TV & Movie News: “Arcane” To Get 3 More Spin-Offs; Angelina Jolie Teases Potential “Maleficent” Return

You know that a franchise – be it in film or television – has made it big when its fans and even the cast themselves ask for another helping. That’s the case with the two titles in our news roundup today.Three “Arcane” Spin-off Shows ConfirmedSource: X“Arcane” may be over and done with, but it won’t be the last we see of Runeterra. Following the season 2 finale of the critically-acclaimed animated series, it was confirmed that its creative team is already working on three more spin-offs set in various locations in the League of Legends universe.In an interview with a Twitch streamer, Necrit94, showrunner Christian Linke explained in length what they have in mind for the future of the series, and what the “next steps into this cinematic universe” are.“We are investing quite a bit in Noxus, Ionia, Demacia […] We start, really, with character stories. But I’m very confident that we’re investing in the right stories […] We have a lot of data, we know which characters our audience likes and plays a lot,” said Linke.Source: XFor those who are unfamiliar with the aforementioned regions, much like Zaun and Piltover in the first two seasons of “Arcane,” Ionia, Demacia, and Noxus have a deep and “frankly” bitter past with one another. To keep a long story short: Noxus, the homeland of Ambessa and Mel from the series, is a militaristic empire known for its brutal wars and campaigns; as a result, it is one of the largest nations in the world. Because of its size, however, it often comes into conflict with its neighbour, Demacia, another militaristic nation that has banned all forms of magic. Ionia, on the other hand, is a far-off nation that Noxus attempted to invade and conquer for resources but failed.It has not been confirmed which of the three nations we will see first, if they will feature each region individually, or if they will feature all of them simultaneously. However, Linke did explain the reasoning behind this creative decision. He said that they chose these nations because they are home to the more popular and beloved characters in the lore, though he did emphasise that they are looking at other countries as well.Obviously, animation is such a painstaking process, especially if it’s done with the same polish as “Arcane.” Which is why the project has already been in development for about a year. With that in mind, hopefully, the next installment to this amazing series will come sooner and without delays, unlike season 2.Angelina Jolie Wants To Reprise Maleficent For Third TimeSource: Screen RantLet’s not kid ourselves; when it comes to entertaining villains we love to hate, no one does it better than Disney. From Scar to Ursula and even to Dr. Facilier, there is something captivating and mesmerising about their depiction on screen and how, for lack of a better word, unapologetically evil they can be. Though they can be one-dimensional, we can’t help but glue our eyes on them whenever they make their appearance.In recent years, Disney has embraced reimagining their classic villains with much more depth. One of the more popular reimaginings is Maleficent, the wicked fairy from Disney’s 1959 film “Sleeping Beauty.” This cold-hearted “Mistress of All Evil” was brought to life by Angelina Jolie back in 2014 in the live-action “Maleficent” movie.[embedded content]Suffice to say, if it wasn’t for Jolie’s depiction, along with other remakes at the time, we would not be experiencing this wave of live-action remakes; whether that’s a good or bad thing is up for debate. Regardless, Jolie expressed her enthusiasm to reprise the villainess for a third time in an interview with Deadline. Though there has been no word of a third installment in the works, the veteran actress’s interview answers suggest that it might be in development. If it is not, she’s made it clear that she’s open to continuing the franchise.Jolie clearly loves the part, and her comeback might infuse Disney’s live-action slate with new energy. Another Maleficent movie might cement the franchise’s reputation as home to one of the greatest female movie villains, especially since viewers are demanding deeper, more complex narratives.Sources: Screen Rant, Gosu GamersFollow us on Instagram, Facebook or Telegram for more updates and breaking news. 

TV & Movie News: “Arcane” To Get 3 More Spin-Offs; Angelina Jolie Teases Potential “Maleficent” Return

You know that a franchise – be it in film or television – has made it big when its fans and even the cast themselves ask for another helping. That’s the case with the two titles in our news roundup today.Three “Arcane” Spin-off Shows ConfirmedSource: X“Arcane” may be over and done with, but it won’t be the last we see of Runeterra. Following the season 2 finale of the critically-acclaimed animated series, it was confirmed that its creative team is already working on three more spin-offs set in various locations in the League of Legends universe.In an interview with a Twitch streamer, Necrit94, showrunner Christian Linke explained in length what they have in mind for the future of the series, and what the “next steps into this cinematic universe” are.“We are investing quite a bit in Noxus, Ionia, Demacia […] We start, really, with character stories. But I’m very confident that we’re investing in the right stories […] We have a lot of data, we know which characters our audience likes and plays a lot,” said Linke.Source: XFor those who are unfamiliar with the aforementioned regions, much like Zaun and Piltover in the first two seasons of “Arcane,” Ionia, Demacia, and Noxus have a deep and “frankly” bitter past with one another. To keep a long story short: Noxus, the homeland of Ambessa and Mel from the series, is a militaristic empire known for its brutal wars and campaigns; as a result, it is one of the largest nations in the world. Because of its size, however, it often comes into conflict with its neighbour, Demacia, another militaristic nation that has banned all forms of magic. Ionia, on the other hand, is a far-off nation that Noxus attempted to invade and conquer for resources but failed.It has not been confirmed which of the three nations we will see first, if they will feature each region individually, or if they will feature all of them simultaneously. However, Linke did explain the reasoning behind this creative decision. He said that they chose these nations because they are home to the more popular and beloved characters in the lore, though he did emphasise that they are looking at other countries as well.Obviously, animation is such a painstaking process, especially if it’s done with the same polish as “Arcane.” Which is why the project has already been in development for about a year. With that in mind, hopefully, the next installment to this amazing series will come sooner and without delays, unlike season 2.Angelina Jolie Wants To Reprise Maleficent For Third TimeSource: Screen RantLet’s not kid ourselves; when it comes to entertaining villains we love to hate, no one does it better than Disney. From Scar to Ursula and even to Dr. Facilier, there is something captivating and mesmerising about their depiction on screen and how, for lack of a better word, unapologetically evil they can be. Though they can be one-dimensional, we can’t help but glue our eyes on them whenever they make their appearance.In recent years, Disney has embraced reimagining their classic villains with much more depth. One of the more popular reimaginings is Maleficent, the wicked fairy from Disney’s 1959 film “Sleeping Beauty.” This cold-hearted “Mistress of All Evil” was brought to life by Angelina Jolie back in 2014 in the live-action “Maleficent” movie.[embedded content]Suffice to say, if it wasn’t for Jolie’s depiction, along with other remakes at the time, we would not be experiencing this wave of live-action remakes; whether that’s a good or bad thing is up for debate. Regardless, Jolie expressed her enthusiasm to reprise the villainess for a third time in an interview with Deadline. Though there has been no word of a third installment in the works, the veteran actress’s interview answers suggest that it might be in development. If it is not, she’s made it clear that she’s open to continuing the franchise.Jolie clearly loves the part, and her comeback might infuse Disney’s live-action slate with new energy. Another Maleficent movie might cement the franchise’s reputation as home to one of the greatest female movie villains, especially since viewers are demanding deeper, more complex narratives.Sources: Screen Rant, Gosu GamersFollow us on Instagram, Facebook or Telegram for more updates and breaking news. 

The Turkmen publishing house has published a textbook on natural science and a textbook on literature

By the Turkmen State Publishing Service on the recommendation of The Ministry of Education of Turkmenistan has issued a textbook on natural science and a textbook on literature for schoolchildren.

The third edition of the textbook on the subject of “Natural Science” is intended for students of grades III with the Russian language of instruction in secondary schools. The authors of the new edition are Zhanna Mashtakova,

Annagozel Atdaeva, Ashir Keshikov. The textbook includes revised material from previous editions. In the third grade, students begin to study natural science in the classroom which they will have to gain a lot of interesting and important knowledge about nature. The main focus of the III grade curriculum is the nature around us, its changes according to the seasons. When studying these changes, the simplest relationships between living and inanimate nature are revealed.

The textbook on natural science contains colorful materials describing the phenomena of nature, the processes occurring in it. Students will learn to observe and recognize the change of seasons, identify the characteristic signs of spring, summer, autumn, winter, and gain basic knowledge of ecology.

The text material of the textbook is accompanied by photo illustrations and drawings, which will help students to get to know the world even better and understand the meaning of nature for each person.

Another new edition is the “Textbook on Literature” for the sixth grade with the Russian language of instruction in secondary schools. Its compilers are G.Atadurdieva, L.Kasparova, S.Musayeva. The textbook is designed in accordance with the curriculum and its requirements.

The anthology contains works that were not included in the textbook “Literature” for the sixth grade. The textbook introduces students to the myths of the Ancient Greece, works of classics of Russian and foreign literature, It contains textbook texts and a short dictionary of literary terms.

The new “Textbook on Literature” will allow students to master the initial skills of analyzing works, contributing to a better perception and assimilation of the material, expanding the horizons of students.

The travel trend that defined the year

Looking back, has there ever been a bigger or better summer of sport than the one we’ve just had? Kicking off big time with the Euros then continuing apace with the cricket world cup, Wimbledon, the Paris Olympics and finally the Paralympic Games, for big-ticket sports fans summer 2024 was one for the books.And that mega line-up of sporting events has seen millions of spectators embrace a closely related travel trend: sports-tripping. Whether it was legions of choreographed Dutch fans swarming streets in Germany at the Euros or raucous multinational support for athletics at Paris’s Stade de France, travelling sports fans have been front and centre of the summer’s events. 
This year sports-tripping took off in a big way – even if you didn’t jet off to Berlin for the Euros final or pop over the Channel to the Olympics and Paralympics, chances are you know someone that did. And the data backs that up. According to Booking.com, demand for accommodation in Paris increased over the Olympic period by 165 percent for couples and 98 percent for solo travellers. In Berlin, during the final of the Euros, accommodation searches increased by a whopping 43,000 percent. Forty-three thousand.

Photograph: katatonia82 / Shutterstock.com

That surge in demand wasn’t limited to one-off tournaments and events, either. The final of Wimbledon 2024, for instance, saw searches for accom in Wimbledon itself rocket by 157 percent compared to the same period last year, while neighbouring areas Fulham and New Malden also saw higher demand. According to eDreams ODIGEO’s Year in Travel report, sports tourism was responsible for 10 percent of global tourism in 2024.
In 2025, the trend shows no sign of slowing down – according to SkyScanner, nearly a third of 25-to-35-year-olds are planning trips around sports events next year. So, why has sports tourism taken off so wildly, and what’s the appeal? 
What is sports-tripping?
Sports-tripping (or sportourism, if you will) is pretty much what it says on the tin: tourism tied to sporting events. While it can apply to actually taking part in sports – like travelling for competitions such as marathons – it also refers to spectators travelling for events.
Front and centre, a clear reason 2024 has been such a huge year for sports-tripping is because it’s been a huge year for sport, full stop. Several big-ticket events have joined the usual roster of annual tournaments, offering wall-to-wall entertainment for all kinds of fans.

Photograph: Franck Legros / Shutterstock.com

But the Olympics and Euros collide every four years – why so much hype in 2024? Crucial to this year’s Euros, Olympics and Paralympics is that they’ve been held in places that are, by and large, accessible and (comparatively) affordable for fans – particularly those in Europe. Compared to the last two Olympics in Tokyo and Rio de Janeiro, and in contrast with recent major football events in Qatar and Russia, attending this summer’s tournaments has involved visiting familiar, comfortable, well-connected places that aren’t massively expensive to get to.
Sure, the pandemic hampered some of the prior events’ crowd sizes (and may well have boosted the popularity of this year’s post-pandemic competitions), but there’s no denying that the locations of France and Germany, both at the heart of Europe with countless affordable rail and flight connections, have led to greater willingness to travel. In other words, events and locations aligned for a summer ripe for sports-tripping.
The new gig-tripping
While sports-tripping may have been in the spotlight this summer, the phenomenon isn’t new. In fact, one study reckons that sports tourism dates all the way back to at least Ancient Greece, when spectators would travel to watch the Olympic Games. Another study says that sports and tourism have been ‘intertwined’ since modern incarnations of both emerged in the 1800s.
2024 has just been a bigger year than most for travelling for sport. The appeal for doing so might seem obvious, but let’s lay out a few of the many reasons you might want to travel as a sporting spectator.  
The most obvious draw to sports-tripping as a spectator is that it combines two of life’s greatest things: watching and soaking up all the atmosphere and excitement of spectator sport, and the wonder and intrigue of travel.
Sports-tripping combines two of life’s greatest things: soaking up the excitement of spectator sport and the wonder of travel
Travelling for sports shares the appeal of gig-tripping in that it gives you that kick up the backside to actually get out there and travel, while combining that trip with a big event. In fact, ‘event-cations’ are one of the biggest trends driving tourism in recent years, according to The Tour Guy. 
Unlike gig-tripping, however, huge sporting events enable travellers to experience a familiar destination in a new light – and to see a place at its most patriotic. Take Paris during this summer’s Olympics and Paralympics. Anyone who ventured to the French capital this summer will have noticed that the city had extra sheen, its citizens were chirpier and Olympic (and Paralympic) fever was palpable in the atmosphere and mood of the City of Light. Events even took place at or in the shadow of Paris’ most majestic landmarks – it felt like a once-in-a-lifetime opportunity to explore the city.

Photograph: Vitalii Vitleo / Shutterstock.com

Exploring the unfamiliar
Travelling for an event – particularly a sporting event, where a match or race is a one-time-only occurrence – means a reversal of the destination-first travel booking process: you go where the event is, which could lead you to a place you might not’ve previously considered visiting. 
Take Stuttgart, for example. The capital of the German state of Baden-Wurttemberg, Stuttgart certainly has some tourist appeal – best known for its car museums (it’s the ‘cradle of the automobile’, after all) and historic Schwaben palaces – but it wouldn’t ordinarily be on most travellers’ radar. Put plainly, from Berlin and Munich to Cologne and Hamburg, there are at least half a dozen other German cities higher on most travellers’ bucket lists.
Add this summer’s UEFA European Championship to the equation, however, and everything changes. I visited the city for the Euro 2024 quarter-final this summer, Germany vs Spain, at its MHPArena. It was so easy to get swept up in the fiery atmosphere of watching Germany on home turf, experiencing a different, more inclusive and positive football culture, and getting stuck-in amongst the city’s football shirt-filled streets buzzing with chanting and drinking. I’d love to have celebrated on those streets, too… alas, the locals lost.

Writer Ed Cunningham at the UEFA quarter-final in Stuttgart | Photograph: Ed Cunningham

Beyond football, I found that Stuttgart’s the perfect example of somewhere you might not think to go to but, given the opportunity, really shines. Within a few days centred around the match, I learned that the city was the birthplace of sports car manufacturer Porsche and legendary philosopher Hegel. I was taken by the city’s marvellously lush greenery, pretty palaces and rich, critically celebrated food scene. 
Would I recommend Stuttgart as a tourist destination? Honestly, Germany has many more interesting places. But as a sports-tripping destination, with its two major arenas and pedigree in football, handball, ice hockey, volleyball and much more, it’s entirely worth booking a trip around.
2025 and beyond
While this summer was a particularly monumental one for sport, sports tourism is only getting more popular. According to eDreams ODIGEO’s Year in Travel report, searches for destinations with major sports events next year are already spiking. The Women’s Rugby World Cup in the UK has encouraged global searches for travel to tournament cities to rise by 74 percent year-on-year, while searches for travel to Harbin, China, during the Asian Winter Games have risen by a whopping 245 percent year-on-year.And it’s not only tournaments and games people will be travelling for next year. Only a few months after the UEFA final this summer, footie legend Eric Cantona launched a series of football-themed city breaks, bookable up to May 2025. On them, a small group of football-obsessed travellers will be accompanied by legendary players including Nuno Gomes, Javier Zanetti and Cantona himself. 
Fast forward three years and there’s Euro 2028, which is taking place across England, Scotland, Wales, Northern Ireland and the Republic of Ireland, while the Olympics and Paralympics will come around the same year. Will it all be even bigger and better in four years’ time, at the next sporting equivalent of a super blue moon? We’ll just have to wait and see.

Ed travelled to Stuttgart as a guest with booking.com. Our reviews and recommendations have been editorially independent since 1968. For more, see our editorial guidelines.
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‘Mononoke Movie’ Netflix Review: The Medicine Seller Continues To Slay

Even before knowing the difference between what’s categorized as animation and what’s considered anime, I was watching anime movies and shows like Pokemon, Digimon, Beyblade, and Dragon Ball on Cartoon Network. Thanks to Animax, my mind was exposed to Captain Tsubasa, Cardcaptor Sakura, Detective School Q, Inuyasha, and Yu-Gi-Oh! As much as I’d like to claim that I grew up with the works of Hayao Miyazaki, Satoshi Kon, Katsuhiro Otomo, Mamoru Oshii, and Hideaki Anno, that’s not the case at all, as I came around to their masterpieces later in my life. In addition to that, I’m aware of all the popular stuff like One Punch Man, Death Note, One Piece, Attack on Titan, etc. So, I guess I can say that I am pretty familiar with the medium and the genres that exist within its boundaries. And yet, when I saw Kenji Nakamura’s Mononoke, in preparation for his feature film trilogy, my jaw dropped to the floor. Its art direction, animation, editing, and storytelling were seemingly alien to me. It was like a hypnotic fever dream that I wanted to experience endlessly. Now, how does Mononoke the Movie: The Phantom in the Rain fare? Let’s find out.

Set in the Edo period, Kenji Nakamura’s Mononoke the Movie is centered around the Ooku, which is the harem of Emperor Tenshi. With the exception of His Majesty, men aren’t allowed to enter the institution’s premises, and the women there exist solely to serve the emperor. But since there was a delay in the Birth Celebratory Ceremony of Lady Yukiko’s child with the emperor, officers Saburomaru and Hiramoto have been allowed to pass through the sacred gates. Apart from them, two potential concubines, Asa and Kame, enter the Ooku for the first time with the intention of dedicating their lives to serving His Majesty. Once inside, they are introduced to Madam Awashima, the head housemaid; her assistant, Mugitani; the administrator, Madam Kayama; and all the concubines who reside there. All seems relatively fine until Asa and Kame are asked to let go of the thing they love the most to begin their process of becoming a part of the harem. Kame is quick to let go of her individuality but is too chaotic to do her duties. Asa is skeptical of losing her individuality but organized enough to ace it, professionally speaking. This conflict gives rise to something malevolent already festering in the Ooku’s inner chambers, thereby prompting the iconic Medicine Seller to breach the walls and do an action-packed exorcism.

Contrary to popular opinion, I suppose, I have a few issues with Mononoke: The Phantom in the Rain. But before getting to that, allow me to talk about all the stuff that I liked. The animation is obviously gorgeous. The colors, the texture, the minute details, the character design, the backgrounds, and the psychedelic imagery are fantastic. I haven’t seen anything like it, and I doubt I’ll get to see anything like it until the next two Mononoke movies are released. The Medicine Seller’s upgraded design is really cool, especially when he unsheathes his Exorcism Sword. Nakamura and his insanely talented animation team have emulated the look of the faceless courtesans in the episode, Zashiki-warashi, to depict the loss of the concubines’ identity due to the nature of the job, and it is haunting. The sound design and the score are quite different from the 2007 show, and yet they add so much to the film’s immersive experience. I was bobbing my head to the guitar riffs every single time. As for the narrative, much like every episode in the 2007 show, it’s a layered and scathing commentary on the evils of patriarchy and how institutionalized sexism gives birth to internalized sexism. Nakamura makes it a point to viscerally depict how powerful men thrive by pitting women against women while continuing to use them for their pleasure and entertainment. And when these dark themes clash with the film’s eye-popping visuals, the resulting emotions are mystifying and intoxicating.

Now, it’s time for the gripes. The editing doesn’t always work. Yes, I am very aware of the editing style of the 2007 show, and, even though I wasn’t counting, I think that the frequency of the cuts in the film and the show is mostly the same. And while the similarity of the frequency evokes the sensation of watching yet another episode in the life of the Medicine Seller, it’s what editor Shigeru Nishiyama is cutting to that makes or breaks the viewing experience. The composition in the movie and the show is great, and there’s no doubt about that. But while the switching between each mind-mending composition adds to the surreal nature of the show, in the movie, it comes off as jarring. This is a nitpick but, most of the time, the characters in the film are animated too traditionally and it didn’t show off the weird (virtual) camera angles that the miniseries is known for. Due to the concise quality of the 2007 show, it always seemed like the focus was on the Medicine Seller. In the movie, it seems like the Medicine Seller is delivering an extended cameo because Nakamura is saving him for later; and by later, I mean the next two movies. That brings us to the film’s biggest problem: it feels incomplete. It’s part one of a trilogy. Hence, the ending is unsatisfactory by design, thereby disallowing me from judging the film on its own merit. Well, maybe once the trilogy is complete, I’ll be able to give my true thoughts on how The Phantom in the Rain fits into this mesmerizing tapestry.

The voice acting in Mononoke the Movie is top-notch. Hiroshi Kamiya takes on the role of the iconic Medicine Seller, and he brings the expertise that he has gained after lending his voice to around 400 projects. He perfectly portrays the exorcist’s cunning, sympathetic, calming, and charming qualities. Aoi Yuki is heartbreaking in the role of Kame. She highlights her character’s innocence so beautifully that it is unbearable to see her lose all of it for no fault of her own. Tomoyo Kurosawa’s aptly highlights Asa’s tepid sense of confidence and duty, which evolves into something that’s borderline destructive in nature. Yukana brings out Mugitani’s condescending behavior really well. Yuko Kaida is downright frightening in the role of Awashima. The way Mami Koyama switches between Kayama’s conniving and authoritarian sides is absolutely masterful. Jun Fukuyama and Yuki Kaji superbly show how the self-important officers like Hiramoto and Saburomaru are out of their depth. Kana Hanazawa’s subtle portrayal of Kitagawa’s tragic journey is laudable. Daisuke Hosomi gets to be a part of the film’s lighter moments, and he nails his character’s ignorant yet dutiful aspects. The supporting cast, which includes Yoko Hikasa, Miyu Irino, Haruka Tomatsu, and many others, are all really good.

Mononoke is definitely an acquired taste, and it’s certainly not for everyone. I mean, if you compare this with a 2000s IP like Death Note, the latter has 400k ratings on IMDb and has been watched by over 250k Letterboxd users. Meanwhile, Mononoke, the show, has only 3.2k ratings on IMDb and has been watched by 12k Letterboxd users. So, even though it’s getting its own cinematic trilogy, which is getting a theatrical release in Japan and a worldwide Netflix release, I can’t say that it’s popular. I feel that this film is for all those who love and adore the 2007 show. And I have a feeling that casual anime fans will walk into this without knowing what they’re about to face and probably end up hating it because it’s an overwhelming experience no matter how you cut it. That’s precisely why I will recommend giving Mononoke a watch before dipping your toes into The Phantom in the Rain so that, at the very least, you have an idea of the vibe. If you love the show already, then I don’t think you need my approval to watch the film. I am a fan of the show, and, despite my gripes, I loved the film. The Medicine Seller continues to slay even after two decades, and I can’t wait to see how Kenji Nakamura gives shape to his trilogy.

Related

‘Mononoke Movie’ Netflix Review: The Medicine Seller Continues To Slay

Even before knowing the difference between what’s categorized as animation and what’s considered anime, I was watching anime movies and shows like Pokemon, Digimon, Beyblade, and Dragon Ball on Cartoon Network. Thanks to Animax, my mind was exposed to Captain Tsubasa, Cardcaptor Sakura, Detective School Q, Inuyasha, and Yu-Gi-Oh! As much as I’d like to claim that I grew up with the works of Hayao Miyazaki, Satoshi Kon, Katsuhiro Otomo, Mamoru Oshii, and Hideaki Anno, that’s not the case at all, as I came around to their masterpieces later in my life. In addition to that, I’m aware of all the popular stuff like One Punch Man, Death Note, One Piece, Attack on Titan, etc. So, I guess I can say that I am pretty familiar with the medium and the genres that exist within its boundaries. And yet, when I saw Kenji Nakamura’s Mononoke, in preparation for his feature film trilogy, my jaw dropped to the floor. Its art direction, animation, editing, and storytelling were seemingly alien to me. It was like a hypnotic fever dream that I wanted to experience endlessly. Now, how does Mononoke the Movie: The Phantom in the Rain fare? Let’s find out.

Set in the Edo period, Kenji Nakamura’s Mononoke the Movie is centered around the Ooku, which is the harem of Emperor Tenshi. With the exception of His Majesty, men aren’t allowed to enter the institution’s premises, and the women there exist solely to serve the emperor. But since there was a delay in the Birth Celebratory Ceremony of Lady Yukiko’s child with the emperor, officers Saburomaru and Hiramoto have been allowed to pass through the sacred gates. Apart from them, two potential concubines, Asa and Kame, enter the Ooku for the first time with the intention of dedicating their lives to serving His Majesty. Once inside, they are introduced to Madam Awashima, the head housemaid; her assistant, Mugitani; the administrator, Madam Kayama; and all the concubines who reside there. All seems relatively fine until Asa and Kame are asked to let go of the thing they love the most to begin their process of becoming a part of the harem. Kame is quick to let go of her individuality but is too chaotic to do her duties. Asa is skeptical of losing her individuality but organized enough to ace it, professionally speaking. This conflict gives rise to something malevolent already festering in the Ooku’s inner chambers, thereby prompting the iconic Medicine Seller to breach the walls and do an action-packed exorcism.

Contrary to popular opinion, I suppose, I have a few issues with Mononoke: The Phantom in the Rain. But before getting to that, allow me to talk about all the stuff that I liked. The animation is obviously gorgeous. The colors, the texture, the minute details, the character design, the backgrounds, and the psychedelic imagery are fantastic. I haven’t seen anything like it, and I doubt I’ll get to see anything like it until the next two Mononoke movies are released. The Medicine Seller’s upgraded design is really cool, especially when he unsheathes his Exorcism Sword. Nakamura and his insanely talented animation team have emulated the look of the faceless courtesans in the episode, Zashiki-warashi, to depict the loss of the concubines’ identity due to the nature of the job, and it is haunting. The sound design and the score are quite different from the 2007 show, and yet they add so much to the film’s immersive experience. I was bobbing my head to the guitar riffs every single time. As for the narrative, much like every episode in the 2007 show, it’s a layered and scathing commentary on the evils of patriarchy and how institutionalized sexism gives birth to internalized sexism. Nakamura makes it a point to viscerally depict how powerful men thrive by pitting women against women while continuing to use them for their pleasure and entertainment. And when these dark themes clash with the film’s eye-popping visuals, the resulting emotions are mystifying and intoxicating.

Now, it’s time for the gripes. The editing doesn’t always work. Yes, I am very aware of the editing style of the 2007 show, and, even though I wasn’t counting, I think that the frequency of the cuts in the film and the show is mostly the same. And while the similarity of the frequency evokes the sensation of watching yet another episode in the life of the Medicine Seller, it’s what editor Shigeru Nishiyama is cutting to that makes or breaks the viewing experience. The composition in the movie and the show is great, and there’s no doubt about that. But while the switching between each mind-mending composition adds to the surreal nature of the show, in the movie, it comes off as jarring. This is a nitpick but, most of the time, the characters in the film are animated too traditionally and it didn’t show off the weird (virtual) camera angles that the miniseries is known for. Due to the concise quality of the 2007 show, it always seemed like the focus was on the Medicine Seller. In the movie, it seems like the Medicine Seller is delivering an extended cameo because Nakamura is saving him for later; and by later, I mean the next two movies. That brings us to the film’s biggest problem: it feels incomplete. It’s part one of a trilogy. Hence, the ending is unsatisfactory by design, thereby disallowing me from judging the film on its own merit. Well, maybe once the trilogy is complete, I’ll be able to give my true thoughts on how The Phantom in the Rain fits into this mesmerizing tapestry.

The voice acting in Mononoke the Movie is top-notch. Hiroshi Kamiya takes on the role of the iconic Medicine Seller, and he brings the expertise that he has gained after lending his voice to around 400 projects. He perfectly portrays the exorcist’s cunning, sympathetic, calming, and charming qualities. Aoi Yuki is heartbreaking in the role of Kame. She highlights her character’s innocence so beautifully that it is unbearable to see her lose all of it for no fault of her own. Tomoyo Kurosawa’s aptly highlights Asa’s tepid sense of confidence and duty, which evolves into something that’s borderline destructive in nature. Yukana brings out Mugitani’s condescending behavior really well. Yuko Kaida is downright frightening in the role of Awashima. The way Mami Koyama switches between Kayama’s conniving and authoritarian sides is absolutely masterful. Jun Fukuyama and Yuki Kaji superbly show how the self-important officers like Hiramoto and Saburomaru are out of their depth. Kana Hanazawa’s subtle portrayal of Kitagawa’s tragic journey is laudable. Daisuke Hosomi gets to be a part of the film’s lighter moments, and he nails his character’s ignorant yet dutiful aspects. The supporting cast, which includes Yoko Hikasa, Miyu Irino, Haruka Tomatsu, and many others, are all really good.

Mononoke is definitely an acquired taste, and it’s certainly not for everyone. I mean, if you compare this with a 2000s IP like Death Note, the latter has 400k ratings on IMDb and has been watched by over 250k Letterboxd users. Meanwhile, Mononoke, the show, has only 3.2k ratings on IMDb and has been watched by 12k Letterboxd users. So, even though it’s getting its own cinematic trilogy, which is getting a theatrical release in Japan and a worldwide Netflix release, I can’t say that it’s popular. I feel that this film is for all those who love and adore the 2007 show. And I have a feeling that casual anime fans will walk into this without knowing what they’re about to face and probably end up hating it because it’s an overwhelming experience no matter how you cut it. That’s precisely why I will recommend giving Mononoke a watch before dipping your toes into The Phantom in the Rain so that, at the very least, you have an idea of the vibe. If you love the show already, then I don’t think you need my approval to watch the film. I am a fan of the show, and, despite my gripes, I loved the film. The Medicine Seller continues to slay even after two decades, and I can’t wait to see how Kenji Nakamura gives shape to his trilogy.

Related

‘Conclave’ Movie Ending Explained & Summary: What Is Cardinal Benitez’s Secret?

The 2024 mystery thriller film Conclave, which is already one of the favorites to be nominated for the Oscars, presents a fascinating insight into the extremely private affair of a papal conclave, although it is a fictional take on it. Adapted from Robert Harris’ novel by the same name, the film follows the events of a papal conclave after the passing of the current pope, with the dean, Thomas Cardinal Lawrence taking up the responsibility of overseeing the whole process of choosing the new pope. While Conclave’s ending might be controversial to some, the unusual implication of it and a number of other themes throughout the film make it a very interesting watch.

Spoiler Alert

What is the film about?

Conclave begins with Thomas Cardinal Lawrence hurriedly walking towards the Vatican City, clutching his briefcase and his skullcap in a tight grip, evidently tense and upset about the situation he is currently in. As he enters the main papal chambers and walks up to the resting chambers of the pope, the reason for his stressed countenance becomes clear. The pope is on his deathbed, and as he and the other clergymen pray for the man, it becomes evident to them that the religious leader has passed away. Amidst the grief of having lost a long-serving colleague and guide, Cardinal Lawrence and the others have to oversee the customs following the death of the pope, which begins with the rather forceful removal of the Piscatory Ring from the corpse. The Throne of the Holy See is officially announced to be vacant, meaning that preparations for the election of a new pope have to be started. 

Three weeks later, the conclave is set to begin, and the necessary steps to ensure the secrecy and solemnity of the whole procedure are maintained. Signal jammers and anti-laser glass windows are put up while Cardinal Lawrence prepares for the arrival of the cardinals from all over the world, who would be participating in the election process. Lawrence already has a favorite candidate for the position of the pope—his friend, Cardinal Bellini, an American priest who firmly believes in and propagates the need to embrace liberal thoughts and keep up with the changing times. Bellini seems to be a favorite among the other cardinals as well, while his direct rival happens to be the Italian Cardinal Tedesco, who is a staunch believer in traditionalist Catholicism. Tedesco wants the Church to return to its conservative roots and ignore all liberal thoughts and preachers like Bellini.

Cardinal Adeyemi, hailing from Nigeria, happens to be a popular candidate as well, with him and his supporters keen on grabbing the opportunity to have a Black man as the pope for the first time. Cardinal Tremblay, another important priest from Canada, is also a popular candidate, although his thoughts and beliefs are not really very clear to anyone. Lastly, some consider Cardinal Lawrence to be a fit candidate to be the next pope as well, although he does not have any interest in the position. Instead, Lawrence focuses on ensuring that the conclave is carried out perfectly and the new pope is elected without any hitches. But he realizes the immense struggle of the job when secrets about each of the candidates start to come out, making the election of the new pope a rather difficult task. 

How does the religious affair turn political?

The modern and swanky offices and halls inside of Vatican City, where administrative matters take precedence over the usual religious affairs otherwise associated with the place, often seem like spaces we are more used to seeing at corporate offices and buildings. Not having such modern amenities and features does not make sense in these times either, and so every religious institution, no matter how old they may be, has to adapt to certain aspects of modernity, like the glass windows to keep out lasers. Therefore, it is also perhaps not too strange that the papal conclave, which is meant to be mostly a religious and spiritual matter, actually turns rather political once the proceedings begin. In this context, it might be argued that the election of a new pope has always had a certain degree of politics involved in it, but the particular fictional one that we are allowed to witness has a sense of modern tactical politics being in play.

When the papal conclave begins, Cardinal Bellini is considered a solid contender and a favorite to become the next pope, but then he receives a considerably low number of votes in the first round. He initially blames Lawrence for not telling his supporters to vote for the man, as Lawrence somehow receives a few votes despite claiming to not be interested in the position. This makes Bellini believe that Lawrence must be secretly scheming to become the next pope, and he angrily blames him for making people like Tedesco gain power by such antics. Bellini is a self-admitted liberal who wants to bring reforms to the Church’s stances regarding matters like homosexuality and divorce. He believes that the old traditional Christian family system, of having numerous children after marriage, should not be considered virtuous or the right path of life in the modern world.

However, Bellini seems to be a bit too focused on his competitors, and he does not talk about his own ideals as much as he speaks about the need to stop Tedesco from winning the election. There is no doubt that the American priest wants to become the pope, which he admits quite early in the film. But there is a certain feeling that Bellini might be faking his liberal views just to have more chance of getting votes, although it is not delved into by Conclave, as he runs out of contention pretty soon. The rule is that a cardinal becomes the new pope if and when they receive the majority figure of 72 votes in one round of the ballot. As nobody receives that many votes in the first few rounds, the voting continues for days, with the cardinals sequestered inside the Vatican City until the voting is finally over.

The candidate who takes precedence over the next rounds of voting is Cardinal Adeyemi, from Nigeria, who is quite a popular man. His popularity seems to stem from the fact that the cardinals from countries other than the powerful European ones want to bring an end to their supremacy and place someone from a developing country on the papal seat. Such an instance would also mean that a Black man would become pope for the first time, or rather, for the first time in 1527 years, if historical records are to be believed. The Church does not directly oppose a Black man becoming the pope, although there has just been no non-white person on the seat, in sharp contrast to, say, a woman becoming pope, which is considered blasphemous. Therefore, this might be a great opportunity to change its public image and update it to modern standards, as well. The only demerit that Bellini, and perhaps Lawrence, sees in Adeyemi is his belief that homosexuals should be put in prison while they are alive and then in Hell after death.

Adeyemi’s stance is quite popular among the voters, making him lead several rounds of the votes until a scandal about his personal life is revealed in the most alarming manner. The man had wavered from his vows of celibacy many years ago and had gotten romantically involved with a young nun, who was 19 at the time, while the priest was 30. It is also very possible that Adeyemi even has a child with the nun, Sister Shanumi, although the child does not have any idea about its parentage. In a surprising twist, Sister Shanumi shows up at Vatican City during the conclave and tries to make Adeyemi admit to their affair. Although the cardinal is initially able to avoid her, a ruckus in the refectory leads to Lawrence speaking with Shanumi and learning of the secret, following which Adeyemi admits his mistake as well. This scandal almost immediately destroys Cardinal Adeyemi’s campaign, and his share of votes keeps falling from the next round onwards.

The sudden nature of the revelation of this scandal makes Cardinal Lawrence wonder how Sister Shanumi suddenly traveled to the Vatican at this very moment. Although he is sequestered at the time and should not technically be allowed to find out about things from outside the conclave, he requests the head nun, Sister Agnes, to check on the matter. This is when Lawrence learns that Cardinal Tremblay had been the one to arrange for Shanumi’s arrival at the Vatican, which suggests that the Canadian priest must have carefully planned this to sabotage his rival, Adeyemi’s campaign. Incidentally, Archbishop Wozniak, who was a confidant of the late pope, had earlier informed Lawrence that Tremblay had been the last person to meet the pope before his death, and in this meeting, the pope had actually wanted Tremblay to be stripped of his cardinalship. Although Tremblay denied these claims when asked by Lawrence, the latter finally enters the late pope’s room and finds incriminating evidence against the Canadian priest.

The late pope had actually found evidence of Tremblay having paid other cardinals to support him and vote for him during the papal conclave, and it was because of this that he had become a popular candidate. While nothing about Tremblay’s ideals or beliefs is revealed by him, he does declare his desire to become the pope a number of times, suggesting that getting to the seat of the Holy See is all that he cares about. Even Bellini tries to convince Lawrence to keep this matter a secret and let Tremblay become the pope, to keep a conservative like Tedesco from getting the chance, suggesting that Bellini had been paid, or at least promised an important role by Tremblay as well. The protagonist refuses, though, and as he and Sister Agnes distribute copies of the documents among the conclave, he and Tremblay become the only two plausible candidates.

At the very beginning of the conclave, in a heartfelt speech made by Cardinal Lawrence, he had urged his fellow cardinals to elect a man who had sinned and come back to the light shown by religion. In a beautiful manner, he spoke of how certainty is something not very worthwhile in matters of religion and in life, for it strips us of our very human nature of being wavering and unpredictable. We do commit mistakes and then learn from them, and so Lawrence called for cardinals to be ideal humans instead of pretending to be perfect. Instead of choosing absolutely perfect candidates, for no man can be perfect in every way, he urged on the need to look past one’s mistakes and forgive them so that an ideal man would become the pope. Ultimately, Lawrence seems to have asked for something he was not prepared to handle, as all the secrets and political strategies drawn up by the different cardinals weigh heavily on him and lead to him becoming a potential candidate once again.

How does the terrorist attack change the course of the papal conclave?

At a crucial point of the conclave, a bomb blast right beside the Sistine Chapel blows a hole in the side of the building and leads to a number of the cardinals getting injured. However, this incident has much stronger ramifications with regards to the voting itself, as it helps in establishing the true nature of the candidates. The explosion is revealed to have been caused by an orchestrated terrorist attack across Europe, including the Vatican, Louvain, and Munich. The incident has killed 52 people, with hundreds injured by it, and although nothing about the perpetrators or the exact reason for it is revealed, Cardinal Tedesco immediately holds Islamists responsible for the grave act. Tedesco jumps onto the terrorist attack and tries to use it as a final call to rally the cardinals to vote for him and take the Church back to its old traditional and powerful stature. He indirectly promises to take action against Muslims and the spread of Islam over Europe if he is made the pope and is even applauded for his strong words of action by many.

Just as the liberals and the traditionalists are in the middle of an argument amongst each other, a relatively lesser-known man stands up and grabs everyone’s attention. At the beginning of Conclave, Lawrence had been informed of a certain Cardinal Benitez, who was apparently the Archbishop of Kabul and had now arrived for the conclave. Benitez stated that the late pope had given him the position in pectore, meaning secretly, probably because of the hostility a cardinal would face in a country like Afghanistan. Although he originally hailed from Mexico, and so his claim seemed a bit dubious, Lawrence ultimately checked in on his story and found him to be telling the truth. 

Benitez now stands up and calls for his brethren to wipe out the feelings of hatred, suggesting that Tedesco is not much different from the very religious extremists he wants to persecute. Having witnessed war firsthand, Benitez stresses how common people, who are supposed to be saved and protected by religion, are always harmed the most, and he calls for the need to actively end such disasters. Cardinal Benitez firmly preaches on the need to end war and eliminate hatred and states that the Church has never been about following ancient rules but about being the leaders who show the right path for the future. This passionate speech impacts the conclave greatly, and in the next voting session, Cardinal Benitez receives the majority of votes, making him the next pope.

What is Cardinal Benitez’s secret?

In accordance with Cardinal Lawrence’s earlier claim about every human being having flaws, Conclave’s ending shows that Cardinal Benitez also has a secret that could shake the very foundations of the Vatican Church if revealed. Lawrence finds out that the late pope had arranged for Benitez to travel to a medical clinic in Switzerland in order for a laparoscopic hysterectomy to be performed on him. This is because Cardinal Benitez is intersex, as he had been born with a uterus and ovaries, along with having the usual male reproductive organs. It was because of his physical appearance, and also perhaps because of his own idea about himself, that he was raised as a male, but the traditionalists can very well claim him to be a woman physically because of his body not following the usual conventions of sexual identity. 

Benitez had discovered this about himself while receiving treatment for appendicitis as an adult, and the late pope had been informed about it as well. It seems like the late pope had secretly chosen him to be his successor, because of which he had arranged for Benitez to fly to Switzerland and remove the female reproductive organs from his body. However, at the very last minute, Benitez had refused to change the work of God and accept himself as God had made him and had canceled the appointment. Thus, although Cardinal Benitez voices the opinion of the Church with regards to abortion or euthanasia, stating that the work of God should not be played around with, his being intersex would surely lead the Church towards a meltdown, as nobody other than a physical male is allowed to be the pope. Ultimately, in Conclave’s ending, Lawrence decides to not tell anyone about this, as Benitez’s secret is far less offensive than those of the other cardinals as revealed earlier. 

The timing of Conclave, which ultimately stresses acceptance and inclusion, is also quite interesting, making one wonder if modern sensibilities will perhaps enter the realm of staunch religion someday in the near future. With the world already divided between groups vying for position through liberal views and the ones who shudder at the thought of inclusivity and change, perhaps only a messiah with genuine love and compassion can save us, although they too are bound to have their own grave secrets. 

Related

‘Conclave’ Movie Ending Explained & Summary: What Is Cardinal Benitez’s Secret?

The 2024 mystery thriller film Conclave, which is already one of the favorites to be nominated for the Oscars, presents a fascinating insight into the extremely private affair of a papal conclave, although it is a fictional take on it. Adapted from Robert Harris’ novel by the same name, the film follows the events of a papal conclave after the passing of the current pope, with the dean, Thomas Cardinal Lawrence taking up the responsibility of overseeing the whole process of choosing the new pope. While Conclave’s ending might be controversial to some, the unusual implication of it and a number of other themes throughout the film make it a very interesting watch.

Spoiler Alert

What is the film about?

Conclave begins with Thomas Cardinal Lawrence hurriedly walking towards the Vatican City, clutching his briefcase and his skullcap in a tight grip, evidently tense and upset about the situation he is currently in. As he enters the main papal chambers and walks up to the resting chambers of the pope, the reason for his stressed countenance becomes clear. The pope is on his deathbed, and as he and the other clergymen pray for the man, it becomes evident to them that the religious leader has passed away. Amidst the grief of having lost a long-serving colleague and guide, Cardinal Lawrence and the others have to oversee the customs following the death of the pope, which begins with the rather forceful removal of the Piscatory Ring from the corpse. The Throne of the Holy See is officially announced to be vacant, meaning that preparations for the election of a new pope have to be started. 

Three weeks later, the conclave is set to begin, and the necessary steps to ensure the secrecy and solemnity of the whole procedure are maintained. Signal jammers and anti-laser glass windows are put up while Cardinal Lawrence prepares for the arrival of the cardinals from all over the world, who would be participating in the election process. Lawrence already has a favorite candidate for the position of the pope—his friend, Cardinal Bellini, an American priest who firmly believes in and propagates the need to embrace liberal thoughts and keep up with the changing times. Bellini seems to be a favorite among the other cardinals as well, while his direct rival happens to be the Italian Cardinal Tedesco, who is a staunch believer in traditionalist Catholicism. Tedesco wants the Church to return to its conservative roots and ignore all liberal thoughts and preachers like Bellini.

Cardinal Adeyemi, hailing from Nigeria, happens to be a popular candidate as well, with him and his supporters keen on grabbing the opportunity to have a Black man as the pope for the first time. Cardinal Tremblay, another important priest from Canada, is also a popular candidate, although his thoughts and beliefs are not really very clear to anyone. Lastly, some consider Cardinal Lawrence to be a fit candidate to be the next pope as well, although he does not have any interest in the position. Instead, Lawrence focuses on ensuring that the conclave is carried out perfectly and the new pope is elected without any hitches. But he realizes the immense struggle of the job when secrets about each of the candidates start to come out, making the election of the new pope a rather difficult task. 

How does the religious affair turn political?

The modern and swanky offices and halls inside of Vatican City, where administrative matters take precedence over the usual religious affairs otherwise associated with the place, often seem like spaces we are more used to seeing at corporate offices and buildings. Not having such modern amenities and features does not make sense in these times either, and so every religious institution, no matter how old they may be, has to adapt to certain aspects of modernity, like the glass windows to keep out lasers. Therefore, it is also perhaps not too strange that the papal conclave, which is meant to be mostly a religious and spiritual matter, actually turns rather political once the proceedings begin. In this context, it might be argued that the election of a new pope has always had a certain degree of politics involved in it, but the particular fictional one that we are allowed to witness has a sense of modern tactical politics being in play.

When the papal conclave begins, Cardinal Bellini is considered a solid contender and a favorite to become the next pope, but then he receives a considerably low number of votes in the first round. He initially blames Lawrence for not telling his supporters to vote for the man, as Lawrence somehow receives a few votes despite claiming to not be interested in the position. This makes Bellini believe that Lawrence must be secretly scheming to become the next pope, and he angrily blames him for making people like Tedesco gain power by such antics. Bellini is a self-admitted liberal who wants to bring reforms to the Church’s stances regarding matters like homosexuality and divorce. He believes that the old traditional Christian family system, of having numerous children after marriage, should not be considered virtuous or the right path of life in the modern world.

However, Bellini seems to be a bit too focused on his competitors, and he does not talk about his own ideals as much as he speaks about the need to stop Tedesco from winning the election. There is no doubt that the American priest wants to become the pope, which he admits quite early in the film. But there is a certain feeling that Bellini might be faking his liberal views just to have more chance of getting votes, although it is not delved into by Conclave, as he runs out of contention pretty soon. The rule is that a cardinal becomes the new pope if and when they receive the majority figure of 72 votes in one round of the ballot. As nobody receives that many votes in the first few rounds, the voting continues for days, with the cardinals sequestered inside the Vatican City until the voting is finally over.

The candidate who takes precedence over the next rounds of voting is Cardinal Adeyemi, from Nigeria, who is quite a popular man. His popularity seems to stem from the fact that the cardinals from countries other than the powerful European ones want to bring an end to their supremacy and place someone from a developing country on the papal seat. Such an instance would also mean that a Black man would become pope for the first time, or rather, for the first time in 1527 years, if historical records are to be believed. The Church does not directly oppose a Black man becoming the pope, although there has just been no non-white person on the seat, in sharp contrast to, say, a woman becoming pope, which is considered blasphemous. Therefore, this might be a great opportunity to change its public image and update it to modern standards, as well. The only demerit that Bellini, and perhaps Lawrence, sees in Adeyemi is his belief that homosexuals should be put in prison while they are alive and then in Hell after death.

Adeyemi’s stance is quite popular among the voters, making him lead several rounds of the votes until a scandal about his personal life is revealed in the most alarming manner. The man had wavered from his vows of celibacy many years ago and had gotten romantically involved with a young nun, who was 19 at the time, while the priest was 30. It is also very possible that Adeyemi even has a child with the nun, Sister Shanumi, although the child does not have any idea about its parentage. In a surprising twist, Sister Shanumi shows up at Vatican City during the conclave and tries to make Adeyemi admit to their affair. Although the cardinal is initially able to avoid her, a ruckus in the refectory leads to Lawrence speaking with Shanumi and learning of the secret, following which Adeyemi admits his mistake as well. This scandal almost immediately destroys Cardinal Adeyemi’s campaign, and his share of votes keeps falling from the next round onwards.

The sudden nature of the revelation of this scandal makes Cardinal Lawrence wonder how Sister Shanumi suddenly traveled to the Vatican at this very moment. Although he is sequestered at the time and should not technically be allowed to find out about things from outside the conclave, he requests the head nun, Sister Agnes, to check on the matter. This is when Lawrence learns that Cardinal Tremblay had been the one to arrange for Shanumi’s arrival at the Vatican, which suggests that the Canadian priest must have carefully planned this to sabotage his rival, Adeyemi’s campaign. Incidentally, Archbishop Wozniak, who was a confidant of the late pope, had earlier informed Lawrence that Tremblay had been the last person to meet the pope before his death, and in this meeting, the pope had actually wanted Tremblay to be stripped of his cardinalship. Although Tremblay denied these claims when asked by Lawrence, the latter finally enters the late pope’s room and finds incriminating evidence against the Canadian priest.

The late pope had actually found evidence of Tremblay having paid other cardinals to support him and vote for him during the papal conclave, and it was because of this that he had become a popular candidate. While nothing about Tremblay’s ideals or beliefs is revealed by him, he does declare his desire to become the pope a number of times, suggesting that getting to the seat of the Holy See is all that he cares about. Even Bellini tries to convince Lawrence to keep this matter a secret and let Tremblay become the pope, to keep a conservative like Tedesco from getting the chance, suggesting that Bellini had been paid, or at least promised an important role by Tremblay as well. The protagonist refuses, though, and as he and Sister Agnes distribute copies of the documents among the conclave, he and Tremblay become the only two plausible candidates.

At the very beginning of the conclave, in a heartfelt speech made by Cardinal Lawrence, he had urged his fellow cardinals to elect a man who had sinned and come back to the light shown by religion. In a beautiful manner, he spoke of how certainty is something not very worthwhile in matters of religion and in life, for it strips us of our very human nature of being wavering and unpredictable. We do commit mistakes and then learn from them, and so Lawrence called for cardinals to be ideal humans instead of pretending to be perfect. Instead of choosing absolutely perfect candidates, for no man can be perfect in every way, he urged on the need to look past one’s mistakes and forgive them so that an ideal man would become the pope. Ultimately, Lawrence seems to have asked for something he was not prepared to handle, as all the secrets and political strategies drawn up by the different cardinals weigh heavily on him and lead to him becoming a potential candidate once again.

How does the terrorist attack change the course of the papal conclave?

At a crucial point of the conclave, a bomb blast right beside the Sistine Chapel blows a hole in the side of the building and leads to a number of the cardinals getting injured. However, this incident has much stronger ramifications with regards to the voting itself, as it helps in establishing the true nature of the candidates. The explosion is revealed to have been caused by an orchestrated terrorist attack across Europe, including the Vatican, Louvain, and Munich. The incident has killed 52 people, with hundreds injured by it, and although nothing about the perpetrators or the exact reason for it is revealed, Cardinal Tedesco immediately holds Islamists responsible for the grave act. Tedesco jumps onto the terrorist attack and tries to use it as a final call to rally the cardinals to vote for him and take the Church back to its old traditional and powerful stature. He indirectly promises to take action against Muslims and the spread of Islam over Europe if he is made the pope and is even applauded for his strong words of action by many.

Just as the liberals and the traditionalists are in the middle of an argument amongst each other, a relatively lesser-known man stands up and grabs everyone’s attention. At the beginning of Conclave, Lawrence had been informed of a certain Cardinal Benitez, who was apparently the Archbishop of Kabul and had now arrived for the conclave. Benitez stated that the late pope had given him the position in pectore, meaning secretly, probably because of the hostility a cardinal would face in a country like Afghanistan. Although he originally hailed from Mexico, and so his claim seemed a bit dubious, Lawrence ultimately checked in on his story and found him to be telling the truth. 

Benitez now stands up and calls for his brethren to wipe out the feelings of hatred, suggesting that Tedesco is not much different from the very religious extremists he wants to persecute. Having witnessed war firsthand, Benitez stresses how common people, who are supposed to be saved and protected by religion, are always harmed the most, and he calls for the need to actively end such disasters. Cardinal Benitez firmly preaches on the need to end war and eliminate hatred and states that the Church has never been about following ancient rules but about being the leaders who show the right path for the future. This passionate speech impacts the conclave greatly, and in the next voting session, Cardinal Benitez receives the majority of votes, making him the next pope.

What is Cardinal Benitez’s secret?

In accordance with Cardinal Lawrence’s earlier claim about every human being having flaws, Conclave’s ending shows that Cardinal Benitez also has a secret that could shake the very foundations of the Vatican Church if revealed. Lawrence finds out that the late pope had arranged for Benitez to travel to a medical clinic in Switzerland in order for a laparoscopic hysterectomy to be performed on him. This is because Cardinal Benitez is intersex, as he had been born with a uterus and ovaries, along with having the usual male reproductive organs. It was because of his physical appearance, and also perhaps because of his own idea about himself, that he was raised as a male, but the traditionalists can very well claim him to be a woman physically because of his body not following the usual conventions of sexual identity. 

Benitez had discovered this about himself while receiving treatment for appendicitis as an adult, and the late pope had been informed about it as well. It seems like the late pope had secretly chosen him to be his successor, because of which he had arranged for Benitez to fly to Switzerland and remove the female reproductive organs from his body. However, at the very last minute, Benitez had refused to change the work of God and accept himself as God had made him and had canceled the appointment. Thus, although Cardinal Benitez voices the opinion of the Church with regards to abortion or euthanasia, stating that the work of God should not be played around with, his being intersex would surely lead the Church towards a meltdown, as nobody other than a physical male is allowed to be the pope. Ultimately, in Conclave’s ending, Lawrence decides to not tell anyone about this, as Benitez’s secret is far less offensive than those of the other cardinals as revealed earlier. 

The timing of Conclave, which ultimately stresses acceptance and inclusion, is also quite interesting, making one wonder if modern sensibilities will perhaps enter the realm of staunch religion someday in the near future. With the world already divided between groups vying for position through liberal views and the ones who shudder at the thought of inclusivity and change, perhaps only a messiah with genuine love and compassion can save us, although they too are bound to have their own grave secrets. 

Related

‘Mononoke Movie’ Part 2 Theories: What To Expect From Netflix’s ‘The Ashes Of Rage’?

The Phantom in the Rain was the first part of the Mononoke feature film trilogy. It was centered around the Ooku, which was Emperor Tenshi’s harem, where the Birth Celebratory Ceremony of Lady Yukiko’s child was held after a minor delay. The official reason for the postponement was that Yukiko had had a difficult childbirth, but the unofficial reason was that Lady Kitagawa, the former head housemaid, had died by suicide after succumbing to the oppressive environment of the Ooku. The entry of Lady Kame and Lady Asa, and their conflict with Madame Utayama and her dictatorial methods of running the harem, led to the manifestation of Kitagawa’s spirit in the form of Karakasa, a Mononoke, which killed Awashima and Mugitani. Since the legendary Medicine Seller was around, he used his methods to solve the issue and bring back some semblance of normalcy at the Ooku. During the ending of the film, it seemed like the Medicine Seller had successfully completed his task. However, several unresolved elements and the promise of a sequel meant that this story was far from over. So, allow me to speculate what we can expect to see in Mononoke the Movie: The Ashes of Rage.

Spoiler Alert

Hokuto Mizorogi and His Twin Daughters

The biggest unanswered question of The Phantom in the Rain was that of Hokuto Mizorogi and his twin daughters. You can say that they were insignificant to the plotline and, hence, the movie didn’t exactly acknowledge their presence. In that case, I must point out that Sakashita, the head of security of the Ooku, didn’t impact the central plot in any major way. Yet, he had lines and has been credited as a supporting character. Meanwhile, despite having no real dialogue, Hokuto and his daughters are on every website listed as supporting characters. Throughout the film, you can see them popping up while the contaminated water from the well was being given to the prospective concubines, and Hokuto expressed shock when the well was closed. Hokuto’s presence inside the Ooku’s walls was strange because men aren’t allowed to enter the premises without permission. So, how was he there? Well, my theory is that Hokuto is actually a ghost, and he has somehow latched onto his two daughters. He has probably been feeding off of the institution’s negative energies to stay close to them, and he is now upset at the fact that the Medicine Seller has plugged up the well, albeit temporarily. So, in the sequel, we’ll learn what’s the deal with Hokuto and his twin daughters and also see whether or not he tries to use his daughters to turn him into a Mononoke, thereby amplifying his powers and making him one of the most powerful beings in this mortal realm.

Emperor Tenshi, Fuki Tokita, and Saburomaru

In case you didn’t notice it, there was a political tug-of-war going on within the walls of the Ooku. On one hand, there was Botan Ootomo, who was a concubine and Madame Utayama’s assistant, and also the daughter of Councilor Otomo. On the other hand, there was Fuki Tokita, Emperor Tenshi’s latest favorite, and her brother Saburomaru Tokita, the officer from the shogunate who was sent to the Ooku to look into the delay of the Birth Celebratory Ceremony. So, technically speaking, the Tokitas have more sway over the decisions that the emperor wanted to make than the Otomos. But to what end? What do these two families want from Emperor Tenshi? Does the emperor have any cult-based connections that the Otomos and Tokitas want to access? What’s up with Lady Yukiko? What’s the secret of the inner chambers where Fuki tends to the emperor’s oddball carnal desires? Is Saburomaru going to use the revelation about the dead bodies in the well and threaten to expose this to the shogunate to strong-arm the emperor into doing something for the Tokitas? Well, all of these are valid questions that will hopefully be answered in the second chapter of this trilogy.

Kitagawa, Asa, and Kame

The Phantom in the Rain was pretty confounding, but that ending was particularly confusing. From what I understood, Kitagawa finished off Utayama and her subordinates in order to bring an end to the cycle of internalized sexism that was ruining generations of women. Kitagawa also prevented Asa from walking down the same path that she had in the past and also freed Kame from the confines of the building, which was a rare sight. Now, were any of them truly free, though? Asa kept Kitagawa’s doll, which had miraculously gotten back the umbrella it had once lost. Apparently, it wasn’t the original umbrella, but a new one that looked like the Mononoke version of Kitagawa’s spirit. Asa also kept Kame’s grandmother’s comb pin, which was allegedly the straw that broke the camel’s back and prompted Kitagawa to rage against the Ooku’s practice of destroying one’s identity to serve the emperor, and she gave Kame a new comb pin. Soon after that, we saw the Medicine Seller voicing his confusion about the form of a Mononoke while looking at one of his spell stickers that he had put on the well in the Ooku. The Medicine Seller’s satisfied look could mean that Kitagawa’s spirit was gone or she had evolved into something that didn’t need to be exorcized. Or maybe he was glad that he’d get to stick around a little longer to tackle the evolved version of Karakasa. Also, given how Kitagawa saw a reflection of the relationship she had with the first girl that she banished from the Ooku in the relationship between Asa and Kame, I have a feeling that she isn’t going to let go of Kame so easily, and she’ll try to unite them by hook or by crook. In doing so, she’ll be able to vicariously live through the love story between Asa and Kame. FYI, this is just my theory. The Ashes of Rage could flesh out the arcs of Kitagawa, Asa, and Kame in a totally different way than the one I’m proposing.

The Ashes of Rage and ‘Hinezumi’

The ending of The Phantom in the Rain revealed that the title of the next film is The Ashes of Rage. Meanwhile, some news outlets have said that, much like Gekijoban Mononoke: Karakasa (the Japanese title), the name of the next installment is Gekijoban Mononoke Second Chapter: Hinezumi. I have tried racking my brain a lot to figure out what that means, and I have drawn a blank. So, here I go theorizing again. It’s obvious that the Ooku and the emperor have a lot of enemies because they’ve destroyed countless lives to satisfy their whims and lust for power. So, maybe an angry soul will rise from the ashes of the destruction they’ve caused to bring an end to two of the biggest sources of patriarchy and sexism in feudal Japan. Maybe this tormented being will be an amalgamation of all the women who were thrown into the Ooku’s well. I think that’ll be very fitting. By the way, “hinezumi” means “fire rat.” The word has its roots in Japanese culture, as it’s the animal who needed to be skinned so Princess Kaguya could have her pelt-robe. Therefore, maybe the next Mononoke is going to take the shape of a rat on fire? Who knows? The possibilities are endless. Anyway, those are some of the theories and questions I have about Mononoke: The Ashes of Rage. If you have any queries, feel free to share them in the comments.

Related

‘Mononoke Movie’ Part 2 Theories: What To Expect From Netflix’s ‘The Ashes Of Rage’?

The Phantom in the Rain was the first part of the Mononoke feature film trilogy. It was centered around the Ooku, which was Emperor Tenshi’s harem, where the Birth Celebratory Ceremony of Lady Yukiko’s child was held after a minor delay. The official reason for the postponement was that Yukiko had had a difficult childbirth, but the unofficial reason was that Lady Kitagawa, the former head housemaid, had died by suicide after succumbing to the oppressive environment of the Ooku. The entry of Lady Kame and Lady Asa, and their conflict with Madame Utayama and her dictatorial methods of running the harem, led to the manifestation of Kitagawa’s spirit in the form of Karakasa, a Mononoke, which killed Awashima and Mugitani. Since the legendary Medicine Seller was around, he used his methods to solve the issue and bring back some semblance of normalcy at the Ooku. During the ending of the film, it seemed like the Medicine Seller had successfully completed his task. However, several unresolved elements and the promise of a sequel meant that this story was far from over. So, allow me to speculate what we can expect to see in Mononoke the Movie: The Ashes of Rage.

Spoiler Alert

Hokuto Mizorogi and His Twin Daughters

The biggest unanswered question of The Phantom in the Rain was that of Hokuto Mizorogi and his twin daughters. You can say that they were insignificant to the plotline and, hence, the movie didn’t exactly acknowledge their presence. In that case, I must point out that Sakashita, the head of security of the Ooku, didn’t impact the central plot in any major way. Yet, he had lines and has been credited as a supporting character. Meanwhile, despite having no real dialogue, Hokuto and his daughters are on every website listed as supporting characters. Throughout the film, you can see them popping up while the contaminated water from the well was being given to the prospective concubines, and Hokuto expressed shock when the well was closed. Hokuto’s presence inside the Ooku’s walls was strange because men aren’t allowed to enter the premises without permission. So, how was he there? Well, my theory is that Hokuto is actually a ghost, and he has somehow latched onto his two daughters. He has probably been feeding off of the institution’s negative energies to stay close to them, and he is now upset at the fact that the Medicine Seller has plugged up the well, albeit temporarily. So, in the sequel, we’ll learn what’s the deal with Hokuto and his twin daughters and also see whether or not he tries to use his daughters to turn him into a Mononoke, thereby amplifying his powers and making him one of the most powerful beings in this mortal realm.

Emperor Tenshi, Fuki Tokita, and Saburomaru

In case you didn’t notice it, there was a political tug-of-war going on within the walls of the Ooku. On one hand, there was Botan Ootomo, who was a concubine and Madame Utayama’s assistant, and also the daughter of Councilor Otomo. On the other hand, there was Fuki Tokita, Emperor Tenshi’s latest favorite, and her brother Saburomaru Tokita, the officer from the shogunate who was sent to the Ooku to look into the delay of the Birth Celebratory Ceremony. So, technically speaking, the Tokitas have more sway over the decisions that the emperor wanted to make than the Otomos. But to what end? What do these two families want from Emperor Tenshi? Does the emperor have any cult-based connections that the Otomos and Tokitas want to access? What’s up with Lady Yukiko? What’s the secret of the inner chambers where Fuki tends to the emperor’s oddball carnal desires? Is Saburomaru going to use the revelation about the dead bodies in the well and threaten to expose this to the shogunate to strong-arm the emperor into doing something for the Tokitas? Well, all of these are valid questions that will hopefully be answered in the second chapter of this trilogy.

Kitagawa, Asa, and Kame

The Phantom in the Rain was pretty confounding, but that ending was particularly confusing. From what I understood, Kitagawa finished off Utayama and her subordinates in order to bring an end to the cycle of internalized sexism that was ruining generations of women. Kitagawa also prevented Asa from walking down the same path that she had in the past and also freed Kame from the confines of the building, which was a rare sight. Now, were any of them truly free, though? Asa kept Kitagawa’s doll, which had miraculously gotten back the umbrella it had once lost. Apparently, it wasn’t the original umbrella, but a new one that looked like the Mononoke version of Kitagawa’s spirit. Asa also kept Kame’s grandmother’s comb pin, which was allegedly the straw that broke the camel’s back and prompted Kitagawa to rage against the Ooku’s practice of destroying one’s identity to serve the emperor, and she gave Kame a new comb pin. Soon after that, we saw the Medicine Seller voicing his confusion about the form of a Mononoke while looking at one of his spell stickers that he had put on the well in the Ooku. The Medicine Seller’s satisfied look could mean that Kitagawa’s spirit was gone or she had evolved into something that didn’t need to be exorcized. Or maybe he was glad that he’d get to stick around a little longer to tackle the evolved version of Karakasa. Also, given how Kitagawa saw a reflection of the relationship she had with the first girl that she banished from the Ooku in the relationship between Asa and Kame, I have a feeling that she isn’t going to let go of Kame so easily, and she’ll try to unite them by hook or by crook. In doing so, she’ll be able to vicariously live through the love story between Asa and Kame. FYI, this is just my theory. The Ashes of Rage could flesh out the arcs of Kitagawa, Asa, and Kame in a totally different way than the one I’m proposing.

The Ashes of Rage and ‘Hinezumi’

The ending of The Phantom in the Rain revealed that the title of the next film is The Ashes of Rage. Meanwhile, some news outlets have said that, much like Gekijoban Mononoke: Karakasa (the Japanese title), the name of the next installment is Gekijoban Mononoke Second Chapter: Hinezumi. I have tried racking my brain a lot to figure out what that means, and I have drawn a blank. So, here I go theorizing again. It’s obvious that the Ooku and the emperor have a lot of enemies because they’ve destroyed countless lives to satisfy their whims and lust for power. So, maybe an angry soul will rise from the ashes of the destruction they’ve caused to bring an end to two of the biggest sources of patriarchy and sexism in feudal Japan. Maybe this tormented being will be an amalgamation of all the women who were thrown into the Ooku’s well. I think that’ll be very fitting. By the way, “hinezumi” means “fire rat.” The word has its roots in Japanese culture, as it’s the animal who needed to be skinned so Princess Kaguya could have her pelt-robe. Therefore, maybe the next Mononoke is going to take the shape of a rat on fire? Who knows? The possibilities are endless. Anyway, those are some of the theories and questions I have about Mononoke: The Ashes of Rage. If you have any queries, feel free to share them in the comments.

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