The Cancelled Stargate Movie That Would Have Brought Every Show Together

MGM Television

When Roland Emmerich made his 1994 sci-fi adventure “Stargate,” he likely never envisioned the sprawling media saga that would follow. In fact, after the film proved a modest success at the box office, there was talk of making a whole “Stargate” trilogy. Instead, Brad Wright and Jonathan Glassner took on the task of continuing the story begun by Emmerich. The pair oversaw “Stargate SG-1,” a TV show that launched in 1997 and revolved around the same team from the movie, following their exploits across the universe as they explore strange alien worlds using the Stargate portal. Kurt Russell might’ve refused to reprise his lead role as Colonel Jack O’Neill for the franchise’s small-screen continuation, but Wright and Glassner had “MacGuyver” star Ricard Dean Anderson to help propel their series to success. Indeed, the show proved a cult hit, lasting for 10 seasons before the Sci-Fi channel (now SyFy) cancelled “SG-1” in 2007.

But that wasn’t the end of the “Stargate” story. During its time on-air, “SG-1” spawned a couple of spin-offs, most notably with the live-action series “Stargate Atlantis,” which debuted in 2004. The animated series “Stargate Infinity” also began airing during the “SG-1” years, though some fans don’t consider this canon. Even after “SG-1” was cancelled, the franchise kept coming back with two direct-to-TV films and more live-action series in the form of 2009’s “Stargate Universe” and 2018’s “Stargate Origins.”
Following the cancellation of “Stargate Universe” in 2010, however, the whole saga was left in limbo as the series ended on a cliffhanger that seemed doomed to remain unresolved. While comic books have since tried to continue the story, they haven’t involved the series’ creators. But had Wright gotten his way, we would have at least seen “Universe,” “Atlantis,” and “SG-1” wrapped up a lot more neatly via a movie that was shelved before it even had a chance to get underway.

Season 2 of Stargate Universe ended on a cliffhanger that was never resolved

MGM Television

Today, the “Stargate” empire comprises Roland Emmerich’s film, multiple TV series and direct-to-home-media movies, and a slew of comics, video games, and books. With such a vast expanse of media, watching the “Stargate” franchise in order has become a confusing prospect to say the least, especially when there are unresolved storylines involved. But “SG-1” co-creator Brad Wright, who went on to co-create “Atlantis” and “Universe,” at least had plans to wrap up his contribution to the “Stargate”-verse somewhat cleanly.

While “Stargate SG-1” and “Stargate: Atlantis” both focused on teams that used the eponymous portal device to traverse the universe, “Stargate Universe,” oddly enough, was a much different series. It followed a research crew stranded aboard the spacecraft Destiny as they tried to find a way back across billions of light years to Earth. Led by scientist Dr. Nicholas Rush (Robert Carlyle), the crew was sent on a research initiative to investigate ways of allowing travel across remote distances utilizing the Stargate. But after a planet exploded, members of the group used a wormhole to escape, landing them aboard the derelict Destiny. Season 2 sees crew member Eli Wallace (David Blue) propose a void jump, which would see the group use pods to enter stasis for three years in order to complete the journey. Although they go ahead with the plan, one of the pods proves to be faulty, leaving the group to decide who should stay outside and try to fix the pod with only two weeks before they would have to shut off life support. Eli claims to have the best chance of fixing the pod and therefore stays out of stasis before the season 2 finale closes with him watching the stars from the ship’s observation deck.

Sadly, the show was unceremoniously cancelled before it could reveal whether Eli fixed the pod in time to survive, leaving fans to wonder what “Stargate Universe” season 3 could have been. Well, had Wright been given the greenlight for his ambitious movie project, we would have found out.

The Stargate film that never was

MGM Television

Even before the season 2 finale of “Stargate Universe” aired on May 9, 2011, the series had been cancelled, with SyFy announcing on December 16, 2010 that it had not picked up the series for a third season. Though a non-canon “Stargate Universe” comic series from Mark L. Haynes and J.C. Vaughn attempted to carry on the story after “Universe” season 2, we never got an official continuation.

But Brad Wright at least tried to come up with a last-minute solution when he learned “Universe” was ending prematurely — one that would have united all three live-action “Stargate” shows (at the time, “Origins” had not been created). Speaking to GateWorld in 2023, Wright revealed that he pitched production company MGM Television on the idea, which would have seen characters from “SG-1” and “Atlantis” return to rescue the crew of Destiny from “Universe,” giving the franchise, as it existed at the time, a proper send-off. The co-creator explained he “just started typing” and implored MGM to let him use existing sets from “Stargate” for the project before they were dismantled. Wright recalled his approach:

“If I can get a script in your hands quickly enough, I bet I can get the cast of ‘SGU’ and bring aboard enough cast members from the other show that I could at least give us a two-hour movie to wrap it up, or a 90-minute movie to wrap up ‘SGU’ and finish the story that we were trying to tell.”

Alas, the fate of Wright’s section of the “Stargate” universe was sealed.

Brad Wright’s scrapped film wasn’t fully fleshed out

MGM Television

As Brad Wright remembered in his GateWorld interview, his initial idea was fairly crude. However, there was the seed of a storyline that involved using David Hewlett’s Dr. Meredith Rodney McKay — an “SG–1” character who was a last minute replacement in “Stargate Atlantis” and who went on to appear in 100 episodes of the series:

“I pitched him the rough idea that I had for it — and it was rough. I mean, I was typing as fast as I could. I didn’t whiteboard it. I just had this structure in my head and concept for the characters from the other series that I was going to bring in. And I started laying it out, and it started with McKay and began [with a] recognition that Destiny was in trouble.”

Lamentably, Wright wasn’t even able to put together a proper first draft of the script before MGM pulled the plug. “Like two weeks into the process I found out it’s not gonna happen,” Wright said. “There comes a time where the desire to finish something doesn’t line up with the financial resources to do it. And that was where it was already heading when I found out they’re not interested.”

As SyFy has noted, the DVD market had taken a downturn at the time Wright was pitching his movie, which likely played into MGM’s decision not to move forward with the project. Considering SyFy had already cancelled “Universe” after just two seasons anyway, I can’t imagine the prospect of a movie based on the series was ever all that enticing to begin with — at least not for MGM or the network. For fans, however, the fact Wright’s vision never came to fruition will remain as tragic a moment in the vast “Stargate” saga as Eli’s decision to stay behind for the sake of his fellow crew members.

Egypt To Be Guest Of Honour At Venezuela International Book Fair: Villegas

(MENAFN- Daily News Egypt) Egypt will be the guest of honour at the upcoming Venezuela International book Fair (FILVEN) in July. This honour coincides with the 75th anniversary of diplomatic relations between the two countries. Venezuelan Culture Minister Ernesto Villegas, fresh from presenting his book Maja Mia at the Cairo International Book Fair on Saturday, shared details of the upcoming cultural exchange.

“We are extremely pleased that Egypt has accepted to be our country’s guest of honour at the International Book Fair in Venezuela,” Villegas told Daily News Egypt.“The fair, obviously, is a book fair, but it is a very good excuse for all arts and all culture to be present in Venezuela, not only in July, but throughout the year.”

The fair will extend beyond the capital, reaching all states within Venezuela.“The fair will be held in all the states of the country, so it is a great opportunity to get closer from the point of view of culture,” Villegas stated, reiterating his enthusiasm for Egypt’s participation:“We are very happy that Egypt has accepted to be our country’s guest of honour at the International Book Fair in Venezuela, not only in July, but throughout the year.”

He expressed confidence that the anniversary year“will serve to raise the level of cultural exchange between the two countries.” He added,“Our Venezuelan Ambassador to Cairo Wilmer Omar Barrientos is a very dynamic ambassador, and Ambassador of Egypt in Caracas Kareem Amin and the Deputy Head of Mission Mohammad Abdelwahab are also very dynamic.”

Villegas participated in the 54th Cairo International Book Fair on Saturday, presenting his book Maja Mia. The book, written in homage to the centenary of his mother’s birth, Maja Poljak, explores her life against the backdrop of 20th and 21st-century world events.

“It is a book not only about the life of a person but about the life of humanity, with its emotional, funny aspects, with which you can laugh out loud and you can also cry,” Villegas explained. He described his mother’s life as a“guiding thread” through significant historical moments, including World War II, which led her to Venezuela. The research for the book also uncovered lesser-known aspects of Venezuelan history, such as the presence of the Nazi party, Jewish immigration, and the political landscape of the 1940s.
Reflecting on his mother’s Jewish heritage, Villegas drew parallels to the contemporary Palestinian experience.“My mother was Jewish, and the suffering of the Jews of that time is mirrored in the suffering of the Palestinians.” Villegas expressed his solidarity with the Palestinian people and Arab nations, recalling his meeting with Palestinian representatives at the Cairo book fair.

Villegas acknowledged Egyptian university professor and friend, Mohamed Morsi’s support during the book’s creation, stating,“Well, the truth is I have a lot to thank Dr Morsi for, because last year I didn’t come to present the book, but he was already aware of the process of its creation, even though it was still in its early stages. I don’t know if there’s a precedent for a book being discussed at a fair even before it was published. All of that is thanks to Dr Morsi.”

Villegas expressed his happiness to present the book to Morsi and the Egyptian people, noting his intention to release an Arabic translation in the coming year.“With these corrections, I intend to translate it into Arabic and other languages. Because, God willing, next year we will be able to come here with this book translated into Arabic. Thank you, Egypt, for all these emotions. Emotions that are reciprocated with Venezuela. And we hope to present more and more books in Venezuelan and Egyptian languages in Venezuela.”

Looking ahead to the FILVEN event, Villegas expressed high expectations:“We are honoured that Egypt accepted to be a guest of honour at the International Book Fair in Venezuela in July of this year. We have great expectations for the brilliance of this event. We are sure that this event will strengthen the ties between our countries and countries. Not at any time in human history, but at this very moment.”
He emphasised the importance of cultural exchange in fostering unity and understanding:“This means that all lovers of peace can meet. With our differences and particularities, we are invited by history to unite, without losing our own physiognomy, so that we can act positively in a world like this. So, from culture, and particularly from books and reading, we are taking the right steps in the right direction.”
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After ANI, Indian Publishers Sue OpenAI For Copyright Infringement

SUMMARY
The Federation of Indian Publishers has urged the Delhi HC to stop OpenAI from accessing the copyright content of its members and delete data used to train the AI giant’s chatbot
The federation filed the case on behalf of all its members, including Rupa Publications, S Chand & Co Bloomsbury, Cambridge University Press, among others
The Indian and global publishers are looking to join news agency ANI, which has also filed a copyright infringement case against OpenAI in the HC

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Multiple domestic and global book publishers have reportedly banded together and sued artificial intelligence (AI) giant OpenAI for alleged copyright infringement.
The Federation of Indian Publishers (FIP) told Reuters that it has filed a lawsuit against OpenAI in the Delhi High Court (HC). The federation filed the case on behalf of all its members, including homegrown players like Rupa Publications and S Chand and Co as well global giants such as Bloomsbury, Penguin Random House, Cambridge University Press and Pan Macmillan.
“Our ask from the court is that they (OpenAI) should stop accessing our copyright content… In case they don’t want to do licensing with us, they should delete datasets used in AI training and explain how we will be compensated. This impacts creativity,” said FIP’s general secretary Pranav Gupta.
The lawsuit, which was filed in December, reportedly claims that the federation has “credible evidence/information” from its members that OpenAI used their literary works to train its ChatGPT service.
“This free tool (AI chatbots) produces book summaries, extracts, why would people buy books then?… This will impact our sales, all members are concerned about this,” added Gupta. 
As per the report, the case has so far only been listed before a court registrar who, last month, directed OpenAI to respond in connection with the matter. A judge will now hear the case on January 28.
The Indian and global publishers are also looking to join ANI’s ongoing copyright breach lawsuit against OpenAI in Delhi HC. 
This comes days after OpenAI told the Delhi HC that Indian courts do not have the jurisdiction to hear ANI’s copyright infringement case as the company does not have a presence in the country. 

The submission came in response to a plea filed by ANI against OpenAI in the Delhi HC, alleging that the AI major used the news agency’s published content to train ChatGPT without permission. ANI has sought the deletion of its data already stored by ChatGPT.
The AI giant, in its submissions, said that it cannot delete the data as it is currently defending a litigation in the US pertaining to the data on which its models have been trained. It added that the US laws require the company to preserve the data while the hearings are pending.
The lawsuit filed by Indian publishers is the latest in the series of legal cases being heard across the world. Many authors, news outlets and musicians have accused technology companies of using their copyrighted work to train AI chatbots and now want the content, which trained these AI systems, to be deleted.

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BRUCE KULICK On His Upcoming Autobiography: ‘My Journey Has Value’ But ‘I Don’t Want To Write A Book To Slam People’

In a new interview with Marko Syrjala of Metal-Rules.com, former KISS guitarist Bruce Kulick spoke about his plan to release his autobiography. He said: “Yeah, I mean, actually, over 20 years ago — like 25 years ago — I started working on a book with a friend of mine in the industry. He wanted to write it, and I was pretty cool with that. He started doing interviews with people. Fortunately, I still have all those interviews. One of my projects last year was to digitize them all. My parents, my brother, Bob Ezrin, Eddie Trunk, and even Michael James Jackson — though I didn’t really work with him — were all interviewed. Obviously, having my parents and my brother included is fascinating to me. Carrie Stevens and many other friends and industry folks who were pretty hip to KISS and my career were also interviewed.”But here’s what happened. The reason I probably said [in the past] that I’d never write a book is because we did start working on it. He even put together some sample chapters — maybe 30 or 40 pages. But the reaction at the time was, like, ‘Wait a minute, this isn’t… We’re looking for stuff like MÖTLEY CRÜE’s ‘The Dirt’.’ You know what I mean, right? But that’s not my life. That’s not my experience. I’m more of a musician who was part of a famous band and some of the other groups I worked with are really interesting. A lot of people don’t know much about Meat Loaf and don’t know that much about Michael Bolton, let’s say, or a Billy Squier record. There’s so much about my career that’s unique — it isn’t just one thing. And I was never involved with drugs or wild debauchery. So when they wanted salacious stuff, I kind of put the brakes on. Then my friend got busy with his career, and I got busy with mine. We shelved it and didn’t revisit it for a long time.”I used to have a web site — Kulick.net—but for the past five or six years, it’s been BruceKulick.com. Back in the day, I used the web site to write blogs when people were still into web sites. Now, it’s all about social media. I wrote about record releases, anniversaries, and things like that. I’ve amassed all this material over the years and realized there’s a good story to tell here.”I think my journey — from being a guitar player from Brooklyn to being with KISS, one of the most iconic bands in the world — has value. And I embrace that. I don’t want to write a book to slam people. I want to share my perspective — how I saw things — but I don’t need to do that by saying horrible things about other musicians or people I’ve known.”I was shocked at some of the stuff other KISS members said in their books. Gene [Simmons] and Paul [Stanley] are like brothers, which probably explains why they take liberties picking on each other, you know? In their books, they told it like it is — or how they wanted it to be. And if they wanted to be snarky, they had the platform to do that. But I want my book to focus more on my learning experiences and successes. I hope to share some life lessons because I’ve certainly seen a lot in my career.”Bruce previously talked about his upcoming book last month in an interview with Paul Salfen of AMFM Magazine. He said at the time: “I amassed a lot of materials from [my] era [of KISS]. When I first started a book with a guy in the industry back in ’99, there were a lot of interviews done, and I was able to get all those tapes digitized because that’s important, to spark my memories and stuff. I have notes of subjects.”It’s certainly gonna be a really in-depth discussion of my life as a musician with, of course, hefty amounts on my KISS years, ’cause I know that the fans are gonna wanna get my thoughts on how it felt and what I did,” he continued. “It’s certainly not gonna be some salacious slam book. It’s not me. But I do have a lot of stories that I never really discussed that I think are gonna be really fun for people to read about and fascinating for them to see.”Everything was, in many ways, a very interesting journey, and there were many [instances] of where you fall in the ditch, but you’ve gotta pull yourself out — that kind of thing.”In a separate interview with Loaded Radio, Kulick was asked why he wasn’t ever approached to rejoin KISS after Ace Frehley left for good back in 2001. He responded: “That’s a great question. And not everyone’s aware of some of the backstory. I would hear things about them having problems with Ace and Ace was getting erratic or difficult. And [later KISS guitarist] Tommy Thayer was actually tour managing with them; he was on the road with them. Because even during my era, he was involved with the band, helping with ‘Kisstory’ and doing things for the group. He wrote some songs with Gene [Simmons, KISS bassist/vocalist] and was always part of the inner circle, shall I say. So from what I understood, there was one or two things that KISS did — not a concert, even though once Ace was almost not gonna make it and they made Tommy get the outfit on. [He had a] similar build — tall and thin — and Ace made it to the show. But there were a couple of other things they needed to do. I believe ‘That ’70s Show’, when they were taping, Ace didn’t show up. ‘Tommy, get the outfit on.’ And then I think there was a private gig, too, that no one would really know about — one of those things where you go to an island and play for some rich people. And Ace wouldn’t go. And KISS wasn’t gonna say, ‘All right, we’re not gonna take the gig.’ So if they ever had a thought of me, I think they would have known that that probably would have been a lot harder. Tommy was younger, there already, if you know what I mean, working with them. And Tommy, not everybody knows that he was in a tribute band for fun at times called COLD GIN as Ace Frehley.”Bruce continued: “So if they would have went to me, I can’t say I absolutely would have said ‘no.’ I miss being in KISS. I do realize it would have kind of pooped on my era because then I’d have to kind of play the role of the ‘Spaceman’ and shoot rockets and play more like Ace. I was never given that direction from Gene and Paul [Stanley, KISS guitarist/vocalist], where Tommy knew that it actually was more comfortable with his natural style of guitar playing. He wasn’t a Floyd Rose, play-some-flashy-riffs king of the mountain. So I never felt like they made the wrong choice — ever. I always felt that was the right way to go ’cause then Tommy could assume the role of the Spaceman in the group. Eric [Singer, KISS drummer] sometimes gets some criticism, like Tommy has, but Eric being behind the drums and having five years in the band without the makeup, maybe he gets a little less. Neither of them really deserve criticism because they’re talented players doing a great job. And it was Gene and Paul’s choice to say, ‘And now you’re the Catman,’ ‘And now you’re the Spaceman.’ It wasn’t [Tommy and Eric] saying, ‘Please, I wanna be the Spaceman.’ And to new generations, Tommyis the Spaceman. Even though Eric has a lot of credibility from ‘Revenge’ and ‘MTV Unplugged’ and ‘Carnival Of Souls’ and all the work that we did together for those five years. So, I actually kind of lost the big gig on many levels for the right reasons though. And I was never fired the first time. It was simply, ‘Well, we’re making all this money. Now we’re selling out from arenas to stadiums in makeup.’ So my era ran its course.”In 1984, Bruce joined KISS, where he remained as their lead guitarist for twelve years, accompanying the band on the “Animalize” tour and continuing with the band until the 1996 reunion tour. Bruce is heavily featured on “Kissology – Vol. 2” and “Vol. 3”, the band’s DVDs spanning their historic 45-year career.In an April 2020 interview with Sleaze Roxx, Kulick said that he was “relieved” he wasn’t approached to rejoin the band after Frehley left for good back in 2001.”When I had to leave in ’96 after the success of the KISS ‘Unplugged’ performance, people were aware of the musicianship that existed in the band between Eric Singer [drums] and I, but after 20 years of people hearing about KISS in makeup, it was kind of like ‘Star Wars’ when it was rebooted people went to see what it was all about,” he said. “I understood that it was the original guys, they put the makeup on and people were excited to either see it again or see it for the first time. That carried on, then it carried on and it carried on. [Laughs] It then reached a point where Gene [Simmons] and Paul [Stanley] couldn’t continue with Peter [Criss] so they called on Eric Singer to step into the role and the makeup.”Eric is such a tremendous drummer,” he continued. “I was genuinely happy for him. I still am. Then when Ace started dropping the ball, it was seamless for them to go with Tommy Thayer who does such a fantastic job as the ‘Spaceman.'”If I had been asked to step into the ‘Spaceman’ role, it would have been really awkward for me. I get asked by the fans a lot, ‘Well, why aren’t you there?’ I think Tommy stepping into the role was a lot more natural than Bruce Kulick becoming the ‘Spaceman’ and shooting rockets off of my guitar. I would have had to play the songs note for note like Ace. I don’t think I could do that and remain happy in the band. Tommy does that to perfection. I was never required to learn the classic stuff note for note, but if you’re going to be the ‘Spaceman,’ it would have to stay true to the way Ace plays it. That’s not to say that I don’t play the classic songs with respect. I play the GRAND FUNK RAILROAD songs with respect, while injecting my own style into them, like I did in my time in KISS. I would lose my ‘liberties’ if I stepped into the ‘Spaceman’ role.”I’m friends with Tommy, Bruce added. “We’ve gotten closer over the years on the ‘Kiss Kruise’. We’ve spoken a lot on the ‘Kruise’. He once said to me, ‘Hey, I never got into the Floyd Rose whammy bar thing. How do you play ‘Crazy Nights’?’ I said, ‘Don’t worry about it. Play it how you play it. It’s what works for you. I don’t take any offense and you don’t need to copy how I do it.'”Tommy’s style is so much closer to Ace’s than mine. I have a unique style to my approach you can hear it on ‘Tears Are Falling’, ‘Who Wants To Be Lonely’, ‘Unholy’ and even the acoustic solo on ‘Forever’. I am proud of my body of work for that era of KISS. I’m embracing it. The fans are embracing it. It’s all good.”Kulick went on to say that he is at peace with the fact that he will never be part of the makeup era of KISS.”I was relieved [when they didn’t ask me to step in after Ace left],” he said. “I think if I had been asked and done it, I think it would hurt. I know that Tommy and Eric avoid… I’m close to both but I’m closer with Eric. They avoid reading things online. Their best medicine is to just do a great job every night and not read that stuff. I’m shocked that sometimes someone will leave a snarky comment toward me. I’m, like, ‘Really?’ I don’t get into that stuff and I don’t like anything negative on social media and I never do or post anything negative. I won’t allow anything negative. There’s times I read something and I choose to ignore it. Everyone has a voice these days. They have a laptop, a tablet or a smartphone.”I was relieved, but how could I not have ‘entertained’ the idea if I was asked? At the time when they swooped Tommy right in, I was already in GRAND FUNK RAILROAD and I was and still am pretty happy with my role in the band. Sure, it wasn’t KISS, but it’s a great gig. Now think of it from this angle. Let’s say they made the right proposition and I took it, then Ace wanted back into the band. Where would that have left me? No KISS gig and no gig in GRAND FUNK.”In some of his recent interviews, Bruce once again confirmed that he wasn’t asked to perform at KISS’s final show and wasn’t invited to attend the event, which was held in December 2023 at New York City’s Madison Square Garden.

Publishers Note | January 2025

The very first one, called The Goldmine, Aug. 2000.
Gulp, there is no way I’m old enough to have run a local news magazine for 25 years. It truly feels like yesterday that I was bartending at night to support the little yellow flyer that would become Yellow Scene Magazine.
Over the past 25 years, we’ve survived 9/11, the Great Recession, three wars, one flood, one fire, COVID-19, countless protests, and the arrival of digital media. Next up? Surviving DJT’s second term.
As much as I genuinely love my work, I’d be lying if I didn’t admit to the frustrations that come with producing authentic journalism—especially in a time when AI seems to be taking over.
I’m incredibly proud that YS has never published a single sponsored-content (pay-for-play) article and that we’ve earned over 190 awards for excellence in journalism and design. In fact I have very strong feelings on it.
Your Native Advertising Sucks and Why Content is Still King

But this gig is hard. So hard that universities now nearly require journalism students to pursue a second field of study alongside their journalism degrees.
Media outlets producing authentic journalism are facing significant challenges nationwide. Since 2004, the United States has lost approximately 2,100 newspapers, including 70 dailies and more than 2,000 weeklies or nondailies. The number of journalists working at local newspaper organizations has fallen by roughly 60% since 2005, declining to 31,400.
Death of the Daily News
The fact YS is still publishing while not selling sponsored content is a bit of a miracle in and of itself. However, instead of wallowing in the many difficult changes journalism is facing, YS is taking steps to keep local journalism sustainable through grants, crowdsourcing, events, and, of course, providing agency-quality advertising to our clients.
Youth caught reading in the wild, Lucky’s Market, Boulder
Surprisingly, this younger generation cares deeply about authenticity. They grew up with phones in their hands and crave more than just a digital life. Research shows their social media consumption focuses on platforms like YouTube, Reddit, and TikTok. But are they really online more than their older peers? Studies show older adults spend 5–6 hours on screens daily, while youth spend 6–7 hours.
While reading books has dropped by five percentage points among younger people, book sales revenue is actually higher today than in 2008. Nearly 87% of books sold are still in print—people want to escape the screen. Numerous studies show we retain 7x more information from print than digital. And honestly, people just get more excited seeing themselves in a printed magazine than on a website.
So here we are in 2025 with no plans to sell out the journalism, no plans to go only digital (we’re still printing 32,000 copies monthly, thank you!), and no plans to go away, no matter how hard it is today.
Over 25 years, YS has become a beloved community resource. One of the best compliments we hear is when folks say they only read YS and The Colorado Sun. That commitment to high standards shines through. We could print on a paper bag, and if the content is good, people would read it. (On the flip side, no matter how fancy the paper, a publisher can’t turn an advertorial into a compelling read.)
Today, YS produces far more online stories in addition to our monthly print publication. We’ve earned a reputation for taking on the tough stories others avoid. We’re also exploring what a podcast could look like and working toward more multimedia storytelling. But no matter the format, we’ll stay true to the standards that have guided us for 25 years.
Media literacy is a new term we all need to understand—readers and advertisers alike.
If you’re a business looking to advertise, before dismissing print as “dead” or relying solely on social media, consider how many places are competing for your audience’s attention. Then ask yourself why people seek out the new YS every month. There’s no magic formula for advertising—just consistency across all three stages of the purchase funnel: internal, direct, and mass media. A marketing budget of less than 3%? That’s Spray and Pray Marketing.
The most successful businesses—those owning both mindshare and market share—always include strategies across all stages of the funnel. My biggest advice? Study why you’re buying what you’re buying. Not all print is the same, and not all digital is the same. Advertising isn’t magic; it’s communication. The question is: What are you saying, and to whom? (That’s why we offer Yellow House Agency design and copywriting services—for free.)
For our readers, advertising is no longer the sole way we survive. It used to be, but the world has changed. To continue the serious work we do, we need your support too. We’ve launched our Sustaining Supporter Program, and for just $8/month, we’ll happily mail you YS every month.
We have an exciting lineup planned for our 25th year. We’re kicking off the year with a feature on 25 Businesses That Are 25 Years or Older. For Best of the West, we are doing special highlights of the organizations that have consistently won over the two-and-a-half decades YS has been around. We will be doing fun features like, ‘Where Are They Now?” where we interview people from the past. We are working on a Trivia Night and have a very special plan for the covers.
I’ll close with our original slogan, which remains just as true today: Yellow Scene Magazine: It’s the Good Stuff. And let me add—We ain’t going nowhere.
Just a few of the memories over the last 25 years

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YS Best of the West is the only write-in ballot

Boulder Theater, YS Best of the West

SPJ Awards

We snapped this before we knew it was the Marshall Fire

Good Samaritan nurses watching the Marshall Fire

Marshall Fire

MAGA personality blaming fires on Democrats

When COVID hit it changed our covers

The Trades photoshoot

Daniel Mate Interview

Temple Grandin Interview

Governor Polis Inaguration, 2018

Bernie Rally, Denver CO

AOC at the Boulder Democrats

2020 Election results

COVID protestors face off with a nurse

Shop Local

Vaccinated

Whitewashing history

Gun protest, Denver CO

Gun protest, Denver CO

Climate Crisis Protest, Denver CO

Climate Strike Protest, Denver CO

Youth Protest, Boulder CO

Standing Rock

BLM Protests, Denver 2020

Elijah McClain

Derek Chauvin found guilty

Casa Bonita Grand Opening

Chuck Morris, The Sink, Boulder CO

That time when the cops busted up our photoshoot

SuperKids 2016, Westminster CO

SuperKids, Westminster CO

Dog House Music, SuperKids, Broomfield CO

SuperKids, Lafayette CO

Trades photoshoot, Boulder County

Nurses photoshoot, Good Samaritan Hospital

Why Do You Wear What You Do photoshoot, Boulder CO

Waterloo Fashion Shoot with The Hop, Louisville CO

Teachers photoshoot, Boulder CO

Drag Queen Fashion

Taco Junky photoshoot

The Journalists

Farewell to Jim Burrus

Comic Con, Denver CO

Denver Pride Fest

1st Carnivale Masquerade Gala, 2015, Longmont CO

1st Carnivale Masquerade Gala, 2015, Longmont CO

Rocky Grass, Lyons CO

Arise Music Festival, Loveland CO

Halloween, Erie CO

Thanksgiving, YS Staff

Denver Press Club

Poem, by Shavonne Blades

Like journalism like this? Consider becoming a sustaining supporter (and get our printed copy monthly at home.)Democracy needs journalism more than ever. We’ve been telling the truth for 24 years. Your support helps us keep telling it for at least the next four years.
Democracy needs journalism more than ever. We’ve been telling the truth for 24 years. Your support helps us keep telling it for at least the next four years.

Books on Philately and Ramayana Unveiled in Bengaluru

Two books, Philately Passport-Permanent Pictorial Cancellation (PPC) and Ramayana on Stamps, written by M. Lokeshwar Rao, a retired Indian Foreign Service officer, were released at the Philately Bureau, Bengaluru General Post Office on Saturday.Rajendra Kumar, Chief Postmaster General of Karnataka Circle, Lokeshwar Rao, and H.M. Manjesha, Chief Postmaster of Bengaluru GPO, graced the event.The book Ramayana on Stamps explores the enduring narrative of Lord Rama, Sita, and their divine companions through the lens of philately. It features stamps from over 30 countries, showcasing how the ancient story is depicted globally. Drawing on the wisdom of the sage Valmiki’s verses, this work highlights the relevance and spiritual significance of the Ramayana in contemporary society.The second book, Philately Passport—Permanent Pictorial Cancellation, features a collection of 80 Permanent Pictorial Cancellations released by the Karnataka Circle until December 31, 2024. This work offers insight into the rich history and evolving landscape of Indian philately, focusing specifically on iconic pictorial cancellations that capture regional stories and landmarks.Both books are available at all Philatelic Bureaus in Karnataka Circle in English, Kannada, and Hindi. The English version of Philately Passport-PPC was released on January 15, 2025, by Vandita Kaul, Secretary of the Department of Posts and Chairperson of the Postal Services Board. Published – January 26, 2025 12:28 am IST
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Book Review: Prajakta Koli’s ‘Too Good To Be True’ Brings A Fresh Take On Modern Romance

Breaking a months-long reading slump is no easy feat, but Prajakta Koli’s Too Good to Be True did just that. With all the buzz surrounding her debut novel, I couldn’t resist picking it up, and it did not disappoint. Prajakta Koli, better known as MostlySane, has already made her mark as one of India’s most successful digital creators. As an actor, she has impressed audiences with her lead role in Mismatched and performances in JugJugg Jeeyo, and Neeyat. Now, she entered into the literary world with a rom-com that blends humour, romance, and self-reflection into an engaging narrative.From the very first page, this book pulls you in with its wit and relatability. Whether you are a longtime fan of Prajakta or just looking for a fresh take on modern love, this book offers a charming escape that might just reignite your love for reading, as it did for me.This book delivers an engaging narrative that seamlessly blends romance, humour, and self-reflection. It captures the excitement and uncertainty of modern relationships, making it a relatable read for young audiences. It tries to balance fantasy with realism, creating a story that appeals to readers looking for both escapism and authenticity in romance fiction.

One of the novel’s strongest elements is its protagonist, Avani, a bookstore employee who immerses herself in romantic fantasies. Her love for romance novels makes her deeply invested in the idea of perfect love, which sets the stage for her relationship with Aman — a man who seems too good to be true. As their story unfolds, Avani begins to question whether perfection in love is real or merely an illusion shaped by the stories she adores. It explores this conflict with humour, allowing me to relate to Avani’s emotions and dilemmas.
Through Avani’s challenges and victories, the author highlights the significance of self-awareness and confidence in relationships. As Avani navigates love, her journey becomes one of personal growth, resilience, and understanding her own aspirations and fears, making it more than just a romantic tale.Author skillfully blends humour, relatability, and emotional depth, crafting a story that relates with young readers navigating love and life’s uncertainties. It offers a refreshing take on modern romance, leaving readers both smiling and feeling understood. While rom-coms often follow predictable endings, Too Good to Be True takes a different approach, reminding us that real life doesn’t always mirror the idealised love stories found in books. The story emphasises the idea that to find a meaningful relationship, one must first grow and improve as an individual.However, the narrative could have been stronger with deeper insight into Aman’s thoughts and emotions. His inner monologues often feel overshadowed by Avani’s perspective, leaving his character slightly underdeveloped. While this focus is a creative choice by the author, a more balanced exploration of both protagonists could have added greater depth to the story.Despite this, the novel remains engaging, offering a fresh and realistic portrayal of love, personal growth, and self-awareness in modern relationships. Too Good to Be True marks a good debut for Prajakta. It is a good choice for young readers seeking a fresh perspective on love and self-confidence.
Book Name: Too Good To Be TrueAuthor: Prajakta KoliPublisher: HarperCollinsPages: 320Price: Rs 285

From Dubai to Karachi: The Dawood Saga Continues: The Book Delves Into Dawood Ibrahim’s Rise, Fall, And Dark Network

“Who is bigger than the king?” You stare at the statement on the back page of the book. If you have read S. Hussain Zaidi’s previous book on the underworld of Mumbai, you realise who he is speaking about. After the success of Dongri to Dubai: Six Decades of Mumbai Mafia and Byculla to Bangkok, he is back with his latest anthem on Mumbai underworld’s biggest and most hated don, Dawood Ibrahim Kaskar or just Dawood Ibrahim. From Dubai to Karachi: The Dawood Saga Continues is Zaidi’s most ambitious mafia saga in quite some time. The book’s sheer size speaks volumes about Dawood’s journey from Mumbai to Dubai to his final known yet unconfirmed location — Pakistan. Other stories come into the picture about Dawood. The usual big names jump from the pages — Chhota Rajan, Chhota Shakeel, Tiger Memom, Yakub Memon, Iqbal Mirchi, Pakistan, ISI, etc. Zaidi is a master storyteller of the underworld thanks to his prolific journalistic career covering crime, especially in Mumbai. From Dubai to Karachi tells all the stories in a format that keeps you engaged. Zaidi manages to weave stories as if you are in the middle of the drama. You keep flicking the pages to find out what happened next.You have to give it to Zaidi on how he has covered many of those touched by Dawood directly or directly, be it gangsters or reporters. You see the highs and lows of the likes of Chhota Rajan, Dawood’s friend turned foe to J. Dey paying the price of covering Rajan. You also meet Yakub Memom, the ill-fated brother of the 1992 Mumbai bomb blast kingpin Tiger Memom. Zaidi has written in detail regarding Yakub’s involvement in the blast case leading up to his hanging in 2015 on his birthday.

The biggest expose (or known tales if you read the news) are the stories of how the Pakistani government, big names, army and ISI are involved in the 1992 Mumbai blasts and more. You travel with Dawood as he goes to become the master player in Pakistan. Names like Imran Khan, Asif Ali Zardari, Javed Miandad and Malik Riaz come up and you are left with your mouth wide open.
What is different this time with From Dubai to Karachi is that we meet Zaidi more and also learn his way of getting stories from sources. He meets super cops like Neeraj Kumar, who have been key players in solving some big crimes, and his sources, who have some insider tales to narrate. Zaidi has spoken about the side of the law that is good, bad, and ugly. The question at the end is: Is From Dubai to Karachi: The Dawood Saga Continues to be a worthy successor to Dongri to Dubai? The answer is a resounding yes. You might feel that you have seen everything in his previous books. But the charm of S. Hussain Zaidi is he tells and retells stories that engage you and speak of the horrific nature of walking down the criminal path.
Book: From Dubai to Karachi: The Dawood Saga ContinuesAuthor: S. Hussain ZaidiPublisher: Ebury PressPages: 504Price: Rs 499