Data Scientist’s Election Prediction, Kamala Harris Receives Historic Endorsement From Magazine, Elon Musk Suggests Warren Buffett Is Preparing For A Harris Win And More: Top Political Update This Week

The past weekend was filled with riveting news, from a data scientist’s election forecast to Elon Musk‘s response to the Trump campaign’s allegations. Here’s a quick roundup of the top stories that made headlines.

Data Scientist Predicts ‘Drastic Landslide’ for Harris

Thomas Miller, a renowned data scientist from Northwestern University, has predicted a significant victory for Kamala Harris in the upcoming presidential election. Miller, who accurately predicted the 2020 presidential and Georgia senatorial races, uses data from political betting sites to make his forecasts, which he claims are more accurate than traditional polls. Read the full article here.

Elon Musk Reacts to Trump Campaign’s Allegations

Tesla CEO Elon Musk responded to the Trump campaign’s release of over 50 examples of Democrats’ rhetoric that allegedly inspired an assassination attempt on former President Donald Trump. Musk’s reaction was a simple “No wonder,” in response to the campaign’s assertion. Read the full article here.

See Also: Mark Cuban Says Elon Musk ‘Believes He’s Much Smarter Than Trump,’ Reveals The ‘Intoxicating’ Reason Why Tesla CEO Supports Ex-President

Kamala Harris Receives Endorsement from Historic Magazine

Vice President Kamala Harris has received an endorsement from the oldest continuously published magazine in the U.S.- the Scientific American– for the 2024 presidential election. This endorsement could prove crucial in a tight contest against Donald Trump. Read the full article here.

Obama-Era Economist Surprised at JD Vance’s Economic Optimism

Betsey Stevenson, a former economic advisor during the Obama administration, expressed surprise at the economic optimism shown by Donald Trump’s running mate JD Vance and his supporters, despite the Federal Reserve’s recent rate cut. Read the full article here.

Elon Musk Suggests Warren Buffett is Preparing for a Harris Win

Tesla CEO Elon Musk suggested that Warren Buffett is positioning for a Kamala Harris win with his $277B cash pile. Meanwhile, pro-Trumper and hedge fund manager John Paulson warned of an equity market exit in the event of a Harris victory. Read the full article here.

Read Next: Fed Delivers Large Rate Cut In Bid To Sustain Labor Market; Stocks, Gold Set New Record Highs: This Week In The Markets

This story was generated using Benzinga Neuro and edited by Anan Ashraf.

Image via Wikimedia CommonsMarket News and Data brought to you by Benzinga APIs© 2024 Benzinga.com. Benzinga does not provide investment advice. All rights reserved.

How ‘The Substance’ Uses Practical Effects and Splashy Makeup to Craft a Body Horror Film That Tears Down Beauty Standards

This story contains heavy spoilers for the entirety of The Substance. In Coralie Fargeat’s new feminist horror movie The Substance, harmful societal beauty standards are the real monsters. They (female objectification, the disposal of “the old,” the proliferation of an industry built on body modification) feed a beast of a cycle that leads Demi Moore’s fading TV personality character Elisabeth Sparkle to seek out a black market treatment called The Substance that promises to make her more beautiful. And in doing so, she undergoes a creature-feature-like transformation herself.The Substance is a grotesque process—one involving syringes, fluids, and Elisabeth’s spine opening up to birth a younger double played by Margaret Qualley. Elisabeth and her counterpart, known as Sue, cannot be conscious simultaneously, so they each live for a week before switching places, with Sue detracting liquid from a gaping hole in Elisbeth’s spine to sustain herself. When Sue abuses The Substance, Elisabeth begins to age—starting with one unnerving, decrepit finger before spreading into creaky, nearly unusable limbs; and when Elisabeth fights back by binge-eating, Sue malfunctions so much so that she can pull chicken wings out of her navel.In doing so, the film points to the painstakingly ugly lengths some will go to be revered as perfect. It’s executed to a spine-tingling, life-like extent that makes for a body horror film for the ages.Sue (Margaret Qualley) looks at Elisabeth’s body after she takes the “activation” of The Substance.(Image credit: MUBI)To bring her vision to life, Fargeat collaborated with prosthetics and makeup effects designer Pierre-Olivier Persin and his team at POP FX. Persin (who previously worked on Game of Thrones) tells Marie Claire that the project was a dream come true. “I remember reading in magazines like Fangoria interviews with the prosthetic artists who did The Fly,” Persin recalls I was 15-years-old in my bedroom and dreaming, looking at the pictures with a magnifying glass, trying to [understand how they did it].”He adds, “This is not The Fly—it has different sensibilities—but it has that flavor.”Persin and POP FX worked with Fargeat to design five stages of Elisabeth’s evolution, which they lovingly named “Requiem,” “The Finger,” “Gollum,” “Monstro,” and “Gremlin.” Operating out of their studio in Montreuil, France, as well as a second rental workshop space, they prioritized practical effects—like those out of The Fly and other classic horror movies—with him and Fargeat frequently sending each other clips on YouTube of old-school tricks they hoped to replicate.Equally as important to the success of the film’s gory aesthetic was key makeup artist Stéphanie Guillon. While The Substance is a nightmarish thriller, it also lives in a splashy, surrealist version of modern-day L.A., and Guillon heralded the pristine beauty looks that enhance Elisabeth and Sue’s star power—especially as the double becomes an image-obsessed monster.Marie Claire email subscribers get intel on fashion and beauty trends, hot-off-the-press celebrity news, and more. Sign up here.With The Substance now in theaters, Marie Claire spoke to Persin and Guillon—two longtime collaborators in French cinema—about crafting Elisabeth and Sue’s looks, building monstrous dummies and a blood rig, and signing up Demi Moore for five-hour sessions in a makeup chair.Sue (Qualley) looks at a billboard of her new TV show.(Image credit: MUBI)Marie Claire: When developing Elisabeth and Sue’s beauty looks, how did you differentiate them? Stéphanie Guillon: For Elisabeth, I had a bit of a fight with the director because I told her that she had to be beautiful in the beginning [of the film]. It had to be like, ‘Why would they [fire her]?’ Because she has everything, she’s beautiful, she still has a show that’s going on very well—so I wanted for her to be sparkling and beautiful. Coralie was telling me, ‘No, no, no, she cannot,’ and I said, ‘Coralie, I have to have the time for her to go down deep before she has all the prosthetics and all of that.’For [Margaret’s character, Sue], I had all sorts of makeup. I was in Korea before [shooting], so I brought back a lot of stuff because they’re very good at makeup. I wanted something very cheerful, very sparkling, and pop because that was what Coralie asked for. I made a lookbook with different sorts of makeup inspiration from the ‘80s mixed with [recent] Korean video clips. The sparkling stuff that I picked [was from] watching BLACKPINK videos. And then I also went to look at makeup artists who do a lot of fashion shows because they can do stuff that we don’t do in the movies.MC: When Sue starts abusing The Substance, Elisabeth starts aging. Was there a clear vision Coralie had of how that was supposed to look, or was the effects team able to come up with a plan and say, ‘Let’s start with her finger?’Pierre-Olivier Persin: The design phase was very long. Coralie had a clear vision, but she didn’t know what she wanted to see. Especially for Demi’s transformation into a hag, she wanted to go too far too quickly. I thought we needed a progression to have a few stages before suddenly everything goes wild. There was a couple of fights about that too. [My perspective was] it’ll be wild and insane eventually, so let’s keep the holes from running at the beginning and hold the throttle.(Image credit: MUBI)MC: Was the unzipped spine on Elisabeth’s body and the hole in her back that Sue detracts liquid prosthetics on Demi Moore’s body, or was there a dummy built? POP: It was a little bit of everything. We had quite sophisticated silicon dummies. We had two for the birth. We also had matching prosthetic makeup on the body double and some days we applied the makeup on Demi.MC: For much of the movie, Demi is half-elderly-half-normal. How long did it take for her to get into makeup?POP: When it was half the face, one arm, one foot, one leg, and the full-back prosthetic, it took five to six hours.That makeup was more difficult than when she’s completely gone because the full body is covered. But when it’s just half of the face, I didn’t want it to look like makeup from makeup school—when you are training students and you do half of the face aged and the other half is normal. I was really frightened of that. Also, when you add prosthetics to a face or body, you add volume. If you’ve built up half the body, but the other half is not built up, suddenly, the old arm that is supposed to be skinny looks bigger than the normal arm. So, it was a matter of trying to come up with the thinnest prosthetic as possible, while at the same time trying to be as gruesome as possible.Elisabeth (Moore) smears her makeup out of frustration. (Image credit: MUBI)MC: While the body horror is shocking, the most stirring scene might be when Elisabeth smears her makeup out of frustration and starts to harm herself. What was it like doing her makeup for that scene? SG: We did that, I think, 10 times. My primary concern was Demi’s face. So I prepared a lot of stuff that was easy for her. All of the pads were already wet with product for her to not have too much to start with. But Demi is Demi, so she went for it. So it was like, ‘Oh, my God, she’s going to have eyelashes all around and all of that.’My concern was she’s going to hurt herself. At the end, I did something that I never did on a movie, ever. I told Coralie, ‘That’s enough. You cannot do it anymore because she’s going to have a rash all around the face.’ Coralie said, ‘Yeah, yeah, yeah, okay, okay, no problem.’ But of course after the 11th [take], she said, ‘We are going to do it once again,’ and I took the remover pad and I squashed everything, and I said, ‘I removed everything, that’s over. You have already 11. You cannot have more because tomorrow she will have a red face.’ Normally you don’t do that! But it was too much because it was very hard on her skin.MC: It’s her lipstick that she smears, and lips become somewhat of an obsession of Elisabeth’s as she studies Sue’s and tries to copy them. Do you remember what brand of lipstick you used?SG: It was Charlotte Tilbury. We used a lot of Charlotte Tilbury.For Margaret, we used Danessa Myricks, especially for the eyes when she dances—because that stuff doesn’t move. The nail polish was an American brand that I love, Zoya.MC: Elisabeth’s transformation is jarring but it doesn’t necessarily become hagsploitation where the audience is disgusted by and scared of her when she looks elderly. Did you have any conversations with Coralie about that differentiation?POP: Coralie was really concerned about Monstro, the creature in the end. She asked [another] company to do designs, and she was unhappy with them. So they called me, and I saw the designs and they were very good—but they were very masculine. I think Coralie really wanted something more feminine. I tried to put that sensibility in those designs rather than doing a rubber monster for the guys. I tried to add some humility in it, and then gracefulness, even if it’s all crazy.I don’t know if [Coralie] wanted to offend people, but she does not care if you go too far. As a prosthetic artist, many times we go very far with what we are doing, but she was pushing us more—more colors, more blood, more bumps, more. And she was quite hard with her characters. There’s the commentary on society, but also there is a commentary on the behavior of those characters. It goes both ways.I tried to put that sensibility in those designs rather than doing a rubber monster for the guys. I tried to add some humility in it, and then gracefulness, even if it’s all crazy. Pierre-Olivier PersinMC: What was the process like designing the monster that Sue creates after using the remaining “activation” of The Substance in the final sequence?POP: That was the hardest, and it took months. We designed completely from scratch. We did tons of maquettes in every way possible. We did old-school, plastic maquettes, hand-sculpted, state-of-the-art computer-generated maquettes, Photoshop—everything in between. In the end, it’s an old-fashioned plastic maquette. I looked a little bit [to] Niki de Saint Phalle. She was a French sculptor from the ‘60s who had done female dancers with a fat body on tip-toes. [Coralie] wanted the feeling like the elephant with a dancer and with tons of breasts. So that was tricky.[Filming it], we had a stunt double for the wide shots. At first, Coralie was like, ‘I want to put Margaret inside the suit,’ and I was like, ‘But it’s going to be only one eye. She’s going to be completely twisted.’ Coralie insisted that she wanted to have Margaret for the close-ups. I have to say, watching the movie, she was right because that’s really a performance and you can see that’s her.MC: How did you create the explosion of blood that comes from Monstro in that scene? POP: It was really a teamwork. There was a stunt crew, special effects—Jean Miel, the special effects supervisor, took care of all the blood rig because it was like a fire hose. It’s like what the firemen are using to put fire down; it was the same stuff with blood.The set was built a certain way because we needed to hide massive tubes under the floor. What was really great with the movie was it was really willing to use as much practical effects as possible.Elisabeth (Moore) cleans her apartment, overlooking a Billboard of Sue (Qualley).(Image credit: MUBI)MC: You both spent a lot of time with Margaret and Demi in applying their makeup and prosthetics. Did you have any favorite memories working with them? SG: [Demi] is someone with a very big heart. Working with her was a great pleasure for me—someone who will stay in my heart for a long time. Margaret is the same.Demi also lets you work properly. For us French, it’s something! It’s really different to work with English or American actors because the French ones are very spoiled! [laughs] For example, we were shooting the scene with Demi when she has half the face old age and goes to the shower. It was like five hours of makeup, we do the scene, and it’s not working properly, so we do another scene, and at the end of the day, Coralie says, ‘Okay, we’re going to go back to the first scene,’ So [Demi] has [to reapply] all the prosthetics from the morning. Demi told Coralie, ‘No, we are not going to do that because the prosthetic is now on me for so long, and it’s not looking as good as this morning. So, to respect the work of the people who did it this morning, I think it’s better to shoot it tomorrow.’ We were like, ‘Wow, we love you.’ That is something I’ve never seen on set in France.She also did one thing [when] there was an issue with a body double who had to stand there for lighting stuff, and she had to be naked for the movie. [Demi] told her, ‘If you are uncomfortable with this, don’t do it. If you are uncomfortable, you just tell me, and I’ll tell them that you have to do it with something on you.’POP: When you [get prosthetics applied in my chair], it’s like going to the dentist for six hours. So I’m not so sure that the pleasure was mutual, [laughs] but Demi is very witty and fun, and she’s a trooper. Even for grueling five, six hours of makeup, she’s standing or in the chair. Many actors are mobile or bending their heads, looking down, and you are trying to glue very complicated prosthetics. She never did that—never, never ever. She’s with you all the way through, which is quite rare. She had her little chihuahua dog. Whatever she was wearing or if she had a blanket on, you could see something trembling and bulging eyes [peeking out].This interview has been edited and condensed for clarity.

“It is a waste of heavenly investment” – Mike Bamiloye carpets Christian believers who use their acting gift in secular movies

Nigerian clergyman Mike Bamiloye has knocked Christians who use their acting gift in secular movies.

In a post on his official Instagram page, he stated that it is an error when a Christian believer uses his casting gift, which is meant to glorify God to satisfy self in secular movies. According to him, it is a waste of heavenly investment.

“It is an error when a Christian believer uses his acting gift which is meant to glorify God to satisfy self in secular movies. It is a waste of heavenly investment”.

See some reactions below,

One Mrr Brianz wrote, “This is 💯 accurate. Any talent God gave you is for you to use to bring glory to His name. Anything outside that is a wasted heavenly investment

One Ajeh_artz wrote, “Religion Wahala

One Hogoh_boi wrote, “As a drama minister I concur with this

One I Am D Bull wrote, “So musicians too should only sing gospel?

One Official _humble wrote, “Kent

One Official_mimiandy wrote, “Coming from a failed actor

One Grace Emmanuel wrote, “You want them to come and be acting outdated and religious centered Mount Zion movies which is your family business that keeps pricking their conscience and making them look like a sinner”.

Weeks back, Bamiloye had tackled pastors with mega Parishes, questioning what they feed their congregation with as he noted how most of them feed their members with ego, pride, vain glory, false doctrines, junk, new clothes, latest fashions, new shoes, wrist watches, plate of food, roasted chicken and fries at Tantalizer.

He slammed them for giving them no good directions, fake news, outdated wrong information, and lies. He further questioned the Bible verses, revelations, Inspirational Thoughts and Words, and the great words of God.

In March, Evangelist Bamiloye sent a message to men with contentious wives, he admonished them to keep holding on to the Lord as he noted how he has seen women becoming completely transformed and highly submissive to the man and helpful in his ministry.

He had also issued a stern warning to men who maltreat their wives. According to Bamiloye, men who maltreat their wives call the wrath of God upon themselves because their prayers will not be answered.

‘MAPPING THE GREAT LAKES’: 180 scientists gather at the Hagerty Center

#inform-video-player-1 .inform-embed { margin-top: 10px; margin-bottom: 20px; }

#inform-video-player-2 .inform-embed { margin-top: 10px; margin-bottom: 20px; }

This computer-generated image was part of a breakwater inspection conducted by Ocean Surveys Inc. at Burns Harbor in Portage, Indiana. The company used multi-beam hydrographic and vessel-mounted laser scanning equipment to assess existing breakwater conditions both above and below the water surface, as well as to evaluate structural integrity. Representatives from Ocean Surveys participated at the “Lakebed 2030” conference in Traverse City last week.

Courtesy of Ocean Surveys Inc.

NMC students explore the shoreline and lakebed of West Grand Traverse Bay in a college research vessel.

Courtesy of Jacqueline Southby, Southby Photography

TRAVERSE CITY — Scientists know more about the surface of Mars than the bottom of the Great Lakes.
According to NASA, more than 99 percent of the Martian surface has been mapped, primarily through sophisticated satellites like the Mars Reconnaissance Orbiter and the European Space Agency’s “Mars Express” system.In contrast, only 15 percent of the “lakebed” of the five Great Lakes has been mapped in detail, according to Tim Havens, director of the Great Lakes Research Center at Michigan Technological University in Houghton.

Tim Havens is the director of the Great Lakes Research Center at Michigan Technological University.

Courtesy of GLRC/MTU.

“The Great Lakes are a unique resource that deserve much greater attention,” he said. “The more we know about them, the better we can make wise decisions about keeping them clean, healthy and consumable for everyone.”To pursue that mission, about 180 scientists, researchers and students gathered at the Hagerty Center in Traverse City last week for the “Lakebed 2030” conference. The event brought together some of the nation’s leading experts on underwater mapping, as well as private industry representatives and government officials.Their goal is to complete high-fidelity underwater mapping of the lakes within six years by harnessing the latest developments in technology.A second goal is to develop a comprehensive catalog of lakebed information that can be shared across scientific disciplines and delivered to policymakers in both the United States and Canada.Organized by the Michigan Tech’s GLRC, this year’s conference is co-hosted by Northwestern Michigan College, the National Oceanographic and Atmospheric Administration, the Marine Technology Society and conference facilitator “gener8tor.”The Great Lakes Observing System, a nonprofit organization known as GLOS, also helps coordinate the various efforts by providing “end-to-end data services that support science, policy, management and industry” activities in both the U.S. and Canada.Based in Ann Arbor, GLOS is one of 11 regions that make up the Integrated Ocean Observing System.AN EDUCATIONAL ‘SUPERPOWER’NMC’s marine technology program offers students in-depth training in multiple areas of aquatic and underwater research, as well as project management and related technical skills. The four-year program is designed to bridge the space between academic studies and hands-on implementation.Rear Admiral Benjamin Evans of NOAA, who was in town for the conference, called NMC’s program a “superpower” in the world of practical education for evolving careers in the field.According to NMC officials, the program currently has a 100-percent job placement rate.Amira Fakir was one of about a dozen NMC students at this week’s conference. She came to learn about new advances from leading experts, and to make connections for career growth.“One of the things we’re learning is that there’s a unique type of purple bacteria at the bottom of Lake Superior that isn’t found anywhere else in the world,” she said. “It may have some medicinal uses in the future.”NMC undergraduate Antonio Vicente, 22, said he’s also learning how underwater research can directly impact development projects, such as bridges and waterfront structures.“We studied a project where the bridge-builder underestimated the amount of concrete that would be needed because they didn’t have a good understanding of the lake bottom,” he said. “That’s one example why it’s so vital to get detailed lakebed information.”SCOPE AND TECHNOLOGYThe enormous size and economic impact of the Great Lakes is hard to overstate.For example, nearly 40 million people depend on the Great Lakes for drinking water. About 21 percent of the planet’s entire freshwater supply is contained in the five lakes, and the total coastline stretches for 10,574 miles — about the same as the distance from Detroit to Melbourne, Australia.According to a recent GLOS study, the total economic output of communities that border the Great Lakes is about $6 trillion, which is more than the annual gross domestic product of Japan, Germany, Russia or the United Kingdom.

Saudi leads G20 nations in tourist growth from Jan-July

Image: Getty Images

Saudi Arabia has emerged as the top G20 nation for international tourist growth in the first seven months of 2024, according to the latest UN Tourism Barometer report released at the G20 Tourism Ministerial Meeting in Belem, Brazil.
The kingdom reported a remarkable 73 per cent increase in international tourist arrivals compared to the same period in 2019, with a total of 17.5 million visitors.
In terms of tourism revenues, Saudi Arabia recorded a robust 207 per cent increase, reinforcing its status as a rapidly growing global destination.
Saudi Arabia tourist numbers rise in 2023
This surge follows a robust performance in 2023, when the kingdom welcomed 27.4 million tourists — a 56 per cent rise from 2019 — and achieved a historic tourism revenue surplus of SAR48bn, up 38 per cent year-on-year.
The International Monetary Fund (IMF), in its September report following the “Article IV Consultation 2024”, commended the kingdom’s tourism sector, highlighting its significant contributions to job creation, spending, and GDP.

These advancements are part of Saudi Vision 2030, which aims to diversify the economy and position the kingdom as a leading global tourist destination.
Read: Saudi Arabia welcomes 60 million visitors in H1 2024

Sudents, faculty opposes ‘India-Israel business summit’at IISC

More than 1,300 students and faculty members from several universities in India have expressed strong opposition to the upcoming “India-Israel Business Summit” scheduled at the Indian Institute of Science (IISc) in Bengaluru on Monday, September 23. A letter submitted by the signatories to the institute’s director argues that hosting this event would signify direct support for Israel’s aggression in Palestine, which they described as genocidal action against its neighbours. Notably, the “India-Israel Business Summit” is being organized by Think India, the Indian Chamber of International Business, and the Mysore Lancers Heritage Foundation at an auditorium within the Indian Institute of Science. In a social media post, the organisation wrote, “The summit aims to bring together business leaders, entrepreneurs, and policymakers from both countries to discuss and explore potential areas of cooperation, foster partnerships, explore synergies, and drive innovation.” Israeli action in war-tron Gaza and other occupied territories began October 7, 2023, after the Palestinian rebel group Hamas launched an incursion into southern Israr, killing 1,200 persons and taking over 200 hostages. Following the attack, Israel launched a ground invasion and has been carrying out unprecedented air and bombardment on Gaza. According to the reports of Palestinian health authorities Israel’s ground and air campaign in Gaza has killed more than 38,000 people, mostly civilians, and driven most of the enclave’s 2.3 million people from their homes.

Money for cutting-edge climate technology could dry up in a second Trump term

A couple hours south of Salt Lake City, the open desert is a hive of activity. Hundreds of workers push gravel and pull cables around low-slung green buildings. Beyond a guard shack, a stream of pickup trucks buzz along a two-lane highway that fades into sagebrush.

The workers spill into Delta, a nearby town of about 3,700. Motels and trailer parks are full. And at dinnertime, there’s a line inside El Jalisciense, a taco shop on Main Street. “If you watch the overpass, people coming into town at five and six in the evening, it’s just nonstop,” says John Niles, Delta’s mayor.

Big companies — including a major oil and gas producer — have come to this corner of Utah looking for a new way to reduce the greenhouse gas emissions that drive climate change. But even with the backing of deep-pocketed corporations, it’s hard to fund innovative projects like the hydrogen plant that’s being built near Delta. So, the developers got help from the federal government’s Loan Programs Office, part of the Department of Energy that supports groundbreaking endeavors.

The government has a long history of nurturing emerging industries and technologies, including the oil and gas drilling technique known as fracking, an early version of the internet and civilian aviation.

However, funding for cutting-edge energy projects like the one in Utah could dry up if Donald Trump is reelected. During Trump’s first term, his administration tried to strip funding from the Loan Programs Office. The agency survived, but lending slowed dramatically. Conservative activists are still pushing to eliminate the office, saying in a policy agenda called Project 2025 that the government shouldn’t back “risky business ventures or politically preferred commercial enterprises.”

Democrats take a different view. Laws signed by President Biden turbocharged the agency’s lending ability and authorized it to invest in new areas like mining for critical minerals. In general, a lot of the Biden administration’s climate spending is going to Republican-controlled states.

The debate around the Loan Programs Office underscores the stakes in this election for America’s role in developing clean energy and the future of climate action.

Without government investment in innovation, the United States would struggle to make deep cuts in climate pollution or to compete with China and other nations that are racing to dominate emerging technologies, says Tanya Das, who works on energy innovation at the Bipartisan Policy Center.

“It is very helpful for us as a society for government to be investing in technologies that better our lives,” Das says. “Because it really won’t happen otherwise.”

Michael Copley / NPR

/

NPRElectrolyzers fill a pair of warehouses in the desert near Delta, Utah. The machines make hydrogen by splitting water molecules.

Funding innovative projects is hard, even for big companies

The Loan Programs Office was created almost two decades ago through the Energy Policy Act of 2005, which was passed by a Republican Congress and signed by President George W. Bush. At the time, energy costs were rising, and the country was increasingly dependent on foreign oil.

The legislation was shaped by lawmakers’ “competing concerns about energy security, environmental quality, and economic growth,” according to the nonpartisan Congressional Research Service. Buried in the law were instructions for the government to support innovative technology to cut air pollution and greenhouse gas emissions.

With a budget that totals less than 1% of government spending, the power of the Loan Programs Office is its ability to provide hundreds of billions in loans and loan guarantees to companies. The office has issued $42.4 billion since it started. It recently provided a loan guarantee to reopen a nuclear power plant in Michigan, and it’s lending money to build battery plants in Michigan, Ohio and Tennessee.

That support can be crucial even for big companies like the oil giant Chevron and Mitsubishi Power Americas, which are building the Utah hydrogen plant with help from a $504 million loan guarantee.

The problem companies face is that it’s hard to get a loan in the private sector to build groundbreaking infrastructure: Banks need to get paid back, and they don’t like taking a chance on something new.

“The reality of pretty much everything in this space is that it’s still very early days, and this is all about making progress” toward climate targets, says Austin Knight, vice president of hydrogen at Chevron New Energies. “And that requires policy. It requires support to get some of these new technologies off the ground and up and running so that they can compete with some of what’s already in the system today.”

Hydrogen developers found a ‘unicorn’ in the Utah desert

Chevron and Mitsubishi Power’s hydrogen plant is designed to solve a challenge that’s emerged hundreds of miles away in California, as it tries to get off fossil fuels.

California has installed more solar than any other state. Sometimes, solar panels produce more power than California needs. It happens mostly in spring, when it’s sunny but people don’t use a lot of electricity for air conditioning because temperatures are mild. That’s a problem because power grids have to keep a perfect balance between electricity supply and demand. So at certain times, California regulators cut back how much electricity solar panels produce, essentially wasting clean energy. In April alone, California “curtailed” enough renewable energy to power nearly 78,000 homes for a year.

That’s where Chevron and Mitsubishi Power come in. When California has too much renewable energy, some of the state’s utilities can send it over transmission lines to the Utah project. There, the Chevron-Mitsubishi plant will take the extra power to run machines called electrolyzers that split water molecules to make hydrogen, a fuel that doesn’t create greenhouse gas emissions when it’s burned. At about eight feet across, the electrolyzers are made of metal plates and membranes held together by huge bolts. They fill a pair of warehouses in the Utah desert.

The hydrogen, once it’s created, will be stored in underground salt caverns the size of the Empire State Building. From there, the gas can be piped to run turbines at the nearby Intermountain Power Plant, which is already hooked up to a transmission line to send electricity back to California.

Sandy Huffaker / Bloomberg via Getty Images

/

Bloomberg via Getty ImagesWorkers install solar panels on a home in California in 2023.

The idea is to use the excess renewable energy to make hydrogen that can be stored and then used to generate and deliver power months later when electricity demand soars with hotter temperatures.

“This location, I’ve called it a bit of a unicorn,” says Sophie Hayes, who promotes clean energy in Utah for Western Resource Advocates, a nonprofit whose mission is fighting climate change. “Because it does tick a lot of boxes in terms of easing the logistical challenges of a big, pioneering hydrogen project.”

After burning coal for decades, the Intermountain Power Plant is getting new turbines that will initially run on a blend of natural gas and hydrogen. By 2045, Chevron and Mitsubishi Power say the plant will exclusively burn so-called green hydrogen, which is made with renewable energy. And as new wind and solar plants are built across the western U.S., the companies say they can expand the project.

Hayes says it’s easy for companies to say they’ll produce green hydrogen, so watchdogs need to ensure projects like this one actually run on renewable energy, not fossil fuels. But Hayes is hopeful the Utah plant will deliver.

“Hydrogen is not a panacea for replacing fossil fuels,” Hayes says. But climate change is “a huge challenge,” Hayes says, “and we need all the tools we can get.”

Rick Bowmer / AP

/

APPiles of coal wait to be burned at the Intermountain Power Plant near Delta, Utah, in 2022.

The Energy Department is still haunted by a big failure

The problem with projects like the one in Utah, according to some conservatives, is that taxpayer money is involved.

Attacks on the Loan Programs Office go back to at least 2011, when a solar panel manufacturer called Solyndra defaulted on a $535 million loan guaranteed by the Energy Department. Project 2025, the governing proposal for the next Republican administration from the Heritage Foundation, a conservative think tank, calls for eliminating the office, as well as a part of the Energy Department called the Advanced Research Projects Agency-Energy, which funds early-stage technology that has the potential to “radically improve U.S. economic prosperity, national security, and environmental well being.”

It’s one thing for the government to support “fundamental scientific research,” Project 2025 says, but it shouldn’t be “picking winners and losers in dealing with energy resources or commercial technology.”

The Trump campaign didn’t respond to requests for comment. A spokesperson for the Harris campaign declined to comment.

Trump has distanced himself from Project 2025, but dozens of its writers and architects worked in his administration. And the plan’s vision for climate and energy policy aligns with the former president’s. Both downplay threats from global warming, talk of boosting fossil fuel production and criticize government support for cleaner sources of energy.

“Where it makes sense to have new technology, we should have new technology,” says Diana Furchtgott-Roth, director of the Center for Energy, Climate, and Environment at the Heritage Foundation. “But we shouldn’t be subsidizing this new technology if it results in higher electricity prices for Americans, fewer jobs, higher food prices, and problems for small [businesses] and farmers.”

Bill Wright agrees. An elected official in Utah’s Millard County, where the hydrogen plant is being built, Wright says the development’s welcome, but he doesn’t think taxpayer money should be used for it. Government-backed projects are “profit centers for globalists,” Wright says, describing himself as “really to the right of average” in deep-red Millard, where nearly 90% of voters supported Trump in 2020. “That’s why [companies] do it. That’s the only way they can get money out of my pocket.”

Micheal Copley / NPR

/

NPR Power lines run through the Utah desert near the hydrogen plant that Chevron and Mitsubishi Power Americas are building.

Sitting in his backyard surrounded by alfalfa farms, Wright criticizes government subsidies of all kinds. “Solar’s terrible this way,” he says. “I like solar, but they all want a tax rebate.”

In recent years, a large share of federal energy subsidies have gone to renewables, according to the Energy Information Administration. But the country’s oil and gas industry was built up over decades with the government’s support, says John Morton, a managing director at an investment and advisory firm called Pollination and a former climate counselor to Treasury Secretary Janet Yellen.

Shifting to cleaner sources of energy promises a more affordable system for consumers than the one that exists now, according to the International Energy Agency. But that kind of change — across entire economies — requires big investments in new technology that individual companies are unlikely to make on their own, Morton says.

“We absolutely need to be leaning into this as a country and playing a leadership role by supporting our industries to move more quickly in this transition,” he says.

Sometimes that means government investments don’t work out, and that’s OK, says Das of the Bipartisan Policy Center. “That’s part of how innovation works.”

But failure is rare at projects supported by the Loan Programs Office. The agency recently reported losses of 3%.

After Solyndra, the Loan Programs Office might be best known for lending the electric-vehicle maker Tesla $465 million in 2010. Tesla repaid the loan a few years later.

Rick Bowmer / AP

/

APIntermountain Power Agency spokesperson John Ward walks through the coal plant near Delta, Utah, in 2022.

The U.S. is chasing economic development while cutting climate pollution

In Delta, Mayor John Niles is guarded about the hydrogen project. The coal plant outside town was an economic cornerstone for the city. Niles worked there for 30 years, and two sons followed him there. He’s not sure the hydrogen and gas plants will have the same impact.

“You could hire on out there right out of high school, they would teach you your skill while paying you a good wage,” Niles says in his office at Delta’s municipal building, next to the town’s only stoplight. “And that, to me, has been a lifesaver for our community, for our young people.”

The hydrogen plant will have about 20 full-time workers, according to an environmental assessment. And the gas plant will employ around 120 more, compared to about 300 at the coal plant, John Ward, a spokesperson for the Intermountain Power Agency, the plant’s owner, said in an email. Utah’s Republican-led government is trying to keep the coal units running, but it’s unclear how those efforts will play out.

“We are doing everything we can from a hiring standpoint,” says Michael Ducker, chief executive of MHI Hydrogen Infrastructure, a subsidiary of Mitsubishi Power Americas. “In the long run, we’re looking at different opportunities for scaling out this hydrogen hub” to deliver more economic benefits.

As communities like Delta wrestle with lost coal jobs, they also face worsening impacts from climate change. Last year was the hottest on record, this year will be among the five hottest, and scientists warn the next decade will be hotter still. Utah endured record heat this summer, a hallmark of human-caused global warming. At a recent meeting of local officials from around the state, Niles says there was a lot of talk about water shortages.

“They actually can’t grow, because [there’s] no water,” he says. Delta has reserves, “but we need another well,” Niles says, “because our wells right now are running 24/7 when it’s this hot.”

Michael Copley / NPR

/

NPRChevron and Mitsubishi Power Americas will take renewable energy from California to run electrolyzers inside these green buildings in the Utah desert.

The Environmental Protection Agency expects that in the coming decades, rising temperatures will reduce the flow of water on Utah’s rivers, raise the threat of wildfires and make farms and ranches less productive.

With that outlook, Jigar Shah, director of the Loan Programs Office, says his agency will work with anyone who has a credible plan to deal with the challenge, including fossil fuel companies that are distrusted by climate activists.

“I totally understand why the track record of some of these companies would be offensive to some of these groups,” Shah says. “But from our perspective, we are solving the toughest problem that, frankly, the human species has today. That means every single super-smart person in our entire country gets to play.”

With two months to go before an election that could shake up U.S. energy and climate policy, Shah sounds upbeat. The Inflation Reduction Act, a 2022 landmark climate law, is driving big investments in Republican-led states. And Shah says there’s a line of companies at his door looking for help funding ambitious energy projects.
“That makes me excited,” Shah says, “about the economic growth potential in our country.”
Copyright 2024 NPR

Türkiye’s Antalya aims to attract record 17M tourists in 2024

Türkiye’s popular coastal gem Antalya aims to surpass last year’s figures in the number of hosted visitors, eyeing to exceed 17 million tourists in 2024, with intense demand promising arrivals to continue in the coming two months.

Known as the jewel of the Turkish Riviera, Antalya hosts tourists from more than 180 countries worldwide, including Russia, Germany, Britain, Poland, Kazakhstan, the Netherlands, Romania and Ukraine.

Tourist visits rose 8% compared to the first eight months of 2023, as the sunkissed province has hosted 11.7 million tourists so far.

Last year, Antalya ranked fourth in number of international arrivals with 16.5 million, only after Dubai and ahead of Paris, while Istanbul, another Turkish tourist hub, ranked first, according to a report by Euromonitor International, released on Dec. 13, 2023.

Hakan Saatçioğlu, head of the Türkiye-based Professional Hotel Managers Association (POYD), told Anadolu Agency (AA) recently that Antalya attracts tourists from all over the world and is preparing to break a new record by exceeding 17 million tourists by the end of the year.

“This month is going well and we have been receiving a high number of reservations for the next two months,” he said.

In the domestic market, the number of bookings is already higher than last year, Saatçıoğlu noted, as local holiday-goers are better able to take advantage of early booking opportunities than international travelers.

“We got 15%-20% early reservations in the domestic market, but this figure soared to 80%-90% this year, with about 40% of our guests coming in July and August doing so at a discounted price,” he added.

Although Antalya is often compared to Greece throughout the season, Saatçioğlu stated that Greece was “not a competitor.” One cannot find five-star all-inclusive hotels in Greece, he said, adding that all meals and drinks are included when visitors stay in those Antalya establishments.

Top holiday locations, including Antalya and Muğla’s Bodrum, were challenged this year by a special visa that allows Turkish citizens to visit 10 Greek islands, with many opting for short-term trips.

Season extended

However, intense interest from foreign travelers persisted and German tour giant TUI Group cited recently Antalya to be its most popular destination, particularly for families.

Earlier, the industry representatives conveyed expectations that around 7 million German tourists might visit the popular destination this year, thus being one of the top nations having the most visitors in Antalya, along with Russia.

Huseyin Kara, the deputy chairperson of the board of directors of a hotel in Alanya, a seaside district of Antalya, similarly in his interview with AA highlighted the potential of the region and robust arrivals, particularly from Germany and the U.K.

Creating film costumes transports you into your dream world: Nitya Bajaj

Designer Nitya Bajaj recently launched her first menswear line, showcasing her take on the indigenous craft of Ajrakh.“While dressing women clientele, many times requests came from their spouses asking for twinning outfits,” says Bajaj, who has recently designed costumes for actor Janhvi Kapoor for her movie Devara, also starring NT Rama Rao Jr and Saif Ali Khan. “This led us to explore this segment within our workspace, where we began with a small menswear unit of exploring men’s cuts in traditional Ajrakh.”In an interview with Lounge, Bajaj talks about the menswear line and the experience of creating film costumes. Edited excerpts:⁠What inspired you to venture into menswear? The Indian menswear space has traditionally been synonymous with bandhgala and sherwanis. What new twists have you given to men’s ceremonial wear?Bandhgalas and sherwanis are evergreen. We have introduced bundi jackets encrusted with semi-precious emerald stones and embellished festive kurtas with zippers and metal rivet buttons. Print-blocking, contrast piping, and emphasis on detail are our key elements in the collection.You’ve been experimenting with Ajrakh for a while now. How have you extrapolated this craft to make it relevant to new tastes?The brand has been working closely with Ajrakh clusters across Gujarat and other parts of the country, developing new prints, colours and blocks each season. For this collection, the Ajrakh patterns were created by reimagining the wooden blocks into more geometric design. Florals were replaced with lines, circles, rhombus, and shapes like paisleys and stars. It was challenging to create masculine Ajrakh patterns in jewel tones for men, but we truly enjoyed the process. We tried to use this traditional craft in modern-day, contemporary silhouettes. Also, we introduced Ajrakh in modern pantsuits, corsets, resort sets, tassel cover ups, bustiers, shararas, and concept sarees for womenswear. We recently designed Ajrakh for actress Janhvi Kapoor for her movie Devara as well.How was the process like?We had a mature palette of crimson, ivory, navy, and turmeric offsetting the grandeur of the colourful set. I truly enjoyed adding silver ornamentation to my Ajrakh pieces for Janhavi’s look. It is something we would like to introduce into our upcoming collections too.How was the experience of designing for a film?Creating costumes transports you into your dream world. You are living the director’s vision. It is a big encouragement and self-accomplishment to see your brand take centerstage on the big screen. Retail is solution-based, where you are providing your signature to your customer as per their requirement. You guide them on what will complement them and it elevates you to a pedestal where your inputs can help boost someone’s confidence. I love styling my clients and giving them a perfect look for their special occasions. It is very gratifying and encouraging to see them lay their trust in you. Going back to your question, it was a fun rollercoaster ride where we had to meet deadlines for fittings and approvals alongside creating the best fits for Janhvi for her dream sequence in the film. Janhvi was equally involved in the process and gave inputs in creating embellished blouses and asymmetric drapes for the song. Manish Mishra is a Delhi-based writer and content creator.

We asked millennials and Gen Zers for their top hidden-gem travel destinations. Here’s what they said.

Travel

We asked millennials and Gen Zers for their top hidden-gem travel destinations. Here’s what they said.

Maria Noyen and

Mykenna Maniece

2024-09-22T10:23:02Z

Share icon
An curved arrow pointing right.

Share

Facebook Icon
The letter F.

Facebook

Email icon
An envelope. It indicates the ability to send an email.

Email

Twitter icon
A stylized bird with an open mouth, tweeting.

Twitter

LinkedIn icon

LinkedIn

Link icon
An image of a chain link. It symobilizes a website link url.

Copy Link

lighning bolt icon
An icon in the shape of a lightning bolt.

Impact Link

Save Article Icon
A bookmark

Save

Read in app

Angle down icon
An icon in the shape of an angle pointing down.

Individuals around New York City shared their favorite hidden-gem travel destinations.

Amy Lombard for BI

Summer may be over, but that isn’t stopping people from dreaming about their next vacation abroad.As more young people prioritize travel, we took to the streets of NYC to learn where they’re going.From a beach town in Turkey to a natural cave in Vietnam, here are hidden gems they love to visit.