World Tourism Day speech in English for students: Importance and celebration

Travel

Discover the significance of World Tourism Day through a compelling speech. Learn why it is celebrated, its contributions to economic growth, cultural exchange, and the importance of sustainable tourism.

World Tourism Day 2024 (Pinterest)

Mumbai: World Tourism Day is celebrated annually on September 27th to highlight the importance of tourism in promoting cultural exchange, economic growth, and sustainable development. Established by the United Nations World Tourism Organisation (UNWTO) in 1980, this day aims to raise awareness about the role of tourism in fostering global unity, preserving heritage, and supporting local communities.
Each year, World Tourism Day focuses on a specific theme to address contemporary challenges and opportunities within the tourism industry. It serves as a reminder of tourism’s power to connect people, protect natural and cultural resources, and contribute to the well-being of societies worldwide.
In 2024, World Tourism Day will continue to emphasise the need for responsible travel and the impact tourism has on both local and global scales. Whether through eco-friendly practices or promoting lesser-known destinations, this day encourages everyone to experience the world in a way that respects the planet and its diverse cultures.
Why is World Tourism Day celebrated?

World Tourism Day is celebrated to raise awareness about the social, cultural, political, and economic value of tourism and to highlight its significant contributions to global development.
The celebration of World Tourism Day serves several key purposes:

Economic growth: Tourism is one of the largest global industries, providing jobs and boosting the economy in developed as well as developing countries. The day highlights the role of tourism in driving economic growth and reducing poverty.
Cultural exchange: Tourism fosters cross-cultural understanding by allowing people to experience different cultures, traditions, and lifestyles, helping to bridge the gap between nations and promoting global unity.
Sustainability and preservation: By focusing on sustainable tourism, World Tourism Day encourages practices that protect the environment and conserve natural and cultural heritage, ensuring that tourism benefits both people and the planet.
Innovation and development: The day promotes the potential for innovation in tourism, encouraging digital transformation, new travel trends, and inclusive growth.

Each year, World Tourism Day adopts a theme to address emerging issues within the industry, such as sustainable tourism, accessibility, or innovation, to ensure tourism’s positive impact on society.

On the occasion of World Tourism Day, celebrated every year on September 27th, students across the globe are encouraged to reflect on the significance of travel and tourism in shaping our world.
World Tourism Day is a fantastic opportunity for schools to engage students in activities that promote awareness about the importance of tourism and its impact on the world. Celebrating this day in schools can help students understand the role of tourism in fostering cultural exchange, economic development, and environmental sustainability.
Schools organise speech competitions or assemblies where students deliver speeches on the significance of World Tourism Day, focusing on topics such as sustainable tourism, cultural exchange, and the economic impact of tourism. This helps students articulate their thoughts on global tourism and its positive contributions. Speeches can also emphasise how tourism fosters global unity, respect for diverse cultures, and environmental conservation.
World Tourism Day speech in English for students
Here are speeches on the significance of World Tourism Day for students:
Speech 1
Good morning respected teachers and my dear friends,
Today, I am delighted to speak on the occasion of World Tourism Day, which is celebrated globally on September 27th every year. This day is dedicated to highlighting the importance of tourism and how it shapes our world in many positive ways.
Tourism is not just about visiting beautiful places; it’s a powerful force that drives economic growth, promotes cultural exchange, and helps preserve our environment. It offers us the chance to explore new cultures, try different foods, meet diverse people, and understand their traditions and lifestyles. This experience of diversity brings us closer, promoting global unity and peace.
The theme of World Tourism Day varies each year, focusing on current challenges and opportunities in the tourism sector. Recent themes have included sustainable tourism, which encourages us to travel responsibly, protect the environment, and respect local cultures. This ensures that tourism not only benefits travellers but also local communities and future generations.
Tourism also plays a major role in supporting economies. It creates jobs, boosts local businesses, and improves the livelihoods of many people, especially in developing regions. Every time we visit a new place, stay at a hotel, buy souvenirs, or dine at a restaurant, we are contributing to someone’s livelihood.
But tourism is more than an economic engine—it’s also a bridge between different cultures. By experiencing other ways of life, we learn to appreciate the uniqueness of different people and places. It teaches us tolerance, broadens our perspectives, and brings a sense of understanding that’s needed in today’s world.
As students, we are future travellers and ambassadors of sustainable tourism. We can start by being mindful of the impact our travels have on the environment, supporting local communities, and promoting the preservation of historical and natural sites.
In conclusion, let’s remember that World Tourism Day is not just about enjoying a vacation but also about understanding the deeper impact of travel. Let us pledge to be responsible travellers who respect and cherish the world’s diverse cultures and natural wonders, ensuring they are protected for future generations.
Thank you and have a wonderful day ahead!
Speech 2
Good morning respected teachers, dear friends, and fellow students,
Today, we have gathered here to celebrate World Tourism Day, a day dedicated to the importance of tourism in promoting cultural exchange, economic development, and global unity. Observed on September 27th every year, World Tourism Day reminds us how travelling and exploring new places not only broadens our horizons but also connects people from diverse backgrounds, fostering understanding and respect for each other’s cultures.
Tourism plays a vital role in the global economy. It creates jobs, boosts local businesses, and contributes significantly to the development of a country. When tourists visit a place, they not only admire its natural beauty and historical significance but also experience its culture, food, language, and traditions. This cross-cultural interaction helps break down barriers and build bridges between different communities.
But while we celebrate the benefits of tourism, it is equally important to practice responsible and sustainable tourism. This means protecting the environment, preserving historical landmarks, and respecting the cultures and traditions of the places we visit. As future generations, we have the responsibility to ensure that tourism benefits everyone without harming the planet or local communities.
Let’s pledge to travel responsibly, appreciate cultural diversity, and contribute to the preservation of the natural world. Thank you!
Happy World Tourism Day!
Speech on World Tourism Day
Here are speeches on the World Tourism Day:
Speech 1

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Laptops, tents, binoculars and other surprising items you could be fined for when you travel to Mexico

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At this point, you probably know which items you can and cannot pack in your luggage when traveling through U.S. airports. Even when flying internationally, you can usually enter another country with those same TSA-approved items without incident.However, if you have an upcoming trip to Mexico, you may face a hefty fine if you pack the wrong items.On a recent visit to Mexico, TPG reader Karen Bishop was forced to pay about $100 before she could clear customs at Cancun International Airport (CUN). The culprits were the iPads she and her husband had each packed for the trip.MARTIN DM/GETTY IMAGESThe issue was not the iPads themselves; it was that Mexican customs regulations allow only one portable computing device per traveler. According to regulations, a laptop and a tablet are both considered personal computing devices. Bishop and her husband had each packed a laptop and a tablet in their carry-on, exceeding the limit and resulting in a fine.Related: Here’s what to pack in a carry-on bag every time you travel”As you enter the customs area, there is a sign detailing this law,” Bishop told TPG. “It is well hidden from most of the arriving customers so, at this point, you’re trapped. We had not seen this on any website prior to departing for Cancun, thus we were caught completely off guard. I would assume this is being enforced in other Mexican destinations as well.”This rule is not new, but it is both rarely and randomly enforced. In fact, the personal baggage limits are printed on the customs declaration form that most travelers complete on the plane before they land in Mexico.Cancun International Airport. ALBERTO VALDEZ/EYEPIX GROUP/FUTURE PUBLISHING/GETTY IMAGESHowever, based on Bishop’s story and similar accounts found in online forums and other recent news articles, enforcement seems to have become more common recently. Bishop stated that customs agents were searching the luggage of all arriving customers.Mexican customs regulations regarding merchandise you can bring into the country without having to pay a tax extend far beyond laptops and tablets. According to the Mexican finance ministry, there is a limit to the number of certain items you can bring into the country without being subject to taxes.Daily NewsletterReward your inbox with the TPG Daily newsletterJoin over 700,000 readers for breaking news, in-depth guides and exclusive deals from TPG’s expertsHere are a few of the item limits on common items travelers bring to Mexico:Two cameras or video camerasThree cellphonesOne GPS deviceOne portable computing deviceOne video game console and up to five video gamesTwo musical instrumentsEach of these limits is per traveler, so a couple traveling together can bring up to six cellphones and four cameras, for example. If you exceed these limits, you may be subject to a fine before you can clear customs and enter Mexico.There are also some more niche items on the list that you may need to be aware of, especially if you are planning any outdoor pursuits:One tentOne pair of binoculars and one telescopeOne set of hand toolsFour fishing rodsFor passengers over 18 years of age, 3 liters of liquor or beer and 6 liters of wineThe amount of tax you owe is based on the value of your item. Bishop was told the amount is 19% of the value determined by the customs officer. “The process is to take your device from you, go into a room and a customs officer decides what it is worth, then they return with a bill,” she said.Luggage limits aren’t the only thing you should note in order to clear Mexican customs quickly and efficiently. Travelers to Mexico also need to complete an Official Entry Immigration Form, also known as a Tourist Card. This card is free, and you can apply online before your trip to save time upon arrival.Some regions, including the state of Quintana Roo (where Cancun is located), also require tourists to pay a visitor tax. You can save time at the airport by paying your tax online before you leave for Mexico.Several TPG staffers have passed through Cancun recently without incident, so it’s difficult to say when, where and how often these regulations are being enforced. Still, it’s better to be safe than sorry. If you want to stay within the tax-exempt rules, you should avoid exceeding the limits that Mexico sets on items brought into the country.Related reading:

In Traveling Solo, I Discovered Myself

Travel

Instagram and travel magazines have sold us a picture-perfect image of what travel should be: lounging with your family in the Caribbean, hiking mountains with friends, or hanging out with your lover in Mykonos. But what if your friends never seem to have free time? And what if that dream lover is literally a dream? Thankfully, I found a solution: solo travel.I went on my first international solo trip at 18 years old after my first semester at Harvard. From a young age, I had a fascination with Japan’s advanced transportation system, one I had read about in books and seen in documentaries. While my friends were excited about the potential trip, our schedules never quite aligned. Knowing I might not have an opportunity again, I decided to take a leap and go alone.Saying I was nervous would be an understatement. As my plane took off from Queens and started our 14 hour trip to Tokyo, worries filled my mind. How would I communicate if I didn’t speak a word of Japanese? Could I handle Tokyo’s transit network, daunting even for a New Yorker? Amidst the anxiety, I began to appreciate something better enjoyed alone and in quiet—the views. Thousands of feet below me, the beautiful snow-capped mountains and glaciers of Alaska unfolded, looking even more dramatic in the winter light.Hours later, I stood in front of Tokyo Station, a place I had only seen in photos. I looked up, feeling tiny among the grand skyscrapers of Tokyo. Commuters of all types frantically surrounded me, walking from one train to the next. The realization quickly hit. I was completely alone, on the opposite side of the world, in a brand new country.While I struggled at first with getting to my hotel, my fears quickly morphed into excitement as I saw the bright lights of Tokyo on the Yamanote train line. When in the planning stages, some of the benefits of solo travel are hard to appreciate. The first and biggest one is flexibility. As a solo traveler, I didn’t have to compromise on anything. If I felt tired and wanted to stay in, I could do just that. If I wanted to see ten tourist attractions on a tightly packed schedule, nothing was stopping me. The flexibility of traveling alone allowed me to do everything I wanted, from riding trains in Tokyo to take in the views to exploring Japan’s thrilling amusement parks.Traveling alone also improved my communication skills. While being bilingual helped me smoothly explore places like Latin America, I had to find ways to get my ideas across in Asia. When I rode Eejanaika, one of the most intense roller coasters in both Japan and the world, I couldn’t communicate with words. Instead, I looked into the eyes of the man sitting next to me. We burst out laughing as the spinning train cars started moving upwards. That was a human connection beyond language.Beyond language barriers, I also got out of my comfort zone. When I wasn’t focused on a close group of friends, I had no one to talk to but others. During my travels, I met both locals and other travelers from around the world. In China, I met a young man at the top of a skyscraper who told me about his time at university in the north of the country. I’ve made solo traveler friends on hikes through the mountains of Taiwan and on cable car rides. I still talk to many of these fellow travelers and have even made plans to visit their countries one day.The confidence I got through solo travel cannot be understated either. It taught me that I can solve complex challenges on my own, and made me less reliant on the validation of others. Whether it was accidentally throwing my high-speed rail ticket in the trash in Japan or nearly getting stranded in Macau in the middle of the night, solo traveling has taught me that I can persevere through difficult moments.Coming back to the United States, solo travel exposed me to practices in other countries that could make life in the U.S. much better. For instance, I was very impressed by the transit systems in Europe and Asia, which were even more advanced than places like New York City. Rather than waiting on a schedule, the trains in Hong Kong and Tokyo came frequently and could take me anywhere in the city without the need to drive. High-speed rail systems like the one in Spain blew me away with their quick speeds and smooth riding.In London, technologies like platform doors also made me feel safer while riding. Seeing these motivated me to advocate for better public transit in the United States. I would love to take a high-speed rail train from Boston to New York in one hour. Additionally, talking to locals in England and Spain about their healthcare and education systems made me wonder what the United States could look like with an affordable healthcare system. Seeing how other cities and countries handle their challenges provides inspiration for what the United States can improve upon.While traveling with others has its advantages, solo traveling has given me the chance to see places I wouldn’t have been able to otherwise. If you ever find yourself with free time, put yourself out there and consider solo traveling. Who knows, you might just find that dream lover!Roberto C. Quesada ‘27 ([email protected]) has solo traveled to four continents.

Top Black Horror Movies To Watch This Spooky Season

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Source: Rodin Eckenroth / GettyBlack horror films have become a vital part of the genre, offering a lens through which stories of fear, identity, and societal issues are explored.
These 20 movies showcase the depth and variety of Black horror, spanning from the 1970s to the present.
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Get Out (2017) remains a landmark in Black horror, using psychological tension and racial commentary to unnerve audiences.
Jordan Peele’s follow-up, Us (2019), further cements his place in horror with its chilling portrayal of doppelgängers and identity.
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Candyman (1992) is another standout, turning urban legends into a sharp critique of racism and inequality, while Blacula (1972) brought Black culture into the vampire mythos, redefining the genre.

Horror anthologies like Tales from the Hood (1995) offer multiple narratives about racism, police brutality, and gang violence, blending supernatural elements with real-world struggles.
Wes Craven’s The People Under the Stairs (1991) takes a similar approach, using horror to explore class and racial exploitation.

More recent films like Ma (2019) and Bad Hair (2020) reflect the growing diversity in Black horror storytelling.
Source: Charlie Clift / GettyMa sees Octavia Spencer deliver a terrifying performance as a woman with a dark past, while Bad Hair critiques the pressures of Black beauty standards in the fashion industry.
His House (2020) combines horror with themes of trauma and displacement, following a Sudanese refugee couple haunted in their new home.

Other notable films include Bones (2001), starring Snoop Dogg as a vengeful ghost, Spell (2020), which uses hoodoo and rural mysticism for psychological terror, and Vampires vs. the Bronx (2020), where young heroes fight off gentrifying vampires.
Classics like Night of the Living Dead (1968) and Ganja & Hess (1973) paved the way, showing how Black-led horror could blend fear with cultural commentary.
Check out of Favorite Black Horror Movies Below
The post Top Black Horror Movies To Watch This Spooky Season appeared first on Hot 100.9.

Top Black Horror Movies To Watch This Spooky Season 
was originally published on
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1. Get Out (2017)

 Jordan Peele’s groundbreaking film explores racial tensions with a supernatural twist, becoming a cultural phenomenon.

2. Candyman (1992)

 This classic slasher film, based on urban legends, was groundbreaking for its portrayal of a Black villain and its exploration of societal fears.

3. Us (2019)

 Jordan Peele returns with another terrifying tale that delves into the duality of identity, using doppelgängers as a central theme.

4. Tales from the Hood (1995):

A horror anthology that uses supernatural elements to address issues like racism, police brutality, and gang violence.

5. The People Under the Stairs (1991)

Wes Craven’s horror movie deals with class and race struggles as a young Black boy faces off against a creepy couple hiding dark secrets.

6. Blacula (1972)

 A blaxploitation classic, this film reimagines the Dracula myth in a Black context, setting the stage for a new kind of horror storytelling.

7. Ganja & Hess (1973):

 An avant-garde, vampiric tale that explores addiction and African spirituality, starring Duane Jones of Night of the Living Dead.

8. Bones (2001):

 Snoop Dogg stars as a vengeful ghost in this film that mixes supernatural horror with urban legend.

9. Ma (2019)

 Octavia Spencer delivers a chilling performance as a woman who terrorizes a group of teenagers in this psychological thriller.

10. Bad Hair (2020):

Justin Simien’s horror satire takes a dark look at the beauty industry and cultural identity, using hair as a central symbol of fear.

11. Vampires vs. the Bronx (2020):

A fun and fresh take on the vampire genre, this film centers on a group of Bronx teens defending their neighborhood from bloodsuckers.

12. His House (2020)

 A refugee couple escapes war-torn Sudan only to face a haunting in their new home in England, blending personal trauma with supernatural horror.

13. Eve’s Bayou (1997):

 A gothic Southern tale with a supernatural undercurrent, this film explores family secrets, infidelity, and tragedy.

14. Spell (2020):

 A psychological horror film in which a man crash-lands in rural Appalachia and must escape a woman practicing hoodoo.

15. The First Purge (2018):

 This installment in The Purge franchise shifts focus to Staten Island, using the fictional “purge” to comment on systemic racism.

16. Night of the Living Dead (1968):

 Duane Jones’ iconic role in George A. Romero’s zombie classic was one of the first times a Black actor led a horror film.

17. J.D.’s Revenge (1976)

 A blaxploitation horror film where a man becomes possessed by the spirit of a 1940s gangster seeking revenge.

18. The House on Skull Mountain (1974):

 A group of relatives gathers at an eerie mansion, only to face off against supernatural forces tied to voodoo.

19. Def by Temptation (1990):

A preacher’s son confronts a seductive succubus in this campy but fun horror film blending religion and the supernatural.

20. Black Box (2020):

 A man undergoes experimental therapy to regain his memory, only to discover terrifying truths about himself.

Scientists mimic cat eyes to create artificial eye that sees better in the dark, detects camouflaged objects

Science and Health

Structural and functional features of feline eyes. (A and B) Schematic illustration showing the camouflage-breaking ability of a feline under diverse light condition. (C) Magnified schematic illustration of the tapetum lucidum in the retina. (D) Schematic illustration of the feline eye’s anatomy. (E and F) Schematic illustrations showing the visual ecology of feline and conventional vision during the daytime (E) and nighttime (F). Credit: Science Advances (2024). DOI: 10.1126/sciadv.adp2809

A team of engineers from the Center for Nanoparticle Research, Seoul National University, the Gwangju Institute of Science and Technology and the Korea Institute of Science and Technology, all in Korea, has developed a new type of artificial eye based on natural cat eyes.

In their study published in the journal Science Advances, the group copied two features of cat eyes that give them unique abilities to see in the dark and to detect camouflaged objects.
As the researchers note, cameras installed on drones and robots are based on circular apertures that mimic the human eye, an approach that results in imagery with both a foreground subject and the background kept in focus. This approach sometimes makes it difficult for the camera to keep track of the target object.
Animals, such as cats, use a different approach: They have vertically slitted eyes to capture an asymmetric depth of field. Because of that, the researchers chose to use the cat eye architecture as a means for developing a new type of artificial eye.
Using animal eyes as a template for designing new types of artificial eyes is nothing new, of course—last year, another team of researchers in Korea used the cuttlefish eye as inspiration for the design of a robot eye that could see better in murky, underwater conditions.

Imaging demonstration of the feline eye–inspired vision system. Credit: Science Advances (2024). DOI: 10.1126/sciadv.adp2809

For the new approach, the research team designed a vertical aperture, allowing the camera to keep a target in focus while the field behind it remained blurry, allowing for better tracking of target objects during the day.
Cats can see well at night because they have a tapetum lucidum—a reflective layer behind the retina that improves light sensitivity. It is also responsible for making cat eyes appear to shine at night. The researchers gave their artificial eye the same abilities by adding silver metal reflectors behind the image sensor.
Together, the two features give the new camera the ability to see better in the dark and to keep track of target objects, even if they are hidden by camouflage.

More information:
Min Su Kim et al, Feline eye–inspired artificial vision for enhanced camouflage breaking under diverse light conditions, Science Advances (2024). DOI: 10.1126/sciadv.adp2809

© 2024 Science X Network

Scientists mimic cat eyes to create artificial eye that sees better in the dark, detects camouflaged objects

Science and Health

Structural and functional features of feline eyes. (A and B) Schematic illustration showing the camouflage-breaking ability of a feline under diverse light condition. (C) Magnified schematic illustration of the tapetum lucidum in the retina. (D) Schematic illustration of the feline eye’s anatomy. (E and F) Schematic illustrations showing the visual ecology of feline and conventional vision during the daytime (E) and nighttime (F). Credit: Science Advances (2024). DOI: 10.1126/sciadv.adp2809

A team of engineers from the Center for Nanoparticle Research, Seoul National University, the Gwangju Institute of Science and Technology and the Korea Institute of Science and Technology, all in Korea, has developed a new type of artificial eye based on natural cat eyes.

In their study published in the journal Science Advances, the group copied two features of cat eyes that give them unique abilities to see in the dark and to detect camouflaged objects.
As the researchers note, cameras installed on drones and robots are based on circular apertures that mimic the human eye, an approach that results in imagery with both a foreground subject and the background kept in focus. This approach sometimes makes it difficult for the camera to keep track of the target object.
Animals, such as cats, use a different approach: They have vertically slitted eyes to capture an asymmetric depth of field. Because of that, the researchers chose to use the cat eye architecture as a means for developing a new type of artificial eye.
Using animal eyes as a template for designing new types of artificial eyes is nothing new, of course—last year, another team of researchers in Korea used the cuttlefish eye as inspiration for the design of a robot eye that could see better in murky, underwater conditions.

Imaging demonstration of the feline eye–inspired vision system. Credit: Science Advances (2024). DOI: 10.1126/sciadv.adp2809

For the new approach, the research team designed a vertical aperture, allowing the camera to keep a target in focus while the field behind it remained blurry, allowing for better tracking of target objects during the day.
Cats can see well at night because they have a tapetum lucidum—a reflective layer behind the retina that improves light sensitivity. It is also responsible for making cat eyes appear to shine at night. The researchers gave their artificial eye the same abilities by adding silver metal reflectors behind the image sensor.
Together, the two features give the new camera the ability to see better in the dark and to keep track of target objects, even if they are hidden by camouflage.

More information:
Min Su Kim et al, Feline eye–inspired artificial vision for enhanced camouflage breaking under diverse light conditions, Science Advances (2024). DOI: 10.1126/sciadv.adp2809

© 2024 Science X Network

How will human life on Earth end according to science?

Science and Health

The question of when human life on Earth will end is a topic that has intrigued scientists for thousands of years, and the answers are becoming increasingly detailed, based on studies of astrobiology, climate change, and astronomy.

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One of the most widely accepted scenarios is related to the evolution of the Sun. It is estimated that within a billion years, a 10% increase in the Sun’s brightness will lead to a devastating greenhouse effect, turning the Earth into a kind of “wet greenhouse.” This will lead to the evaporation of the oceans, the extinction of most life forms, and the collapse of the carbon cycle essential to life as we know it.
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Furthermore, about 4 to 5 billion years from now, the Sun will enter the red giant phase, which will cause its atmosphere to expand, possibly absorbing the Earth, which will already be uninhabitable due to the extreme increase in temperature and loss of the atmosphere.
However, the natural environment is not the only threat. Research suggests that human activity itself could be hastening the end of life long before cosmic phenomena occur. Global warming, caused by increasing levels of greenhouse gases, is making many areas of the planet uninhabitable, with temperatures in some areas expected to reach levels fatal to human life in the coming decades.
Understand what science says about the end of human life on Earth

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Natural End: The Role of the Sun
One leading theory suggests that the end of life on Earth will be due to the evolution of the sun. In about a billion years, a 10% increase in the sun’s brightness will lead to a “wet greenhouse effect,” causing the oceans to evaporate and the carbon cycle to collapse. In about 4 to 5 billion years, the sun will turn into a “red giant,” potentially making the planet uninhabitable.
Human Threats: Climate Change and Nuclear War
However, humans could shorten this period dramatically through their actions. Climate change, accelerated by increasing greenhouse gases, is already threatening the survival of much of humanity in the coming centuries. Rising global average temperatures, coupled with high humidity conditions, could make many areas of the planet inhospitable, even before major astronomical events.
Furthermore, other risks include the possibility of nuclear war, bioterrorism, or manipulation of new technologies, such as artificial intelligence, which could lead to catastrophic scenarios for this species.

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Asteroid impact and natural disasters
Another hazard that science considers is the impact of asteroids or comets. Although rare, these events have happened in Earth’s history, such as the one that led to the extinction of the dinosaurs. NASA and other agencies monitor space for potentially hazardous objects, but the risk cannot be eliminated entirely.
Future Perspectives
Thus, human life on Earth depends on a combination of natural factors and the decisions we make as a species. Although the ultimate fate of the planet is inevitable due to the evolution of the sun, the impact we have on the environment could hasten our extinction long before it happens.
These theories come from scientific sources such as NASA, experts in astrobiology, astronomy, and studies on climate change and astronomical influences.

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If you got $2 and a fish survey in the mail it’s not a hoax. How it helps scientists.

Science and Health

Scammers nowadays often call your cell phone, stuff your email inbox and, well, your regular mailbox too. But nope, nothing fishy about this one.The National Oceanic and Atmospheric Administration says as part of its regular outreach, residents nationwide are sent a fishing and extreme weather mailer — with two physical single dollar bills as an attached incentive.“The survey is legitimate,” James Miller, a NOAA Fisheries spokesman, told NJ Advance Media after many reacted at the two singles and paper questionnaire with a collective ‘Wait, really?’

Dionne Brand untangles questions about truth and justice in new book, Salvage

Arts & Culture, Books

Open this photo in gallery:Author, poet and social activist Dionne Brand, at High Park in Toronto, on Aug. 16.Galit Rodan/The Globe and MailHistory is like the ocean, with its unexamined depths. There is capital-H history, and there is the intimate scale of one’s own journey through time; in both cases there are mysteries, rivers leading to oceans, journeys made and failed, travellers and treasures lost to the sea.“Maybe it was about tonnage,” Dionne Brand says, over iced coffees on a recent August afternoon. I’ve just asked her why the shipwreck is such a strong motif in Salvage, which examines colonial-era English literature and a life spent reading its heirs. The book is the first work of non-fiction from the poet – who has won both the Griffin Poetry Prize and a Governor-General’s Award – since 2001′s A Map to the Door of No Return. In the gap between the two essay works, Brand has written eight books, delivered and published two book-length lectures, been awarded the Windham Campbell Prize for her long career and been invested in the Order of Canada.“Maybe it was about the Atlantic,” she says of Salvage, “that trans-Atlantic trade that reshaped the world. And therefore what all that cargo was, what it filled and what it evacuated. The new world begins in that moment, those huge ships hauling human cargo. Also, the beginning of that kind of ship. The moment that kind of capital begins.”Books we’re reading and loving this week: Globe staffers and readers share their book picksThe word “salvage,” of course, means to save or rescue from a wrecked ship. Brand’s latest book looks at the terrible period of colonial enslavement and exploitation and considers what was canonically saved and, crucially, all that was lost to the wreck. Brand weaves analyses of William Thackeray’s Vanity Fair (1848), Daniel Defoe’s The Life and Adventures of Robinson Crusoe (1719), Jane Austen’s Mansfield Park (1814), and Aphra Behn’s Oroonoko (1688) with a backward glance at her own life, at becoming a reader and writer.Open this photo in gallery:Salvage, however, is explicitly not an autobiography – even if the sections have titles such as “An Autobiography of the Autobiography of Reading.” In the text, Brand warns: “When I use autobiographical, it is artifice. … Where it appears, it will have been pored over, turned over, refashioned as art, made theoretical through those processes.” She delivers on her promise.Most autobiographical elements here are transformed into data points for her larger analysis, such as a photograph taken in 1954 or ‘53, when Brand was a child in Guayaguayare, at the southeasternmost edge of Trinidad. The portrait depicts her two sisters, her cousin and herself; the little girls are instructed to smile for a picture that will be sent to England, where their mothers are working as midwives. Brand parses the image as a text, holding it up to the light and trying to see everything there: “This porous portrait is full of multiple autobiographies: Mr. Wong, the photographer, probably traces his family to Chinese indentured labour – from 1846, or perhaps even as far back as 1806 … ; the children, whose history goes back to the period of Arawak/Carib extermination and the enslavement and transportation of their families from West Africa to the New World.”There are glimmers, however, of something beyond literary analysis, artifacts that occasion writing closer to the directness of experience. Another photograph, of her young mother astride a bicycle in England, gives Brand reason to reflect on how prevalent cyclists are in her own body of work as a novelist and poet, despite never having herself learned to ride a bike. In her searing critique of Robinson Crusoe’s position in the canon as a text worth constant revisiting, constant salvaging, Brand parenthetically remembers her own narratively significant footprints, a source of childhood joy: “(On the beach at Guaya, it was a game with what we called the sea, which was the Atlantic ocean. This game involved having our footsteps washed away. We would run toward the receding tide, put our footprints on the sand and run away as the tide came to claim them again.)”In person, Brand reiterates her stand against the merely autobiographical. “I’m not interested in it,” she says with a smile. Her work here is in artfully untangling questions of truth, and of justice. “From which angle is this to be attended to?” she says. “So one lives their life. Yeah. Everybody will live their life. A life to be told perhaps, but you do that with friends or something.” A pause. “But a life to be examined, now, that’s another thing. So I’m not interested in the linear structure of a person taking themselves from A to B to C, through what they think is a life, choosing those objects that they feel are pivotal points.” For her, the act of writing, of reading, is non-linear, non-narrative. She writes: “Destiny has a closed narrative shape, it is a told tale, but time is much more suggestive.” So her work here suggests and queries.One of the principal questions Brand asks, directly and indirectly, throughout Salvage is how the legacy of colonial resource extraction and exploitation shaped the world we live in and the books we exalt: “We have run into something. What? And who is ‘we’?”The question of “we” pervades the book; at times Brand uses “we” in the way most readers are accustomed to, as a way of marking out a general, or normative, experience. But that normative “we” can create exclusions and isolations, like the ones Brand herself felt as a young Black Caribbean immigrant in her undergraduate days at the University of Toronto. In Salvage, she creates a separate group from the normative “we,” using “a reader like me” when, for instance, she remembers reading Mansfield Park for an English lit class: “If you are a reader like me, you may not have noticed this mention of Antigua until quite late in your reading, though the length and tediousness of the work may have made your eyes cross – especially then, in university.”Sometimes Brand will abandon the “we” entirely, preferring simply “I” or, provocatively, “this reader,” as when she interrogates the impulse in French-Martinique author Patrick Chamoiseau’s 2012 novel Crusoe’s Footprint (trans. 2022) to recast Crusoe as an existentialist everyman for modern readers: “In his notes at the end of his book, Chamoiseau remarks: ‘It’s sad: Defoe’s Crusoe was a slave trader.’ But this reader asks, why is that sad? … I am not sad that Crusoe was a slaver. I am sad that I have had to read him as the universal human.”Open this photo in gallery:’I wanted to say that the reader is active, a reader is an active thing, not a passive receptor of something called story, but an active and interested being,’ Brand says.Galit Rodan/The Globe and MailJust once does she use “a Black reader like me”: “If we say that these imperialist texts have an untouchable status as objects of aesthetic value and if we say that literature cultivates the human … then the experience of a Black reader like me cannot be anything but the cultivation of a continuous dread.”“That refrain is deliberate. I’m looking to disaggregate whoever that ‘we’ is. I wanted to say that the reader is active, a reader is an active thing, not a passive receptor of something called story, but an active and interested being,” Brand says, as our second round of coffees arrive. “The act of reading is emotional and it’s physical. It harnesses all kinds of energies. It’s not a passive act at all.” She pauses, raises her glass. “If there is passivity, even that passivity is political. So I want to make the distinction between a certain kind of reader who reads these texts passively – or is handed the benefit of that passivity.”In literature, writers both inherit and build the world. Salvage does not argue for doing away with the past, abandoning the canon, but looks at what can be brought to the surface if a reader (like Brand) plumbs the depths. She finds that the colonial attitudes present in Defoe and other writers from the long period of European exploitation, slave trading and domination are not something astute readers can merely look away from; these writers cannot be excused for their unexamined beliefs simply because, as the saying goes, it was another time. “Well, yes,” Brand says. “And what you receive from that time are the stories of the victor.”In Salvage, Brand writes toward “another archive we might explore, an archive of the intellectual life and human activity that somewhat contemporaneously addressed questions of humanism and silence.” She draws out non-fiction examples in Letters of the Late Ignatius Sancho (spanning 1768-1780) and Quobna Ottobah Cugoano’s Thoughts and Sentiments on the Evil and Wicked Traffic of the Slavery and Commerce of the Human Species from 1787. “There are conversations going on at the very time those novels are taking place,” she says. “There are other texts in contention – they don’t survive in the same way because they’re not triumphant, but they exist. There was an argument going on in that moment too, against those systems.”Brand’s work continues the argument with elegance and verve.