Saving books, saving minds: The urgent crisis in children’s reading

Children reading. Image: Libraries Wales, Llyfrgelloedd Cymru
Llinos Dafydd
There’s no way around it: children’s reading is at a crisis point.
A recent report from the National Literacy Trust revealed that only one in three young people enjoy reading in their free time – a sharp drop from nearly half last year.
As an author, adaptor, editor, a Mam, and someone who simply loves books, I find this incredibly troubling.
This decline isn’t just about academics. It’s about losing a key way for young people to connect with themselves, their communities, and the world around them.
To make matters worse, the very industry that creates, publishes, and delivers these books to young readers is facing its own serious struggles.

A publishing industry on the brink
In recent years, funding for the publishing industry has been steadily shrinking. Organizations like Publishing Wales have warned of an impending “financial cliff-edge” due to repeated budget cuts.
The situation is similar across the board: publishers, particularly smaller and independent ones, are facing enormous financial pressure.
And this threat isn’t limited to publishers – it extends to everyone involved in creating and distributing books: authors, editors, illustrators, librarians, and booksellers. Without proper funding, the infrastructure that brings books into children’s lives risks collapsing.
And if publishers are forced out of the market, what will that mean for children’s access to high-quality, engaging, and diverse reading materials?

A digital world competing for attention
Today’s children are digital natives, surrounded by fast-paced media and interactive content. Compared to the immediate stimulation of video games, social media, and streaming platforms, books can feel “slow” or even outdated.
But that doesn’t make books any less relevant or powerful.
In fact, we have a huge opportunity to bring books into the digital spaces that children already love. By embracing interactive e-books, storytelling apps, and other creative digital formats, we can create experiences that feel as alive and engaging as any video game, while still giving children all the benefits that come from reading.
An adult reading with a child. Image: Libraries Wales, Llyfrgelloedd Cymru
Imagine books that go beyond the page, letting children interact with characters, make choices that affect the story, or learn through hands-on activities within the narrative.
These innovations don’t need to replace traditional books but can complement them, bridging the gap and showing that reading can be just as exciting as other forms of digital content.
Making reading relatable and fun
There’s already a wealth of engaging books out there, covering everything from friendship and kindness to humour and adventure.
Just this past year, we’ve seen fantastic new titles that bring these themes to life. But the challenge is ensuring these books reach the hands of young readers who need them most.
Reading should feel less like a school requirement and more like an exciting journey, filled with stories that reflect kids’ diverse interests and experiences.
From action-packed adventures to heartwarming tales of connection, let’s keep widening the range of stories and working together to make these books accessible and engaging.
By doing this, we can help every child find a story that sparks their curiosity and see reading as a joy, not a chore.
Rising costs and shrinking access to books
In today’s economic climate, rising costs make it increasingly difficult for families to afford books. Libraries have always been a vital resource for equalising access to reading materials, but even libraries are struggling with funding cuts.
Many can’t afford to stock new releases, host events, or offer the same level of community engagement they once could. This is where we need to step up with creative solutions.
Libraries should be seen as hubs of excitement for young readers, not just places for quiet study.
Image: Books Council of Wales
Imagine libraries hosting regular storytelling sessions, author visits, interactive workshops, and community book-sharing initiatives.
These spaces should feel welcoming and exciting, allowing children to explore books that speak to their realities, their challenges, and their dreams.
Community-based programs can also help. Book swaps, local author readings, and affordable book fairs could provide access to new and engaging titles, especially for children who may not otherwise have many books at home.
We need to make it clear that books are valuable resources, as essential to a child’s development as any other educational tool.
Why government support is crucial
The National Literacy Trust has called for the government to take action, and I couldn’t agree more.
The government’s role is essential if we’re serious about reversing this trend and reviving a culture of reading.
A national reading taskforce could work to make reading for pleasure a core part of education, not just an afterthought squeezed into the curriculum.
We need a shift in mindset: reading isn’t just a skill to be tested; it’s a lifelong habit that fuels imagination, empathy, and critical thinking.
The Senedd. Picture by the Welsh Government
A taskforce could prioritise reading programs in schools, provide funding for libraries to host engaging events, and support publishers and authors creating diverse, high-quality content.
It’s time to show children, parents, and educators that reading is an essential part of life, not just an academic requirement.
Without government support, we’ll struggle to make meaningful changes – and our young readers will continue to lose out.
Why this matters for all of us
The crisis in children’s reading isn’t just a problem for publishers, schools, or libraries. It’s a societal issue. When children stop reading, we all lose.
We lose the next generation of thinkers, creators, and leaders. We lose the shared stories that connect us, help us understand one another, and shape our future.
And if we lose our publishing industry, we risk losing the diversity of voices that enrich our culture and offer children books that reflect the world they’re growing up in.
So, what can we do?
First, we need to make reading a priority – not just in schools but across communities, from libraries to bookshops to homes.
We need to fight for the funding that will keep publishers in business, libraries stocked, and stories flowing into the hands of young readers.
And we need to remember that books aren’t just for learning. They’re for living, dreaming, and connecting.
Let’s make sure every child has the chance to experience that joy, and let’s work together to keep the magic of books alive.
Because if we don’t act now, we risk losing something that goes far beyond books on a shelf.
We risk losing a generation’s love for reading and, with it, a critical part of what makes us human.

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Ohio State course bridges science and faith in polarized times

In a time of heightened polarization, particularly as the nation waits for election results, many Ohioans find themselves grappling with differences extending beyond politics.A course, titled The Biology of Hope and Belief at Ohio State University, examines the often contentious debate between science and faith. It seeks to address these complexities, providing a platform for students to explore the relationship between scientific understanding and personal belief systems.Megan Meuti, associate professor of entomology at Ohio State University, said a key objective is to foster an understanding of what science can explain and what it cannot.”There is a strong biological basis to hope and belief,” Meuti asserted. “All faith perspectives and no faith perspectives are welcomed and valued in the class. But what they walk away from believing at the end of the semester is between them and their God, if they recognize one.”Meuti pointed out the approach may be especially important in a state where beliefs about science often clash with traditional views. She added the course encourages respectful dialogue and critical thinking, both of which are vital in navigating complex topics.Part of the course features the Socratic teaching interview, where students engage others in discussions about evolution and related topics. Meuti noted the assignment promotes not only an understanding of scientific concepts, but also effective communication skills to help students navigate different perspectives.”Many students have shared that was the starting point for a two- to three-hour conversation with the person that they were talking to,” Meuti recounted.The course curriculum, originally developed by Susan Fisher, was designed to address the concerns of students who may reject scientific concepts like evolution due to their religious backgrounds. Meuti stressed as they progress through the course, students develop critical skills for both their academic and personal lives.

Disclosure: Ohio State University contributes to our fund for reporting on Arts and Culture, Environment, and Social Justice. If you would like to help support news in the public interest, click here.
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Taiwanese filmmaker wins accolade at Tokyo film festival

Tokyo, Nov. 6 (CNA) Taiwanese director Fu Tien-yu (傅天余) was presented a Kurosawa Akira Award at the Tokyo International Film Festival (TIFF) on Tuesday for her feature film “Day Off” (本日公休), according to a news release by event organizers.Fu’s film follows the protagonist, a female barber, embarking on a long journey to cut the hair of an old customer who moved away and is too sick to travel, according to the Taiwan Creative Content Agency established by the Ministry of Culture.At the awards ceremony, TIFF Programming Director Ichiyama Shozo, who is also a selection committee member, said that Fu showed the same spirit seen in Taiwan’s New Cinema wave and “depicted life in Taiwan realistically and sympathetically.”Renowned veteran Japanese film director Yamada Yoji commented that Fu’s film was “a really lovely film, which depicts people with precision and warmth,” and praised Fu’s “state of the art” cinematic expression.Yamada continued to say the movie made him wonder “Why can’t the Japanese make this kind of work?”After expressing gratitude for her recognition from the festival and selection committee members, Fu called Yamada her “idol” and spoke of getting “great power from his work.”Asked by a Taiwanese journalist how she felt about the future of young filmmakers in Taiwan, Fu acknowledged her generation is different from Kurosawa Akira’s, but that she feels that “film is precious. The experience of going to a dark theater and sharing a film with others is irreplaceable,” she said.”I will put all my heart and soul into making films in the future,” she pledged.The Kurosawa Akira Award “was born because many younger filmmakers don’t know the work of Kurosawa Akira, and we wanted to help pass down his name and spirit,” said TIFF Chairman Ando Hiroyasu.Kurosawa Akira was a Japanese director often cited as one of the greatest filmmakers of all time.After being established in 2004, the award was discontinued for 14 years before being resumed in 2022.Fu was the second Taiwanese director to receive the award, after Hou Hsiao-hsien (侯孝賢).Recipients of the award, which this year also included filmmaker Miyake Sho from Japan, each received a crystal trophy and a 1 million yen (US$6,500) cash prize.In addition to Ichiyama Shozo and Yamada Yoji, the 2024 selection committee of the award also consisted of casting director Narahashi Yoko and film critic Kawamoto Saburo.The TIFF, now in its 37th year, declared its mission was “to amplify the possibilities of cinema from Tokyo and contribute to interactions with a diverse world” in 2023. This year, it proposed the principles of “international exchange,” “nurturing talent for the industry’s future” and “the female perspective” in line with the mission, according to its official website.
(By Tai Ya-chen, Yang Ming-chu and Wu Kuan-hsien)
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Tazpit Press Service: Scientists uncover molecular ‘Bridges’ that help breast cancer evade immunity

Baku, November 6, AZERTAC
Israeli and American scientists have discovered a potential new approach to treating a particularly aggressive form of breast cancer that could be applied to other types of cancers.According to the World Health Organization (WHO) and the American Cancer Society, approximately 2.3 million new cases of breast cancer were diagnosed in 2020, making it the most frequently diagnosed cancer worldwide, and about 1 in 8 women will be diagnosed with it at some point in their lives.Scientists from Israel’s Weizmann Institute of Science and the California-based City of Hope cancer treatment center said their research into the way cancer evades the immune system was inspired by Sun Tzu, a Chinese military strategist who lived in the 5th century BCE. In his still-studied treatise, “The Art of War,” he famously wrote, “Build your enemy a golden bridge to retreat across.”The study, which was recently published in the peer-reviewed journal, Cell Reports, suggests that some cancerous growths adopt a similar strategy, creating “molecular bridges” to evade immune attacks. This tactic, they found, prevents nearby immune cells from attacking the tumor, effectively suppressing the body’s natural defense mechanism.Under the leadership of Prof. Idit Shachar, the Weizmann team previously studied similar bridges in blood cancers. They identified a protein, CD84 (also known as SLAMF5), which cancer cells use to establish these molecular connections with nearby noncancerous cells. This bridging process enables cancer cells to thrive and avoid immune attacks.Following these findings, Shachar’s team developed an antibody that blocks CD84 from creating these connections, which had shown promising results in slowing disease progression in blood cancer.Building on this earlier research, Dr. Steven Rosen, an executive vice president at City of Hope, suggested investigating whether this molecular bridge-building could play a similar role in other cancers, specifically triple-negative breast cancer (TBNC). This form of breast cancer is notoriously difficult to treat because it lacks certain markers such as estrogen, progesterone, and HER2 receptors that are often targeted in conventional therapies.TNBC represents approximately 20% of all breast cancer diagnoses and has a higher mortality rate compared to other forms of breast cancer, the researchers said.Led by Stav Rabani, a doctoral student in Shachar’s lab, the researchers analyzed tissue samples from women with TBNC. They observed that while the cancer cells in these tumors expressed low levels of CD84, they caused surrounding immune cells to express high levels of it. This elevated CD84 expression led to the formation of molecular bridges among the immune cells, which in turn suppressed the immune response, allowing the tumor to grow unchecked.Further analysis showed that patients with high levels of CD84 in their tumor microenvironment had lower survival rates than those with lower levels.Armed with these insights, the researchers tested their previously developed CD84-blocking antibody on mice genetically engineered to develop breast cancer.They discovered that when treated with this antibody, the mice experienced significantly slower tumor growth. In some cases, the treatment even led to complete tumor regression.Other cancers that exploit similar immune-suppressing tactics might also respond to this approach. Patients might also experience fewer side effects since the antibody works selectively on immune cells with high CD84 expression, leaving most healthy cells unaffected. As the treatment is designed to work specifically in the presence of high CD84 expression, it could be tailored to patients who exhibit this trait within their tumors. But further research and clinical trials will be necessary.

Taiwan Film Projects Seek Overseas Audiences, Adaptation to Sector Challenges: ‘We Need to Think International Before We Start Shooting’

Reverse engineering a previously English-language script into a bilingual, dual-location thriller is one possible route to giving Taiwanese feature films a better shot in the international marketplace. So too, is adapting a previously successful romantic novel that could be partly filmed in the U.K.
Both approaches were spelled out on Wednesday at a panel discussion at the Taiwan Creative Content Fest titled ‘Where is the silver lining for TW film?’ The session involved well-established director Nelson Yeh (“Night Market Hero”), U.S.-based director Weiko Lin and Taiwan female actor and screenwriter Herb Hsu (“Untold Herstory”).

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Over the course of the session, the trio mentioned various challenges facing the Taiwanese industry. These included viewer distraction by micro-length videos, poor levels of audience support for local titles (especially art house films and those in minority languages), a lack of female film directors, as well as an over-familiarity with Hollywood content.

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“From childhood, Taiwanese audiences are so used to watching Disney and Hollywood films with Chinese subtitles that we don’t realize we are doing it,” said Lin. “What we need to do is take the best elements of Hollywood and add local elements to make them our own.”

He cited films dual language films including “Minari,” “Past Lives,” “Everything Everywhere All at Once” and Ang Lee’s “Wedding Banquet” as benchmarks for what he is trying to achieve, while also explaining that “Crazy Rich Asian,” a film often cited as an Asian breakthrough, is still essentially a Hollywood movie.

Lin is aiming to shoot “Chalk” in summer next year and has been scouting locations in Boston, U.S. The story sees a single mother taken into witness protection program in the U.S. and discover that the bodyguard she is allocated is actually her estranged son. “The crime and drugs parts would probably be in English, while the family segments would be in Chinese,” said Lin.

Hsu is developing “Oriental Beauty” as a female-oriented historical drama series with the tag-line “Queen Victoria’s Favorite Cup of Tea.” The show is adapted from a novel “The Merry Leaf” (????)by Jade Y. Chen, a novelist known for orientalized stories. Ostensibly a story that traces the origins of Taiwan’s famous bubble tea, the plot involves 19th century woman who is pursued by three men. And although she is still only at script stage, Hsu reported that Chen is considering re-releasing the novel under a title aligned with her series.

Both projects are being developed with producer Yeh and his Good Image company.

“If more Taiwan films are going to go abroad, they need to think about international before they start shooting,” said Hsu.

Addu City unveils new tourism brand ‘Beyond the Equator’ at WTM in London

Addu City celebrated a historic milestone today with the global debut of its new tourism brand identity at the World Travel Market (WTM) in London. Organised in partnership with the Maldives Marketing and Public Relations Corporation (MMPRC) and the Addu Destination Management Office (ADMO), the event presented Addu City’s refreshed image as an essential travel destination, encapsulated by the tagline “Addu: Beyond the Equator.”
The launch, which marked the beginning of the Addu Tourism marketing initiative, was spearheaded by key figures, including the Mayor of Addu City, Ali Nizar; MMPRC Chairman, Abdulla Ghiyas; and MMPRC Managing Director, Ibrahim Shiuree. Each leader expressed Addu’s significant potential and shared a vision for its future as a captivating destination for global travellers.
This brand reveal marks a pivotal point in Addu City’s tourism journey. Throughout WTM, ADMO will engage with international tour operators and travel agents, spotlighting the city’s unique attractions and diverse tourism offerings. The rebranding underscores Addu’s rich heritage, its pristine natural landscapes, and its unique appeal as a destination “Beyond the Equator.”
Choosing to launch Addu City’s tourism brand at the World Travel Market in London was strategically inspired by Addu’s colonial history, particularly its strong ties to Britain during World War II and afterward. Addu Atoll was a key site for British forces, housing a Royal Air Force Base on Gan Island. This historical connection left an enduring legacy, with traces of British architecture, cultural influence, and shared memories still visible in Addu today.

Unveiling “Addu: Beyond the Equator” in London honours this historical bond and reflects the unique relationship between Addu and Britain. The launch positions Addu as a place where travellers can immerse themselves in both the scenic beauty and local culture of the Maldives, as well as in stories that span continents and generations. This debut at WTM London is more than a marketing opportunity; it invites the world, especially British visitors, to rediscover a place where their own history intersects with Addu’s unique heritage, evoking a sense of familiarity while exploring a distinct side of the Maldives.

Addu City unveils new tourism brand ‘Beyond the Equator’ at WTM in London

Addu City celebrated a historic milestone today with the global debut of its new tourism brand identity at the World Travel Market (WTM) in London. Organised in partnership with the Maldives Marketing and Public Relations Corporation (MMPRC) and the Addu Destination Management Office (ADMO), the event presented Addu City’s refreshed image as an essential travel destination, encapsulated by the tagline “Addu: Beyond the Equator.”
The launch, which marked the beginning of the Addu Tourism marketing initiative, was spearheaded by key figures, including the Mayor of Addu City, Ali Nizar; MMPRC Chairman, Abdulla Ghiyas; and MMPRC Managing Director, Ibrahim Shiuree. Each leader expressed Addu’s significant potential and shared a vision for its future as a captivating destination for global travellers.
This brand reveal marks a pivotal point in Addu City’s tourism journey. Throughout WTM, ADMO will engage with international tour operators and travel agents, spotlighting the city’s unique attractions and diverse tourism offerings. The rebranding underscores Addu’s rich heritage, its pristine natural landscapes, and its unique appeal as a destination “Beyond the Equator.”
Choosing to launch Addu City’s tourism brand at the World Travel Market in London was strategically inspired by Addu’s colonial history, particularly its strong ties to Britain during World War II and afterward. Addu Atoll was a key site for British forces, housing a Royal Air Force Base on Gan Island. This historical connection left an enduring legacy, with traces of British architecture, cultural influence, and shared memories still visible in Addu today.

Unveiling “Addu: Beyond the Equator” in London honours this historical bond and reflects the unique relationship between Addu and Britain. The launch positions Addu as a place where travellers can immerse themselves in both the scenic beauty and local culture of the Maldives, as well as in stories that span continents and generations. This debut at WTM London is more than a marketing opportunity; it invites the world, especially British visitors, to rediscover a place where their own history intersects with Addu’s unique heritage, evoking a sense of familiarity while exploring a distinct side of the Maldives.

New Maldives Customs rules end duty-free tobacco, impose stricter limits on tourists

In line with a stricter approach to regulating tobacco and nicotine products, the Maldives has introduced new measures affecting tourists, retailers, and consumers alike.
The Commissioner General of Customs, Fathimath Dhiyana, has issued directives removing duty exemptions on all tobacco and nicotine items, including products like e-cigarettes and shisha, which previously enjoyed certain import concessions. This change is expected to impact both the availability and cost of these products, influencing the tourism industry as well as the domestic market.
Previously, some duty exemptions applied to tobacco, nicotine products, and related devices, but these have now been fully revoked. Customs officials will strictly enforce this new regulation, ensuring that no duty allowances apply to any tobacco or nicotine products. This marks the third attempt by the government to revoke duty incentives for these products after two earlier deferrals.
Under the policy titled “Duty Exemption on Goods Imported by Tourists, Small Consumer Goods, and Business Samples,” the duty-free allowance for small consumer goods brought by tourists and individuals has been raised to MVR 10,000. However, this increased allowance does not cover tobacco and nicotine products. Tourists bringing nicotine items into the Maldives must now declare them at Customs.

New Maldives Customs rules end duty-free tobacco, impose stricter limits on tourists

In line with a stricter approach to regulating tobacco and nicotine products, the Maldives has introduced new measures affecting tourists, retailers, and consumers alike.
The Commissioner General of Customs, Fathimath Dhiyana, has issued directives removing duty exemptions on all tobacco and nicotine items, including products like e-cigarettes and shisha, which previously enjoyed certain import concessions. This change is expected to impact both the availability and cost of these products, influencing the tourism industry as well as the domestic market.
Previously, some duty exemptions applied to tobacco, nicotine products, and related devices, but these have now been fully revoked. Customs officials will strictly enforce this new regulation, ensuring that no duty allowances apply to any tobacco or nicotine products. This marks the third attempt by the government to revoke duty incentives for these products after two earlier deferrals.
Under the policy titled “Duty Exemption on Goods Imported by Tourists, Small Consumer Goods, and Business Samples,” the duty-free allowance for small consumer goods brought by tourists and individuals has been raised to MVR 10,000. However, this increased allowance does not cover tobacco and nicotine products. Tourists bringing nicotine items into the Maldives must now declare them at Customs.