Netflix’s Christmas Movies Are Dominating—Here’s What’s Following ‘Hot Frosty’

ToplineTwo of Netflix’s newest Christmas films are already dominating the streamer’s most-watched charts—and more are on the way—as holiday movies starring early 2000s stars and Hallmark’s “Queen of Christmas” capture audiences.

Key Facts

“Meet Me Next Christmas,” a romantic comedy starring Christina Milian and Devale Ellis, released Nov. 6 to become the most-watched movie of the week with 18.1 million views in its first five days.

It stayed high on the streamer’s most-watched list in its second week, from Nov. 11 to Nov. 17, but fell to second place with 11.8 million views behind “Hot Frosty,” which was watched 16 million times in its first five days.

“Hot Frosty,” which sees a magical snowman comes to life and court a widow, made waves on social media after its release for its recognizable cast that includes the so-called “Queen of Christmas” Lacey Chabert (she’s featured in dozens of holiday films for the channel), Dustin Milligan (“Schitt’s Creek”) and Craig Robinson (“The Office”).

The film’s out-there premise (also a “Mean Girls” reference) has been called “unhinged” and “over-the-top cringe” but also “perfect” and something “everybody needs to go watch.”

“One Tree Hill” actor Chad Michael Murray stars in Netflix’s third holiday release, “The Merry Gentlemen,” which released Wednesday and quickly dethroned “Hot Frosty” in Netflix’s top 10 list.

Get Forbes Breaking News Text Alerts: We’re launching text message alerts so you’ll always know the biggest stories shaping the day’s headlines. Text “Alerts” to (201) 335-0739 or sign up here: joinsubtext.com/forbes.Lacey Chabert as Kathy Barrett and Dustin Milligan as Jack Snowman in “Hot Frosty.” Petr Maur / Netflix © 2024

Crucial Quote
“I just watched the movie Netflix made about the sexy snowman that turns into Ted from ‘Schitt’s Creek,’ gets arrested by Daryl from ‘The Office’ and falls in love with Gretchen Weiners from ‘Mean Girls,’ and I cannot express how worth the hour and a half it was to watch this,” TikTok musician Emhahee said in a video that now has more than 3 million views. “Art isn’t dead.”
Big Number
82%. That’s the Rotten Tomatoes score for “Hot Frosty,” among the top of Netflix original movies so far this year, despite reviews that call it “immensely dumb” and “generically saccharine.” “Meet Me Next Christmas” has a 69%.
When To Watch All Of Netflix’s 2024 Original Holiday Movies
“Meet Me Next Christmas” (Nov. 6) — Layla (Milian), a hopeless romantic, races around New York City to score a ticket to the holiday season’s most in-demand concert in hopes of impressing the man of her dreams, but becomes smitten with a helpful concierge (Ellis) along the way.

“Hot Frosty” (Nov. 13) — Two years after the death of her husband, Kathy (Chabert) accidentally brings a snowman (Milligan) to life who helps her rediscover the magic of Christmas.
“The Merry Gentlemen” (Nov. 20) — A professional dancer (Britt Robertson) decides to host an all-male revue in her hometown to save her parent’s failing bar, and recruits handyman Luke (Murray) to help.Chad Michael Murray as Luke and Hector David Jr. as Ricky in “The Merry Gentlemen.” Katrina Marcinowski/Netflix © 2024
“Our Little Secret” (Nov. 27) — Two exes (Lindsay Lohan and Ian Harding) discover they’re dating siblings and are forced to spend Christmas together.
“That Christmas” (Dec. 4) — A trilogy of children’s books is brought to life in this animated Christmas comedy with a cast including Brian Cox (“Succession”), Jodie Whittaker (“Doctor Who”) and Bill Nighy (“Love Actually”).
“Carry-On” (Dec. 13) — A TSA agent (Taron Egerton) is blackmailed into letting a dangerous package onto a plane in a Christmas-themed thriller.Taron Egerton as Ethan Kopek in “Carry-On.” Sam Lothridge/Netflix © 2024.
Surprising Fact
Netflix is also releasing holiday-centric TV shows and one musical special. “A Nonsense Christmas with Sabrina Carpenter” is a holiday special featuring surprise musical guests and performances from Carpenter’s holiday EP “Fruitcake.” It debuts at 9 p.m. Friday, Dec. 6. Two seasonal baking shows — “Is It Cake? Holiday” (Nov. 28) and “The Great British Baking Show: Holidays” (Dec. 9)—are releasing on the streamer, and iconic holiday actress Keira Knightley (“Love Actually”) stars in thriller series called “Black Doves” set against the backdrop of London at Christmas. The show’s first season releases Dec. 5.
Tangent
The Hallmark Channel has been making its way up the cable charts since news holiday films started debuting in October. In the week of Nov. 11 to 17, the latest Nielsen data available, Hallmark rose to be the third most-popular channel in primetime and total-day viewership, beating out both MSNBC and CNN. Fifteen films have been released so far, and “Santa Tell Me” is the most-watched to date with 2.7 million total viewers.

Further Reading

Help Tony raise funds for St John’s Hospice in Lancaster by donating money for his third book

Watch more of our videos on ShotsTV.com and on Freeview 262 or Freely 565Visit Shots! nowA supporter of St John’s Hospice in Lancaster wants to raise money for the charity by donations for a third book he has written.In 2022 Tony Kadelbach, 93, of Bare, decided to dedicate his time and write his second book ‘That Strikes a Chord – Reflections on a Lifetime of Music’ in aid of St John’s Hospice.He kindly decided that all proceeds from the sales of the book will go towards funding the vital care provided in the community.He also reprinted his first book ‘One More Step Along The Road’ to raise further funds for the Hospice.Author Tony Kadelbach with a member of the fundraising team at St John’s Hospice holding one of his books.Now he has written a third book about his trips to Canada with his wife to see family living over there.Tony said: “This summer I thought I would write a book about Canada. Over 20 years my late wife Iris and I went to Canada. In 1995 some of my family emigrated to Canada and we said over 20 years we would go and visit and the book is based on our adventures over that period.”We went to various places off the beaten track and the book is based on notes and diaries over the years.”It’s a travelogue of discovery! This is the third book I have done and is the most ambitious one I have done so far.”It will be quite interesting for people to read and would make an ideal Christmas present.”With his first two books, Tony raised over £2,900 for Cancer Research, the Alzheimer’s Society and St John’s Hospice.His first book was called ‘One More Step Along The Road’ and his second book was called ‘That Strikes a Chord – Reflections on a Lifetime of Music’. Tony said: “For my new book I’m asking for a minimum donation of £10 to St John’s Hospice. So far I have raised £300 for the hospice.”The book is available at the hospice charity shops and will be featured at the St John’s Hospice Christmas Fair on November 30 and also at Bare Fest.”The hospice is such a worthy cause and it does so much, they need every penny they can get, it all has to be paid for.”The care people receive has to be funded as well.”The books can be purchased at the St John’s Hospice reception and charity shops in the area.Continue Reading

How Jacob Zuma’s corrupt presidency inspired thriller writer Deon Meyer’s new book

South Africa’s former president Jacob Zuma in court in 2019 on corruption charges (Image: POOL/AFP via Getty Images)South African thriller writer Deon Meyer’s novels lay bare the endemic corruption during the calamitous rule of the country’s former president. So-called “state capture” – the systematic looting of public institutions – devastated Africa’s most advanced economy during Jacob Zuma’s nine years in power.Having watched horrified as the president and his corrupt officials, fellow politicians and cronies plundered government coffers at the expense of ordinary people, the Afrikaans author remains palpably angry.Zuma was forced to resign in February 2018 and Meyer feels a clear responsibility to expose the extent of the kleptocracy. It might seem fitting for a crime writer to examine criminality in the halls of power.Yet Meyer’s books, featuring world-weary cop Benny Griessel and his devil-may-care partner Vaughn Cupido, are as entertaining as they are thought-provoking, as the pair struggle to police a society bent out of shape by corruption and in near-constant crisis.“When Zuma became president, he and his cronies had this concerted effort to capture as many state-owned entities as they could, to strip them of assets and steal all the money they could lay their hands on, to enrich themselves,” Meyer, the king of the South African heist thriller, explained over a glass of Stellenbosch red wine during a recent visit to London. “We were doing extremely well post-apartheid and, at first, people didn’t know what was happening.“He was doing it secretly then, slowly but surely, things started coming out. It was like whack-a-mole, with all the denials of wrongdoing.“This was a crime against an entire country. That’s the great tragedy of the Zuma years, he didn’t steal from the rich, he stole from the poor; money for projects to uplift disadvantaged communities, to help them to get into agriculture, into business… all that was stolen. It’s heartbreaking.”Protesters at a nationwide march against corruption in Cape Town, South Africa, in 2015 (Image: Bloomberg via Getty Images)Airline contracts, railways, logistics, defence, power generation, even the state pension fund – cash was syphoned out of almost every area of public life, with assets handed to cronies and vital infrastructure scuppered by corporate malfeasance.“Eskom, our state electricity provider, was stripped so badly we went into a constant state of what we called ‘load-shedding’ where they would cut the electricity just to keep the grid going – so the lights were going out all the time,” Meyer explains.Power generation is a good example, says the 66-year-old writer, because South Africa was exporting electricity to its neighbouring countries before Zuma’s rule.“Because of the astronomical corruption, a lot of power stations simply weren’t functioning and they were breaking down,” he continues. “And there was no cash, because that was stolen too, so they couldn’t repair them. And if there was a tender for repairs, they would give it to a crony who would channel the money elsewhere.“Luckily, we got rid of him in the end and that’s the great thing about South Africa: on a civil society level, everybody wants the country to succeed. He was voted out because there were still members of his party who realised that, if he remained in power, South Africa would become the next Zimbabwe within years.”It’s genuinely eye-opening to hear of criminality on such a scale, and, while today South Africa remains the continent’s most successful economy, many of its institutions were brought to the brink of bankruptcy and beyond – including the police.Zuma’s ousting six years ago brought inquiries and criminal probes in its wake, but Meyer believes it will take decades for the country to recover.The shock reverberates to this day in Nelson Mandela’s Rainbow Nation. “Zuma is using the Stalingrad defence of challenging everything,” adds Meyer. “He was in prison for a couple of months and then got out.”Inevitably, it is the police and justice system that especially captures the former journalist’s interest. “The South African police service they inherited was fully functional with a lot of very experienced, smart detectives, especially senior detectives, very specialised murder and robbery units, serious and violent crime units,” says Meyer.“They made it so impossible for these policemen to continue working that they started losing all this experience and they never trained new people. The top of the police became corrupted too, a lot of the generals were in cahoots with organised crime.”This is the environment in which Griessel and Cupido are forced to work, treading a path between competing interests, and never quite sure who they can trust in Meyer’s 15th and latest novel, Leo. As ever, Meyer, who lives in the winemaking town of Stellenbosch in South Africa’s Western Cape province, expertly brings together parallel plotlines, including a daring heist gone wrong. It’s already been described by one critic as the “African Job”, in a nod to the classic Turin-set Michael Caine movie.Griessel and Cupido are, like their creator, based in Stellenbosch in a “punishment posting” after being transferred from Cape Town’s elite crime-fighters, The Hawks. The horrifying killing of Basie Small, a former soldier and mercenary, sets the hares running.Meanwhile, a group of his former comrades are plotting to steal a fortune in gold bullion plundered by corrupt politicians. But with recovering alcoholic Griessel and his partner awash in a sea of uncertainty, the heist goes awry. “I try to be honest in that I speak to a lot of cops,” says Meyer. “Over the years, I’ve befriended a lot of police in The Hawks and the Stellenbosch Investigative unit. So I think I understand how all of this impacts them and their jobs.“I don’t regard myself as a political writer, but police work in South Africa is a political job. It’s a big responsibility and that’s why I try to be as honest as I can, not put into the books my own ideologies or my own way of thinking. I ask myself, ‘How would a man of colour like Vaughan Cupido perceive this? How would a cop like Benny Griessel react?’”Author Deon Meyer writes in Afrikaans to help preserve his language (Image: Guido Schwarz)Griessel’s first appearance in 1999’s Dead Before Dying in a walk-on part led to an increasingly well-known and admired series, with Leo now his eighth full appearance.“I needed a drunken cop to walk in on the protagonist while he was about to get lucky with a girl, because I needed to spoil his fun,” says Meyer. “It was not time for him to get lucky. So I created a character on the fly, not thinking that he’d have any future in any of my books. I named him after my favourite teacher at school’s son, and gave him the appearance of one of my favourite alcoholic cops on what was back then the Murder and Robbery Squad in [Cape Town suburb] Belville South.“Then he sort of sneaked his way into the book and became a very fascinating character who made things happen. You’re always looking for interesting things to make the story take interesting turns, and he was that character.”Benny’s first full tale, Devil’s Peak, was brought to the small screen last year in an acclaimed five-episode adaptation of the first book by BBC Studios, starring South African actor Hilton Pelser. Griessel and his creator are often compared to US crime writer Michael Connelly and his own iconic detective, Harry Bosch.“The funny thing is that we both developed those characters around the same time without knowing the other one was doing the same thing,” explains Meyer.“Many years ago, I did my first American book tour with Michael Connolly. I’m a great fan. We were together in Scottsdale, Arizona, and I went outside for a cigarette and this man who came up to me thought I was Michael Connelly!”With their similarly short-cropped, grey hair and goatee beards, the two men do bear a resemblance and are of a similar age. Yet their characters struggle against different demons.South African actor Hilton Pelser, left, as Benny Griessel in Devil’s Peak (Image: BBC Studios)While Bosch lives with the murder of his mother when he was a boy, and his “mission” where “everybody counts or nobody counts”, Griessel though similarly driven is an alcoholic whose constant struggle to stay sober informs everything else.“I had one alcoholic friend who took me to AA meetings with people’s permission,” explains Meyer. “I spoke to a lot of alcoholics, and I really tried to make my books different in terms of looking at alcoholism seriously and that daily battle. The alcoholic cop is a very traditional crime fiction character – he’s been with us since the 1950s – but my idea was never to write a series. I wanted to write only standalone books.“But then you sort of fall in love with a character like Benny. And then the publisher says they would love a series. And the readers say they want more Benny and you sort of get seduced into that.”As Meyer explains, Cupido emerged as a counterpoint to the darkness of Griessel over the subsequent novels. “Benny is not an upbeat, funny kind of guy,” he admits. “He was struggling with alcoholism, with the loss of his family, with divorce. You need something to balance that with.“Vaughn became that foil with a totally different outlook on life. A fun-loving, humorous guy who’s always joking, who isn’t as influenced by the dark work that they do. It was almost instinctively that I knew I had to balance these things.“All authors write for one reader, that is the one inside of them, and I started realising this darkness is not what I like to read. Reading should be fun.“Especially if you’re trying to create suspense, humour is often a wonderful way to relieve that suspense for a moment before you take it up a notch.”Meyer writes in Afrikaans, and the text is then translated into English. “Writing a novel is hard enough in your first language so writing in a second language is even tougher,” he chuckles.“Afrikaans is not a big language – it’s got about six million speakers worldwide – so it’s my contribution to keeping my mother tongue alive. When I started writing crime fiction, there was no crime fiction in Afrikaans.”Is he optimistic about the future of his country, I wonder?“I think things have never been as bad as we feared. And things have never been as good as we had hoped. We’re doing a lot of the right things now, but there are still a lot of wrongs being done, a lot of bad political decisions being made. We don’t have great politicians, but that’s a universal problem.“One of the big battles of being a South African crime author is that, especially in the UK, readers think it’s going to be dark, very violent and not entertaining. It’s not true. Despite everything, this book is light-hearted, fun, humorous and entertaining.”• Leo by Deon Meyer (Hodder, £22) is out now. Visit expressbookshop.com or call Express Bookshop on 020 3176 3832. Free UK P&P on orders over £25Leo is Deon Meyer’s eighth Benny Griessel novel (Image: Hodder)

Cinemas issue stark Wicked movie warning as fans astonished by film’s surprise opening

The long-awaited adaptation of the hit Broadway musical Wicked finally arrives in cinemas today. However, AMC (Cineworld in the US) has issued a stark warning to fans viewing the film this weekend.Just as talking and looking at your phone are prohibited inside a movie theatre, singing along is now.A pre-show advisory video screening across the point reads: “At AMC Theaters, silence is golden. No talking. No texting. No singing. No wailing. No flirting. And absolutely no name-calling. Enjoy the magic of movies.”However, fans desperate to belt out Defying Gravity with the Wicked Witch of the West will be pleased to know that singalong screenings will begin on Christmas Day, following the success of interactive presentations of The Greatest Showman and Bohemian Rhapsody.Meanwhile, fans have found themselves astonished by the surprise opening scene of Wicked.Express.co.uk attended the press screening of Wicked on Tuesday and witnessed those around us in the audience being very surprised when the film’s title came up on the screen. “WICKED” appears in the same font used for The Wizard of Oz, paying homage to the 1939 classic, before some additional wording manifests next to it reading “Part 1”. Although made clear when the film adaptation was originally announced, none of the advertising for Wicked has indicated that it is only half the musical, to be followed by a sequel.This fact will no doubt surprise many fans, given that Wicked: Part 1 is 2 hours 40 minutes, which is 10 minutes longer than the whole stage musical. Presumably, Universal was inspired by Dune’s split into two parts, with “Part 1” only revealed not on the posters but in the opening titles of the sci-fi epic’s first half.To be clear, Wicked: Part 1 is a faithful adaptation of Act 1 of the show and Wicked: Part 2, which coincides with the events of The Wizard of Oz, is set to release in cinemas on November 21, 2025.

New British World War II film with massive Oscars buzz is now streaming on Apple TV+

After debuting in cinemas at the start of the month, Oscar-winner Sir Steve McQueen’s new British World War II movie is now headed to streaming today.The critically acclaimed new film Blitz stars Saoirse Ronan and fans wonder if she will finally win an Oscar for her role after four previous Academy Awards nominations.The official synopsis reads: “Sir Steve McQueen’s Blitz follows the epic journey of George (Elliott Heffernan), a 9-year-old boy in World War II London whose mother Rita (Saoirse Ronan) sends him to safety in the English countryside.“George, defiant and determined to return home to his mom and his grandfather Gerald (Paul Weller) in East London, embarks on an adventure, only to find himself in immense peril, while a distraught Rita searches for her missing son.”Written and directed by McQueen, the new film co-stars Harris Dickinson, Stephen Graham and Alex Jennings.Following Variety’s Oscars 2025 predictions, Blitz is expected to receive a Best Picture nod and Best Supporting Actress nomination for Ronan.However, apparently Ariana Grande is the current favourite for her starring role as Galinda in Wicked, which hits cinemas today.Blitz is now streaming on Apple TV+ from today.

Book dives into secret history of Coldstream’s Mackie House

Take a peek into the secrets behind the historic walls of one of Coldstream’s oldest homes.

The Mackie House, situated on Kalamalka Lake, is a long-standing home with a rich history.

Author Ken Mather has revealed the secrets of the house with his latest book, Coldstream Lake House: A Storied Landmark of the Okanagan.

Now a registered heritage site in Coldstream, the home and its grand yard and gardens plays host to events such as teas, live music and more.

But the story of this home is rich, and one Mather tells of in his book where he discusses the origins of the home and shares stories of the three families who inhabitated it for nearly 100 years.

Mather will be at the Schubert Centre for a talk and book signing on Nov. 29 at 7 p.m. Copies of the book will be available for purchase. This event is free and all are welcome.

Mather is the author of several books on local history and on BC Ranching, including Buckaroos and Mud Pups, Bronc Busters and Hay Sloops, and Frontier Cowboys and the Great Divide.

Prepare Your Library Before January Arrives: Book Censorship News, November 22, 2024

Kelly is a former librarian and a long-time blogger at STACKED. She’s the editor/author of (DON’T) CALL ME CRAZY: 33 VOICES START THE CONVERSATION ABOUT MENTAL HEALTH and the editor/author of HERE WE ARE: FEMINISM FOR THE REAL WORLD. Her next book, BODY TALK, will publish in Fall 2020. Follow her on Instagram @heykellyjensen.
View All posts by Kelly Jensen

Over the next several weeks, let’s spend time planning for actual things that can be done to ensure access to books and facts via democratic institutions like public libraries and public schools remains a right for all. No, you won’t find “go buy all of the books and hold on to them so you can distribute them when things fall apart” here. That current trend is obnoxious and ignorant at best and about making yourself a hero, rather than working to shore up institutions that already exist to support everyone within a community. It plays entirely into the ethos of the far right, rather than resists it.
Public libraries have been under attack for several years, as have the people working within them. We know that what happens in public schools makes its way to the public libraries, often by the very same people wrecking hell upon those schools.

Here are some of the things that public libraries, as well as public school libraries where applicable, should be considering right now to prepare for the new administration. There are fewer than two months—and honestly, about one month with the holidays—to shore up your institutions to make them as strong and solid for the community as possible.
As always, some of these things may be more managerial-level actions, rather than things the average library worker can do. But also as always, it is the average library worker who can advocate and champion these changes from the ground floor. You live and work them in a different way and speaking up matters. If it’s never been your style, this may be a good opportunity to strengthen that group of muscles.

Update Your Trustee Descriptions

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Several states will be holding spring elections that will impact public libraries and public school boards. When was the last time your description of the duties of a trustee was updated?
Check out this simple and powerful description of a public library trustee’s duties from the Lisle Library District (IL). Especially in states where anti-book ban bills have become law—Vermont, New Jersey, Illinois, Minnesota, California, Colorado, and Washington—putting in ink that one of the principles that public library trustees uphold is the freedom to read and to champion intellectual freedom sends a strong statement.

Here’s another great example, this time from La Grange Public Library, also in Illinois. This is from their trustee handbook:

That last bullet point could be bolded and underlined: trustees are there to support the expertise and knowledge of the librarians when it comes to censorship.

Update Your Collection Management Policies
The thing that will protect your library collection the most is your suite of collection development policies. These policies might be one single policy with several sections or several policies that fall under the umbrella of collection management. These include not only the types of materials you acquire but also how you make those decisions—we know that books don’t simply appear on shelves. Explain the review sources you use and why they’re used, as well as explain where and how recommendations from the community and from the professional field come into consideration. Be as clear as possible about the difference between review materials used to make collection decisions and tools used to help in reader advisory. You don’t rely on reviews nor on recommendations from places like BookLooks or RatedBooks, created by Moms For Liberty and Utah Parents United and their cohorts respectively, as those are not professionally vetted sources. You don’t purchase materials based on reviews from Common Sense Media but you may utilize it in helping patrons find materials. It is annoying to get this granular, but that granularity is crucial. Most people don’t know how libraries select material.
Your collection management policies should also include the sections you have within your library (children’s, teen, adult, audiobooks, DVDs and video games, etc). Note these are not sections limited to any particular age group—unless you have policies such as no grownups sitting in the teen area during after school hours in order to have enough space for teens to hang out—but are created in this way to help make finding material easier for all. Name and demonstrate a commitment to inclusivity in those policies as well.
Earlier this year, I recommended some other considerations for collection development. Among them are where and how you might use stickers on your books in the collection and the intent behind their use/non-use; where, why, and how you create book displays and/or reader advisory materials like book lists; and the full, transparent guide to what happens during a book challenge. The more you share here the better. Let your patrons know how many hundreds or thousands of dollars a book challenge can cost and why.
Also crucial in your collection management policy is, of course, where and how people can challenge material. It is their First Amendment Right to petition, and when utilized in good faith, the conversations those challenges can bring up strengthen the relationship between a patron and their library. We have seen few, if any, good faith challenges in the last several years.
The challenge form needs to go beyond what ALA’s template offers. That’s a great starting point, but it provides too much opportunity for bad faith challenges. What happens, for example, if a patron doesn’t actually answer the questions on the form? What happens if they don’t sign it? What happens if their responses are simply cut and paste “proof” of the books being naughty from sites like BookLooks or RatedBooks? These are all things to have right in that collection management policy. If they don’t sign the form, then the book doesn’t go through the process. If their “proof” is copy/pasted and doesn’t answer the questions, then the book doesn’t go through the process.
Lay out the timeline for challenges, who or what bodies are where those challenging materials can go for follow-up, and set limits on how many items one person can challenge at a time. Note, too, how long a decision lasts for any given challenge. If a book is kept on the shelf, can it be challenged again in the same calendar year? In two years? This one might be worth thinking about in terms of how long a board of trustees completely overturns in your library.
One model for a collection management policy is that at Irving Public Library in Texas from 2023. Irving Public Library has long dealt with book challenges from a small, vocal group in town. The library has not banned books during these challenges, and they have continuously updated and strengthened their policy in response to these experiences. It showed.

Unfortunately, Irving Public Library made a change in their 2024 iteration of their collection management policy. Now, the library has taken it upon themselves to determine whether or not certain materials in the collection are age-inappropriate; they’ve explicitly baked book censorship into the duties of their library workers and collection policy. Notice the changes here:

The liability here is high and should be something the library and board reconsider. What happens if a book that Patriot Mobile thinks contains “sexual acts” isn’t shelved in the area as designated on the shelf?
The library just put the onus on the library worker.
In looking for a strong example of a challenge policy, look no further than the just-updated policy from Six Mile Regional Library District (Illinois). Passed in August 2024, the library decided to change the entire language around books challenged. No longer do patrons file a challenge. They submit a statement of concern. This tiny shift in language is anything but. It better captures and articulates what’s at stake here. The book isn’t being challenged as a whole; a patron is bringing a string of concerns with them, and those concerns may warrant a formal challenge but often, those concerns are but personal or political preferences.

Finally, make it clear what weeding is, how your library engages in it, and how it is part of the professional scope and expertise of a librarian. You may even wish to note that decisions may be made based on knowledge learned about a creator, about cruel depictions of groups of people, outdated material, and material deemed to be part of mis- and dis- information. That’s within the CREW/MUSTIE guidelines.
Be Explicit In Your Commitment to Factual, Data-Backed and Informed Information
Many librarians are likely familiar with what Project 2025 will mean for them. But most probably are not aware that one of the first acts the new president plans to undertake is to ban the terms and ideas of mis- and dis- information. Yes, indeed, the two very things that helped usher in this new regime will be outlawed.
In a policy agenda posted to Trump’s website in December 2022, he shared the following:

FIRST, within hours of my inauguration, I will sign an executive order banning any federal department or agency from colluding with any organization, business, or person, to censor, limit, categorize, or impede the lawful speech of American citizens. I will then ban federal money from being used to label domestic speech as “mis-” or “dis-information”. And I will begin the process of identifying and firing every federal bureaucrat who has engaged in domestic censorship—directly or indirectly—whether they are the Department of Homeland Security, the Department of Health and Human Services, the FBI, the DOJ, no matter who they are.

There are several more bullet points that explicitly protect businesses like X from having to moderate speech following, as well as this:

FOURTH, we need to break up the entire toxic censorship industry that has arisen under the false guise of tackling so-called “mis-” and “dis-information.” The federal government should immediately stop funding all non-profits and academic programs that support this authoritarian project. If any U.S. university is discovered to have engaged in censorship activities or election interferences in the past—such as flagging social media content for removal [and] blacklisting—those universities should lose federal research dollars and federal student loan support for a period of five years, and maybe more. We should also enact new laws laying out clear criminal penalties for federal bureaucrats who partner with private entities to do an end-run around the Constitution and deprive Americans of their First, Fourth, and Fifth Amendment rights. In other words, deprive them of their vote.

Reread that. Engaging in anything related to mis- or dis- information, including but not limited to teaching how to navigate those issues and even associating with private institutions that do these things may lead to losing your democratic right to vote. Remember, “you won’t have to vote anymore” because you won’t be allowed to.
What this means for libraries and school is not only dangerous, it’s damaging to the fundamental purpose of either.
It’s time to double down on the important role libraries play in illuminating and upholding truth and fact. Put this into your collection policies, of course, but it would be beyond worthwhile to have an entire portion of your library’s broader policies—indeed, perhaps even a formal proclamation made before the library/school board and local city/county councils—that the institution is committed to information literacy and committed to presenting the most accurate information possible in every domain. Why not put right in your policies what the words “mis-” and “dis-” information mean and do so in the context of the kinds of materials the library collects?
For example: there are hundreds of books published that spread harmful lies about vaccines. Your library will never collection those because it is blatant disinformation and intentionally causes harm. Your library may, however, purchase memoirs or works of punditry whose authors are vaccine skeptics and who have engaged in the spread of such disinformation, but therein lies the difference, such as Robert F. Kennedy. The first parades as fact; the second, opinion.
Consider where and how mis- and dis- information play into the role of providing reference services, too. Where does a library worker help someone navigate these landmines with their expertise and where does the library worker simply provide the material and not engage in the individual’s intentional attempt to harm?
Short Up Staff Protections
What happens to your staff if they’re harassed by a patron? What happens to your queer librarians or librarians of color in an extreme crisis, either happening in your community or on the national level? It’s time to put into policy where and how they are supported.
To say you support inclusivity isn’t enough. To say you support the mental well-being of staff isn’t enough. It’s time to show it through policy and through action.
This means that you may need to stop thinking about the way things have always been and that “it’s never been a problem before,” and instead, consider all of the ways that mentality has done immense harm to people and you never heard that because they did not trust you with that information.
Open up clear lines of communication here, and build policies with the whole staff involved. Do you create something like a parachute policy where, if things get difficult for a staff member, they can go to management and ask to step away from the desk or office for a few hours? Can they work from home on extremely tough days? Find ways to accommodate everyone in your office because, as we know, the curb-cut effect is real—those accommodations you think may only benefit one person or group have a far larger, more profound effect.
If there’s anything we’ve learned throughout the barrage of book censorship and library attacks since 2021, it’s that the most important most vulnerable part of the library is its people. Protect them.
Without them, libraries are nothing.
Allow People to Advocate For You
One of the smartest things you can do is something that is pretty easy: let people advocate on your behalf. Yes, it is crucial you do your own self-advocacy because expecting others to do it for you isn’t going to work. But there is a difference between expecting people to advocate for you and letting them do so.
Do people in your community know how they can talk about how awesome the library is? Chances are, they don’t. Even power users may have no idea you have a board that wants to hear from them, let alone do they have any idea other places they can share a kudos.
Wood Library in Canandaigua, New York, makes this so easy.  

Right on the library’s homepage is a link that reads “support.” Beneath it is another drop-down for how to advocate for the library. When you click through those links, the work is done for you. Want to write a letter to legislators? Click the link and you’ll be sent to where you can do that. Want to write a letter to a local paper? They include all of the information you need to do that. Want to share your stories of the library? You can do it right there.
This is so easy and more, it’s visible. This lets people advocate for you because, much as we want even our best users to care enough to Google, they’re busy, they forget, or they simply won’t.
But if they’re on the library website and can support you from there, you increase the possibility.
There are dozens more arenas worth considering in this period of time before the new administration takes over. Use the time to find anywhere you can strengthen your role in the community as a paragon of service, knowledge, and commitment to truth, as well as where you can ensure that the very democratic institution within which you work will survive the blows coming its way.
We’ve had four years of seeing this play out already. Burying your head in the sand any further will only serve to do deeper, longer lasting damage. To think that if war were to erupt that the library would be a safe haven is to purposefully and blatantly choose to ignore that libraries and public schools are targeted on purpose.
We know better and we must do better.
Book Censorship News: November 22, 2024
Big thanks to Erica and Danika for their tremendous work covering censorship news the last few weeks. I will not be going back to catch every story since, but I will be including some of the stories not covered last week below.

Rutherford County Schools (TN) dropped a list of 150 books that need to be pulled from schools immediately.
The list of 400 books banned in Wilson County Schools (TN) was sent to Clarksville-Montgomery County Schools, also in Tennessee, and it’s making staff wonder if that’s their new banned books list, despite claims it isn’t.
Katy Independent School District (TX) added 14 new books to its banned list, bringing the total to over 30 titles that have been banned in the district since August.
The book challenge nonsense in Crawford County Library System (AR) is already costing nearly HALF A MILLION DOLLARS. The county is threatening to defund the library.
Remember York County Library (SC)? Two board members have left. The two who left were pro-library, anti-censorship members.
A group of homeschool parents complained about Heartstopper being available at the Bellaire Public Library (MI). The book will not be banned.
While we’re in Michigan, there are two bills in the state that aim to make it against the law to ban books.
Assassination Classroom has been banned in Horry County Schools (SC). One parent complained is all.
Decatur County Community School Board (IN) listened to parents cry about their AP students being forced to read a “pornographic” book in the college-level course. The book is Blindness by Jose Saramago. From another story: “Local resident Joshua Smith spoke on behalf of his brother Adam Smith and niece, a junior at SDHS. Smith said his brother found his daughter [Smith’s niece and SDHS student] crying in her bedroom on the evening of Sept. 15. When he asked what was wrong, she purportedly handed him the book Blindness. The following day, Adam reportedly asked that his daughter not read ‘porn’ at school and asked that she be removed from the class or he would pull her from the school. Smith said his brother spoke with the school’s secretary, principal, and the class teacher.” Maybe she wasn’t ready to be in a college-level course?
The state of Iowa is finalizing their new book banning rule statewide.
The Clark County School Board (NV) has updated their book review policies to ensure books remain on shelves during a challenge and that the process is spearheaded by actual professionals. What a marvel!
Conway School District (AR) is listening to a right-winger complain about two more books he believes should be banned in the district. You’ll be familiar with these titles since they’re favorites of the moral panickers.
“Parents in the Ravena area are expressing outrage after a nonfiction book titled All About Penises was spotted near the children’s section at the RCS Community Library [NY]. The book, which parents say was placed within view of young children, has since been removed, but not before sparking a social media firestorm and raising concerns about appropriateness.” It’s a children’s book, by the way. Some kids have a penis. Parents who are so uncomfortable about this tell on themselves.
Redondo Unified School District (CA) are being fleeced by the book crisis actors who are claiming kids shouldn’t have access to books like Heartstopper and that teachers should make available to parents every book they ever consider having in their classrooms. Good grief.
Sargent Central Schools (ND) debated whether or not to remove the Heartstopper series from shelves. Will you be shocked to hear that kids wanted the book that was written for them to be available? The books will remain available.
The St. Joseph School District’s Board of Education (MO) will keep Looking For Alaska on shelves.
At the most recent Centralia School Board (WA), members heard from young people who could articulate why they might not choose to read The Poet X but that it wasn’t being forced upon them…while community “adults” played the “pornography” story out about how the book is inappropriate.
The Florida government is continuing to try to argue that book removals in public schools (and public libraries) are “government speech” and, therefore, not a First Amendment-related issue.
Remember when county commissioners tried to shut down Samuels Public Library (VA) last year over a handful of complaints from one church group? They’re trying to do it again, but this time, they’re trying to create a newly appointed board to make decisions for the library.
I’m paywalled from this story, but at least one book celebrating LGBTQ+ identity has been pulled from Germantown, Wisconsin, schools. This is in addition to posters celebrating queer heroes through history being pulled.
Keep an eye on Arkansas in the coming legislative year. One Democratic State Representative wants to work to end book bans in the state.
The Warren County Public Library Commission (NJ) wants to implement Moms For Liberty’s ramshackle “review” site BookLooks into the professional library selection process.
10 books in the Huntsville Public Library (AL) have been relocated following complaints from book ban crisis actors.
The Absolutely True Diary of a Part-Time Indian was removed after being used for several years in 12th-grade curriculum at Waterloo Public Schools (IL) after some complaints on Facebook. If ever a sentence were more 2024.
Two allies of Moms For Liberty earned spots on the Clark County School Board (NV). One ran on the same myths about naughty books pushed by the group.
The North Carolina pastor who has been making a name for himself trying to ban books in schools made an appearance at the Albuquerque Public Schools (NM) board meeting to stir up nonsense. Note that there were no actual books discussed, per the reporting here, but instead, a lot of nonsense about naughty books and LGBTQ+ books. It’s. All. Made. Up. No one thought to ask why a North Carolina pastor cares about Albuquerque, New Mexico?

New comic book work of love for Chandler man

Working in the movie industry helped prepare Chandler resident Kevin Phipps for his role as co-creator of the “Shadowblade” comic book and now he’s laying the foundation for a movie with the work.He started out in the comic book industry as a colorist at a design company before moving to Los Angeles, where he has worked as an assistant director and director.“I always wanted to direct movies and television,” Phipps said. “I became an assistant director because I didn’t mind organizing movies and shoots. I like working with a ton of people. 

“I did that for quite a while. And then I got into the acting side of things. Not necessarily me acting in front of the camera but I learned what’s called the Meisner Technique and learned to work with actors so I could be a better director.”But Phipps always wanted to create his own comic book. He contacted a friend who had written a few zombie books and told him he’d like to put together a project for a movie. “We spent six months to a year building this dystopian post-apocalyptic world,” said Phipps. “That’s how it got started. Then we found an Italian artist. I committed to coloring, too. We co-wrote it.“As we were building this post-apocalyptic world I thought it’d be nice to have a limited comic book series to expand on the world without the worries of a budget.”The story is about a young girl, Callie, who survived after her two parents were brutally murdered. It’s in an age where over seven billion people have died. “There’s not very many people left,” said Phipps. “The moon broke apart a little bit and caused this issue with the whole world. They’ve broken up into tribes in one continent. A lot of different meccas and people around. 
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“Callie’s being protected as they’re on the run from this evil group. She’s being protected by this synthetic human that has been around for 500 years.” He describes Callie as a sassy fun girl, always getting into trouble and sticking her nose where it can cause some trouble. “This makes the synthetic androids’ life a lot harder when she’s always trying to protect them,” explained Phipps. “In Issue #1, they’re on the run. And then, of course, Callie decides she wants to help save people. And when they do so, they get themselves into a very, very big situation. And that’s what covers the next six issues.”The next step is to hopefully make a feature film based on the comic books. “It’s a prequel to a feature film we’re trying to get done.”The 22-page comic book targets older teenagers and adults and sells for $4.99. The issues have some violence and swearing but Phipps said nothing is suggestive. There’s no nudity, he said, just great storytelling.  He admits it’s a scary endeavor. “You have to be super passionate about it, believe it and be committed 1,000%. No matter what, this is going to get done.” The comic book is sold at Ash Ave Comics & Books in Tempe. Information:  ashavecomics.com.  

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‘I spent £1,600 on Hallmark Christmas cruise that’s perfect if you love cheesy films’

A woman splashed out $2k (£1,600) on a Hallmark Christmas cruise and reckons it was “money well spent”. Setting sail from Miami, Florida on November 5, Ashley Gitzlaff, 38, and her five pals joined the 2,700 passengers aboard the sold-out inaugural Hallmark voyage for a festive four-day jaunt stopping in the Bahamas. A self-confessed Christmas…

Beyond the pages: Wisconsin Book Festival provides forum for Madison’s thriving literary community

What does it mean to write, to read or to be part of a literary community? What are the various roles of literature and how can it influence society around them?
While most do not extensively consider such questions, they dominate literary spheres and incite much debate. Even in the digital age, books and their contents continue to shape their surroundings – and for those interested in writing, reading and even specific issues, literary events provide the opportunity to observe exactly how.
Though many students do not realize it, Madison is home to a thriving literary community, including bookstores such as A Room of One’s Own, Lake City Books and Frugal Muse Books as well as hosting multiple authors on the University of Wisconsin campus and around the city. The annual culmination of this literary scene is the Wisconsin Book Festival. Hosted through the Madison Public Library, the Festival runs year-round, though major events took place Oct. 17-20.Advertisements

What is the Wisconsin Book Festival?
The Wisconsin Book Festival’s director, Jane Rotonda, spoke about the event’s history and current operations. The Book Festival’s primary purpose is to present free public author events that celebrate books and spark discussion, according to Rotonda.
“Our goal is to talk about authors, talk with authors about books and celebrate reading and community through books, libraries and writing,” Rotonda said.
Rotonda said the Book Festival was created in 2001 but expanded in scope in 2013 once the Madison Public Library Foundation took responsibility for the festival’s leadership. According to Rotonda, the Book Festival has hosted 900 authors since 2013, including multiple New York Times Bestsellers, National Book Award Winners, Pulitzer Prize Winners and newcomers to the writing world.
Rotonda, an alumna of UW, said she became involved with the Wisconsin Book Festival through her love of reading. Her favorite aspect of directing the festival (and the event in general) is its openness and accessibility — free of cost to attendees.
“There’s nothing like facilitating this event… people are coming together, regardless of their backgrounds or beliefs and are sharing in a special moment that doesn’t require much from them,” Rotonda said.
According to Rotonda, this year’s festival had 57 events across its four days and 69 visiting authors. Rotonda said the events did not have a specific theme in mind outside of being as inclusive and representative as possible.
Legacies in the present
On Oct. 17, the Wisconsin Book Festival hosted authors Tessa Hulls, Margaret Juhae Lee and Zara Chowdhary in a collaborative event discussing their recent memoirs. The event was introduced and moderated by Laurie Dennis, the co-director of UW’s Center for East Asian Studies.
The three authors, who are close to one another and speak frequently, each wrote about their family histories, hence the event’s title — ‘Writing our Lineages.’
Tessa Hulls’ work, “Feeding Ghosts,” is a graphic novel-style memoir that addresses intergenerational trauma, the fear of experiencing strong emotions and the importance of relying on others instead of trapping oneself. She said the book partially stemmed from standing close to her mother’s pain and feeling her own.
Margaret Juhae Lee’s new memoir, “Starry Field,” is titled after a translation of her grandfather’s pen name. The memoir includes the narrative of Lee growing up, looking into how her grandfather’s legacy relates to Korean history and later passing on her family’s story to her children.
Zara Chowdhary discussed her book, “The Lucky Ones.” The work centers around Chowdhary’s experience as a member of a multigenerational Muslim family during the 2002 Gujarat riots in India. The excerpt she read relates to the usage of words to cover awful actions, the theme of safety amidst others’ suffering and how one handles a family’s internal struggles alongside a larger social tragedy.
The three memoirists discussed their varying research into the historical and cultural backgrounds behind their family lives. They said they attempted to fill in absences about themselves and confront the erasure of history. The authors also discussed how writing books can reclaim one’s agency and the cathartic feelings stem from learning about family history. They said adulthood helped them understand their parents and grandparents as represented through their works.
The following event, hosted by the Center for East Asian Studies, featured author Wendy Chen, an assistant professor of Creative Writing at the University of Nevada, Las Vegas and a member of the editorial board of magazines such as the Tupelo Quarterly.
Chen said her work was inspired by her family’s history during the Cold War in China and it covers multiple characters over different periods of Chinese history. The book originated as an epic poem but became a novel over time.
Chen said she immersed herself in specific times and places during the writing process in an attempt to reclaim what was lost during the Chinese Cultural Revolution. She suggested authors find a very specific audience, as small as a single person, to direct their work toward. In her case, she said she wrote for her childhood self who often wanted to read stories that resembled her family.
Chen said she translates her work and the work of texts written in languages such as Mandarin. According to Chen, one of her favorite aspects of literary events such as the Wisconsin Book Festival is the opportunity to communicate with readers and authors.
“So much of being a writer is [solitary]… going to book festivals is where you get to see the life of your work take off without you,” Chen said.
Chen said she combines her majors in creative writing and studio art to imagine her work in a visual space, both in narrative and form. She said she writes best in the early hours of the morning when her surroundings are dark and she can feel as though she is in a dream.
Chen said her upcoming work, “The Magpie at Night,” is a collection of a different form of her translations of Song-dynasty (spanning the 10th and 13th centuries) female poet and essayist Li Qingzhao’s works. According to Chen, translations can vary based on the translator’s interests and interpretation of the work they are transcribing.
“…Even if you try, there’s no way to erase your own voice in the mediums through which the author is speaking,” Chen said.
The four authors each wrote and intended to write very different works, but they shared an interest in documenting the past in a manner unique to their identities.
Wisconsin Book Festival Speaker Event (Evan Randle)
Stories and the environment
On Oct. 18, the Wisconsin Book Festival hosted internationally bestselling author Rachel Kushner as she discussed her newest work, Creation Lake. The story, which has been shortlisted for the 2024 Booker Prize, centers around a secret agent’s efforts to undermine a community of environmental activists.
The excerpt from Creation Lake that Kushner read evoked parallels between the characteristics of Neanderthals and modern society. Her prose shifted often between comedic commentary and introspective thought, yet managed to stay tonally appropriate.
Kushner said her work includes numerous allusions to real people and places. She said there are no inherent “politics” in people and that an interest in politics builds alongside ego and socialization. According to Kushner, her protagonist, Sadie Smith is an example of someone who considers themselves outside of the norms of humanity, including a fascination with politics.
When discussing the writing process, Kushner said that when writing characters some require a biography to understand while others do not need one at all. Kushner also said she considers everything written for a book, regardless of if it is kept, to help an author understand their story more.
On Oct. 19, the Wisconsin Book Festival hosted author Téa Obreht in a discussion of her newest release, “The Morningside.” The event was moderated by professor Porter Shreve of UW’s Creative Writing Department.
“The Morningside” is set in a not-so-distant future dominated by environmental instability. In the excerpt Obreht read, the protagonist obsesses over a case file involving their mother that forms the crux of the story which is told years before its beginning.
Obreht said her environmental world-building relied on research and the deliberate choice of having her protagonist be around 12 years old, therefore having around as much knowledge of the setting as most of her readers. Obreht said another choice regarding her protagonists’ age was to allude to her own sense of cultural inexperience when she moved to the United States at a similar age.
According to Obreht, some of “The Morningside”’s dominant themes include human damage to the environment and the relationship between parents and children. She said her sympathy toward the protagonist’s mother increased after she had children.
“That feeling of… what you can offer your children was present in my space throughout [writing],” Obreht said.
In both their excerpts and discussions, Kushner and Obreht related their works to the current environmental condition of the earth.
Contemporary fantasy authors
Also on Oct. 19, the Wisconsin Book Festival featured Hugo Award-winning author Nghi Vo in a conversation focused on her newest novel, The City in Glass. The event was moderated by Gretchen Treu of A Room of One’s Own Bookstore. Vo said “The City in Glass,” set during the fall of a city, required putting herself in the world she wrote. According to Vo, the story was partially inspired by her experience of the COVID-19 pandemic and the subsequent realization that there is no definitive end to the world.
“Every day a world ends, but a new world begins,” Vo said.
Vo said she first became interested in writing as a child when exposed to dictionaries and the ability of words to become building blocks of stories.
Vo, who attended the Wisconsin Book Festival last year, said her favorite aspect of it and similar events is being able to meet fans in a local setting. Vo said she especially enjoys the Wisconsin Book Festival’s dedication to diverse voices and underserved populations.
When asked about her interest in writing fantasy, Vo said she prefers the creative freedom that accompanies stories with magic or fictional beings. According to Vo, writing fantasy is also enjoyable due to its opportunity to blend real-life fun facts with fantastical elements.
“[In fantasy], if I want it beautiful or terrible, I can write it,” Vo said.
The Badger Herald speaks to an author at the Wisconsin Book Festival (Evan Randle)
On Oct. 20, the Wisconsin Book Festival featured another fantasy author and New York Times Bestseller Lev Grossman in a discussion of his new Arthurian novel, “The Bright Sword.” the story took around 10 years to complete and stemmed from his fascination with King Arthur.
Grossman said that while it is difficult to determine if King Arthur truly existed, his representation in myths as the ideal king makes him politically relevant today. Grossman’s work explores the Arthurian world after the king’s death and the legacy his actions left behind.
Grossman said he prefers magic in his fantasy stories from his days of reading stories with magical elements as a child, but that magic does not define the genre. A recurring theme of his works, regardless of setting, is the realization of the world’s difficulties.
“[My characters] had to learn important life lessons of the difference between stories and reality,” Grossman said.
Grossman said, that while his parents were both writers, he primarily became interested in the industry when he realized his talent for it in college.
Grossman said he enjoyed the Wisconsin Book Festival (and similar events) due to being able to meet fans despite his isolated lifestyle. He also appreciated the opportunity to speak with fellow writers, including one of his inspirations Neil Stevenson, Grossman said.
According to Grossman, stories set in fictional settings can nonetheless represent real-life political issues. He said he was partially drawn to the story of King Arthur due to the figure’s relationship with modern political issues such as nativism.
“People underestimate the power of fantasy to speak directly to the kind of world we live in,” Grossman said.
Wisconsin Book Festival Speaker Event (Evan Randle)
Politics and literature
On Oct. 19, the Wisconsin Book Festival hosted author and political journalist Joseph O’Neill as he discussed his novel “Godwin.” The book’s narrative, consisting of two brothers searching for an African soccer prodigy, is inherently tied to political and social concepts such as colonialism and masculine attitudes, O’Neill said.
One of “Godwin”’s narrators is female, a decision made as a result of exhaustion with masculine voices in politics, O’Neill said. A substantial portion of the narrative rests on a Black character’s experience with a “white savior” and the complicated dynamic that follows.
O’Neill’s reading of “Godwin” showcased his ability to write in a stream-of-consciousness style. His narration read satirically, poking fun at the absurdity of modern ideas of masculinity, misogyny and racism. He said authors have the capability to write perspectives that are not necessarily their own. One of his protagonists, while not a bad man, is the unfortunate product of corporate greed.
O’Neill said he considers “Godwin” a political book, but also that all novels fit under that label.
“If you’re a political reader, then the novel you’re reading is a political novel,” O’Neill said.
Wisconsin Book Festival Speaker Event (Evan Randle)
Advocacy through writing
On Oct. 19, the Wisconsin Book Festival hosted Palestinian poet Mosab Abu Toha in a reading of his newest collection of poems, “Forest of Noise.” Most poems in the book were written in the last year and describe real people, Toha said.
Poems Toha read included “Dreams of a Child,” which contrasts the speaker’s childhood innocence with their current despair, “Under the Rubble,” describing those whose bodies are buried by debris, “My Library” which equates the speaker’s ability to write with advocacy and many more. Toha’s poems express his experiences so he can do his responsibility as a witness and artist – provide a different perspective from mainstream journalism.
“The stories I know are absent from the presentation of the Palestinian issue,” Toha said.
Toha also discussed the events leading up to the ongoing war in Gaza, as well as his efforts to build a library for Palestinians in the Gaza Strip.
He has partially written in English to draw attention to many Western nations’ compliance with the ongoing conflict in Palestine.
“English is the language of loss and death to me,” Toha said.
Wisconsin Book Festival’s impact
Jane Rotonda said students should attend the Wisconsin Book Festival and similar events to feel a sense of the greater Madison community. The festival’s events provide students with the opportunity to connect with the world of academia and find their own perspectives on important topics.
“To have students engaging with the Book Festival… is only going to strengthen what we do in the future and how we amplify [young] voices,” Rotonda said.
Students can pitch ideas for Book Festival events and volunteer from behind the scenes. Rotonda said simply engaging with events, such as asking questions of authors, can amplify the overall success of the Book Festival.
The Wisconsin Book Festival provided an extensive schedule of engaging literary events, all thoughtful and inclusive. A diverse array of writers presented their perspectives on works fictional or inspired by their lives, each representing different definitions of what literature means.
Perhaps the effect of events such as the Wisconsin Book Festival is to allow attendees to reach their own conclusions about reading, writing and the world around them.
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