UCF Professors Receive 2024 Rising Stars Awards From Academy of Science, Engineering and Medicine of Florida

Three UCF faculty members have been recognized by the Academy of Science, Engineering and Medicine of Florida (ASEMFL) for the impact they’ve had on their fields of study. Associate professors Ranajay Ghosh and Chen Chen of the College of Engineering and Computer Science and Associate Professor Lindsay Taliaferro of the College of Medicine have been named 2024 Rising Star awardees and will be recognized at the ASEMFL annual meeting on Nov. 1.
The Rising Stars are selected based on their academic and scientific contributions to the field as well as their potential to become future ASEMFL inductees. This year, a total of 19 Rising Star awards will be given to mid-career academics from both public and private universities in the state.
“ASEMFL recognizes the importance of new investigators whose work shows great promise in addressing critical issues towards ensuring the growth and success in its mission,” says Angela Laird, the ASEMFL secretary and a distinguished university professor at Florida International University. “Through the Rising Stars program, ASEMFL hopes to engage with mid-career researchers more actively throughout the State of Florida, anticipating that these individuals will provide valuable insight for how to grow the society and ensure its continued relevance for current and future generations.”
Associate Professor of Aerospace Engineering Ranajay Ghosh (center). (Photo by Markel Jones)
Ranajay Ghosh
Citation: For pioneering research in nonlinear metamaterials and metasurfaces, significantly advancing the understanding of their nonlinear elasticity, dynamics, and dissipative behavior with applications to aerospace and robotics
Over the past several years, Ghosh, an associate professor of aerospace engineering, has garnered both media attention and industry support for his research, which mixes the fundamentals of engineering with cutting-edge technology to create advanced materials and systems for space applications. His work on 3D-printed bricks made of lunar regolith was featured in Popular Science in 2022 and his research on exoskeletons was funded by a U.S. National Science Foundation CAREER award in 2020.
Despite the accolades he’s received and milestones he’s achieved, Ghosh was surprised but pleased to be named a 2024 ASEMFL Rising Star.
“I’m truly honored to be recognized as a Rising Star by the Academy of Science, Engineering, and Medicine of Florida,” Ghosh says. “The academy’s mission to address pressing challenges, especially those impacting on the state of Florida, closely aligns with my work in advanced materials for aerospace and robotics. This recognition inspires me not only to push the boundaries of technology but also to mentor my students to become problem solvers who are able to tackle the complex issues the academy aims to address.”
Associate Professor of Computer Science Chen Chen (center). (Photo by Markel Jones)
Chen Chen
Citation: For pioneering advancements in real-time, privacy-preserving video analytics and impactful contributions to public safety and healthcare engineering
Chen, an associate professor of computer science, is highly cited and recognized globally for his work in computer vision. His work on deep learning algorithms for edge computing was supported by organizations like Intel and the National Science Foundation. Within the past decade, he’s published more than 80 journal articles, and has served as an associate editor for multiple research journals. He holds two patents for the development of depth sensors for movement recognition and for a wearable medication adherence monitor.
Professor of Medicine Lindsay Taliaferro (center). (Photo by Markel Jones)
Lindsay Taliaferro
Citation: For addressing social inequities and health disparities among LGBTQ+ youth by identifying modifiable factors that protect against suicide and facilitate healthcare utilization
Taliaferro is an associate professor of medicine in the Department of Population Health Sciences. Her research focuses on the delivery of quality care to LGBTQ+ adolescents and young adults, with an emphasis on mental health outcomes, suicide prevention and healthcare utilization. Her work has been funded by the National Institutes of Health, the National Institute of Mental Health and the American Foundation for Suicide Prevention.
She’s a prior recipient of the UCF Research for the Stars Award, a UCF Women of Distinction Award and a UCF College of Medicine Early Career Investigator Award for Achievement in Research, but she says she’s just as honored to be selected for the ASEMFL Rising Stars Award.
“I feel honored and very grateful for this recognition of my research with LGBTQ+ young people,” Taliaferro says.
Housed at UCF, ASEMFL is a nonprofit organization for the top scholars and researchers in Florida who aim to discover solutions to global and statewide challenges. To view the full list of Rising Stars, the 2024 ASEMFL inductees or to learn more about the organization, visit the ASEMFL website.

Cast announced for new Gregg Araki film ‘I Want Your Sex’ 

The full cast for Gregg Araki’s upcoming film I Want Your Sex has been announced. 

Daveed Diggs, Mason Gooding, Johnny Knocksville, Chase Sui Wonders and Margaret Chop will appear in the new movie alongside previously announced cast members Olivia Wilde, Cooper Hoffman and Charli XCX. – Advertisement –

The film has already wrapped filming in LA and will hopefully be on cinema screens in 2025. Little is known about the roles many of the actors play in the film. 

It follows Cooper Hoffman who plays a young man named Elliot who lands a job working for a renown artist and provocateur Erika Tracy played by Wilde. 

His fantasies come true as Erika taps him to become her sexual muse. But Elliot soon finds himself out of his depth as Erika takes him on a journey more profound than he ever could have imagined, into a world of sex, obsession, power, betrayal and murder. 

Director Gregg Araki created a string of indie films in the 90’s that are held in high revere. He was at the forefront of the New Queer Cinema movement.  

Araki’s films have included his breakthrough feature; 1992’s The Living End, a road movie that focussed on two HIV positive men; his teenage apocalypse trilogy that included Totally Fucked Up, The Doom Generation and Nowhere. He also made  the romantic comedy Splendour and the critically acclaimed but controversial Mysterious Skin.

The actors in Araki’s films are mesmerising, incredibly good looking, youthful and intriguing. Many successful actors have his films on their early career resume including James Duvall, Margaret Cho, Jonathan Schaech, Rose McGowan, Heather Graham, Ryan Philippe, Mena Suvari and Denise Richards.

Back in 2011 OUTinPerth chatted to Araki about his film Kaboom! His most recent work was the television series Now Apocalypse that sadly only aired for a single season in 2019.

He’s also been a director on lots of other television shows including American Crime, 13 Reasons Why, Riverdale and Heathers.

NASA’s next space launch includes a young Mexican scientist’s discovery

Nadia Zenteno Pérez, a 28-year-old Mexican scientist originally from Ciudad Juárez, Chihuahua, is hoping to help revolutionize satellite construction and infrastructure with a material science project that NASA will send to space on Monday.The potentially groundbreaking project — part of 2,700 kilograms of cargo aboard a SpaceX rocket scheduled to take off at 7:29 p.m. Mexico City time on Monday — uses an advanced alloy designed to withstand the extreme conditions of space.
The project will undergo six months of trials aboard the International Space Station (ISS) in its Materials International Space Station Experiment (MISSE) module, following its launch from NASA’s Kennedy Space Center near Cape Canaveral, Florida.
“This is not only my success, but a victory for all young people in Chihuahua and Mexico,” Zenteno said, expressing gratitude for the state’s support and the international recognition her project has received.

Chihuahua Governor María Eugenia Campos is scheduled to attend the NASA launch with Zenteno, who reportedly made a discovery while working with Jonathan Cruz at MatXSpace, a team of tech-savvy students and material scientists throughout Mexico.
Their discovery was an alloy that can be adapted to outer space, and could eventually be used to build satellite infrastructure and space exploration equipment. MatXSpace — which develops such projects and also promotes tech and science throughout Latin America — developed a mechanism using the alloy. It will be headed for the International Space Station on Monday, assuming launch conditions are favorable.
Zenteno discovered an alloy that is highly resistant to heat and radiation, making it a candidate for aerospace applications. (via Net Noticias)
The alloy can stand up to intense radiation and temperature fluctuations, according to MatXSpace, which stands for “Materials for Space.” According to her LinkedIn page, Zenteno, who now resides in Puebla city, founded MatXSpace.
Campos in a press release described Zenteno and her findings as a source of pride for the state of Chihuahua. The governor not only facilitated the trip to the launch, but also a trip to Milan, Italy, where Zenteno presented her research at an international aerospace forum.

Zenteno’s achievements underscore the global competitiveness of aerospace technology in Mexico.
According to a recent report from Aviación 21, a Mexican online news platform dedicated to the aviation and aerospace industries, Mexico is now the 12th largest exporter worldwide in the aerospace sector.
The same report said Mexico has shot up to sixth among all countries in terms of aerospace exports to the United States.
Óscar Rodríguez Yañez, president of the Bajío Aerospace Cluster, said that aerospace manufacturing accounts for approximately 1.4% of Mexico’s GDP — with exports exceeding US $9.8 billion in 2022.
Claudia Cristina Villaseñor, head of the economic ministry for Guanajuato state, predicted significant growth in Mexico’s aerospace industry, pointing to solid collaborations between “academic institutions and the government.”
Another factor is Mexico’s appeal as a nearshoring hub, with global aerospace companies increasingly interested in establishing or expanding operations in Mexico. The Mexican Federation of the Aerospace Industry (FEMIA) reported that the sector grew by over 18% in 2022 compared to 2021.
With reports from Vox Populi Noticias, El Imparcial and A21

Parson congratulates four Missouri universities on advancing teams in National Science Foundation program

JEFFERSON CITY, Mo — Today, Governor Mike Parson congratulated four Missouri higher education institutions upon advancing, as part of teams, in the U.S. National Science Foundation’s Regional Innovation Engines (NSF Engines) program.
The advancing institutions include the Missouri University of Science and Technology (Missouri S&T), University of Missouri–Kansas City (UMKC), University of Missouri–St. Louis (UMSL), and Washington University in St. Louis (WashU).
“We are excited that out of 71 teams advancing in this national competition, Missouri is home to four of them,” Governor Parson said. “Missouri’s technology sector is budding and growing, and these teams will help us continue the exceptional work we have done to develop our workforce, strengthen our infrastructure, and emerge as a technological leader. We congratulate our higher education institutions, as well as their application partners, on the incredible work that has gotten them to this point, and we trust that Missouri innovation will win the day, potentially securing these NSF Engine designations for our state.”
“We are proud that researchers at UMKC, S&T, and UMSL are among just 71 teams across the country invited to submit full proposals for the NSF Engines program,” University of Missouri President Mun Choi said. “Key to their success is Governor Parson and his incredible commitment to innovation, workforce development, and infrastructure growth. We are grateful for his strong support and for this opportunity to impact our state and region.”
“WashU and our partner BioSTL are proud of our long-standing relationship with the NSF and pleased to be among the Missouri institutions invited to submit a full proposal for the engines competition,” WashU Chancellor Andrew Martin said. “We’re grateful to the NSF for its consideration, as well as to Governor Parson and our partners in Jefferson City whose support allows us to push the boundaries of what’s possible to benefit all Missourians. We’re excited for the opportunity to contribute to our regional workforce ecosystem with this potential federal funding.”
“We are proud that these four institutions are proposing innovative approaches to meet emerging technological needs of key industries,” Dr. Bennett Boggs, Commissioner of the Missouri Department of Higher Education & Workforce Development, said. “Their creative efforts support our employers and present expanded opportunities for Missourians to access family-sustaining jobs.”
The four Missouri proposals are listed below:

Missouri S&T – Engine for Midwest Mobility Innovation and Technology
UMKC – Critical Materials Crossroads Energy Materials Ecosystem
UMSL – Reshoring KSM and API Manufacturing Through Innovation
WashU – Neuroscience Engine to Unlock Regional Opportunity

Under the current NSF Engines funding opportunity, organizations were required to submit a letter of intent to demonstrate their interest in applying. NSF published data from the letters in July 2024. Teams were then required to submit preliminary proposals by August 6, describing how their proposed NSF Engines aim to build partnerships that will advance use-inspired and translational research in key technology areas and address pressing challenges while creating new pathways for the workforce in their regions. The 71 NSF Engines teams that have advanced will submit full proposals by February 2025.
The NSF Engines program aims to foster cross-sector connections, particularly engaging organizations that may not typically work together or submit to NSF funding opportunities. Nonprofits, foundations, state and local governments, tribal nations, community organizations and investors have all expressed interest in connecting with emerging NSF Engines. By publishing the 71 invited teams, NSF aims to create opportunities across the U.S. for additional individuals and organizations to connect with prospective submitters (within one’s region of service and beyond) to share expertise, exchange resources, provide capital and more.
About NSF Engines
Launched by the NSF Directorate for Technology, Innovation and Partnerships, the NSF Engines program envisions flourishing regional innovation ecosystems all across the country, providing a unique opportunity to accelerate technology development and spur economic growth in regions that have not fully participated in the technology boom of the past few decades. Each NSF Engine comprises robust partnerships rooted in scientific and technological innovation to positively impact the economy within a geographic region, address societal, national, and geostrategic challenges, and ultimately advance U.S. competitiveness and security.

‘The Apprentice’ Movie Ending Explained & Breakdown: How Did Roy Cohn Influence Donald Trump?

As a fan of Ali Abbasi, I figured that the Sebastian Stan and Jeremy Strong-starrer The Apprentice deserved a second watch for me to see if there was something profound that I missed on my first watch. Well, I’m not too thrilled to say that the second watch did nothing but cement my first impression of this semi-biopic on the American giant Donald Trump in his early days of being molded by the prosecutor who was likened to the Devil himself. As the story progresses from the era of a yet-to-learn-the-ropes-of-capitalistic-evil Trump to an emotionally and fundamentally totally-corrupt Trump–the evil lawyer Roy Cohn–someone who’s gone down in history as a “fixer” whose detrimental effect on America’s financial and political landscape is still felt–becomes a pitiable, sad mess who you’re supposed to sympathize with. Did they really need to dilute Cohn’s menace in order to make Trump’s loss of humanity stand out? I don’t know how that’s okay on any level, really. But in any case, here’s my understanding of what Abbasi’s film tried to tell us with an ending that, at least in my opinion, grossly downplays the context of its subject matter.

Spoiler Alert

What happens in the film?

It’s sort of strange to see a young Trump in 70s America. As the mostly overlooked vice-president of his father Fred Trump’s Trump Organization, Donald Trump had goals too lofty for the kind of connections he had. All of that changed when he met Roy Cohn in a swanky club for the political, bureaucratic, and criminal big-leagues. Donald was already in desperate need of a lawyer to get his father’s company out of the hole they dug themselves in by screening their tenants based on the color of their skin. A lawsuit was filed against Fred Trump’s real estate company by the government and the Department of Justice. And who better to take the government on for trying to hold the rich accountable for gross racial discrimination than Roy Cohn? Wielding fear and manipulation as his choicest weapons, Roy attained the status of a crooked lawyer who was too ruthless to be touched. And when this man saw something in a young Donald Trump still living in his father’s shadow but with dreams bigger than the Trump Village, he got hooked by the idea of molding Donald into a monster he would be proud of. Between tricking the broke New York City into going easy on the already affluent Trump family and stealing a win out of a definite failure in the DOJ lawsuit, Cohn injected Trump with a gluttonous flair for taking more than he deserved.

How did Donald Trump get influenced by Roy Cohn?

I know it’s weird to even wrap your head around the idea that Trump was ever actually naive about the ways things work among the shot-callers in America, but in The Apprentice, that was the case before Roy Cohn took him under his wing. Trump was relentless in his pursuit of winning Cohn’s confidence, including barging into the restroom and practically begging the prosecutor to take on the DOJ lawsuit. What Cohn recognized in Trump was their shared disdain for giving up their right to exploit. Cohn was a strong believer in the kind of “democracy” that allowed people like him a free pass to get as rich as possible, even at the cost of the losses borne by the poor. They hated the poor and the marginalized, and that’s what brought them so close in the first place. They loved the power they wielded, and no court could’ve convinced Cohn to play fair when it came to getting his new friend’s company free of the lawsuit. Cohn decided to mentor Trump and create a new version of the aspiring real estate shark in his own image. And that process included Cohn sharing his three rules of winning with the man who wanted nothing more than to win. The first–attack, attack, attack–was laid out to Trump when he saw Cohn calling the attorney at the DOJ and bullying her. And he practically saw the second rule–admit nothing, deny everything–take a gnarly shape in court as Cohn blatantly denied his client’s tendency to not rent his apartments to Black people. But it’s the third rule that actually caught a relatively wide-eyed Trump off guard. The evidence was stacked against the Trump Organization, and there was no clean way to win the case in court. That’s where the third rule–claim a win even if you’ve lost–came in. Cohn, a closeted gay man himself, as Trump very well knew after watching him engage in a full-on gay orgy at a party, threatened a big-league DOJ official with exposing his homosexuality and getting him fired if he didn’t botch the case the government had against the Trumps. Donald’s thrill over winning and kinda proving his worth to his father overshadowed the discomfort he felt about Cohn taking that terrible route to get him that win. 

Cohn might’ve returned the check he was given and made it sound like he did so because he believed Trump would go on to become a powerful ally down the road, but it meant more to Cohn than that. He kind of took on a fatherly role in Trump’s life, almost as though he wanted Trump to continue his legacy as a “true American” who didn’t mind being morally corrupted to get what he wanted. Cohn even pushed Trump to pursue his dream of acquiring the Commodore Hotel knowing full well that Fred Trump was against it. He was going toe to toe with Fred. Mayor Beame and the deputy mayor being in Cohn’s pocket gave Trump the confidence to reassure the CEO of Hyatt that he wouldn’t have to pay the property taxes if he committed to making the Commodore into The Grand Hyatt. You gotta keep in mind that at this point, Trump was betting on Cohn’s string-pulling abilities. And like a true enabler who was practically impressed by Trump’s wayward, arrogant ambition, Cohn got the mayor to approve the insane amount of tax abatement. And that’s not even all. Shocking and impressing Trump with his knack for swaying a case in his favor through nasty means, Cohn once again blackmailed the people responsible for the deciding vote and won the crazy tax abatement which, by the way, still affects the American economy. With Cohn’s support and encouragement, Trump’s disdain for the liberals and the people who relied on state welfare grew exponentially. The likes of these money and power seeking conservatives had this insane ability to convince themselves that they were doing the country good by upholding their self-serving ideals. It’s not that Trump wasn’t a little shocked by Cohn’s complete lack of morals. But since he was not the one bearing the brunt of it, Trump readily ate up Cohn’s sociopathic justifications regarding the ways he bent the law to his will. Cohn was filled with pride over having sent Julius and Ethel Rosenberg to the electric chair for having betrayed America during the Red Scare. It was as though with every word Cohn spoke about how he’d had the mother of young kids killed to satiate his hunger for a twisted form of justice against the leftists, Trump felt comfortable losing his own humanity. 

What does The ending mean?

In The Apprentice, you don’t just observe the moral decline of Donald Trump in the business world. In Trump’s personal life too, being so influenced by Cohn and the crooked prosecutor’s perspective on things deteriorated his emotional capacities. Trump initially put genuine effort into sweeping Ivana off her feet. But then there was that obnoxious prenup a paranoid Cohn had drawn up before Donald and Ivana entered into the business of marriage. Trump seemed to be on Ivana’s side in that whole ordeal, but not without his ego taking the driver’s seat and reminding Ivana that she’d regret not marrying the man he was about to become. What marked Trump’s moral downfall more than anything was how his distasteful comments about his wife even shocked someone as horrendous as Cohn. Then there was the matter of Trump’s dynamic with his older brother Fred Jr. Initially, at least as long as Trump was still feeling the pressure to impress his father, he seemed to empathize with Fred Jr. But as he kept winning in business and was recognized as a much bigger success than his father Fred Trump, Donald slowly lost any patience for his brother. Donald wasn’t there for Fred Jr. when he needed his little brother to have a little bit of faith in him. And by the time Fred Jr. died, Trump had distanced himself from his emotions so much that he freaked out at the idea of being comforted by his wife. He didn’t want to feel things. And that was the sign of Donald Trump becoming a person who saw emotions as a weakness that’d hold him back from reaching his goals. 

Before I go ahead and talk about the rest of The Apprentice, I feel the need to remind you that my views don’t align with the way the film portrays Cohn in the final act. In the film, he’s suddenly grown this sense of boundaries and right and wrong that you wouldn’t associate with a person like him. And I think that was an odd choice on the maker’s part to highlight how Donald was becoming a more vicious monster than the one who trained him. Of course, the impact of Donald Trump’s moral corruption was far graver on world politics, but that didn’t need to be communicated at the cost of making a monster like Roy Cohn come off pitiable or less terrible.

In any case, in The Apprentice’s narrative, Cohn seemed concerned about Trump’s personal and financial recklessness. The more Trump got away with exploiting New York City, the less he revered his mentor who paved the way for him to do all that. He thought he knew better, which is why he went ahead and completely disregarded Cohn’s advice when Ed Koch was standing in the way of the tax abatement he needed to build the Trump Tower. The immediate success and the glory of the Trump Tower only fueled this insatiable urge for winning in Donald Trump. And despite Cohn’s warnings about his impending financial ruin, he bought casinos in Atlantic City and landed himself in even bigger debt than he had been already. But Trump always knew what he was doing. He never planned on paying back the bankers anyway. When he went on national television to express his grievances about Koch as a mayor, he was asked what he would do if he lost all his money, and he said that he’d become the President. Considering how Trump is notorious for using his political influence to intimidate his creditors, I’d say that his plan worked out. In the film, he even tried to trick his sick father into giving him free rein of his siblings’ trust so he could hold off the bankers who were after him. By that point, Trump wasn’t even good at pretending that he cared about his family.

The Apprentice is subtly comedic with the way it leaves anecdotes of Trump’s obnoxious mix of arrogance and ignorance around. He claims to “know everything” about the missiles when Roger from Reagan’s campaign asks Trump to run for office. Trump was immediately impressed with the “let’s make America great again” slogan, something that’d be synonymous with Trump’s own campaign when he’d join the race despite his past comments about politics being a place for stupid people. He practically ghosted Cohn when the truth about the homophobic, gay prosecutor having AIDS got out. Cohn needed his friend, and apparently, he was horrified by the levels of cruelty Trump achieved. Trump was paranoid about “catching” AIDS from Cohn before the doctor he spoke to put his fears to rest with, well, knowledge. But even then, after Cohn got disbarred for messing with his clients’ funds and numerous other acts of misconduct, Trump only got back in touch with Cohn when he needed his advice to get out of the financial hole he dug himself into. Cohn was obviously no saint. And even though he did die from AIDS while maintaining the lie that he had liver cancer, I doubt that a closeted gay person who fought against homosexual people’s rights to be employed in federal and judicial departments deserved any sympathy for an awful, lonely death. But since we’re mainly focusing on Trump’s monsterization in The Apprentice‘s ending, it’s cruel how he dragged a dying Cohn to his Florida mansion and gave him fake “diamond” cufflinks with “Trump” engraved on them. Even in his narcissistic tendencies, Donald Trump was mindful of how much he was investing in order to impress someone with his affluence.

Throughout The Apprentice‘s runtime, Donald Trump talks about certain instincts that certain people are born with. He never stopped boasting about how he had the killer instinct and the winner instinct and how those were things that he owed to his genetics. Well, that’s the mark of a truly insane man. But even in his insanity, Trump knew how to sell himself as the shiny beacon of the capitalistic dream that eroded America. He thought highly of himself. An artist, as he preferred to describe himself in life and in the book he’d get Tony Schwartz to write. When Tony interviewed him for “The Art of the Deal,” Trump seemed rather skittish about talking about anything that wasn’t a vague, conceited analogy for success and how to achieve it. He didn’t want to talk about his past lest he give away that he had once not been too certain about what he would become. He didn’t want to talk about the time he’d spent doubting how far he was willing to go to extort the American taxpayer. And if all that wasn’t a sign of his rabid insecurities, he even claimed credit for the three rules of business that he’d learned from Cohn. In The Apprentice’s ending, Trump losing touch with the last morsels of his humanity was metaphorized by the surgical procedures he went through. In the grotesque imageries of fat being sucked out of his stomach and a chunk of his hairless scalp getting removed, you see the making of a monster who, in his endless hubris, would go on to leave a country in shambles just to feed his giant ego. 

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29 Design Books That AD Editors Are Curling Up With for Fall

With a new season comes new design books. Whether you’re seeking renovation ideas for yourself or a client or searching for a holiday gift, there’s plenty of inspiration in this fall’s assortment. Here are our favorites from this season’s debuts, which are filled with insights from AD-approved talents, historical accounts from overseas, and sentimental stories about bringing incredible interiors to life.By Pierre SauvageHow They Entertain: At Home With the Tastemakers by Pierre SauvageHosting is a task composed of laissez-faire chemistry—like accounting for a “dash of recklessness” in your table plan, as Pierre Sauvage notes in the introduction to How They Entertain. Maybe something so intuitive and personal seems difficult to quantify, but this title gives some powerful insight into what makes a great event work. By profiling prominent European creatives like Laura Gonzalez, Sauvage pieces together unique narratives wherein readers can find inspiration for their next dinner party. In these pages, you can glean recipe advice (Russian salad, quiche, rhubarb pie) or design notes (shells, corals, cabinetry) from tastemakers living in an array of chic spaces.By Gay GassmannGuy De Rougement by Gay GassmannThe late Guy de Rougement can easily fill a title with career highlights: Consider his 1986 paving of the Musée D’Orsay or the retrospective at Musée des Arts Decoratifs in 1990. An academician, painter, sculptor, and ceramicist, we marvel at how de Rougement was able to harness crucial elements of American Pop art—bright color and simple geometry—while remaining decidedly French in essence. This book focuses on the artist’s studio practice, collaborations, and contributions across creative disciplines, told by experts and close friends of de Rougement to AD contributor Gay Gassmann (who will be holding a signing on December 3 at Creel and Gow on New York’s Upper East Side).By Mieke ten HaveInteriors: Styled by Mieke ten HaveYou must recognize Mieke ten Have’s name from our own pages—the stylist has beautified countless AD features, including our recent stories on Blair House and Jennifer Garner’s California abode. With each project, ten Have ensures an interior’s good looks will be translated through photography. In her debut monograph, ten Have shares some of her wisdom by articulating four principles for styling, demonstrated by imagery from four seasons. If you want to learn from the best, Interiors: Styled by Mieke ten Have is required reading.By Michael S. Smith with Andrew Ferren; foreword by Shonda RhimesMichael S. Smith Classic by DesignMichael S. Smith, a storied AD100 Hall of Famer, has a résumé that most of us can only dream of. After designing interiors for Michelle Obama and Shonda Rhimes—the latter wrote the foreword to this book—he was appointed by President Obama to serve on the Committee for the Preservation of the White House in 2010. Needless to say, Smith understands classic American design, and we find ourselves flipping through his diplomatic and residential work time and time again. So before the ballot boxes open, we’re electing Classic by Design to our reading list.By Malene BarnettCrafted Kinship: Inside the Creative Practice of Contemporary Black Caribbean Makers By Malene BarnettAs founder of the Black Artists + Designers Guild, an independent global platform for Black creatives, Malene Barnett is a practiced curator skilled at drawing connections between diasporic themes, forms, and histories. She has put her expertise into this book, where elegant visuals pair with 60 Caribbean artists to create holistic stories of their practices and inspirations. Not only is this a book of professional profiles, it’s one of historical study.By Elizabeth Roberts, Alanna Stang and Christine Coulson; foreword by Wendy GoodmanElizabeth Roberts Architects: Collected Stories by Elizabeth RobertsA new book from AD100 architect Elizabeth Roberts presents a fresh format: interspersed through pages of her firm’s project imagery, whether it be farmhouse restorations or commercial commissions, are hand-drawn sketches, postcards, archival photos, antique maps, and other historical documents from each project. Novelist Christine Coulson also contributes short fictional vignettes of each project, resulting in a volume that defies coffee-table expectations.By Jannah Handy and Kiyanna Stewart; foreword by Spike LeeBLK MKT Vintage: Reclaiming Objects and Curiosities That Tell Black Stories by Jannah Handy and Kiyanna StewartBeing a sifter or comber is a point of pride for thrifters out there. Some are more dedicated than others, however—and Jannah Handy and Kiyanna Stewart are among them. After spending years scouring shops in search of Black stories, they opened their own business, BLK MKT Vintage. This monograph teems with over 300 studies of vintage ephemera and is prefaced with a foreword by Spike Lee. It reads like a collage with context, or an I-Spy for your inner adult archivist.By Ariel Ashe and Reinaldo Leadro, with contributions by Felix Burrichter; foreword by Seth MeyersAshe Leandro: Architecture + Interiors by Ariel Ashe and Reinaldo LeandroThe debut monograph from AD100 talents Ashe Leandro, this prolific volume encompasses celebrity homes, full historical renovations, and more from the firm, illustrating why they have become synonymous with modern classical interiors. With photographs by beloved AD contributors like Shade Degges, Adrian Gaut, and Jason Schmidt—and an afterword by Rashid Johnson—these pages cover Ashe Leandro’s background and beginnings, with notes from artists and design journalists alike. Note their West Village House project, featured in our October issue!By Nicole Hollis; introduction by David WisemanNicole Hollis: Artistry of Home by Nicole HollisFor her second book, San Francisco–based Nicole Hollis showcases her new projects through Douglas Friedman’s skillful eye. The frequent AD contributing photographer frames Hollis’s art beautifully: Flip through his imagery and find a cherry-blossom chandelier in a stark Tribeca loft, Tron-like neon lights in a powder room, or an electric azure walk-in closet that gives peacocking a whole new meaning—you’ll understand why Hollis’s talent and range has been recognized across the industry again and again, including AD’s own AD100.By Kristen BatemanInterior Style: Maximalism by Kristen BatemanThe fashion and art writer Kristen Bateman is an unabashed maximalist—making her a choice candidate for this storied dive into the aesthetic. Lots of people shy away from maximalism in fear of claustrophobia or pattern fatigue, but Bateman’s historical overview on the movement’s roots, which lie in 1930s Hollywood Regency style, Rococo and Neoclassicism, bolsters her accompanying advice on how to administer color, form, and flair in your home.By Virginia Lebermann and Fairfax DornBallroom Marfa: The First Twenty Years by Virginia Lebermann and Fairfax DornEver since the desert town’s midcentury inception as a creative retreat, Marfa, Texas, has been inextricably linked to countless visual projects, prodigious names, and artistic eras. This book examines some select projects and installations that have been organized through the art center Ballroom Marfa, like the infamous Prada Marfa exhibition, plus shows from the likes of Issy Wood, Yo La Tengo, Sue Williams, Dev Hynes, and Donald Judd. With 20 years of exhibitions in the rearview mirror, there’s plenty to take in.Introduction by Samuel Cochran; contributions by Glenn SestigEzequiel Farca: StudioCiting the late Luis Barragán as inspiration and collaborating with indigenous Mexican craft artisans, Ezequiel Farca is creating a new vernacular for Latin American architecture. And the 16 projects in this book, mainly located in sun-drenched Mexico and California, are showpieces for indoor-outdoor, sustainable living too. In the introduction, AD’s global features director Sam Cochran notes how Farca’s stark exteriors shroud the organically choreographed spaces within: “If mystery is magic, Farca waves a mighty wand.”By Phaidon EditorsStone Houses by Phaidon EditorsIf all humans vanished from Earth, stone creations would be some of the few artifacts left to mark our existence after thousands of years. Though its popularity as a building material has been shadowed by new, manufactured materials, this book makes an excellent case for its continued craft and utility. Within Stone Houses’ pages, AD-vetted architectural talents are well represented, including Ensamble Studio, Studio KO, Kengo Kuma, Olson Kundig, and AD PRO Directory member Daniel Joseph Chenin.By Ellie Cullman, Lee Cavanaugh, Sarah Ramsey, and Alyssa Urban; with Judith NasatirCullman & Kravis: Interiors by Ellie CullmanAD100 Hall of Famers Cullman & Kravis have been a mainstay in our magazine’s pages, and for good reason: With almost 50 years of experience, the firm is still led by founder Ellie Cullman, who has helped define East Coast style. Many of the interiors within this volume are exclusive to its pages and celebrate the firm’s expert eye, appealing to color, texture, and client preference in the most unexpected niches.By Marella Caracchiolo Chia; foreword by Madison CoxBONACINA: The Beauty of Rattan by Marella Caracchiolo ChiaMarella Caracchiolo Chia has dispatched gorgeous Italian interiors for us time and time again. Her long-term commitment to documenting this aesthetic has made her an expert in Bonacina, a family-owned Italian design company committed to rattan since 1889. This title—which contains contributions from Guido Taroni, Aerin Lauder, Martina Mondadori, Francis Sultana, and other A-listers—is a celebration and careful study of the material via Bonacina, from its harvest in Asia to its continuously evolving craft for worldwide luxury residences and hospitality projects. Over the years, Bonacina has collaborated with design legends like Gae Aulenti and Gio Ponti to push rattan’s boundaries, which Chia catalogues like a true design historian.by Timothy Corrigan with Michael BoodroAt Home in France: Inspiration and Style in Town and Country by Timothy CorriganTimothy Corrigan is, in his own words, “an unabashed Francophile.” We’ve long since admired his French interiors, which honor the long-standing traditions of the country’s rich decorative history. In this volume, the designer reflects deeply on the diverse aesthetics of French urbanity versus rural living. Note the office enclave on page 14, which was originally featured in our December 2007 issue.By Nick PachelliThe Tennis Court: A Journey to Discover the World’s Greatest Tennis Courts by Nick PachelliOn the heels of Challengers, tennis is a current hot topic in cultural conversation. What’s seldom discussed are the courts themselves which, sure, follow strict dimensions, but can possess variances other than surface. From the storied stages of Wimbledon and Queens to indoor marvels in Belgium or creative courts in Kenya, journalist and former junior circuit player Nick Pachelli documents the different playing areas that host games, sets, and matches.By Rodman Primack with Rudy WeissenbergLove How You Live: Adventures in Interior Design by Rodman Primack with Rudy WeissenbergRodman Primack is a force to be reckoned with—just take a look at his idyllic California refuge published in our July issue or the wisdom he imparted to AD PRO in his trend report panel. Love How You Live is not just the debut title from the AD100 designer and his partner, Rudy Weissenberg, it’s a travel diary wherein their firm, AGO Projects (formerly known as R.P. Miller), puts 13 international interiors on display. From Kentucky farms to Hawaiian retreats, each interior reflects both Primack and Weissenberg’s shared aesthetic philosophy, as well as the vibe of its locale.By Laura May ToddItalian Interiors: Rooms with a View by Laura May ToddThe notion of Italian interiors is hard to encompass, considering the country’s geographic variety: The design of an alpine cabin in Trentino varies drastically from a countryside escape in Tuscany. Luckily, AD’s Milan correspondent Laura May Todd is a tried-and-true authority and manages to sample all flavors of Italian abode in her latest title, which features low-key domestic sites alongside homes of famous creatives like Carlo Scarpa and Luca Guadagnino.By Jennifer Gracie, Mike Gracie, Zach Shea, and Brian Gracie, with Judith NasatirThe Art of Gracie: Handpainted Wallpapers, Timeless Rooms by Jennifer GracieThe Gracie family’s foray into wallpaper began through the buying, selling, and restoration of European and Chinese varieties back in 1898. Six generations later, the business still blooms: Their own custom designs, which have been decorator go-tos for decades, retain the flora and fauna of these original references. This is a mere bit of history touched upon in The Art of Gracie, the latest volume narrated by family members who have overseen the meticulous manufacturing methods true to their business. Detailing the multitudinous usages of the papers themselves, this book outlines one of American interior design’s greatest stories and has beautiful visuals to match.By Holly HuntHolly Hunt: Fearless in the World of Design by Holly HuntIt’s shocking that this is Holly Hunt’s publishing debut, considering she has been on the interior design scene for 40 years. This book—which tours readers through projects from Texas, mountain country, the Midwest, and more—is not just a study of the work Hunt has contributed to the field. It’s also a personal reflection on collecting, business administration, and branding, all of which reinforce a larger celebration of Hunt’s design success.By Mark D. SikesForever Beautiful: All-American Style All Year Long by Mark D. SikesJust before the publication of our November issue’s Blair House feature, Mark D. Sikes rounded out his Beautiful trilogy with the release of Forever Beautiful. This title celebrates a full year of the AD100 talent’s interiors—organized into 12 chapters, with one home as the focus each month. The ultimate goal? Celebrating the natural world’s beauty. “Nature is the ideal muse,” Sikes declares in the book’s introduction, and his position is clear through projects like a sleek, modernist retreat in Aspen inspired by the icy geometry of its surrounding mountains. This dexterity is among one of the many trailblazing qualities Sikes possesses as a new face of American design.By Katherine Bryan with Mitchell OwensGreat Inspiration: My Adventures in Decorating with Notable Interior Designers By Kathryn Bryan with Mitchell OwensA rare perspective guides this interior design volume. Katherine Bryan is, among many things, a longtime patron of American design legends across many different residences. Through her eyes, this volume studies the work she solicited from Albert Hadley, Mark Hampton—who was “not only a decorator but also a scholar” in Bryan’s words—and other talents over 40 years. Detail shots of chintzes, photos of her children in her furnished houses, and original sketches color this volume, which is also an ode to New York: Four of the featured residences are in Manhattan, three are in Long Island. Her narration, alongside contributions from AD editor Mitchell Owens, proves that this process has shaped her own design sensibilities. In her own words: “​​Decorators are teachers, and if you’re lucky, you will become a good student as well as a grateful client.”By Kathryn O’Shea-EvansAlpine Style: Bringing Mountain Magic Home by Kathryn O’Shea-EvansPerhaps there are some distinctive elements when it comes to ski style—wood beams, oversized windows, and roaring open fires come to mind—but AD contributor Kathryn O’Shea-Evans uses this fun title to dive into its finer details. Considering the chalets in Gstaad and Aspen are some of the most spectacular on the planet, Alpine Style is a true compendium of resort luxury. Besides great design from Directory members Massucco Warner, Robbins Architecture, Kara Adam Interiors, Workshop/APD, and Jennifer Miller Studio, this volume includes tips for combating altitude sickness as well as recipes for boozy milkshakes. Channelling the energy of après is almost as important as the skiing itself!By the Design Leadership NetworkThe Living Room by the Design Leadership NetworkA living room is a shapeshifting space molded by the needs of its inhabitants: a place for entertaining, meditating, and everything in between. In this volume, The Design Leadership Network explores some of the best examples by splitting them into quadrants: city, shore, country, and sky (largely referring to rooms with a view). We’re taking inspiration from some of the incredible spaces by AD100 talents like Gil Schafer, Gachot, and Cullman & Kravis, as well as Directory members Noz Nozawa, Meyer Davis, R/terior Studio and the Refined Group, who are but a few of the AD-approved designers featured in these pages.By Robert and Cortney NovogratzThe Novogratz Chronicles: Lessons Learned from Twenty-Five Years of Buying and Renovating Houses by Robert and Cortney NovogratzRobert and Cortney Novogratz are TV stars and flippers extraordinaires, having graced the pages of AD with their Greenwich Village renovation, decor essentials, and more. This isn’t their first title, but it may be the most comprehensive: 25 years is a lot of time to reflect on and enough to call the Novogratzes experts in the field. Dive into their first project in Chelsea and end with their current work in the pages of this volume, all penned by the design duo themselves.By David Netto, Paul Goldberger, and Peter Pennoyer; foreword by Aerin LauderRosario Candela & The New York Apartment: 1927-1937 The Architecture of the Age by David NettoAs Aerin Lauder states in her foreword to this volume, you may recognize Rosario Candela’s buildings before you recognize his name. It’s not that big of a stretch to say that the architect and cryptographer was the sculptor-at-large for New York’s famous Park Avenue skyline, and the categorical prewar apartments so highly sought after today. With some of today’s leading architectural and critical minds as guides, this title offers a compelling history of Candela’s important work, offering context through ideas on urbanism, planning, and more.By Marie FlanaganThe Perfect Room: Timeless Designs for Intentional Living by Marie FlanaganHouston-based Marie Flanigan takes a holistic approach to her projects—which means considering the geography and history of a site before sinking her teeth into the interior. If this seems abstract, then perhaps Perfect Room is the perfect book for you. With tips on gauging local quality of light or incorporating architectural features, as well as ideas on how to “cocoon” a bedroom or work with vaulted ceilings, Flanagan helps you uncover what’s personally meaningful in interiors, as bolstered by her own projects in the Gulf of Mexico, Wyoming, and beyond.By The Judd FoundationDonald Judd Furniture by The Judd FoundationThe minimalist artist Donald Judd started making furniture the way that most creative people do: because he needed it. “It’s impossible to go to the store and buy a chair,” he wrote back in 1993. Since his death in 1994, the pieces—which have been made to order in small quantities since the ’80s—have become their own sort of design trophies. Now, Donald Judd Furniture (Mack Books)—produced with the Donald Judd Foundation and his children Rainer and Flavin Judd—chronicles more than one hundred of these functional works, produced between 1970 and 1992. Fabric bound and landscape format, the book is organized by the materials Judd worked with: one-by-twelve and two-by-twelve boards, the standard cut lumber dimensions he worked with in the beginning, each comprise chapters. Mixed in are the juiciest bits: photos from past and present of those pieces in Judd-designed spaces in New York and Marfa.

Xabi Alonso: ‘I love Liverpool, but I don’t have time for tourism’

Xabi Alonso took centre stage at Anfield elegantly, considered his options and switched play in an instant. Had the ball been at his feet it would have felt as if he had never been away, but it was on the subject of succeeding Jürgen Klopp as Liverpool manager where the club’s former midfielder showed the deftest of touches.Alonso was back with Bayer Leverkusen, Liverpool’s opponent in the Champions League on Tuesday night, 15 years after ending a playing chapter in his career synonymous with style, Istanbul and an intuitive rapport with Steven Gerrard. He could have been back sooner had Liverpool received any encouragement he might have been in the market for a new job this summer. It was not a possibility he entertained at the time or was keen to revisit at his pre-match press conference on Monday.“At the time I was focused on a big thing with Leverkusen,” said the man who has transformed the German club’s fortunes and was the popular choice to succeed Klopp earlier this year before Arne Slot took it and hit the ground running.“Let’s talk about the game tomorrow, it’s more interesting than my future,” Alonso said. “Let’s talk about the great players on both sides, that is what is in my head. For us it is a big challenge to come here. Liverpool at the moment is one of the best if not the best in Europe, they are showing that in a very strong Premier League and the Champions League. It’s a good squad, good coach. At Anfield, it’s a big challenge.”One benefit of Klopp informing the Liverpool hierarchy of his decision to quit last November was the time it afforded them to sound out potential successors. Liverpool were informed early in their search that Alonso had no plans to leave Leverkusen at the end of the 2023-24 season. Due diligence started privately on Feyenoord’s Slot instead. A stunning start of 13 wins from the Liverpool head coach’s first 15 games has ensured the clamour for Alonso’s return has been forgotten. But the classy Basque’s reputation at Anfield stands tall.The Leverkusen coach said: “It feels great to be back after a few years. It’s always special. You notice the development of the club, the new stands look pretty amazing. For sure tomorrow is a big game against Liverpool in a great moment, it cannot get much better than that. I am not thinking that much [about how he will be received]. I am thinking more about how to prepare for the game. I might think about my memories when I go for a walk or a run tomorrow. I know the city, I love it and I still have friends here, but I don’t have time for tourism.”View image in fullscreenAlonso has the bona fide credentials to back up his popular appeal to Liverpool. And to Real Madrid, who have also been linked with a reunion with their former midfielder post-Carlo Ancelotti. Having taken his first senior managerial position in October 2022 with Leverkusen in the relegation zone, the 42-year-old led the club to their first Bundesliga title 18 months later, breaking Bayern Munich’s 11-year hold on the trophy in the process. His first full season ended with a domestic double courtesy of victory in the DFB-Pokal final.The current campaign opened with silverware in the form of the German Super Cup. Four draws in the last five league games, however, on top of a defeat by Leipzig that ended Leverkusen’s 35-match unbeaten run in the Bundesliga, have left the reigning champions seven points adrift of Bayern in fourth place. But they are unbeaten in seven away matches in all competitions this season.skip past newsletter promotionafter newsletter promotion“He is special, that’s clear,” Slot said of the early frontrunner for the job that he landed. “If you go to a club that was bottom of the league and with the same players bring them all the way up without spending that much money, only bringing in one or two very good players, and then the season they had, only losing in the final of the Europa League, that tells you he is special.“What it is that makes him special is difficult for me to say because I haven’t faced him yet and I haven’t worked with him. What might be the situation is that he’s worked with very good managers in the past, he was a player with incredible insight in the game, he knew when to be where and he played at the highest level so he knows and understands how these players feel in certain moments. That probably contributes to what makes him a good manager.”

Fran Lebowitz will speak and sign books in Richardson

Author and social commentator Fran Lebowitz will appear at the Eisemann Center in Richardson on Nov. 14 at 7:30 p.m.Known for her sardonic wit filtered through her New York City sensibilities, Lebowitz has been a prominent author and essayist since the 1970s. She has also appeared in numerous documentaries and feature films, including the 2013 hit The Wolf of Wall Street.AdvertisementThe program will conclude with an audience Q-and-A session and a book signing. Lebowitz’s book The Fran Lebowitz Reader will be available for purchase in the lobby, courtesy of Interabang Books.AdvertisementTickets, which range from $35 to $65, are available at eisemanncenter.com.News RoundupsCatch up on the day’s news you need to know.The Eisemann Center is at 2351 Performance Drive in Richardson.