Craft programs, book discussions, silent auction among fall activities at JCPL

WHEATFIELD — Stop by the Wheatfield Library on Friday, Nov. 1 at 11 a.m. for bingo fun and prizes. This free event is open to ages 18 and over.Registration is required and can be done at www.myjcpl.org/events or by visiting or calling the Wheatfield Library at (219) 956-3774.JASPER COUNTY — Wheatfield’s Adult Book Discussion will be meeting Tuesday, Nov. 12 at 1 p.m. to discuss the book The Giver of Stars by Jojo Moyes. Refreshments will be provided.

11 best family-friendly Halloween movies to stream right now

Halloween movies have been spooking and delighting audiences since the early days of cinema, but finding the perfect balance between scary and family-friendly can feel like mixing a witch’s brew — it’s all about the right ingredients. While some Halloween films lean into jump scares and gore, others have mastered the art of creating magical adventures that captivate both kids and adults alike.Trick or StreamWelcome! This article is part of Trick or Stream, a seasonal series in which members of the Tom’s Guide staff share what they’re planning to watch for Halloween 2024 and their takes on the horror genre, with the goal of helping you find great movies that you might want to stream during spooky season.From stop-motion masterpieces to enchanting witch tales, the best family Halloween movies know exactly how to sprinkle just enough spooky elements into their storytelling. These films have become more than just seasonal entertainment; they’re treasured traditions passed down through generations, proving that the best Halloween viewing doesn’t need to terrify to be memorable.Whether you’re introducing little ones to their first spooky movie or looking for something the whole family can enjoy, these 11 movies strike the perfect balance between tricks and treats!’The Nightmare Before Christmas’

The Nightmare Before Christmas (1993) Official Trailer #1 – Animated Movie – YouTube

Watch On
Tim Burton’s stop-motion masterpiece revolutionized animation when it debuted in 1993, proving that children’s movies could tackle complex themes. The film’s unique visual style sparked a gothic-whimsical aesthetic that continues to influence artists and filmmakers today, while Danny Elfman’s haunting score has become iconic in its own right.The story follows Jack Skellington (voiced by Chris Sarandon, with Danny Elfman performing the songs), Halloween Town’s beloved Pumpkin King, who becomes obsessed with Christmas after stumbling into Christmas Town. His well-meaning but misguided attempt to take over the holiday leads to both hilarious and touching moments. While marketed as a Halloween movie, this genre-bending classic works equally well as a Christmas film.🎃 Stream it now on Disney Plus’The Addams Family Values’

THE ADDAMS FAMILY VALUES | Trailer | Paramount Movies – YouTube

Watch On
The 1993 sequel to “The Addams Family” film takes everything that made the original great and adds a razor-sharp critique of American suburbia and summer camp culture. Based on Charles Addams’ delightfully macabre cartoon characters, this film proves that sometimes the sequel can outshine its predecessor.Here at Tom’s Guide our expert editors are committed to bringing you the best news, reviews and guides to help you stay informed and ahead of the curve!Centered around the arrival of baby Pubert and Uncle Fester’s (Christopher Lloyd) romance with the suspiciously perfect nanny Debbie (Joan Cusack), the film splits its focus between Wednesday (Christina Ricci) and Pugsley’s adventures at summer camp and a deadly plot at home. What sets this apart from typical family fare is its willingness to be genuinely dark while maintaining its humor.Wednesday Addams steals the show at a summer camp Thanksgiving play, delivering a memorable performance that cleverly pokes fun at holiday traditions while keeping kids laughing with slapstick humor and sharp wit.🎃 Stream it now on Paramount Plus’Coraline’

Coraline (2009) Official Trailer – Dakota Fanning, Teri Hatcher Movie HD – YouTube

Watch On
Based on Neil Gaiman’s novella, this stop-motion masterpiece from LAIKA Studios demonstrates that children’s horror can be both genuinely unsettling and deeply meaningful. The movie creates two distinct worlds: Coraline’s everyday life and a seemingly perfect alternate reality that’s not quite what it seems.The story centers on Coraline Jones (Dakota Fanning), who finds a mysterious door in her new home leading to a world where everything appears better than her real life – especially her too-good-to-be-true “Other Mother”. What starts as an exciting adventure turns into a creepy tale about being careful what you wish for and appreciating what you have. While some scenes might be too unsettling for very young children, this clever movie proves that kids can handle — and enjoy — stories with a darker edge.🎃 Stream it now on Max’Hocus Pocus’

Hocus Pocus (1993) Trailer #1 | Movieclips Classic Trailers – YouTube

Watch On
While it wasn’t an immediate hit when it was released in 1993, “Hocus Pocus” has become the ultimate family Halloween movie. Its winning mix of laughs and light scares has inspired many other family Halloween films, and the Sanderson Sisters are now as much a part of Halloween as candy corn and jack-o’-lanterns.The story follows teenager Max Dennison, who accidentally brings three witches back to life (played by Bette Midler, Sarah Jessica Parker, and Kathy Najimy) while showing off in Salem, Massachusetts. With help from his little sister Dani and his crush Allison, Max has to stop the witches from casting a spell on Salem’s children. With plenty of slapstick humor, catchy songs and Midler’s unforgettable performance as head witch Winifred Sanderson, it’s no wonder families return to this movie every Halloween.🎃 Stream it now on Disney Plus’Lemony Snicket’s A Series of Unfortunate Events’

Lemony Snicket’s A Series of Unfortunate Events (2004) Trailer #1 | Movieclips Classic Trailers – YouTube

Watch On
Before the Netflix series, this 2004 adaptation of the beloved Lemony Snicket books brought the delightfully dark world of the Baudelaire orphans to vibrant life. The film’s unique visual style, blending Gothic elements with whimsical design, earned it an Academy Award for Best Art Direction, setting a high bar for literary adaptations.The plot follows Violet, Klaus and Sunny Baudelaire as they escape the clutches of Count Olaf (Jim Carrey), a theatrical villain determined to steal their inheritance. The movie stays true to the books’ clever wit while adding Jim Carrey’s signature style to the mix. His take on Count Olaf strikes the perfect balance between funny and frightening — he’ll make you laugh one minute and give you the creeps the next.🎃 Stream it now on Paramount Plus’Casper’

Casper (1995) Official Trailer | Bill Pullman & Christina Ricci – YouTube

Watch On
This 1995 movie brought everyone’s favorite friendly ghost to life using groundbreaking special effects that still hold up today. While most ghost stories try to scare you, “Casper” takes a different approach. Instead of spooky haunted house tales, it proved that ghost stories could actually warm your heart and make you laugh. The movie was one of the first to create a computer-generated main character that audiences could really connect with, paving the way for many of the animated films we love today.The story follows the sweet-natured ghost Casper (voiced by Malachi Pearson), who develops a crush on Kat Harvey (Christina Ricci) when her dad (Bill Pullman), a ghost expert, comes to deal with the spirits in Casper’s mansion — including his mischievous ghost uncles. While there are plenty of fun and silly moments, the movie’s touching message about friendship and love makes it the perfect feel-good watch this Halloween.🎃 Stream it now on Prime Video’Miss Peregrine’s Home for Peculiar Children’

Miss Peregrine’s Home for Peculiar Children | Official Trailer [HD] | 20th Century FOX – YouTube

Watch On
Tim Burton brings Ransom Riggs’ unusual novel to life in this 2016 adaptation that combines classic Burton gothic aesthetics with X-Men-style superhero elements. The film’s unique visual approach to its peculiar characters creates memorable sequences that celebrate difference and uniqueness.Jake (Asa Butterfield) discovers a hidden home for children with extraordinary abilities, led by the mysterious Miss Peregrine (Eva Green). The story combines time travel, found family, and coming-of-age elements while exploring themes of accepting oneself and finding where you belong. While some of the darker elements might frighten very young viewers, the film’s celebration of outcasts and peculiarity makes it perfect for older children.🎃 Watch it now on Disney Plus’The Witches’ (1990)

The Witches (1990) Official Trailer #1 – Anjelica Huston Family Horror Movie – YouTube

Watch On
The 1990 adaptation of Roald Dahl’s dark fantasy remains the gold standard for children’s horror, proving that kids can handle genuinely frightening content when it’s handled with intelligence and wit. Jim Henson’s creature effects created unforgettable transformations that still hold up today.Anjelica Huston stars as the Grand High Witch, leading a convention of witches plotting to turn all children into mice. When young Luke (Jasen Fisher) discovers their plan, he must stop them despite being transformed himself. The movie keeps all the creepy fun of Roald Dahl’s original story, mixing plenty of laughs with some properly scary moments. It’s the kind of film that knows kids are braver than adults sometimes think, and they can handle a good spooky story.🎃 Watch it now on Tubi’Little Shop of Horrors’

Little Shop Of Horrors (1986) Official Trailer – Steve Martin, Bill Murray Comedy Musical HD – YouTube

Watch On
This 1986 musical adaptation of the off-Broadway show proves that horror-comedy musicals can work for family viewing when done right. With amazing special effects, memorable tunes, and fantastic actors, it’s become a Halloween favorite that stands out from the crowd.The story follows Seymour (Rick Moranis), a clumsy flower shop worker who finds a very unusual plant. The plant (with the incredible singing voice of Levi Stubbs) has a strange appetite — it only wants to eat blood! As the plant grows bigger and hungrier, Seymour has to decide between becoming famous and doing the right thing. While the youngest kids might find some parts a bit scary, the funny moments and toe-tapping songs help balance out the spookier stuff.🎃 Buy or rent it on Amazon’Labyrinth’

Labyrinth (1986) Official Trailer – David Bowie, Jennifer Connelly Movie HD – YouTube

Watch On
This 1986 collaboration between Jim Henson and David Bowie created a fantasy world that continues to captivate audiences. The combination of practical puppetry, elaborate sets, and Bowie’s magnetic presence as the Goblin King makes this a unique entry in the family fantasy genre.Sarah (Jennifer Connelly) must navigate a massive labyrinth to rescue her baby brother from the Goblin King (David Bowie), whom she foolishly wished would take him away. Along her journey, she meets an unforgettable cast of creatures and learns valuable lessons about responsibility and growing up. While not strictly a Halloween movie, its gothic fantasy elements and costume-worthy characters make it perfect for spooky season.🎃 Watch it now on Prime Video’Kiki’s Delivery Service’

KIKI’S DELIVERY SERVICE | Official English Trailer – YouTube

Watch On
If you’re looking for a Halloween movie without any scares, this charming animated film from Studio Ghibli is perfect. Made in 1989, it shows that witch stories can be sweet and heartwarming instead of spooky, making it ideal for viewers who prefer their magic on the gentler side.Meet Kiki (voiced by Kirsten Dunst), a 13-year-old witch who, along with her chatty black cat Jiji, must leave home for a year as part of growing up. She starts a flying delivery service in a new city and learns important lessons about believing in herself and finding her way in the world. With its cozy magical atmosphere and relatable story about growing up, it’s a perfect Halloween watch for families who want more treats than tricks.🎃 Watch it now on MaxMore from Tom’s Guide

11 best family-friendly Halloween movies to stream right now

Halloween movies have been spooking and delighting audiences since the early days of cinema, but finding the perfect balance between scary and family-friendly can feel like mixing a witch’s brew — it’s all about the right ingredients. While some Halloween films lean into jump scares and gore, others have mastered the art of creating magical adventures that captivate both kids and adults alike.Trick or StreamWelcome! This article is part of Trick or Stream, a seasonal series in which members of the Tom’s Guide staff share what they’re planning to watch for Halloween 2024 and their takes on the horror genre, with the goal of helping you find great movies that you might want to stream during spooky season.From stop-motion masterpieces to enchanting witch tales, the best family Halloween movies know exactly how to sprinkle just enough spooky elements into their storytelling. These films have become more than just seasonal entertainment; they’re treasured traditions passed down through generations, proving that the best Halloween viewing doesn’t need to terrify to be memorable.Whether you’re introducing little ones to their first spooky movie or looking for something the whole family can enjoy, these 11 movies strike the perfect balance between tricks and treats!’The Nightmare Before Christmas’

The Nightmare Before Christmas (1993) Official Trailer #1 – Animated Movie – YouTube

Watch On
Tim Burton’s stop-motion masterpiece revolutionized animation when it debuted in 1993, proving that children’s movies could tackle complex themes. The film’s unique visual style sparked a gothic-whimsical aesthetic that continues to influence artists and filmmakers today, while Danny Elfman’s haunting score has become iconic in its own right.The story follows Jack Skellington (voiced by Chris Sarandon, with Danny Elfman performing the songs), Halloween Town’s beloved Pumpkin King, who becomes obsessed with Christmas after stumbling into Christmas Town. His well-meaning but misguided attempt to take over the holiday leads to both hilarious and touching moments. While marketed as a Halloween movie, this genre-bending classic works equally well as a Christmas film.🎃 Stream it now on Disney Plus’The Addams Family Values’

THE ADDAMS FAMILY VALUES | Trailer | Paramount Movies – YouTube

Watch On
The 1993 sequel to “The Addams Family” film takes everything that made the original great and adds a razor-sharp critique of American suburbia and summer camp culture. Based on Charles Addams’ delightfully macabre cartoon characters, this film proves that sometimes the sequel can outshine its predecessor.Here at Tom’s Guide our expert editors are committed to bringing you the best news, reviews and guides to help you stay informed and ahead of the curve!Centered around the arrival of baby Pubert and Uncle Fester’s (Christopher Lloyd) romance with the suspiciously perfect nanny Debbie (Joan Cusack), the film splits its focus between Wednesday (Christina Ricci) and Pugsley’s adventures at summer camp and a deadly plot at home. What sets this apart from typical family fare is its willingness to be genuinely dark while maintaining its humor.Wednesday Addams steals the show at a summer camp Thanksgiving play, delivering a memorable performance that cleverly pokes fun at holiday traditions while keeping kids laughing with slapstick humor and sharp wit.🎃 Stream it now on Paramount Plus’Coraline’

Coraline (2009) Official Trailer – Dakota Fanning, Teri Hatcher Movie HD – YouTube

Watch On
Based on Neil Gaiman’s novella, this stop-motion masterpiece from LAIKA Studios demonstrates that children’s horror can be both genuinely unsettling and deeply meaningful. The movie creates two distinct worlds: Coraline’s everyday life and a seemingly perfect alternate reality that’s not quite what it seems.The story centers on Coraline Jones (Dakota Fanning), who finds a mysterious door in her new home leading to a world where everything appears better than her real life – especially her too-good-to-be-true “Other Mother”. What starts as an exciting adventure turns into a creepy tale about being careful what you wish for and appreciating what you have. While some scenes might be too unsettling for very young children, this clever movie proves that kids can handle — and enjoy — stories with a darker edge.🎃 Stream it now on Max’Hocus Pocus’

Hocus Pocus (1993) Trailer #1 | Movieclips Classic Trailers – YouTube

Watch On
While it wasn’t an immediate hit when it was released in 1993, “Hocus Pocus” has become the ultimate family Halloween movie. Its winning mix of laughs and light scares has inspired many other family Halloween films, and the Sanderson Sisters are now as much a part of Halloween as candy corn and jack-o’-lanterns.The story follows teenager Max Dennison, who accidentally brings three witches back to life (played by Bette Midler, Sarah Jessica Parker, and Kathy Najimy) while showing off in Salem, Massachusetts. With help from his little sister Dani and his crush Allison, Max has to stop the witches from casting a spell on Salem’s children. With plenty of slapstick humor, catchy songs and Midler’s unforgettable performance as head witch Winifred Sanderson, it’s no wonder families return to this movie every Halloween.🎃 Stream it now on Disney Plus’Lemony Snicket’s A Series of Unfortunate Events’

Lemony Snicket’s A Series of Unfortunate Events (2004) Trailer #1 | Movieclips Classic Trailers – YouTube

Watch On
Before the Netflix series, this 2004 adaptation of the beloved Lemony Snicket books brought the delightfully dark world of the Baudelaire orphans to vibrant life. The film’s unique visual style, blending Gothic elements with whimsical design, earned it an Academy Award for Best Art Direction, setting a high bar for literary adaptations.The plot follows Violet, Klaus and Sunny Baudelaire as they escape the clutches of Count Olaf (Jim Carrey), a theatrical villain determined to steal their inheritance. The movie stays true to the books’ clever wit while adding Jim Carrey’s signature style to the mix. His take on Count Olaf strikes the perfect balance between funny and frightening — he’ll make you laugh one minute and give you the creeps the next.🎃 Stream it now on Paramount Plus’Casper’

Casper (1995) Official Trailer | Bill Pullman & Christina Ricci – YouTube

Watch On
This 1995 movie brought everyone’s favorite friendly ghost to life using groundbreaking special effects that still hold up today. While most ghost stories try to scare you, “Casper” takes a different approach. Instead of spooky haunted house tales, it proved that ghost stories could actually warm your heart and make you laugh. The movie was one of the first to create a computer-generated main character that audiences could really connect with, paving the way for many of the animated films we love today.The story follows the sweet-natured ghost Casper (voiced by Malachi Pearson), who develops a crush on Kat Harvey (Christina Ricci) when her dad (Bill Pullman), a ghost expert, comes to deal with the spirits in Casper’s mansion — including his mischievous ghost uncles. While there are plenty of fun and silly moments, the movie’s touching message about friendship and love makes it the perfect feel-good watch this Halloween.🎃 Stream it now on Prime Video’Miss Peregrine’s Home for Peculiar Children’

Miss Peregrine’s Home for Peculiar Children | Official Trailer [HD] | 20th Century FOX – YouTube

Watch On
Tim Burton brings Ransom Riggs’ unusual novel to life in this 2016 adaptation that combines classic Burton gothic aesthetics with X-Men-style superhero elements. The film’s unique visual approach to its peculiar characters creates memorable sequences that celebrate difference and uniqueness.Jake (Asa Butterfield) discovers a hidden home for children with extraordinary abilities, led by the mysterious Miss Peregrine (Eva Green). The story combines time travel, found family, and coming-of-age elements while exploring themes of accepting oneself and finding where you belong. While some of the darker elements might frighten very young viewers, the film’s celebration of outcasts and peculiarity makes it perfect for older children.🎃 Watch it now on Disney Plus’The Witches’ (1990)

The Witches (1990) Official Trailer #1 – Anjelica Huston Family Horror Movie – YouTube

Watch On
The 1990 adaptation of Roald Dahl’s dark fantasy remains the gold standard for children’s horror, proving that kids can handle genuinely frightening content when it’s handled with intelligence and wit. Jim Henson’s creature effects created unforgettable transformations that still hold up today.Anjelica Huston stars as the Grand High Witch, leading a convention of witches plotting to turn all children into mice. When young Luke (Jasen Fisher) discovers their plan, he must stop them despite being transformed himself. The movie keeps all the creepy fun of Roald Dahl’s original story, mixing plenty of laughs with some properly scary moments. It’s the kind of film that knows kids are braver than adults sometimes think, and they can handle a good spooky story.🎃 Watch it now on Tubi’Little Shop of Horrors’

Little Shop Of Horrors (1986) Official Trailer – Steve Martin, Bill Murray Comedy Musical HD – YouTube

Watch On
This 1986 musical adaptation of the off-Broadway show proves that horror-comedy musicals can work for family viewing when done right. With amazing special effects, memorable tunes, and fantastic actors, it’s become a Halloween favorite that stands out from the crowd.The story follows Seymour (Rick Moranis), a clumsy flower shop worker who finds a very unusual plant. The plant (with the incredible singing voice of Levi Stubbs) has a strange appetite — it only wants to eat blood! As the plant grows bigger and hungrier, Seymour has to decide between becoming famous and doing the right thing. While the youngest kids might find some parts a bit scary, the funny moments and toe-tapping songs help balance out the spookier stuff.🎃 Buy or rent it on Amazon’Labyrinth’

Labyrinth (1986) Official Trailer – David Bowie, Jennifer Connelly Movie HD – YouTube

Watch On
This 1986 collaboration between Jim Henson and David Bowie created a fantasy world that continues to captivate audiences. The combination of practical puppetry, elaborate sets, and Bowie’s magnetic presence as the Goblin King makes this a unique entry in the family fantasy genre.Sarah (Jennifer Connelly) must navigate a massive labyrinth to rescue her baby brother from the Goblin King (David Bowie), whom she foolishly wished would take him away. Along her journey, she meets an unforgettable cast of creatures and learns valuable lessons about responsibility and growing up. While not strictly a Halloween movie, its gothic fantasy elements and costume-worthy characters make it perfect for spooky season.🎃 Watch it now on Prime Video’Kiki’s Delivery Service’

KIKI’S DELIVERY SERVICE | Official English Trailer – YouTube

Watch On
If you’re looking for a Halloween movie without any scares, this charming animated film from Studio Ghibli is perfect. Made in 1989, it shows that witch stories can be sweet and heartwarming instead of spooky, making it ideal for viewers who prefer their magic on the gentler side.Meet Kiki (voiced by Kirsten Dunst), a 13-year-old witch who, along with her chatty black cat Jiji, must leave home for a year as part of growing up. She starts a flying delivery service in a new city and learns important lessons about believing in herself and finding her way in the world. With its cozy magical atmosphere and relatable story about growing up, it’s a perfect Halloween watch for families who want more treats than tricks.🎃 Watch it now on MaxMore from Tom’s Guide

Kudumbashree’s ‘Kanas Jaga’ to feature short films by tribal children, book releases

A festival of short films by children from tribal communities, release of books by children and a teachers’ meet will be held in Kochi, Kerala, on October 26 and 27 under Kudumbashree’s Kanas Jaga programme. United Nations (UN) representatives and delegates from Talent Book of World Records will participate in the programme.Kanas Jaga (dream place) is a project under the leadership of the Kudumbashree Mission aimed at making indigenous children excel in different fields and make them aware of the place they live in, its climate, climate change, social issues, children’s rights and empowerment. The Kanas Jaga programme is aimed at comprehensive development of children, education, nutritious food supply, healthcare, cultural protection and financial empowerment. In order to foster their talents and creativity, Kanas Jaga has been organising various programme. One of the programmes is short films on pressing issues centred around children. The films present both the problems and solutions that are suggested by children. A festival of these films is part of the two-day programme, said B. Sreejith, programme officer for Social Inclusion and Social Development, at a press conference here on Thursday (October 24, 2024).Nearly 3,000 children in groups of 30 to 50 in 100 batches have been trained in filmmaking. Each of the batches produced a short film with the children themselves involved in drawing up the stories, writing the screenplays and filming. Nine booksNine books have been written by the Kanas Jaga group children. These books will be released at the event. Kanas Jaga is being implemented among indigenous communities in Kasaragod, Kannur, Wayanad, Palakkad, Thrissur, Idukki and Pathanamthitta districts. The short film festival will be held at St. Theresa’s College in the city on October 26 and 27. Published – October 24, 2024 04:38 pm IST
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The Terminator at 40: this sci-fi ‘B-movie’ still shapes how we view the threat of AI

October 26, 2024 marks the 40th anniversary of director James Cameron’s science fiction classic, The Terminator – a film that popularised society’s fear of machines that can’t be reasoned with, and that “absolutely will not stop … until you are dead”, as one character memorably puts it.

The plot concerns a super-intelligent AI system called Skynet which has taken over the world by initiating nuclear war. Amid the resulting devastation, human survivors stage a successful fightback under the leadership of the charismatic John Connor.

In response, Skynet sends a cyborg assassin (played by Arnold Schwarzenegger) back in time to 1984 – before Connor’s birth – to kill his future mother, Sarah. Such is John Connor’s importance to the war that Skynet banks on erasing him from history to preserve its existence.

Today, public interest in artificial intelligence has arguably never been greater. The companies developing AI typically promise their technologies will perform tasks faster and more accurately than people. They claim AI can spot patterns in data that are not obvious, enhancing human decision-making. There is a widespread perception that AI is poised to transform everything from warfare to the economy.

Immediate risks include introducing biases into algorithms for screening job applications and the threat of generative AI displacing humans from certain types of work, such as software programming.

But it is the existential danger that often dominates public discussion – and the six Terminator films have exerted an outsize influence on how these arguments are framed. Indeed, according to some, the films’ portrayal of the threat posed by AI-controlled machines distracts from the substantial benefits offered by the technology.

Official trailer for The Terminator (1984)

The Terminator was not the first film to tackle AI’s potential dangers. There are parallels between Skynet and the HAL 9000 supercomputer in Stanley Kubrick’s 1968 film, 2001: A Space Odyssey.

It also draws from Mary Shelley’s 1818 novel, Frankenstein, and Karel Čapek’s 1921 play, R.U.R.. Both stories concern inventors losing control over their creations.

On release, it was described in a review by the New York Times as a “B-movie with flair”. In the intervening years, it has been recognised as one of the greatest science fiction movies of all time. At the box office, it made more than 12 times its modest budget of US$6.4 million (£4.9 million at today’s exchange rate).

What was arguably most novel about The Terminator is how it re-imagined longstanding fears of a machine uprising through the cultural prism of 1980s America. Much like the 1983 film WarGames, where a teenager nearly triggers World War 3 by hacking into a military supercomputer, Skynet highlights cold war fears of nuclear annihilation coupled with anxiety about rapid technological change.

Read more:
Science fiction helps us deal with science fact: a lesson from Terminator’s killer robots

Forty years on, Elon Musk is among the technology leaders who have helped keep a focus on the supposed existential risk of AI to humanity. The owner of X (formerly Twitter) has repeatedly referenced the Terminator franchise while expressing concerns about the hypothetical development of superintelligent AI.

But such comparisons often irritate the technology’s advocates. As the former UK technology minister Paul Scully said at a London conference in 2023: “If you’re only talking about the end of humanity because of some rogue, Terminator-style scenario, you’re going to miss out on all of the good that AI [can do].”

That’s not to say there aren’t genuine concerns about military uses of AI – ones that may even seem to parallel the film franchise.

AI-controlled weapons systems

To the relief of many, US officials have said that AI will never take a decision on deploying nuclear weapons. But combining AI with autonomous weapons systems is a possibility.

These weapons have existed for decades and don’t necessarily require AI. Once activated, they can select and attack targets without being directly operated by a human. In 2016, US Air Force general Paul Selva coined the term “Terminator conundrum” to describe the ethical and legal challenges posed by these weapons.

The Terminator’s director James Cameron says ‘the weaponisation of AI is the biggest danger’.

Stuart Russell, a leading UK computer scientist, has argued for a ban on all lethal, fully autonomous weapons, including those with AI. The main risk, he argues, is not from a sentient Skynet-style system going rogue, but how well autonomous weapons might follow our instructions, killing with superhuman accuracy.

Russell envisages a scenario where tiny quadcopters equipped with AI and explosive charges could be mass-produced. These “slaughterbots” could then be deployed in swarms as “cheap, selective weapons of mass destruction”.

Countries including the US specify the need for human operators to “exercise appropriate levels of human judgment over the use of force” when operating autonomous weapon systems. In some instances, operators can visually verify targets before authorising strikes, and can “wave off” attacks if situations change.

AI is already being used to support military targeting. According to some, it’s even a responsible use of the technology, since it could reduce collateral damage. This idea evokes Schwarzenegger’s role reversal as the benevolent “machine guardian” in the original film’s sequel, Terminator 2: Judgment Day.

However, AI could also undermine the role human drone operators play in challenging recommendations by machines. Some researchers think that humans have a tendency to trust whatever computers say.

‘Loitering munitions’

Militaries engaged in conflicts are increasingly making use of small, cheap aerial drones that can detect and crash into targets. These “loitering munitions” (so named because they are designed to hover over a battlefield) feature varying degrees of autonomy.

As I’ve argued in research co-authored with security researcher Ingvild Bode, the dynamics of the Ukraine war and other recent conflicts in which these munitions have been widely used raises concerns about the quality of control exerted by human operators.

Ground-based military robots armed with weapons and designed for use on the battlefield might call to mind the relentless Terminators, and weaponised aerial drones may, in time, come to resemble the franchise’s airborne “hunter-killers”. But these technologies don’t hate us as Skynet does, and neither are they “super-intelligent”.

However, it’s crucially important that human operators continue to exercise agency and meaningful control over machine systems.

Arguably, The Terminator’s greatest legacy has been to distort how we collectively think and speak about AI. This matters now more than ever, because of how central these technologies have become to the strategic competition for global power and influence between the US, China and Russia.

The entire international community, from superpowers such as China and the US to smaller countries, needs to find the political will to cooperate – and to manage the ethical and legal challenges posed by the military applications of AI during this time of geopolitical upheaval. How nations navigate these challenges will determine whether we can avoid the dystopian future so vividly imagined in The Terminator – even if we don’t see time travelling cyborgs any time soon.

The Terminator at 40: this sci-fi ‘B-movie’ still shapes how we view the threat of AI

October 26, 2024 marks the 40th anniversary of director James Cameron’s science fiction classic, The Terminator – a film that popularised society’s fear of machines that can’t be reasoned with, and that “absolutely will not stop … until you are dead”, as one character memorably puts it.

The plot concerns a super-intelligent AI system called Skynet which has taken over the world by initiating nuclear war. Amid the resulting devastation, human survivors stage a successful fightback under the leadership of the charismatic John Connor.

In response, Skynet sends a cyborg assassin (played by Arnold Schwarzenegger) back in time to 1984 – before Connor’s birth – to kill his future mother, Sarah. Such is John Connor’s importance to the war that Skynet banks on erasing him from history to preserve its existence.

Today, public interest in artificial intelligence has arguably never been greater. The companies developing AI typically promise their technologies will perform tasks faster and more accurately than people. They claim AI can spot patterns in data that are not obvious, enhancing human decision-making. There is a widespread perception that AI is poised to transform everything from warfare to the economy.

Immediate risks include introducing biases into algorithms for screening job applications and the threat of generative AI displacing humans from certain types of work, such as software programming.

But it is the existential danger that often dominates public discussion – and the six Terminator films have exerted an outsize influence on how these arguments are framed. Indeed, according to some, the films’ portrayal of the threat posed by AI-controlled machines distracts from the substantial benefits offered by the technology.

Official trailer for The Terminator (1984)

The Terminator was not the first film to tackle AI’s potential dangers. There are parallels between Skynet and the HAL 9000 supercomputer in Stanley Kubrick’s 1968 film, 2001: A Space Odyssey.

It also draws from Mary Shelley’s 1818 novel, Frankenstein, and Karel Čapek’s 1921 play, R.U.R.. Both stories concern inventors losing control over their creations.

On release, it was described in a review by the New York Times as a “B-movie with flair”. In the intervening years, it has been recognised as one of the greatest science fiction movies of all time. At the box office, it made more than 12 times its modest budget of US$6.4 million (£4.9 million at today’s exchange rate).

What was arguably most novel about The Terminator is how it re-imagined longstanding fears of a machine uprising through the cultural prism of 1980s America. Much like the 1983 film WarGames, where a teenager nearly triggers World War 3 by hacking into a military supercomputer, Skynet highlights cold war fears of nuclear annihilation coupled with anxiety about rapid technological change.

Read more:
Science fiction helps us deal with science fact: a lesson from Terminator’s killer robots

Forty years on, Elon Musk is among the technology leaders who have helped keep a focus on the supposed existential risk of AI to humanity. The owner of X (formerly Twitter) has repeatedly referenced the Terminator franchise while expressing concerns about the hypothetical development of superintelligent AI.

But such comparisons often irritate the technology’s advocates. As the former UK technology minister Paul Scully said at a London conference in 2023: “If you’re only talking about the end of humanity because of some rogue, Terminator-style scenario, you’re going to miss out on all of the good that AI [can do].”

That’s not to say there aren’t genuine concerns about military uses of AI – ones that may even seem to parallel the film franchise.

AI-controlled weapons systems

To the relief of many, US officials have said that AI will never take a decision on deploying nuclear weapons. But combining AI with autonomous weapons systems is a possibility.

These weapons have existed for decades and don’t necessarily require AI. Once activated, they can select and attack targets without being directly operated by a human. In 2016, US Air Force general Paul Selva coined the term “Terminator conundrum” to describe the ethical and legal challenges posed by these weapons.

The Terminator’s director James Cameron says ‘the weaponisation of AI is the biggest danger’.

Stuart Russell, a leading UK computer scientist, has argued for a ban on all lethal, fully autonomous weapons, including those with AI. The main risk, he argues, is not from a sentient Skynet-style system going rogue, but how well autonomous weapons might follow our instructions, killing with superhuman accuracy.

Russell envisages a scenario where tiny quadcopters equipped with AI and explosive charges could be mass-produced. These “slaughterbots” could then be deployed in swarms as “cheap, selective weapons of mass destruction”.

Countries including the US specify the need for human operators to “exercise appropriate levels of human judgment over the use of force” when operating autonomous weapon systems. In some instances, operators can visually verify targets before authorising strikes, and can “wave off” attacks if situations change.

AI is already being used to support military targeting. According to some, it’s even a responsible use of the technology, since it could reduce collateral damage. This idea evokes Schwarzenegger’s role reversal as the benevolent “machine guardian” in the original film’s sequel, Terminator 2: Judgment Day.

However, AI could also undermine the role human drone operators play in challenging recommendations by machines. Some researchers think that humans have a tendency to trust whatever computers say.

‘Loitering munitions’

Militaries engaged in conflicts are increasingly making use of small, cheap aerial drones that can detect and crash into targets. These “loitering munitions” (so named because they are designed to hover over a battlefield) feature varying degrees of autonomy.

As I’ve argued in research co-authored with security researcher Ingvild Bode, the dynamics of the Ukraine war and other recent conflicts in which these munitions have been widely used raises concerns about the quality of control exerted by human operators.

Ground-based military robots armed with weapons and designed for use on the battlefield might call to mind the relentless Terminators, and weaponised aerial drones may, in time, come to resemble the franchise’s airborne “hunter-killers”. But these technologies don’t hate us as Skynet does, and neither are they “super-intelligent”.

However, it’s crucially important that human operators continue to exercise agency and meaningful control over machine systems.

Arguably, The Terminator’s greatest legacy has been to distort how we collectively think and speak about AI. This matters now more than ever, because of how central these technologies have become to the strategic competition for global power and influence between the US, China and Russia.

The entire international community, from superpowers such as China and the US to smaller countries, needs to find the political will to cooperate – and to manage the ethical and legal challenges posed by the military applications of AI during this time of geopolitical upheaval. How nations navigate these challenges will determine whether we can avoid the dystopian future so vividly imagined in The Terminator – even if we don’t see time travelling cyborgs any time soon.

KY Press author wins inaugural Tennessee Book Award in fiction

LEXINGTON, Ky. (Oct. 24, 2024) — Monic Ductan, author of “Daughters of Muscadine: Stories” (University Press of Kentucky), is the recipient of the inaugural Tennessee Book Award in the fiction category. A collaboration of Humanities Tennessee and the Tennessee State Library and Archives, the awards recognize excellence in fiction, nonfiction and poetry written by Tennessee residents.Ductan’s debut release consists of interconnected stories set in the small, rural town of Muscadine, Georgia. Covering the last 100 years, Ductan’s collection shares stories of people whose voices have been suppressed and erased for too long: Black women, rural women, Appalachian women and working-class women. “Daughters of Muscadine” was released by Fireside Industries, an imprint of the University Press of Kentucky (KY Press), and edited by bestselling author, journalist, activist and Kentucky Poet Laureate Silas House. The imprint strives to publish creative work by authors with unique perspectives, diverse backgrounds and compelling voices, who are telling the complex stories of Appalachia and rural America.

“Tennessee is rich with literary talent, and we have dreamed for years of establishing a statewide award to honor our best writers,” said Tim Henderson, executive director of Humanities Tennessee. “We are thrilled to recognize these incredibly talented individuals for their contributions to the cultural life of the state. Our judges had a difficult task, thanks to the high caliber of all the submissions, and we are grateful for their diligent work to identify the best of the best, in keeping with Tennessee’s long and storied literary tradition.”

Fiction finalists for the Tennessee Book Award were Lauren Thoman for “I’ll Stop the World” and Johanna Rojas Vannes for “An American Immigrant.”

The winners will each receive a $2,500 prize, and winners and finalists will discuss their work at a special session at the Southern Festival of Books, 11 a.m. CT Oct. 27 at the Tennessee State Library and Archives.

“I’m ecstatic about winning the Tennessee Book Award,” said Ductan. “The final judge was Edwidge Danticat, a very accomplished writer whom I admire. Last spring, ‘Daughters of Muscadine’ won the Weatherford Award for Appalachian fiction, an award previously won by so many great writers like Barbara Kingsolver and Crystal Wilkinson and Silas House. The book was also named to the list ‘Books All Georgians Should Read’ by the Georgia Center for the Book, and the list was compiled by a committee made up of librarians and readers from Georgia. All these honors show the book has resonated with readers from around the state of Tennessee, and from around Appalachia, too.”

Ductan teaches literature and creative writing at Tennessee Tech University. Her writing has appeared in a number of journals, including Oxford American, Good River Review, Southeast Review, Shenandoah, Appalachian Heritage and South Carolina Review. Her essay “Fantasy Worlds” was listed as notable in The Best American Essays 2019.

Humanities Tennessee is a nonprofit organization that fosters community and civility in Tennessee through engaging programs that examine and reflect upon ideas, stories, history, arts and culture. In addition to its own programming, Humanities Tennessee partners with a variety of organizations across the state that similarly encourage community dialogue and activities that push people to think deeper and develop mutual respect and understanding for each other.

Humanities Tennessee, formerly the Tennessee Humanities Council, is the state affiliate of the National Endowment for the Humanities and the Library of Congress Tennessee Center for the Book. Founded in 1973, Humanities Tennessee continues to develop ways to connect, learn and grow as a community.

The University Press of Kentucky is the statewide nonprofit scholarly publisher for the Commonwealth of Kentucky. Serving all Kentucky state-sponsored institutions of higher learning as well as nine private colleges and Kentucky’s two major historical societies, it was organized in 1969 as successor to the University of Kentucky Press. The KY Press is dedicated to the publication of academic books of high scholarly merit as well as significant books about the history and culture of Kentucky, the Ohio Valley region, the Upper South and Appalachia.

KY Press author wins inaugural Tennessee Book Award in fiction

LEXINGTON, Ky. (Oct. 24, 2024) — Monic Ductan, author of “Daughters of Muscadine: Stories” (University Press of Kentucky), is the recipient of the inaugural Tennessee Book Award in the fiction category. A collaboration of Humanities Tennessee and the Tennessee State Library and Archives, the awards recognize excellence in fiction, nonfiction and poetry written by Tennessee residents.Ductan’s debut release consists of interconnected stories set in the small, rural town of Muscadine, Georgia. Covering the last 100 years, Ductan’s collection shares stories of people whose voices have been suppressed and erased for too long: Black women, rural women, Appalachian women and working-class women. “Daughters of Muscadine” was released by Fireside Industries, an imprint of the University Press of Kentucky (KY Press), and edited by bestselling author, journalist, activist and Kentucky Poet Laureate Silas House. The imprint strives to publish creative work by authors with unique perspectives, diverse backgrounds and compelling voices, who are telling the complex stories of Appalachia and rural America.

“Tennessee is rich with literary talent, and we have dreamed for years of establishing a statewide award to honor our best writers,” said Tim Henderson, executive director of Humanities Tennessee. “We are thrilled to recognize these incredibly talented individuals for their contributions to the cultural life of the state. Our judges had a difficult task, thanks to the high caliber of all the submissions, and we are grateful for their diligent work to identify the best of the best, in keeping with Tennessee’s long and storied literary tradition.”

Fiction finalists for the Tennessee Book Award were Lauren Thoman for “I’ll Stop the World” and Johanna Rojas Vannes for “An American Immigrant.”

The winners will each receive a $2,500 prize, and winners and finalists will discuss their work at a special session at the Southern Festival of Books, 11 a.m. CT Oct. 27 at the Tennessee State Library and Archives.

“I’m ecstatic about winning the Tennessee Book Award,” said Ductan. “The final judge was Edwidge Danticat, a very accomplished writer whom I admire. Last spring, ‘Daughters of Muscadine’ won the Weatherford Award for Appalachian fiction, an award previously won by so many great writers like Barbara Kingsolver and Crystal Wilkinson and Silas House. The book was also named to the list ‘Books All Georgians Should Read’ by the Georgia Center for the Book, and the list was compiled by a committee made up of librarians and readers from Georgia. All these honors show the book has resonated with readers from around the state of Tennessee, and from around Appalachia, too.”

Ductan teaches literature and creative writing at Tennessee Tech University. Her writing has appeared in a number of journals, including Oxford American, Good River Review, Southeast Review, Shenandoah, Appalachian Heritage and South Carolina Review. Her essay “Fantasy Worlds” was listed as notable in The Best American Essays 2019.

Humanities Tennessee is a nonprofit organization that fosters community and civility in Tennessee through engaging programs that examine and reflect upon ideas, stories, history, arts and culture. In addition to its own programming, Humanities Tennessee partners with a variety of organizations across the state that similarly encourage community dialogue and activities that push people to think deeper and develop mutual respect and understanding for each other.

Humanities Tennessee, formerly the Tennessee Humanities Council, is the state affiliate of the National Endowment for the Humanities and the Library of Congress Tennessee Center for the Book. Founded in 1973, Humanities Tennessee continues to develop ways to connect, learn and grow as a community.

The University Press of Kentucky is the statewide nonprofit scholarly publisher for the Commonwealth of Kentucky. Serving all Kentucky state-sponsored institutions of higher learning as well as nine private colleges and Kentucky’s two major historical societies, it was organized in 1969 as successor to the University of Kentucky Press. The KY Press is dedicated to the publication of academic books of high scholarly merit as well as significant books about the history and culture of Kentucky, the Ohio Valley region, the Upper South and Appalachia.

Construction to be standalone business as Stepnell demerges

The move will see shareholders Peter Wakeford, Tom Wakeford, Ed Wakeford and David Wakeford each owning companies within the current Stepnell Group – reflecting their expertise and boosting growth.
Tom Wakeford will continue to lead the Stepnell Ltd construction business with its existing leadership team and Step Energy, the decarbonisation and renewables business, and Ed Wakeford will continue to lead the property and development business.

In a collective statement, shareholders said: “The effect of the demerger will positively benefit current and potential clients providing clear leadership for each of the respective businesses and their employees.
“Operating the group as independent businesses will enable us to be more agile to focus on our clients, boosting these robust businesses in our chosen markets – and creating greater potential for each business to expand, invest and further improve the offering to its clients and employees.
“We aim to conclude the demerger in January 2025; the businesses will continue to deliver for our clients and stakeholders as we transition into full demerger.”
Group accounts for the year to March 31 2024 are due shortly at Companies House.
Figures for the previous year show a turnover of £95.3m generating a pre-tax profit of £1.3m.

‘So we’re doing Get Out all over again, huh?’: ‘The Substance’ slides into the Golden Globes as a musical/comedy and moviegoers are concerned

The Substance has been in theaters for some time now, and the discourse surrounding it has reached its peak following the Golden Globes’ decision to nominate it in the musical/comedy category.

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Fans torn over The Substance‘s classification Wrong category ??‍♀️wouldn’t class it as a musical or comedy lol— Jonathan (@HomeCinemaAV) October 21, 2024 However, the fans are torn between the jury’s decision, with the majority believing that is a huge gaffe that the film is neither a comedy nor a musical, and that the event needs to introduce a category for the horror genres to avoid such instances in the future. On the other hand, a minority section agrees with the panel’s discussion, claiming that Coralie Fargeat’s satirical body horror can indeed be classified as a dark comedy. Here are some fan reactions that echo the sentiment mentioned above of disappointment: nothing about this film says comedy what are they even doing— harv (@harvv) October 21, 2024
The substance is up for best Musical/Comedy? I guess the Golden Globes are taking ‘comedy’ to a whole new level. Can’t wait to see the nominees include my cat’s latest TikTok! ??— Praise Nnaam (@praisennaam) October 21, 2024 Comedy….?????? Oh @TheAcademy…. MAKE A HORROR CATEGORY PLEASE WERE BEGGING— ✨Lucky Laura ‘24✨ (@Laura_Zisko) October 21, 2024
The Globes are guilty of pulling off similar stunts in the past
The Golden Globes have a storied history of committing category fraud, dating back to the 1990 release Ghost being clubbed alongside comedies. The Patrick Swayze-Demi Moore starrer was anything but a funny film, with the title of a romantic thriller best suiting it’s premise. Other films that have received similar treatment from the awards include Jordan Peele’s Get Out (a horror film nominated in the musical/comedy category), Ridley Scott’s The Martian (sci-fi drama nominated in the comedy genre), Martin Scorsese’s The Wolf of Wall Street (biographical crime drama nominated in the comedy/musical section), and the 2011 Michelle Williams starrer My Week with Marilyn, a biographical drama nominated in the comedy/musical genre, yet again.
Meanwhile, Fargeat’s sophomore directorial effort continues to draw attention following this announcement and is likely to boost its already impressive box office numbers. An incredible combination of jaw-dropping body horror and piercing social commentary, the MUBI release is close to hitting the $30 million number globally against its $17.5 million budget, almost doubling the investment. Starring Demi Moore, Margaret Qualley, and Dennis Quaid in leading roles, The Substance stands out for its immaculate screenplay, performances, Fargeat’s direction, and the much-talked-about ending, which proves to be a perfect conclusion to a cautionary tale about the double standards of the entertainment industry.

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