Paramount Pictures)Nicole KidmanNicole Kidman didn’t win the Best Actress Oscar for one of her most beloved performances, as cabaret star Satine in Moulin Rouge! but she instead secured the big win only a year later for playing English writer Virginia Woolf in The Hours. The Babygirl star’s first post-award project was the 2003 avant-garde thriller Dogville, written and directed by Lars von Trier. Though the film prompted quite a polarizing response from critics at the time of release, it did end up on several best-of-the-decade roundups, including The Guardian and Paste.(Image credit: Lionsgate)Jennifer LawrenceIf they didn’t already love her from her work in the David O. Russell dramedy Silver Linings Playbook, the world certainly fell for Jennifer Lawrence when she charmingly tripped up the stairs to accept her Best Actress statuette in 2013. That fall, she would reprise her role as Katniss Everdeen in the second Mockingjay movie, The Hunger Games: Catching Fire, which is widely considered the best installment of The Hunger Games film series (it’s got a solid 90% Rotten Tomatoes rating) and earned Lawrence a Critics’ Choice nod.(Image credit: Miramax)Helen MirrenDame Helen Mirren is a regal onscreen presence no matter what the role, but her performance as Queen Elizabeth II in the 2006 docudrama The Queen welcomed her among the Hollywood royalty known as Oscar winners. However, despite the film title, she didn’t strike gold with her next project: the Nicolas Cage-led adventure flick National Treasure: Book of Secrets, alongside Jon Voight, Harvey Keitel, Ed Harris and Diane Kruger. Per Rotten Tomatoes, critic consensus said of the 35% “Rotten” movie: “A talented cast goes to waste in the improbable National Treasure: Book of Secrets.”(Image credit: Paramount)Jodie FosterOne of Hollywood’s most acclaimed child stars — she was only 12 years old when she starred opposite Robert De Niro in the Martin Scorsese masterpiece Taxi Driver, earning her first Oscar nomination for Best Supporting Actress — Jodie Foster successfully segued into more adult fare with the 1988 legal drama The Accused. As an assault survivor Sarah Tobias, Foster received a Best Actress win—it wouldn’t be her last, with the star winning the same award for her next film release, one of the greatest horror movies of all time, The Silence of the Lambs.(Image credit: Lionsgate)Halle BerryHalle Berry made Oscar history when she became the first African-American woman ever to win the Academy Award for Best Actress, for her performance as a struggling widow in 2001’s Monster’s Ball. After becoming an Oscar winner, Berry became a Bond Girl — bikini-sporting NSA agent Jinx, to be exact — in the 2002 spy flick Die Another Day, opposite Pierce Brosnan as 007. However, the latter is widely considered to be the worst entry in James Bond’s canon.(Image credit: Disney)Julie AndrewsA legendary performer across both screen and stage, Julie Andrews won her Best Actress Oscar in 1964 for a truly iconic role: as the titular nanny extraordinaire in Mary Poppins. And she didn’t stop there — the very next year, she would get yet another Academy Award nomination for an equally beloved character, as The Sound of Music’s Maria, the sweet, singing governess to the Von Trapp family. Talk about an epic filmography!(Image credit: Columbia Pictures)Kathy BatesOne of the best Kathy Bates performances, as obsessive superfan Annie Wilkes in the 1990 Stephen King thriller Misery, earned the talented actress her first Academy Award nomination and win. (She would have three more Oscar nods across her decades-spanning career.) Bates’ next film role was in the South African drama The Road to Mecca, based on the Athol Fugard play of the same name — the performer was praised for both her acting and her accent work.(Image credit: Fox Searchlight Pictures)Hilary SwankBefore there were transgender characters like Emilia Pérez (Emilia Pérez), Sin-Dee Rella (Tangerine), or Raymond Rayon (Dallas Buyers Club), there was Brandon Teena, the real-life trans man at the center of the 1999 drama Boys Don’t Cry. Hilary Swank’s harrowing, career-making performance as Teena earned the star her first Best Actress award, with critics like Entertainment Weekly’s Owen Gleiberman calling the actress a “revelation” in the film. Reactions to her next movie, the 2000 supernatural thriller The Gift, were far more mixed. A. O. Scott of The New York Times wrote: “The picture is saved from mediocrity by [director Sam] Raimi’s smooth competence, and by the unusually high quality of the acting.”(Image credit: 20th Century Fox )Renée ZellwegerAfter prior Best Actress nominations for two of her best movies, Bridget Jones’ Diary and Chicago — plus a Best Supporting Actress win for Cold Mountain — Renée Zellweger finally got her big Best Actress win for her portrayal of Judy Garland in Rupert Goold’s Judy. After taking a multi-year break from acting, Zellweger’s much-anticipated next film credit will be a return to a beloved role, in Bridget Jones: Mad About the Boy.(Image credit: Fox Searchlight)Natalie PortmanNatalie Portman was so convincing as a troubled ballerina in the 2010 psychological thriller Black Swan that she thought the film was a docudrama while making it. So, it’s no surprise, then, that her tour-de-force performance garnered the star an Academy Award for Best Actress. Ever one to keep you guessing genre-wise, Portman’s next role was in the 2011 stoner fantasy-comedy Your Highness, which sadly was a box office bomb and received largely negative reviews from critics.(Image credit: MGM)CherThe “Goddess of Pop” Cher officially added the title of “Oscar winner” to her already legendary showbiz career with her 1988 Best Actress triumph for one of her best movies, the acclaimed rom-com Moonstruck. Her next movie role came two years later as Rachel Flax, the saucy single mom to young Winona Ryder and Christina Ricci in the 1990 dramedy Mermaids. The heartfelt title has been dubbed an “underappreciated 1990s coming-of-age gem” by The Guardian, which singled out Cher’s performance as “nothing short of magical.”(Image credit: The Weinstein Company)Kate WinsletOne of the greatest performers of her generation, it took Kate Winslet a whopping six Oscar nominations before she finally took home the Academy Award for Best Actress, for playing a former Nazi camp guard in 2008’s The Reader. Her next onscreen role was in the 2011 black comedy Carnage, by disgraced director Roman Polanski. The film received positive reviews, with critics praising the performances of the cast, including Winslet’s — she earned a Golden Globe nod for Best Actress in a Motional Picture Musical or Comedy.(Image credit: Universal Pictures)Julia RobertsAfter a decade that solidified her as rom-com royalty, Julia Roberts proved her dramatic bonafides by winning the Best Actress Oscar for playing the title role in the 2000 legal drama Erin Brockovich, one of her best movies. America’s Sweetheart returned to her romantic comedy roots with her next film, fittingly entitled America’s Sweethearts, though critics weren’t too sweet on the movie. It only holds a 33% approval rating at Rotten Tomatoes, with the site’s consensus reading: “Despite its famous cast, the movie lacks sympathetic characters and is only funny in spurts.”(Image credit: Gramercy)Susan SarandonAfter Oscar nominations for Atlantic City, Thelma & Louise, Lorenzo’s Oil and The Client, Susan Sarandon was finally named Best Actress by the Academy for playing Sister Helen Prejean in 1995’s Dead Man Walking. Her next film was the decidedly lighter kids’ flick James and the Giant Peach, in which Sarandon voiced the character of Miss Spider. The film received generally positive reviews from critics, with Randy Newman’s score earning an Oscar nod; however, the film was a box office failure, grossing $300,000 less than its budget.(Image credit: Legende Films)Marion CotillardFrench movie star Marion Cotillard became the first actor to win an Academy Award for a French-language performance for her transformative turn as legendary singer Édith Piaf in the 2007 music biopic La Vie en Rose. Her next film credit was another biographical drama — this time, the Michael Mann-directed gangster film Public Enemies, alongside Johnny Depp and Christian Bale. Though many critics praised the leading performances, reviews were mixed, with the title holding a 68% Rotten Tomatoes rating.(Image credit: Paramount Pictures)Marlee MatlinMarlee Matlin’s acting debut in 1986’s Children of a Lesser God saw the actress making Oscar history not once but twice: she became the first deaf performer to ever win an Academy Award, as well as the youngest winner in the Best Actress category. The CODA star followed up that momentous victory with the 1987 Western Walker, starring Ed Harris, Richard Masur and Peter Boyle. The historical drama was nominated for the Golden Bear at the 38th Berlin International Film Festival but received very polarized reviews and was a failure at the box office.(Image credit: Universal Pictures)Gwyneth PaltrowFun fact: Gwyneth Paltrow wasn’t initially supposed to star as Viola de Lesseps in the 1998 Bard-inspired romantic comedy Shakespeare in Love — Julia Roberts was. But Gwyn is no doubt grateful the latter ultimately left the production, as the role won her a Best Actress Oscar. Her next project was equally acclaimed: 1999’s Anthony Minghella-helmed thriller The Talented Mr. Ripley scored five Academy Award nominations.(Image credit: Paramount Pictures)Audrey HepburnScreen legend Audrey Hepburn won her first Oscar in 1953 for her debut starring role, as Princess Ann in the classic black-and-white comedy Roman Holiday. The British beauty would later be nominated four more times for films like her first post-award project, the 1954 Billy Wilder-directed dramedy Sabrina, as well as The Nun’s Story, Breakfast at Tiffany’s and Wait Until Dark. (Image credit: 20th Century Fox)Sally FieldThe Academy likes her, they really like her — yes, Sally Field has won not one but two Best Actress statuettes, the first being for her inspiring performance in 1979’s Norma Rae and the second five years later for another one of her best films, Places in the Heart. Following her first win, Field reprised her role as Carrie, or “Frog,” in 1980’s Smoky and the Bandit II opposite her real-life love Burt Reynolds. Though the sequel was a box office success, prompting a third film, it received almost entirely negative reviews from critics.(Image credit: Newmarket Films)Charlize TheronOne of the best Charlize Theron roles was also the star’s most remarkably unrecognizable: the South African-born actress earned a Best Actress Oscar for her portrayal of real-life prostitute and serial killer Aileen Wuornos in the 2003 crime drama Monster. Her next big-screen performance was the 2004 war drama Head in the Clouds, which saw Theron acting opposite her then-romantic partner Stuart Townsend. The film was a critical and box office failure; in the San Francisco Chronicle, Walter Addiego wrote: “If not for the presence of Charlize Theron, it’s hard to imagine this film would have attracted anywhere near the kind of attention it’s gotten.”(Image credit: Disney / Fox)Reese WitherspoonReese Witherspoon proved she was more than just a musical sidekick with her Oscar-winning performance as June Carter Cash in the 2005 Johnny Cash biopic Walk the Line. The Legally Blonde star was next seen in the harrowing 2007 political thriller Rendition opposite Jake Gyllenhaal, Meryl Streep and Peter Sarsgaard. However, “the impressive cast cannot rescue Rendition, which explores complex issues in woefully simplified terms,” reads the critics’ consensus on Rotten Tomatoes, with the film at a paltry 47% approval rating.(Image credit: MGM)Elizabeth TaylorThrough much of the mid-20th century, celluloid icon Elizabeth Taylor was one of MGM’s most bankable stars. In fact, her final film for the studio — 1960’s Butterfield 8, playing glamorous call girl Gloria Wandrous — earned the movie star her first Academy Award for Best Actress. Her next performance was just as iconic: as the titular Egyptian queen in the 1963 historical epic Cleopatra, which received nine Oscar nominations and four wins, though, alas, none for Taylor specifically.

Republic Day 2025: Celebrate With These Patriotic Movies from ‘Sam Bahadur’ to ‘Mission Majnu’ on OTT This Sunday

Patriotic Movies: India is all set to celebrate its 76th Republic Day this year, and despite it falling on a Sunday, the spirit of patriotism will remain high. While some may feel disappointed about losing a holiday, there’s still a great way to spend the day, by enjoying some patriotic films with family. Here’s a list of films that will fill you with national pride and can be streamed on OTT platforms:
Sam Bahadur

Released in 2023, this film tells the inspiring story of India’s Field Marshal Sam Manekshaw, portrayed by Vicky Kaushal. You can watch it on ZEE5.
Sher Shah

This movie, starring Siddharth Malhotra and Kiara Advani, is based on the life of India’s brave Captain Vikram Batra. Available on Amazon Prime Video, it’s a perfect choice for a Republic Day watch.
Raazi

A thrilling action-packed film featuring Vicky Kaushal and Alia Bhatt, Raazi follows a young Indian spy during the 1971 India-Pakistan war. It’s available on Amazon Prime Video.
Mission Majnu

Starring Siddharth Malhotra, Mission Majnu is a gripping tale of a RAW agent’s mission during the Indo-Pak war. You can stream this on Netflix.
Uri: The Surgical Strike

A powerful film that portrays India’s surgical strike against terror camps in Pakistan, Uri stars Vicky Kaushal and Yami Gautam. It’s available for streaming on ZEE5.
These films not only celebrate India’s heroes but also make for a great way to spend Republic Day with your loved ones at home.

Lucasfilm’s Hires OCEAN’S 12 Screenwriter To Work on Daisy Ridley‘s Rey Skywalker Movie

Lucasfilm’s Rey Skywalker movie has gone through a few writers already with Damon Lindelof (Watchmen), Sharmeen Obaid-Chino, and Steven Knight (Peaky Blinders). These are all strong writers, but none of them have been able to give Lucasfilm why they’re looking for.The studio has now hired George Nolfi to take a crack at the script. This is the same writer who previously worked on films such as Ocean’s 12 and The Borne Ultimatum. Oscar-winning documentarian Sharmeen Obaid-Chinoy is still attached to helm the film. This was supposed to be the first Star Wars movie to get made after Star Wars: The Rise of Skywalker, but now Jon Favreau’s The Mandalorian & Grugu will be the next Star Wars film to come out. After that weill be Shawn Levy’s Star Wars movie. The director previoiusly talked about the project, and she shared her excitement for the next chapter saying: “I’m very thrilled about the project because I feel what we’re about to create is something very special. “And we’re in 2024 now, and it’s about time that we had a woman come forward to shape a story in a galaxy far, far away.”The film will take place over a decade after the events in The Rise of Skywalker, and it will focus on Rey as she builds upon the New Jedi Order.Ridley said of the film: I’m very excited. The story is really cool. I’m waiting to read a script because, obviously, I don’t have any other updates. It’s not what I expected, but I’m very excited.””I know the storyline for one film. That’s not to say that that’s all it is, but that’s what I was told about. And I imagine it will be the next film, I think. I mean, again, I don’t know, post strikes and everything, how quickly everything will start up again. But yes, so far, I know the story of one film and I think people will be very excited.”We’ll just have to wait and see what comes of this film, but bringing Nolfi on board to write the film is an interesting choice. Not as exciting as Knight, but we’ll see how it turns out.

2025 Minnesota Book Awards finalists announced

The Friends of the St. Paul Public Library announced finalists Saturday in 10 categories for the 2025 Minnesota Book Awards, sponsored this year by Education Minnesota. New this year is a special anthology category that will be included every other year.Award winners will be announced at the Minnesota Book Awards ceremony April 22 at Ordway Center for Performing Arts. The Kay Sexton Award will also be presented that evening. Tickets are $27 and will be available at www.thefriends.org/mnba beginning Jan. 27. The preface begins at 6 p.m., followed by the ceremony at 7:30. There will be an option to access the livestream free online.Here are the finalists (asterisks indicate a local publisher)Anthology, sponsored by Minnesota Humanities Center“Dreaming our Futures: Ojibwe and Očhéthi Šakówiņ Artists and Knowledge Keepers” edited by Brenda J. Child & Howard Oransky (University of Minnesota Press)*“Locker Room Talk: Women in Private Spaces” edited by Margret Aldrich & Michelle Filkins (Spout Press)*“Raised by Wolves: Fifty Poets on Fifty Poems” edited by Carmen Gimenez & Jeff Shotts (Graywolf Press)*“When We Become Ours: A YA Adoptee Anthology” edited by Shannon Gibney & Nicole Chung (HarperTeen/HarperCollins Publishers)Children’s literature“Mr. Fox’s Game of ‘No!’” by David LaRochelle; illustrated by Mike Wohnoutka (Candlewick Press)“The Rock in My Throat” by Kao Kalia Yang; illustrated by Jiemei Lin (Carolrhoda Books/Lerner Publishing Group)*“Snow Steps” by Karen Latchana Kenney; illustrated by Irina Avgustinovich (WorthyKids/Hachette Book Group)“What Lolo Wants” by Cristina Oxtra; illustrated by Jamie Bauza (Kids Can Press)General nonfiction“The College Student’s Guide to Mental Health” by Mia Nosanow (New World Library)“The New Science of Social Change: A Modern Handbook for Activists” by Lisa Mueller (Beacon Press)“Red Stained: The Life of Hilda Simms” by Jokeda “JoJo” Bell (Minnesota Historical Society Press)*“We Are the Evidence: A Handbook for Finding Your Way After Sexual Assault” by Cheyenne Wilson (Balance/Grand Central Publishing)Genre fiction, sponsored by Macalester College“Big in Sweden” by Sally Franson (Mariner Books/HarperCollins Publishers)“Monsters We Have Made” by Lindsay Starck (Vintage Books/Penguin Random House)“Where They Last Saw Her” by Marcie Rendon (Bantam/Penguin Random House)“The Witches of Santo Stefano” by Wendy Webb (Lake Union Publishing/Amazon PublishingMemoir & creative nonfiction“Perennial Ceremony: Lessons and Gifts from a Dakota Garden” by Teresa Peterson (University of Minnesota Press)*“Sticky Notes: Memorable Lessons from Ordinary Moments” by Matt Eicheldinger (Andrews McMeel Publishing)“When Skies Are Gray: A Grieving Mother’s Lullaby” by Lindsey Henke (She Writes Press)“Where Rivers Part: A Story of My Mother’s Life” by Kao Kalia Yang (Atria Books/Simon & Schuster)Middle-grade literature, sponsored by Education Minnesota“The Diamond Explorer” by Kao Kalia Yang (Dutton Books for Young Readers/Penguin Random House)“Telephone of the Tree” by Alison McGhee (Rocky Pond Books/Penguin Random House)“Not Quite a Ghost” by Anne Ursu (Walden Pond Press/HarperCollins Publishers)“Samira’s Worst Best Summer” by Nina Hamza (Quill Tree Books/HarperCollins Publishers)Emilie Buchwald Award for Minnesota Nonfiction, sponsored by Annette and John Whaley“Dodge County, Incorporated: Big Ag and the Undoing of Rural America” by Sonja Trom Eayrs (Bison Books/University of Nebraska Press)“It Took Courage: Eliza Winston’s Quest for Freedom” by Christopher P. Lehman (Minnesota Historical Society Press)*“The Minneapolis Reckoning: Race, Violence, and the Politics of Policing in America” by Michelle S. Phelps (Princeton University Press)“To Banish Forever: A Secret Society, the Ho-Chunk, and Ethnic Cleansing in Minnesota” by Cathy Coats (Minnesota Historical Society Press)*Novel & short story, sponsored by Minnesota Humanities Center“The French Winemaker’s Daughter” by Loretta Ellsworth (Harper Paperbacks/HarperCollins Publishers)“In Wells’ Time” by David Nash (Unsolicited Press)“The Mighty Red” by Louise Erdrich (Harper/HarperCollins Publishers)“Obligations to the Wounded” by Mubanga Kalimamukwento (University of Pittsburgh Press)Poetry, sponsored by Wellington Management“Bluff” by Danez Smith (Graywolf Press)*“Theophanies” by Sarah Ghazal Ali (Alice James Books)“Birthing Butterflies” by Claudia May (Finishing Line Press)“Run From Your Now” by Ben Westlie (Kelsay Books)Young adult literature“Dispatches from Parts Unknown” by Bryan Bliss (Greenwillow Books/HarperCollins Publishers)“Rules for Camouflage” by Kristin Cronn-Mills (Little, Brown Books for Young Readers/Hachette Book Group)“We Got the Beat” by Jenna Miller (Quill Tree Books/HarperCollins Publishers)“Where Wolves Don’t Die” by Anton Treuer (Arthur Levine/Levine Querido)