Big Tech from Tulsa, Oklahoma: Kristina Veltri, CEO of ICON XR Studios, Named Among Top 100 Innovators & Entrepreneurs – Technology Today – EIN Presswire
The Guardians of the Galaxy are some of the most popular characters in the Marvel Cinematic Universe (MCU). Their movies are full of fun, action, and touching moments. To watch their journey the best way, it is essential to follow the correct order. This article has a simple guide on how to watch Guardians of the Galaxy in order.The Guardians of the Galaxy are some of the most popular characters in the Marvel Cinematic Universe (MCU). Photo: @guardiansofthegalaxy on Facebook (modified by author)Source: UGCTABLE OF CONTENTSThe Guardians of the Galaxy is a superhero film series based on the Marvel Comics superhero team and part of the Marvel Cinematic Universe (MCU) series. If you are a fan of Marvel’s Guardians of the Galaxy or just diving into the Marvel Cinematic Universe (MCU), knowing Guardians of the Galaxy’s timeline can enhance your viewing experience.How to watch Guardians of the Galaxy in orderGuardians of the Galaxy became a hit, leading to more sequels, television shows, and even a holiday special. The series is centred on a band of former intergalactic outlaws who have teamed up to protect the Galaxy from planetary threats. Here is a list of the Guardians of the Galaxy movies in chronological order.Read alsoThe best order to watch DC animated movies: Chronological guideTitleYearGuardian of the Galaxy2014I Am Groot season 1, episode 12022Guardians of the Galaxy Vol. 22017I Am Groot episodes 2-52022Avengers: Infinity War2018Avengers: Endgame2019Thor: Love and Thunder2022The Guardians of the Galaxy Holiday Special’2022Guardians of the Galaxy Vol. 32023I Am Groot Season 220231. Guardian of the Galaxy (2014)[embedded content]IMDb rating: 8.0/10 Released on: 1 August 2014Directed by: James Gunn Runtime: 2h 1mAccording to the IMDb database, this is the first Guardians of the Galaxy movie released in 2014. The movie was directed by James Gunn and stars Chris Pratt, Zoë Saldaña, Dave Bautista, Vin Diesel, Bradley Cooper, Lee Pace and Karen Gillan. It is the 10th film in the Marvel Cinematic Universe (MCU).Read alsoDr. Stone season 4 release date, plot, key visuals: what we know so farIn this first instalment, Peter Quill (Star-Lord) is introduced as a human who was abducted from Earth as a child and grew up among space outlaws.2. I Am Groot season 1, episode 1 (2022) [embedded content]IMDb rating: 6.6/10 Released on: 10 August 2022Directed by: Kirsten LeporeRuntime: 4m I Am Groot is a series of animated shorts created by Kirsten Lepore for the streaming service Disney+. The shorts are centred around Baby Groot, a beloved character from the Marvel Cinematic Universe. Season 1, Episode 1 of I Am Groot, titled Groot’s First Steps, premiered on 10 August 2022.In this episode, Baby Groot is first seen as a potted sapling, recovering after being replanted by the Guardians of the Galaxy. He gets restless and breaks out of his pot, learning to walk for the first time.3. Guardians of the Galaxy Vol. 2Read alsoThe Rising of the Shield Hero season 4 confirmed: Release date, trailer, and more[embedded content]IMDb rating: 7.6/10Released on: 5 May 2017Directed by: James GunnRuntime: 2h 16m Guardians of the Galaxy Vol. 2 is among the superhero films based on the Marvel Comics superhero team Guardians of the Galaxy. The film follows the Guardians as they try to stay together as a team while Peter Quill (Star-Lord) meets his father, Ego.4. I Am Groot episodes 2-5[embedded content]IMDb rating: 6.7/10 Released on: 10 August 2022Directed by: Kirsten LeporeRuntime: 4m (each episode) In episodes 2 to 5 of I Am Groot, Baby Groot embarks on various entertaining adventures, including trying to befriend alien creatures, chasing a mysterious creature and learning teamwork in Groot’s Pursuit. 5. Avengers: Infinity War[embedded content]IMDb rating: 8.4/10 Released on: 27 April 2018Directed by: Anthony Russo and Joe RussoRuntime: 2h 29m Read alsoThe best G-rated movies on Disney Plus for kids and familiesAfter the Guardians of the Galaxy Vol. 2 events, the Guardians returned four years later, in 2018, in the first act of Avengers: Infinity War. It is the sequel to The Avengers (2012) and Avengers: Age of Ultron (2015) and the 19th film in the Marvel Cinematic Universe (MCU). Directed by Anthony and Joe Russo, the film follows the Avengers and their allies as they unite to confront the powerful villain Thanos, who seeks to collect all six Infinity Stones to wipe out half of all life in the universe. Avengers: Infinity War became a major box-office success. It was the first superhero film to gross over $2 billion worldwide. 6. Avengers: Endgame[embedded content]IMDb rating: 8.4/10 Released on: 26 April 2019Directed by: Anthony Russo and Joe RussoRuntime: 3h 1m Read alsoMeet Brad from MAFS UK: His age, new girlfriend, job, biographyAvengers: Endgame is the sequel to Avengers: Infinity War (2018) and the 22nd film in the Marvel Cinematic Universe (MCU). Released on 26 April 2019, the film features an ensemble cast which includes Robert Downey Jr., Chris Evans, Mark Ruffalo and Chris Hemsworth.Directed by Anthony and Joe Russo, Avengers: Endgame follows the remaining Avengers as they attempt to reverse the devastation caused by Thanos in Infinity War. It was the highest-grossing film ever from July 2019 to March 2021.7. Thor: Love and Thunder[embedded content]IMDb rating: 6.2/10 Released on: 6 July 2022Directed by: Taika WaititiRuntime: 1h 58mThe 2022 American superhero is the sequel to Thor: Ragnarok (2017) and the 29th film in the Marvel Cinematic Universe (MCU). Directed by Taika Waititi, the film follows Thor as he embarks on a journey of self-discovery after the events of Avengers: Endgame.Read alsoKiss of Life members’ K-pop profile: Names, ages, roles, and factsThor: Love and Thunder grossed $760.9 million worldwide, making it the eighth highest-grossing film of 2022 and the second highest-grossing film in the Thor franchise. 8. The Guardians of the Galaxy Holiday Special[embedded content]IMDb rating: 6.9/10 Released on: 25 November 2022Directed by: James GunnRuntime: 42mThe Guardians of the Galaxy Holiday Special (2022), directed by James Gunn, is a festive short film featuring the Guardians as they plan a special Christmas celebration for Peter Quill (Star-Lord) to lift his spirits.Written and directed by James Gunn, the special received positive criticism for its humour, Gunn’s direction, and the cast’s performances. It received numerous awards and nominations, including winning the Children’s and Family Emmy Awards. 9. Guardians of the Galaxy Vol. 3[embedded content]IMDb rating: 7.9/10 Released on: 5 May 2023Directed by: James GunnRuntime: 2h 30m Read alsoAstro’s members’ profiles: Meet MJ, JinJin, Cha Eunwoo & SanhaGuardians of the Galaxy Vol. 3 is the sequel to Guardians of the Galaxy (2014) and Guardians of the Galaxy Vol. 2 (2017) and the 32nd film in the Marvel Cinematic Universe (MCU).Written and directed by James Gunn, it follows the Guardians as they deal with Gamora’s return from another timeline and try to save Rocket Raccoon, who is in danger from a villain named High Evolutionary. Like its predecessors, it was a critical and commercial success, grossing over $845.6 million. 10. I Am Groot Season 2[embedded content]IMDb rating: 6.7/10 Released on: 6 September 2023Directed by: Kirsten LeporeRuntime: 4m (each episode)I Am Groot Season 2 was released on 6 September 2023. This season continues Baby Groot’s adventures through a charming series of five animated shorts. Groot explores new environments, meets different characters, and finds himself in humorous situations, highlighting his playful and curious nature.Read alsoTop 11 movies like Beautiful Disaster: What to watch nextWhat is the order for Guardians of the Galaxy?Below is the list of Guardians of the Galaxy movies in order and related specials: Guardian of the Galaxy (2014)I Am Groot season 1, episode 1 (2022)Guardians of the Galaxy Vol. 2 (2017)I Am Groot episodes 2-5 (2022–)Avengers: Infinity War (2018)Avengers: Endgame (2019)Thor: Love and Thunder (2022)The Guardians of the Galaxy Holiday Special’ (2022)Guardians of the Galaxy Vol. 3 (2023)I Am Groot Season 2 (2023)Will there be more Guardians of the Galaxy movies? Guardians of the Galaxy Vol 3. is the last movie in the Guardians franchise. In April 2023, during an interview with Esquire Middle East, James Gunn confirmed that there will be no more Guardians of the Galaxy movies. He said: Read alsoBTS ages and birthdays: How old are the members of the iconic K-pop band?I don’t think there will ever be a Guardians of the Galaxy Vol. 4. There are many reasons this group will not be back. There could be more Guardians movies, but it won’t be with this group.How many Guardians of the Galaxy movies are there? As of 2024, there are three Guardians of the Galaxy movies. However, the team has also appeared in Avengers: Infinity War, Avengers: Endgame and Thor: Love and Thunder. In addition, two Disney+ TV specials feature Guardians of the Galaxy: I Am Groot and The Guardians of the Galaxy Holiday Special. When did Guardians of the Galaxy 1 come out?Guardians of the Galaxy was released on 1 August 2014.Is Guardians of the Galaxy 4 the last one?Marvel has yet to confirm Guardians of the Galaxy 4 officially. Guardians of the Galaxy Vol 3 was the last movie in the Guardians of the Galaxy franchise and can be watched on Disney+. Read alsoWhere the Police Academy cast are today: Photos then and nowShould you watch anything before Guardians of the Galaxy?Before watching Guardians of the Galaxy, familiarising yourself with a few essential films in the Marvel Cinematic Universe (MCU) can help you better understand the characters and the overall storyline. Where to watch Guardians of the Galaxy moviesYou can watch the Guardians of the Galaxy movies on Disney+, Starz, and Apple TV channels.The Guardians of the Galaxy franchise has become among the highest-grossing media franchises ever. There are three Guardians of the Galaxy movies in total. Watching these movies in order allows you to experience the characters’ development. Above is a simple guide on how to watch Guardians of the Galaxy in order.READ ALSO: How many Aquaman movies are there? The best order to watchBriefly.co.za published an article about how to watch Aquaman movies in order. The Aquaman movie series brings the underwater world of Atlantis to life. To fully enjoy the cinematic experience, watching the movies in order helps to track his growth and evolving challenges. This article has everything you need to know about the order of Aquaman films. Source: Briefly News
Watch more of our videos on ShotsTV.com and on Freeview 262 or Freely 565Visit Shots! nowThis article contains affiliate links. We may earn a small commission on items purchased through this article, but that does not affect our editorial judgement.The rise of former US president Donald Trump set to arrive in cinemas ahead of the US election next month 🎞A look at the early years of Donald Trump’s real estate empire is the focus of the Ali Abassi movie, The Apprentice, opening in the UK this weekend.The film sees Sebastian Stan take on the role of the former POTUS, with support from Jeremy Strong and Maria Bakalova.But ahead of screenings in the United Kingdom, how has Donald Trump and his team reacted to the feature film?It’s been a fortnight of Sebastian Stan, with not only the release of A Different Man on October 11 2024, but now the high-anticipated biopic of Donald Trump: The Apprentice.Stand takes on the role of a young Donald Trump as he starts to eke out his career in the real estate world, gaining advice in the form of fierce lawyer Roy Cohn, played by Succession star Jeremy Strong. The film also delves into the relationship Trump had with his first wife, Ivanka, played by Maria Bakalova.A film about Donald Trump’s early life and rise in New York’s real estate world was first announced in 2018, with journalist Gabriel Sherman, who had extensively covered Trump’s 2016 presidential campaign, writing the screenplay. Sherman aimed to explore Trump’s “origin story,” particularly his mentor-mentee relationship with Roy Cohn. This angle emerged from Sherman’s conversations with people who had worked with Trump since the 1980s, shedding light on how Cohn influenced Trump’s later strategies during his political career.Ali Abbasi, known for his celebrated 2022 work Holy Spider, was brought on as the director in 2023, after the script had been shared with prominent filmmakers like Paul Thomas Anderson and Clint Eastwood. Abbasi and the cast, including Stan, viewed the film as a “humanistic interrogation,” focused on understanding Trump’s world and motivations rather than a farcical or exaggerated portrayal.So ahead of the presidential election in the United States next month, the film is set to elicit much discussion and discourse around the former POTUS; but what has he or his team said about the film after its premiere at this year’s Cannes Film Festival?What is The Apprentice about?Jeremy Strong as Roy Cohn and Sebastian Stan as Donald Trump in The Apprentice“In the early 1970s, a young and ambitious Donald Trump began his rise in New York’s real estate world. He meets Roy Cohn, a controversial lawyer with a notorious reputation, and quickly falls under his influence. Cohn becomes Trump’s mentor, teaching him tactics that shape his future approach to business and public life. As Trump pursues high-profile real estate deals, including transforming the Commodore Hotel and building Trump Tower, his relationships with his family and his personal life become strained.” “Throughout the story, Trump’s interactions with Cohn reveal his growing ambitions, his contentious dealings with political figures, and the toll his choices take on those around him. The narrative explores the evolution of Trump’s public persona, his complex family dynamics, and his relentless drive for success.”Who else stars in The Apprentice?IMDB has listed the following performers are set to appear in The Apprentice alongside Stan, Strong and Bakalova:Read MoreWhat is the run time for The Apprentice?IMDB has also stated that The Apprentice has a run time of 122 minutes, or 2 hours 2 minutes, so expect to spend around two-and-a-half hours at the cinema, including trailers before the film.What is the age rating in the UK for The Apprentice?In their summary for the decision, the BBFC explained: “This tragicomic biographical drama contains a potentially distressing scene of sexual violence.”What has Donald Trump said about The Apprentice?Donald Trump sounded off about the movie earlier this week on Truth Social, while his campaign had strong words after The Apprentice opened at this year’s Cannes Film Festival.
Do YOU have a story? Email [email protected] Caroline Peacock Published: 06:19 EDT, 17 October 2024 | Updated: 06:20 EDT, 17 October 2024
Ken Sugiura, The Atlanta Journal-Constitution
ATLANTA — With Georgia Tech having sold its 2025 home game with archrival Georgia for $10 million, the next step is to hock the rivalry’s nickname for some more sweet, juicy cash.Just spitballing for Tech athletic director J Batt and UGA counterpart Josh Brooks – we can do much better than “Clean Old-Fashioned Hate presented by UPS.”Clean Old-Fashioned Hanes. (Gear suppliers Nike and Adidas may object, but that’s what lawyers are for.)Clean Old-Fashioned Hot Pockets. (Maybe they have a Thanksgiving leftover flavor they want to get to market.)Kleenex Old-Fashioned Hate. (No better product for losing fans to cry into.)Mr. Clean Old-Fashioned Hate. (A lot of creative possibilities with Brent Key.)Zestfully Clean Old-Fashioned Hate. (A perfect tie-in for a sweaty 3 1/2-hour scrum.)
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Georgia Tech-Georgia-Pacific. (It rolls off the tongue, and it’s even based in Atlanta!)Don’t tarry, gentlemen. You’re leaving money on the table. Those charter flights and name, image and likeness payments aren’t going to pay for themselves.Uga, powered by Purina.The Ramblin’ Wreck plastered with sponsor stickers like a racecar.The possibilities run the gamut.It’d be easy to take shots at Batt and Tech for their thirst for revenue. (He already has sold the name of the country’s oldest on-campus FBS football stadium; the Yellow Jackets now play at Bobby Dodd Stadium at Hyundai Field.) But if you were going to criticize college athletics for putting money ahead of the traditions that make it the unique and beloved entity that it is, you wouldn’t have time for much else.At its heart, Tech’s trip to play Florida State in Ireland wasn’t about giving college athletes a chance to travel overseas, even if it did. It was a tourism vehicle. When Georgia plays Texas in its highly anticipated matchup Saturday, what other reason is there for the Longhorns to be in the SEC other than revenue?College presidents presumably aren’t eager to contemplate what their approval of the new 12-team College Football Playoff, which extends the season for athletes to a possible 17 games, says about their priorities. But a six-year, $7.8 billion TV contract probably helps them sleep better at night.The Tech-Georgia game being moved off campus clearly was money driven, and credit to Batt for not pretending otherwise. But in terms of shirking tradition or prioritizing revenue ahead of the best interests of athletes and fans, it wasn’t even in the same ballpark (figuratlvely speaking) as the ACC adding Stanford, Cal and SMU or the Big Ten taking on Oregon, UCLA, USC and Washington.Tech will receive a $10 million payment from AMB Sports and Entertainment, a sum that is about five times what Tech would make from conducting the game at Bobby Dodd Stadium.For an athletic department in dire need of cash, it was a no-brainer, however distasteful it might have been to Tech fans.By the terms of a settled lawsuit against the NCAA, power-conference schools will be allowed to directly compensate athletes with NIL deals worth a total of at least $20-22 million annually. Those schools also will be on the hook for a back-damage settlement to past and former athletes for about $3 billion, which will shortchange Tech and other ACC schools of about $1 million annually in conference distributions.The terms of the settlement are expected to go into effect for the 2025-26 fiscal year. Tech’s budget for the current fiscal year is $137.8 million. Assuming a modest bump to $140 million for next year, that means Batt will have to account for a new expense that will consume about 16% of his budget, one that Key and men’s basketball coach Damon Stoudamire will be counting on to be fulfilled.Batt can carve expenses elsewhere, find new revenue sources worth several millions of dollars or both. It makes a $10 million payment for giving up one home football game rather enticing.In comments made Tuesday, Key understood. So does Tech Hall of Fame coach George O’Leary, who unlike Key was under no compunction to spout the company line.“I’m sure the fan base has a legitimate gripe, but I think administration-wise, they’re making the decision that’s best for Georgia Tech,” O’Leary told The Atlanta Journal-Constitution.Hall of Fame coach Paul Johnson, who knocked off the Bulldogs three times at Sanford Stadium, had a quintessential reaction.“I would rather have played in Athens,” Johnson wrote in a text to the AJC. “We seemed to do better there.”A brief history lesson. In 1957, Georgia was scheduled to play Texas (coincidentally enough) in Athens. However, before the season, Georgia coach and AD Wally Butts moved the game for financial reasons.The new venue?Grant Field.It was part of a doubleheader with Tech, which was to play Kentucky the same day. It was the second time that the two rivals organized such an event at Tech, much to the aid of the team from Athens.At the time, Tech was the dominant team in the state, regularly finishing in the top 10, winning eight consecutive games in the series and drawing bigger crowds to a larger stadium.Said Butts in a statement, “The University of Georgia athletic board saw fit to change the site of our game with Texas in order to help balance our athletic program budget.”There is nothing new under the sun.There’s an idea.Batt should ensure that the MBS roof is kept open and played during the day. That way, the game can be illuminated by the sun, presented by Georgia Power.
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17th October 2024Author:
Aleksandra Cupriak
Clarkson’s Farm fans will soon be able to read the latest updates from the Diddly Squat Farm in the new book written by Jeremy Clarkson.
Jeremy Clarkson publishes his latest book Diddly Squat: Home to Roost.
The publisher of Diddly Squat: Home to Roost, Penguin Books, said: “It’s been another memorable year on Diddly Squat Farm – will the chickens finally come home to roost?
“Welcome back to Clarkson’s Farm. So, that went well . . . The spring barley crop failed. Just like the oil seed rape. And the durum wheat. Then the oats turned the colour of a hearing aid and the mushrooms went mouldy.
“Farming sheep, pigs and cows was hardly more lucrative. Jeremy would be better off trying to breed ostriches.”
However, in the face of uncooperative weather, the relentless realities of the agricultural economy, bureaucracy, a truculent local planning department, and the world’s persistent refusal to recognise his ingenuity and genius, our hero is not beaten yet.
READ MORE: Jeremy Clarkson teases new Diddly Squat book
READ MORE: Jeremy Clarkson set to release latest ‘Diddly Squat’ book
Wise man once said…
The publisher added that the challenges of making a success of Diddly Squat are enough to have the readers weeping into their (Hawkstone) beer.
However, Mr Clarkson can always rely on his girlfriend Lisa, farm manager Kaleb, Cheerful Charlie and Gerald, his head of security.
“And it’s hard for a chap to feel too gloomy about things when there’s a JCB telehandler, a crop-spraying hovercraft and a digger in the barn.
“Because as a wise man (Jeremy Clarkson) once said, ‘there’s no man alive who wouldn’t have fun with a digger . . .’,” Penguin Books revealed.
Mr Clarkson began his writing career on the Rotherham Advertiser. Since then, he has written for the Sun, the Sunday Times, the Rochdale Observer, the Wolverhampton Express & Star, all of the Associated Kent Newspapers and Lincolnshire Life.
He was, for many years, the tallest person on television. He now lives on Diddly Squat Farm in Oxfordshire, where he is learning to become a farmer.
Diddly Squat: Home to Roost will be published on Thursday, 24th October. The hardback consists of 224 pages and costs £22.
Kaleb Cooper’s farming thing
This month, another Clarkson’s Farm star, Kaleb Cooper, is also going to release his latest book. It’s a Farming Thing will be published on 24th October 2024.
The book will include Kaleb’s highs, lows and unexpected adventures of farming life, from wrestling with temperamental tractors to dodging the wrath of cantankerous cows and, after all that, why he still believes he has the best job in the world.
Kaleb’s much-loved sense of humour will also be showcased during his special show that will be aired in November.
Read more rural news.
Newsfrom Japan
Society
Culture
Oct 17, 2024 16:40 (JST)
Open this photo in gallery:Illustration by Klawe RzeczyFor more than three decades, the historic Ryman Auditorium in downtown Nashville was home to the Grand Ole Opry, where country music was born and raised. But one sweltering evening this past August, the red-brick Carnegie Hall of the South hosted a different kind of cultural revival session.Its wooden pews filled with women in tasteful sundresses and men wearing ball caps plastered with the American flag, the Ryman hit capacity. Tonight’s hot-ticket event, Backstage Live, was organized by the Daily Wire, a conservative media empire whose many platforms include a news website and podcast network. On the bill this evening: four of their marquee personalities, gathered to “fight the left, and build the future.”Flanked by two giant gold-painted “truth bomb” missile props, Daily Wire hosts Andrew Klavan (743,000 YouTube subscribers), Michael Knowles (2.1 million), Matt Walsh (3.2 million) and Ben Shapiro (7.1 million) spent a few hours onstage trading quips about Kamala Harris (“Basically the Hawk Tuah Girl of politics”) and extolling the virtues of Donald Trump (“the best foreign-policy president in my lifetime”) to a whooping, hollering, “amen!”-shouting crowd.Part Make America Great Again rally, part sermon-cum-podcast and part righteous rock show staged in the heart of Music City, the evening marked both a victory lap for the company since its move to Nashville from Los Angeles three years ago, and a battle cry to reignite America’s right.Less than a month before, when Joe Biden was sleepwalking through his campaign, the U.S. election felt like it was Trump’s to lose. Yet tonight inside the Ryman, with Harris riding a Democratic ticket built on joy and conservatives reckoning with the anti-charisma of JD Vance, the mood was all anxious hopes and prayers.After running through various nightmare scenarios in which a Trump loss would lead to abortion on demand, totally open borders and the mass “transsexualization” of American youth – “I’m going to go into the restroom and pull them off the wall,” Walsh said of any tampon dispensers that he might find in a boys washroom – the Daily Wire brain trust arrived at what felt like the main event of the evening, the debut of a fiery new flank in the culture war.Open this photo in gallery:Illustration by Klawe RzeczyOn a giant screen, a trailer was queued up for Am I Racist?, a new film in which Walsh employs a Borat-like shtick to uncover the “race hustlers and grifters” working inside the diversity, equity and inclusion industry. Urging the audience to preorder tickets for the movie, Daily Wire’s co-CEO Jeremy Boreing noted that the venture was a “true risk” for Daily Wire – its first-ever theatrical release, set to open on 1,500-plus screens across the United States and Canada.If all goes according to plan, the film will not only deliver huge box-office receipts but also act as a pivotal piece of gateway content to lure subscribers to DailyWire+, the company’s upstart streaming service. It’s being pitched as Netflix for the MAGA crowd, a way to beat the liberals at their own cultural game.“Let’s show Hollywood,” Boreing told the Ryman audience, “that Nashville is now Movie City!”‘Politics is downstream from culture’For an enterprise built on catering to red-state tastes, the Daily Wire’s origin story has a distinctly blue-state flavour: Shapiro and Boreing dreamed up the business in the latter’s L.A. pool house.It was 2015, and Shapiro, a sharp-tongued Harvard Law graduate, had spent the past decade making a name for himself in the wilderness of right-wing commentary. His books included Primetime Propaganda: The True Hollywood Story of How the Left Took Over Your TV, and he enjoyed a regular byline at Breitbart News Network, a site conceived by late founder Andrew Breitbart as the conservative answer to HuffPost. Boreing, meanwhile, had operated in the background of Hollywood for years as a talent manager, screenwriter and producer (especially diehard fans of Shazam! star Zachary Levi might have seen Boreing’s 2007 thriller Spiral).Boreing’s biggest asset, though, was his Rolodex of contacts via his work as the managing director of Friends of Abe, an informal network of about 2,000 entertainment-industry conservatives whose membership was a semi-open secret. At private salons across town, the likes of Kelsey Grammer, Clint Eastwood and Jon Voight mixed with fellow Republicans and listened to speeches from Ted Cruz, Karl Rove and Marco Rubio.After being connected via Breitbart , Boreing and Shapiro started to brainstorm ways of toppling, or at least matching wits with, the overwhelmingly liberal Hollywood system. While on paper the pair make for an odd couple – the Texas-born Boreing is an evangelical Christian who chooses his words carefully, while the California-raised Shapiro is an Orthodox Jewish smart-aleck – the two bonded over their perceived status as cultural underdogs. Not to mention a mutual love of the Lord of the Rings movies.“Ben and I both came up under Andrew Breitbart , who always said that politics is downstream from culture. So entertainment was always on our mind,” Boreing recalls. “We’ve always been ambitious sons of bitches, but obviously we couldn’t have imagined all of this at that moment.”It is the morning after the Ryman show, and the Daily Wire chief, who runs the company alongside co-CEO Caleb Robinson and is known around as its “god king,” is sitting next to Shapiro inside one of their well-appointed conference rooms.The open-space, high-ceilinged offices could easily be mistaken for the headquarters of any tech startup enjoying a moment of growth. There is a fully stocked kitchen with snacks and catered lunches, a sunny courtyard for impromptu meetings, and sharply dressed employees dashing between editing suites and meeting rooms.There are, though, small differences. The office’s address is kept confidential for security reasons (armed guards are quick to approach any unannounced visitor who steps out of an Uber). The washrooms are explicitly not gender-neutral (“He/Him” and “She/Her”). A nearby building houses a warren of soundstages, including a TV set of Judged By Matt Walsh that was recently visited by a Make-A-Wish kid (who staff assure was not terminal). And the water bottles are politicized (one boasts of containing “liberal tears”).“We’re in this not just for business reasons but ideological ones,” Shapiro says. “There are a lot of easier, more predictable ways to make a living. I could have stayed in law.”After securing initial funding from petroleum billionaire Farris Wilks, Boreing and Shapiro launched Daily Wire almost a decade ago in L.A., with an eye toward click-driven commentary and news aggregation. The podcasting boom soon shifted the business plan, and the site found success with not only Shapiro’s flagship show (2,000-plus episodes and counting, with recent instalments titled, “The Most RIGGED Debate in HISTORY” and, “The DNC Begins: Free Abortions and Vasectomies, Plus Hamas!”) but increasingly popular programs from Walsh (“Disney’s Not-So-Secret Anti-White Agenda” and, “Our Towns and Our Pets Aren’t Safe Thanks to Third-World Migrants”) and Canadian lightning-rod Jordan B. Peterson (“Alberta: The Promised Land for Canada’s Future”).Its programming is explicitly, almost comically provocative, with Walsh in particular earning scorn for his vitriolic takes delivered with deadpan rigour. In 2022, The New Republic named him “Transphobe of the Year,” citing his consistent attacks on the queer community, including calls for protests against hospitals that “butcher children” by playing host to transgender health programs.Yet the Daily Wire’s content is packaged in a savvy, consciously slick manner that feels light years removed from the lumbering eras of Rush Limbaugh or Matt Drudge. And there is a growing audience for it.In 2021, the privately held company earned US$100-million in annual revenue. In 2023, that figure more than doubled to about US$220-million, 10 per cent alone of which hails from its burgeoning e-commerce business. Perhaps you would like to “shave woke-free” with Jeremy’s Razors, which launched in 2022 after Harry’s Razors pulled ads from Daily Wire citing “misaligned values”? Or possibly you’d like a bite of Jeremy’s Chocolate, a fair-trade line of sweets unveiled shortly after Hershey’s Canada debuted an International Women’s Day campaign featuring a transgender activist? The “He/Him” bar comes with nuts.Boreing and Shapiro’s content is as aggressive as their ambitions for growth. But it was only after the crises of the pandemic and the murder of George Floyd – and their attendant protest movements – that the pair realized that there might be an opportunity to drive a larger, more lucrative wedge into the culture war. But it involved venturing into the one area that conservatives have never been able to consistently crack: movies.“One thing we talked about early on was that there was no clear, good distribution method for any movie not made in the Hollywood system. If we wanted to do this, we would have to build the distribution mechanism first,” says Shapiro. “Our lightbulb moment was in 2020, where projects that were imminently popular were getting cancelled left and right, and Disney started slapping warnings on its classic movies. As if you watched Peter Pan you would come away as a genocidal anti-native white supremacist.”“There was a moment in that storm, an article in Rolling Stone, that essentially said it’s time to stop watching Law & Order: SVU because even though Mariska Hargitay is a bad-ass no-nonsense woman who stands up for victims, she perpetuates the lie that there are good cops. I thought, oh man,” Boering adds.“We thought it might be a good time to counterprogram,” says Shapiro. “If they’re going to abandon an entire swath of classic narrative structure in favour of stupidity, then why not take advantage of that vacuum in the market?”Yet the team would dive into entertainment not by remaining in L.A. – which Boreing says had turned into a “complete postnuclear apocalyptic wasteland” during the heights of COVID-19 – but by relocating their operation to the safer space of Nashville. The pair’s wives got eight weeks’ notice of the move; their 100 or so employees at the time got six. (Shapiro ended up in South Florida, where there is a larger Jewish infrastructure for his Orthodox family. He visits the Nashville offices every month.)Once in Tennessee, where Governor Bill Lee signed a resolution welcoming the company that “recognizes that truth matters more than emotion,” Boreing and Shapiro came to another key realization.If they wanted to make movies that could compete with Hollywood – and avoid the kind of cheap and easily mocked faith-based films such as Left Behind and God’s Not Dead – then they needed to enlist someone who knew how to make Hollywood movies.‘Fighting for our causes, our values’Open this photo in gallery:Illustration by Klawe RzeczyDespite his long history in Hollywood, producer Dallas Sonnier defines his career as one built in opposition, if not outright defiance, to the mainstream industry.Like his fellow Texan Boreing, Sonnier worked in the trenches of L.A., from intern to assistant to manager, at one time representing Greta Gerwig. Yet he never felt aligned with the political mood in town, which Sonnier calls today “so far left that it’s left of AOC.”After heading back to the Texas city that earned him his nickname (he was born Joseph Sonnier IV), Sonnier established the production company Cinestate, which quickly helped him become the king of a new subgenre that might be dubbed populist pulp: low-budget, ultramacho action fare such as Bone Tomahawk and Dragged Across Concrete that leveraged name recognition (Kurt Russell, Vince Vaughn, Mel Gibson) with the faintly discernible whistle of reactionary politics. It was red meat for red states.“I look at the period between 2008 and 2014 as the introduction of what we would call ‘woke’ – this massive shift in the entertainment business,” Sonnier says. “My model then was to find someone who was famous before 2008 and build this hyper-masculine action movie around them, and it worked really well.”But in 2020, Sonnier faced two very different challenges. First, he couldn’t find a distributor to buy his new thriller Run Hide Fight, a kind of NRA fantasy come to cinematic life in which a teen girl pulls a Die Hard against the school shooters who have taken her classmates hostage.More seriously, a producer named Adam Donaghey, who worked with Cinestate, was arrested on a charge of sexual assault of a child, with The Daily Beast publishing an investigation in the summer of 2021 accusing Sonnier of ignoring or playing down other incidents involving Donaghey. (In 2022, Donaghey pled “nolo contendere” – a type of plea in which the defendant neither admits nor disputes a charge – to a refiled charge of injury to a child, receiving five years of deferred probation.)“We let him go the day the allegations came out,” Sonnier says now. “He was introduced to me by [fellow Texan filmmaker] David Lowery’s team, by all the hyper-lefties in the Texas Theatre. I think they pawned him off on me, saw me as a mark. Like, ‘That’s our way out.’ I didn’t know about any of it, not a single thing. I said everything that I wanted to say about it in the Daily Beast piece, which was a partisan attack.” (Representatives for Lowery did not respond to requests for comment.)If the allegations caught the attention of Daily Wire, then they didn’t preclude the company from buying Run Hide Fight, the first feature-film acquisition to be added to the DailyWire+ catalogue. Nor did the controversy stop Boreing from partnering further with Sonnier, who dissolved Cinestate to form his new production outfit Bonfire Legend. Today, Sonnier is essentially the Daily Wire’s in-house film and television producer, having decamped to Nashville and declared himself a true believer in the company’s mission.“Jeremy and Caleb put their entire livelihoods on the line every single day by fighting for our causes, our values, putting up with the barrage of attacks on social media. They are heroes to be supported,” Sonnier says. “If I can give my entire treasure chest of movie-producing experience and understanding of storytelling, they deserve it. Because if the movies are not great, they are dead in the water.”Critics and audiences might be hard-pressed to agree that the DailyWire+ output has so far been above water. While Run Hide Fight has its hard-edged charms – notably Isabel May’s intense lead performance – it is also sluggish and frequently tasteless, exploiting a highly sensitive subject for cheap thrills.Similarly unsteady is the 2022 thriller Shut In, the first film made in-house for DailyWire+. The film is directed with polish and professionalism by Hollywood veteran D.J. Caruso (Disturbia, Eagle Eye), but it’s also stuck with eye-rolling evangelical themes and weighed down by a sloppy performance from filmmaker-turned-Trump-acolyte Vincent Gallo. And then there is Terror on the Prairie, a dry and dusty Western that can only squeeze so much curiosity from its stunt casting of Gina Carano.Sonnier convinced the actress to sign on after her firing from the Star Wars spinoff The Mandalorian in 2021, after Carano posted a meme online comparing the treatment of American conservatives during the pandemic to European Jews during the Holocaust. (The actress is currently suing Disney for wrongful termination.)Aside from underscoring Shapiro’s interest in the contemporary plight of Star Wars – which he says Disney has destroyed in part by making The Acolyte, “a series about lesbian space witches” – Carano’s casting reflects Daily Wire’s biggest challenge in the entertainment space. Or maybe its stealth advantage.“I keep in touch with all the folks I’ve worked with in the past, most of whom are very supportive of what I do here – just not to a point where they can come and be a part of this and still be in polite society in Los Angeles,” says Sonnier. “So we are forced to look outside the box for talent. Or inside the box, which is what happened with Lady Ballers.”A sports comedy in the vein of a Zucker, Abrahams and Zucker production like Airplane! (or more accurately, Trey Parker and Matt Stone’s 1998 messy farce BASEketball), the 2023 DailyWire+ film Lady Ballers follows a down-on-his-luck basketball coach who schemes to win a women’s championship by having his male players claim they are transgender. Complete with swing-and-miss gags about TERFs (trans-exclusionary radical feminists), a villainous journalist who has abortions for kicks, and a cameo from Ted Cruz, Lady Ballers would have a hard time attracting even the most cancelled Hollywood player.Which is why the film is essentially Daily Wire: The Movie, with the company leveraging the brand power of its own in-house personalities in lieu of outside celebrity. Boering pulls triple duty as director, co-writer and star, Walsh pops up in a supporting role as a far-left doofus, and the sports podcasters Jake Crain, Blain Crain and David Cone play members of the basketball team.Currently, Lady Ballers, Run Hide Fight and the rest of Sonnier’s output sit in the DailyWire+ catalogue alongside a curious collection of documentaries (My Dinner with Trump, Choosing Life: Beyond the Legacy of Roe) and the company’s experiment in serialized comedy, a Family Guy-esque cartoon called Mr. Birchum.There is also a tab in DailyWire+ leading to Bentkey, the children’s-entertainment streamer launched in 2023 to challenge Disney’s supposed efforts to “indoctrinate children into the LGBTQIA cult.” Bentkey’s marquee program is Chip Chilla, a cartoon about home-schooled chinchillas featuring the voice of former Saturday Night Live vet and Robert F. Kennedy fan Rob Schneider. (Unlike DailyWire+, Bentkey is not yet available in Canada.)Taken together, the programming resembles a cracked-mirror version of Netflix, which can be difficult to square with Boreing’s initial DailyWire+ mission statement in which he pledged that the company will “make great entertainment that all Americans can enjoy, regardless of their political views.”“We aspire to have an entertainment audience that is far broader than our political audience, but right now, if a person is making a decision to buy DailyWire+, it’s unlikely that they object to our politics,” the co-CEO says. “But Mr. Birchum is no more conservative than The Simpsons is liberal. It’s fairly mainstream. But because everything Hollywood makes tilts one way, it feels political.”Although the company would not reveal its current DailyWire+ subscriber count, nor how popular the service is in Canada, Axios obtained information in 2022 showing that the streamer hit one million paid subscribers at the time. It is a figure that should only grow in the wake of the company’s biggest entertainment bet yet.‘Theatre-owners are not agenda-driven like studios’Early in the new quasi-documentary Am I Racist?, co-writer and star Matt Walsh uses a fake name to infiltrate a “Grieving White Privilege” meeting, in which participants pay an “anti-racist instructor” to confront their prejudices. After being recognized for his Daily Wire association, Walsh is asked to leave the group, and is gently escorted out while uttering, “Well, I didn’t consent to be touched.”The scene, which was greeted with gut-busting belly laughs by the overwhelmingly white Ryman audience, feels like vintage Sacha Baron Cohen filtered through the prism of Elon Musk’s X feed.Unlike Walsh’s first DailyWire+ film, 2022’s What Is a Woman? – a talking-head-heavy doc that includes a scene in which Walsh accuses members of a Virginia school board of being “predators” and “pathetic little gutless cowards” for allowing students to use their preferred pronouns – Am I Racist? wraps its agenda in the cinematic language of progressive filmmakers. Not only Cohen, but also Michael Moore, Nathan Fielder and the contrarian cynicism of Larry David.“We talked about Borat as a reference point, even some older Daily Show stuff – really, it’s satirical comedy,” says Walsh. “You are taking on the thing you are trying to make fun of, providing a forum for people to feel comfortable to embarrass themselves. This is a type of comedy and entertainment that conservatives have not typically done. We wanted to break the mould on that.”The film’s bid to subvert form culminates in a scene in which Walsh sits down with Robin DiAngelo, author of the bestselling book White Fragility: Why It’s So Hard for White People to Talk About Racism, convincing her to pay his Black producer $30 in “reparations.” DiAngelo issued a statement last month saying she was misled into appearing in the film, which she described as “designed to humiliate and discredit anti-racist educators and activists” – a criticism that echoes the sentiments of some participants in What Is a Woman?.“Every single person who appears in the film signed a legal waiver that we gave them ahead of time,” Walsh says. “If some of them feel after the fact that they didn’t do their due diligence or think it through, that’s more on them than it is on us.”Outrageous and unapologetic by design, Walsh’s films fulfill twin roles for Daily Wire – they can be comforting appeals to the company’s base, and serve as a kind of trigger warning to the left that the company is intent on penetrating, or at least fractioning, mainstream audiences.Since being released in theatres last month, Am I Racist? has earned more than US$12-million in North America (including $500,000 and counting in Canada), delivering the highest opening weekend for a political documentary since Moore’s Fahrenheit 9/11 two decades ago.While the movie will be made available to DailyWire+ subscribers eventually, it was important for Boreing to release the title into theatres first.“We want impact, audience and credibility in the filmmaking community, and at some point we’re limited if the content is only on the streamer. We have to play in the places where scores are kept,” Boreing says, noting the headlines that drive box-office reporting. “If you’re putting a movie in a theatre, you’re taking a bigger risk, but that’s important if you’re going to be competitive in the industry.”While a few years ago there might have been a reluctance on part of theatre-owners to play conservative-leaning titles – Canadian theatre giant Cineplex was blasted in 2019 for screening the anti-abortion drama Unplanned – the landscape has shifted as mainstream studios punt titles to streaming services.“Theatre-owners are not agenda-driven like studios – they just want happy customers who will buy a ticket and a bucket of popcorn,” says Chuck Konzelman, co-founder of SDG Releasing, which partnered with Daily Wire to handle the theatrical distribution of Am I Racist?. “Theatres have a new term for movies like this: ‘alternative content blockbusters.’”And competition in this alternative space is heating up.Since its release in August, the fawning biopic Reagan, starring Dennis Quaid as the Gipper, has pulled in more than US$28-million at the box office. Last year, the fledgling Utah-based Angel Studios – which specializes in “wholesome” content – brought in a whopping US$250-million worldwide for Sound of Freedom, a thriller that traffics in right-wing conspiracy theories about pedophile rings.Those titles would fit right in on DailyWire+ – which is why the company recently partnered with Angel Studios for the theatrical release of the inspirational drama Sound of Hope: The Story of Possum Trot. And why the company is intent on diversifying its slate.Up next for the streamer is The Pendragon Cycle, a series based on the Arthurian fantasy books by Stephen R. Lawhead, which might be the DailyWire+ answer to Game of Thrones. There is also progress on a series based on Ayn Rand’s Atlas Shrugged, and a live-action version of Snow White starring Daily Wire podcaster Brett Cooper (which was developed in response to what Shapiro calls Disney’s “woke beyond belief” remake starring Rachel Zegler, set for release in 2025). Sonnier also has a dream of building the company’s own action franchise in the spirit of John Wick.“We have to grow capability, and the only way to do that is through the act of doing. If we want to be good filmmakers, we have to be filmmakers,” says Boreing. “I love when a man leaves the hospital with his first kid and he has a ‘World’s Greatest Dad’ hat on. You’ve never even been a dad yet. But it’s aspirational.”“We don’t let fear keep us from stepping out and making content. Which we’re getting better and better at,” he continues, “even if we don’t have access to every talented person working in Hollywood.”
It hasn’t been a good couple of days for Kamala Harris. On Wednesday night, she appeared on a widely panned Fox News interview with Bret Baier where she seemed defensive, evasive and combative. Meanwhile, Christopher Rufo, who describes himself as a “Writer, filmmaker, activist,” busted her for plagiarizing portions of her 2009 book “Smart on Crime,” which she co-authored.
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The lamestream media mostly ignored the story—because Orange Man Bad and Extremist Progressive Good—but the New York Times dutifully trotted out an expert who said, meh, no big deal. First, they said, “Conservative Activist Seizes on Passages From Harris Book,” then they quote the expert as claiming, “The lapses were not that serious,” then they basically called Rufo a racist for pointing out Harris’ cheating ways. Our Fourth Estate at work, friends.RedState’s Sister Toldjah and Brad Slager have been on the story: Kamala’s Plagiarism Scandal Displays the Severe Ethical Breakdown in So Many of Our InstitutionsSad Trombone: The New York Times Is Not Handling the Kamala Harris Plagiarism News Well at AllNew: Chris Rufo Drops ‘Receipts’ on Kamala’s Alleged ‘Plagiarism Problem,’ and JD Vance Has ThoughtsAnd so, thought the corrupt media and the inept candidate, “Whew!” Another potential scandal swept away. Another story, that if it were about a Republican would be front page news in 90 percent of the papers in this country, is made to disappear.Except that Rufo alleged that the Times withheld information from the so-called expert:The New York Times withheld key evidence from its “expert” and, because that expert could speak directly to the public, got caught. Imagine how much more frequently this happened before Twitter/X. https://t.co/KFlrJ1sSSm— Christopher F. Rufo ⚔️ (@realchrisrufo) October 15, 2024This caused the analyst, a man named Jonathan Bailey, to revisit his analysis and he realized: Oops, this is worse than I thought. Writing Tuesday in PlagiarismToday (did you know there was such an outlet? I didn’t), Bailey explained [emphasis mine]:
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With this new information, while I believe the case is more serious than I commented to the New York Times, the overarching points remain. While there are problems with this work, the pattern points to sloppy writing habits, not a malicious intent to defraud.Is it problematic? Yes. But it’s also not the wholesale fraud that many have claimed it to be. It sits somewhere between what the two sides want it to be.Allegations accuse Vice President Kamala Harris of plagiarizing her 2009 book. Here’s a look at what those allegations actually say.https://t.co/GyKm0CyGg7#Plagiarism #KamalaHarris #Book— Jonathan Bailey (@plagiarismtoday) October 15, 2024He still sticks to his weasel words and his get-out-of-jail-free language—he knows where his leftist bread is buttered—but his conclusions are nonetheless pretty damning.He goes on to dismiss a number of Rufo’s claims—but even he can’t refute them all.From there, the allegations do get more serious.The most serious allegation concerns Wikipedia. Harris’ book contained roughly two paragraphs copied from Wikipedia without citation. To be clear, that is plagiarism. It’s compounded by the fact that Wikipedia is typically not seen as a reliable source, and, according to Weber, there was an error in the information.The section quotes and cites a passage from the U.S. Bureau of Justice Assistance but does not indicate that Wikipedia was used.“To be clear, that is plagiarism.” There, he said it, out loud. Once again, he then goes on to dissemble and minimize and make favorable assumptions about Kamala’s intent, but the pit still remains at the center of the avocado: Kamala Harris stole other people’s work and did not credit them for it. Many careers have been ruined for less (see none other than Joe Biden, 1987), but in today’s environment of a dishonest press, it’s likely that many voters on the left have not even heard of these allegations.
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It’s incredible how corrupt the @nytimes is. From the Gaza hospital hoax, hiring leftist activists to be reporters, and now this:”Jonathan Bailey, a plagiarism consultant in New Orleans and the publisher of Plagiarism Today, said on Monday that his initial reaction to Mr.… pic.twitter.com/c8JJsK8c49— Joe Duarte 🏜️ (@ValidScience) October 14, 2024″Jonathan Bailey, a plagiarism consultant in New Orleans and the publisher of Plagiarism Today, said on Monday that his initial reaction to Mr. Rufo’s claims was that the errors were not serious, given the size of the document.”When even a New York Times “expert” flatly states that “that is plagiarism,” the issue should be front and center in front of the country—just as it would inevitably be if Donald Trump or any other conservative were caught cheating in this manner. That’s unfortunately not the world we live in, but we at RedState won’t stop reminding them that Kamala Harris is now… a confirmed plagiarist.RedState will continue bringing you the hard truth, unlike the corrupt mainstream media. One way we do it is through our VIP program. Consider becoming a member if you’re not already—you’ll not only be supporting independent journalism, but you’ll also get access to VIP stories, videos, and content not available to non-members—and most importantly, IMHO, you’ll get to participate in our raucous discussion boards.Remember that a Gold-level account gets you access to all of our sister sites in Townhall Media: PJ Media, Twitchy, Hot Air, Bearing Arms, and Townhall.com.
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By Bridie Pearson-jones For Mailonline Published: 05:41 EDT, 17 October 2024 | Updated: 05:44 EDT, 17 October 2024