Escambia County School Board members face testifying in a books case

Reversing an October decision in a legal battle over access to books, a federal judge this week ruled that Escambia County School Board members must testify about the removal of books from school libraries because the officials are not shielded by what is known as “legislative privilege.”

U.S. District Judge T. Kent Wetherell’s ruling Wednesday complicates litigation about school book removals in the Panhandle county, which has become a battleground amid controversy in Florida and other states about removing or restricting access to children’s books.
READ MORE: Florida Department of Education releases list of over 700 banned books in K-12 schools

Lawyers for the board members had sought to shield them from having to testify in the lawsuit filed last year by parents, authors, the publishing company Penguin Random House, and the free speech group PEN American Center, Inc. U.S. Magistrate Judge Zachary C. Bolitho last month agreed that the board members were protected by legislative privilege.

But reversing Bolitho’s ruling, Wetherell pointed to previous court rulings establishing guidelines for determining whether board members’ decisions to remove or restrict books were legislative acts.

“Under those standards, even though the school board’s decision to remove or restrict a book has some hallmarks of a legislative act (e.g., voting after debate at a public meeting), it is functionally an administrative act,” Wetherell wrote.

A book removal or restriction decision is “based on specific facts (the content of the book)” and is “more akin to a permitting or employment termination decision,” which courts have held to be administrative acts because officials are following already-established guidelines, the Pensacola-based judge added.

“The fact that school board members must exercise discretion, engage in ‘line-drawing,’ and make ‘policy judgments’ when deciding whether a particular book is educationally suitable, grade-level appropriate, etc., does not change the fact that they are applying policy, not formulating it when doing so,” Wetherell’s ruling said.
Wetherell’s decision was at odds not only with Bolitho’s ruling in the same case but also conflicted with a ruling by U.S. District Judge Allen Winsor in a separate lawsuit challenging Escambia County school officials’ removal of the children’s book “And Tango Makes Three.” That book tells the story of two male penguins who raised a penguin chick at New York’s Central Park Zoo. Co-authors Peter Parnell and Justin Richardson and a student identified by the initials B.G. are challenging the removal of the book, contending, at least in part, that it was targeted for depicting same-sex parents raising a child.

Winsor in September ruled that legislative privilege shielded Escambia board members from having to give depositions in the “And Tango Makes Three” lawsuit. saying that a decision about removing a book from a school library “was a quintessential policy about how best to educate Escambia County children.” Bolitho’s Oct. 18 ruling relied heavily on Winsor’s decision.

“… there is a functional difference between the school board’s adoption of a policy detailing what content is generally prohibited in school library books and the board’s determination that a specific book must be removed from school libraries because it contains such content.”

U.S. District Judge T. Kent Wetherell

Wetherell wrote that he “did not overlook” Winsor’s opinion, which said the decision to remove a particular book from school libraries “was a quintessential policy decision about how best to educate” children in the county. READ MORE: Report: Last year ended with a surge in book bans

“But the same could be said about the decision to fire or retain a particular teacher — which is indisputably an administrative act,” Wetherell wrote. “Moreover, just like there is a functional difference between the adoption of a zoning ordinance (legislative act) and the application of the ordinance to a specific permit application (administrative act), there is a functional difference between the school board’s adoption of a policy detailing what content is generally prohibited in school library books and the board’s determination that a specific book must be removed from school libraries because it contains such content.”
Wetherell’s Wednesday decision tweaked a ruling he issued Monday and formalized a verbal ruling he made during a hearing last week. Lawyers for the board members told the judge during the hearing that they intended to appeal his decision and request that it be blocked while the Atlanta-based 11th U.S. Circuit Court of Appeals weighs the issue.

Plaintiffs in the lawsuit contend that school board decisions to remove or restrict access to library books violated First Amendment and constitutional equal-protection rights.

Litigation over book removals in schools has mushroomed as Florida and other Republican-led states have made it easier for parents and other people to scrutinize books and to challenge materials that they deem unsuitable for students.

A Florida law passed in 2022 ramped up scrutiny of books and instructional materials and gave parents and members of the public increased access to the process of selecting and removing school library books. A 2023 law includes a requirement that books drawing claims of containing pornographic material or describing “sexual conduct” be removed within five days of objections and remain unavailable to students until the objections are resolved.

The Escambia County cases are among a number of lawsuits pending throughout the state about the controversial book laws.

Some of the nation’s largest book publishers joined authors and parents of high-school students in a federal lawsuit filed in August challenging the 2023 law, alleging that it unconstitutionally violates speech rights. Penguin Random House; Hachette Book Group, Inc.; HarperCollins Publishers LLC; Macmillan Publishing Group, LLC; Simon & Schuster, LLC; and Sourcebooks LLC and other plaintiffs alleged in the lawsuit that books “have been targeted for removal or removed from school libraries” throughout the state following passage of the law.

The lawsuit challenges parts of the law that prohibit books with content that “describes sexual conduct” or contain “pornographic” content. The law imposes “a regime of strict censorship in school libraries” and requires school districts to “remove library books without regard to their literary, artistic, political, scientific, or educational value when taken as a whole,” the lawsuit said.
In June, three parents filed a federal lawsuit alleging the 2023 law’s process for removing books unconstitutionally discriminates against parents who disagree with “the state’s favored viewpoint.” Plaintiffs in the lawsuit are two parents from St. Johns County and one from Orange County. They contend Florida lacks a procedure for parents to object to book removals, an unconstitutional infringement of their First Amendment rights.
Copyright 2024 WUWF

United States Leads in Stanford HAI Global AI Ranking

United States Leads in Stanford HAI Global AI Ranking

By Rhea Kelly11/21/24

A new ranking tool from the Stanford Institute for Human-Centered AI (HAI) AI Index puts the United States in the No. 1 spot for global AI leadership. The Global AI Vibrancy Tool measures the strength of countries’ AI ecosystems based on eight categories: research and development; responsible AI; economy; education; diversity; policy and governance; public opinion; and infrastructure. Each category is weighted by a panel of experts to determine an overall vibrancy score.

The tool gathers data based on 42 openly available AI-specific indicators, such as AI journal publications, total AI private investment, AI legislation passed, and foundation model datasets, HAI explained in a news announcement. The tool is “designed to empower policymakers, industry leaders, researchers, and the public with actionable, data-driven insights into national AI development.”

[Click on image for larger view.]Top 10 countries in the AI Index’s Global AI vibrancy ranking

This year’s top 10 countries are:

United States
China
United Kingdom
India
The United Arab Emirates
France
South Korea 
Germany
Japan
Singapore

“AI has increased as a topic of national interest, and correspondingly narratives about which countries lead in AI have become more prominent than ever,” said Nestor Maslej, project manager of the AI Index, in a statement. “However, there’s limited data providing a clear, quantitative view of where countries actually stand in AI. At the Index, we wanted to address this gap with a rigorous tool that could help policymakers, business leaders, and the public ground these geopolitical AI narratives in fact.”

The tool will be updated regularly, HAI said, to serve as a resource for tracking global AI development. It can be accessed on the AI Index site here.

Ai2’s new Tulu 3 model rivals tech giants in breakthrough for open-source AI post-training

The Allen Institute for AI (Ai2) is releasing a new set of open-source AI models and related resources in an effort to shine a light on a critical but previously mysterious corner of the artificial intelligence world.

The focus of Ai2’s Tulu initiative is post-training — the process of refining a language model after the initial training process to enhance its capabilities and make it suitable for specific tasks and real-world applications.

Ai2 says its new Tulu 3 models rival and in some cases exceed proprietary models from companies such as OpenAI, Mistral, Google, and others on benchmarks for skills like math, instruction following, and chat capabilities.

The Seattle-based AI nonprofit is releasing the Tulu 3 models on Thursday, along with the data, code, and infrastructure used in the post-training process, making it accessible for anyone to use and build upon.

One big goal for the Tulu 3 release is to give other AI researchers and engineers the ingredients and recipe to perform more effective post-training themselves. A chatbot based on the Tulu 3 models is available here — part of a new strategy by Ai2 to release demos of its technology to bring more public attention to its work.

“Post-training is really important,” said Hanna Hajishirzi, Ai2 senior director of natural language processing, in a media briefing this week, describing the key role that the post-training plays in making AI language models usable.

It’s also a challenging process, she explained, noting that giving AI specific abilities in post-training tends to cause the models to forget the general capabilities that they obtained during the pre-training process. And up to now, the post-training stage has been a closely guarded secret in the industry, giving closed models an advantage.

Click image to enlarge. This chart from Ai2 shows how Tulu 3 compares to other models on specific tasks.

With the Tulu 3 release, the idea is to enable the broader community to understand and create high-quality post-trained models without the massive computing resources required for fully pre-training models from scratch.

“There’s this kind of magic black-box stage of post-training that makes the models really good at certain tasks while not losing that general capability,” said Sophie Lebrecht, the Ai2 chief operating officer. She said the Tulu 3 release promises to be “to be a huge game-changer” to let people create high-quality, task-specific models.

Key differences from prior Tulu models include advances in data curation, a more rigorous evaluation framework, and algorithmic and infrastructure improvements, including a multi-stage training process.

“There are many things where it’s almost surprising how easy it is if you give it the right data,” said Nathan Lambert, Ai2 machine learning scientist, describing the advances that Ai2 implemented with the Tulu 3 models.

Ai2 was founded in 2014 by the late Microsoft co-founder Paul Allen. It has been led since last year by Ali Farhadi, who previously founded and led Ai2 spinout Xnor.ai as CEO, and sold it to Apple in 2020 in an estimated $200 million deal that represents one of the institute’s biggest commercial successes to date.

Earlier this year, Ai2 released new multimodal artificial intelligence model, dubbed Molmo, that works with visual data in novel ways. Ai2 released its Open Language Model, or OLMo, in February last year, part of a larger effort to bring more transparency to the rise of generative AI models.

Ai2 has ties to the University of Washington’s Allen School of Computer Science & Engineering, where some Ai2 research leaders such as Hajishirzi are on the faculty.

See links to the Tulu 3 post-trained models and related resources here.

5 Indian scientists who revolutionised science in India

India, since ancient times, has been renowned for its remarkable contributions to science and astronomy. Figures like Aryabhatta from the 1st millennium, Charaka, Bhanbhatta, Varahamihira, Brahmagupta, Bhaskara, and Sushruta in the later centuries have significantly enriched India’s legacy. This illustrious tradition continued till independence, as India began to soar in the fields of science and medicine.In the late 19th century, one of India’s brightest minds, CV Raman, was born in Tiruchirappalli, Tamil Nadu, passing away on November 21. He transformed Indian scientific thought profoundly.advertisementAnother iconic figure is Dr Homi J Bhabha, whose seminal contributions to nuclear physics shaped India’s scientific future. Similarly, Dr JC Bose was a pioneer in plant physiology and biophysics.Dr Vikram Sarabhai further advanced Indian science by conceptualising the use of atomic energy for industrialisation, while Dr APJ Abdul Kalam made extraordinary strides in defence technology.1. CV RAMANCV Raman was not only a brilliant physicist but also deeply committed to social development. In 1930, he made history by becoming the first Asian to win the Nobel Prize for Physics.His fresh work led to the discovery of the Raman Effect, which explains how light behaves when it passes through a transparent substance.The Raman Effect reveals that when light scatters, its properties change slightly. Raman observed faint spectral lines parallel to the original monochromatic light, proving that scattered light isn’t purely monochromatic.This discovery helped settle a key scientific debate of the time, showing that light is made of tiny particles called photons, rather than being purely wave-like in nature.Raman’s contributions not only advanced science but also inspired generations of researchers to explore the mysteries of light and its interactions with matter.2. JAGADISH CHANDRA BOSEDr Jagadish Chandra Bose is famous for the invention of the Crescograph, which can record even the millionth part of a millimetre of plant growth and orbital movement. Dr Bose proved, by virtue of the Crescograph, that plants have a circulatory system.The Crescograph has also proved the fact that the upward movement of sap in plants is the doing of living cells.Moreover, he was also the inventor of the wireless coherer which was later modified by Marconi as the radio.3. DR HOMI JEHANGIR BHABHA
Dr. Homi Jehangir Bhabha is celebrated as one of India’s greatest scientists, often referred to as the Father of India’s Atomic Programme. He began his journey at the Indian Institute of Science in Bangalore as a Reader, at the invitation of Nobel laureate CV Raman.

Early in his career, Bhabha envisioned establishing a research institute to explore emerging areas of physics. This vision led to the creation of India’s first atomic research centre, which was later named in his honour.

As its chairman, he played a pivotal role in shaping India’s nuclear and atomic energy initiatives.

Under Bhabha’s leadership, India achieved several milestones, including the establishment of its first atomic reactor, ‘Apsara’, which grounds the foundation of India’s progress in nuclear science.

Additionally, his efforts significantly advanced India’s nuclear programme, ultimately helping the country emerge as a nuclear power.

Dr Bhabha’s contributions extend to the space sector, earning him recognition as a pioneer in India’s space journey.

Three top ranking scientists, Professor Marcus Oliphant with visiting Indian nuclear scientist Professor Homi Jehangir Bhabha and Professor J.F.Baxter, meet over a cup of tea (Image: Wikimedia Commons)

4. VIKRAM AMBALAL SARABHAIadvertisementDr Vikram Ambalal sarabhai was the key person behind the launch of India’s first satellite ‘Aryabhatta’. His studies of cosmic rays have made it evident that cosmic rays are a flow of energy particles with their source in outer space.On their way to earth, they are influenced by solar energy, and the earth’s atmosphere and magnetism.Dr Sarabhai established many institutes which are of international standing. The most notable among them are the Indian Institutes of Management (IIMs), which are considered outstanding for their management study programmes.Under his supervision, the Thumba Equatorial Rocket Launching Station (TERLS) was set up. He wanted to take education to villages through satellite communication.5. APJ ABDUL KALAMIndia’s 11th President, born on October 15, 1931, was awarded the Bharat Ratna in 1997 for his remarkable work in science and engineering. Known as the “Missile Man of India,” he developed the SLV-3 at the Vikram Sarabhai Space Centre, successfully placing the Rohini satellite into orbit—a contribution that will always be celebrated.Just as those scientists have contributed widely to the field of science for centuries, the legacy needs to be continued in the future as well. These brilliant minds can serve as an example for upcoming generations who can take the field of Indian science forward.Published By: Rishab ChauhanPublished On: Nov 21, 2024

How To Make Google Docs Look Like A Book

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As the most popular word processing software on the planet, Google Docs even beats out the once-ubiquitous Microsoft Word in terms of its user base. That popularity is likely due to Docs’ cloud-centric workflow that keeps everything saved automatically and allows for real-time collaboration, as well as its unbeatable price scheme: free until you exceed 15GB of Google Drive storage. But it can take some time to get to know all the Google Docs shortcuts you need to know. When you start trying to get fancy with Docs, that’s when it can stop being as user friendly as it first appears. For example, what if you want to write a book in Docs, or at least format your work to look like a book?
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There are a couple of reasons why you might have clicked on this article. The first thing you may be looking to do is to format your Google Doc for the purposes of long-form literary writing  — in other words, you’re writing a book and want to know how it should be formatted. The other reason is to make your document “look” like a book, which is to say, you want it to have headers, page numbers, and other elements that replicate the look of pages in a book.
Making a Google Doc look like a book isn’t an intuitive process, but it is possible. While competing products like Scrivener exist for the express purpose of channeling your inner Hemingway, many writers still choose to use Docs for long-form projects, and they make it work. Either by adjusting settings manually or by using templates, you can format your Google Doc for book writing, or make it look like a book. Here’s how.
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How to use templates to make your Google Doc look like a book

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By far the easiest way to customize a Google Doc to look like a book is to use a template. Templates are presets that load particular settings, formatting, and text to get you started with a project. Think of opening a blank Google Doc like making a cake from scratch, whereas a template is cake mix.
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To use a template in Google Docs, open your web browser and navigate to https://docs.google.com. You’ll see a few templates alongside the Blank Document button at the top left of the screen. To see the full collection of available templates, click on Template Gallery at the top right underneath the search bar. You can comb through the many templates to find one that most closely matches your needs. However, at this time there aren’t any templates specifically for books in the standard list of Google Docs.
If you want to find one, many people have made their own Google Docs templates available, so you can search for one using an Internet search engine like Google or DuckDuckGo. However, do not blindly click on the first book template you find. Be careful of anything that asks for permission to access your Google account, as there’s always the possibility, however remote, of encountering a phishing operation disguised as a legitimate template.
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The official templates inside of Google Docs include a template for an MLA-formatted report. MLA standards are close enough to book formatting that these templates may suit your needs, or at least get you close enough to book formatting that you can make a few adjustments from there.

How to format your Google Doc for book writing

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If you’re an aspiring writer, you’ll eventually have to turn in your work to an agent or publisher, and they’ll expect it to look a certain way. Having the wrong formatting can send the message that you don’t know what you’re doing. How a literary manuscript should be formatted, be it a short story or a full-fat novel, varies slightly across different genres. Science-fiction and fantasy are the strictest, so you can never go wrong by adhering to the industry standard there, which follows Shunn Manuscript Format. Click that link if you want laborious detail, but here we will go over the basics. Open a new document and follow these steps.
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First, set your default font in Google Docs to Times New Roman using the font selector in the control ribbon at the top of the Docs interface. Courier New, a monospaced font, was once preferred for clerical reasons, but since computers make exact word counts easy to determine, Times New Roman is now the industry standard for readability.
Second, set your line spacing to Double using the Line & Paragraph Spacing tool in the control ribbon or under Format in the Docs menu bar. This is both for readability and markup. Set indents of 1 inch on all four sides of the page using the ruler tools on the left and top side of the Docs interface.
Do not put a page number on the first page, but do apply one to every page thereafter. You can do this by selecting Insert > Headers & Footers > Header, and then clicking the box next to Different First Page. On the second page, double-click the header, then type your last name in front of the page number. For example, mine would say, “Miller 2.”
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How to format a Google Doc to look like a book

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If you’re hoping to make your Google Doc look like a book, you can follow the steps above to achieve the general presentation of a book page with the correct margins, page numbers, and layout. If you make any mistakes, you can clear the formatting in Google Docs. You can increase the bookishness of your Doc by adding headers that will function as chapters. Simply select Title or one of the three Heading options from the Styles selector in the control ribbon near the top of the screen, select Apply, and then type your chapter title. The title will show up in the Document Tabs section of Docs, which can be accessed by clicking the icon to the left of your document that looks like a bulleted list.
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Unfortunately, the one book-like thing Google Docs cannot do is a side-by-side page layout where you view two pages alongside one another as if reading a book. For whatever reason, Google has never added this option to the software. However, if you have access to Microsoft Word, which does have this ability, you can download your Google Doc as a Word document by clicking File, then selecting Download > Microsoft Word. Open the downloaded file in Word, then click View in the Word menu up top and select Side to Side from the Page Movement section.

Book Review: Deconstructing, Leaving Church, Finding Faith

Published in October of this year, Deconstructing: Leaving the Church and Finding Faith is a book which is both an autobiography and a life-coaching guide for people struggling with their Christian beliefs or belonging.The book was written by and follows the life of Karla Kamstra, a reverend and social media star who has made her mark online by talking about faith, feminism, and the problems with Evangelicalism.

Kamstra grew up in a Kentucky church with broadly fundamentalist views of Biblical inerrancy, discouraging exploration outside of the teachings and practices of the immediate church environment, and, to her great discouragement, the submission of women.Kamstra says that she was introduced to the church by her grandmother, who loved the church, the Bible, and especially, the person of Jesus. As she sat in church with her grandmother as a child, she decided that she would like to one day become a preacher. However, as she grew, she found that her church discouraged women from taking a ministerial role. She tried serving in other ways, but even in those areas of service, she felt marginalized, disrespected, and underappreciated. One such instance she cites is when a young couple showed up at the church one evening, expressing interest in possibly attending the church. Eager to encourage them, Kamstra began to give them a tour of the church. Unaware that an event was taking place in one of the conference rooms, she opened the door and was very publicly excoriated right in front of the young couple – humiliating her and scaring them away.Kamstra eventually leaves the church for good, and cites three different historical figures as instrumental in her eventual exit. The first of these is King Henry VIII. This English monarch established the church of England because the Catholic Church refused to authorize a divorce he wanted (because his current wife did not bear him a boy-child to take over the throne). Not receiving the answer he wanted from the Catholic Church, he founded the Anglican Church contingent upon them affirming his divorce.The story was shocking to Kamstra for several reasons, not least of which was the terrible way in which Victorian culture treated women. Further, however, it made her see the arbitrary nature of Christian religion: that churches can be founded and dismissed on a whim so that the men behind them could use them as tools of manipulation to get their own way.The second man she cites as instrumental in her leaving the church was the British author C. S. Lewis. In her insular Kentucky church, there were approved Christian authors, and then there were heterodox authors that members of the church were discouraged from reading because their beliefs and ideas were not in lockstep with the teachings of her particular church. Lewis was among these forbidden authors. Kamstra decided to step out of line and pick up Lewis’ magnum opus, Mere Christianity. The title alone struck her as heresy, that anyone would dare to refer to Christianity as “mere,” as if it were unimportant or trivial.Nevertheless, Kamstra found that she quite liked Lewis’s writing, and decided that perhaps Christian authors outside those approved by her church might be worth further consideration. This led her to pick up books by Bishop John Shelby Spong. Spong is a longstanding critic of the modern church, suggesting that the church ought to be restructured along more Progressive lines, including feminism, social justice, and queer theology to make the church a more open and progressive institution.The ideas of Spong resonated with Kamstra, not least because it would allow her to enter the role of Reverend that she had always dreamed of doing.Upon entering seminary, Kamstra eventually did become an ordained Reverend, but considers herself in the category of Spiritual-but-not-religious.

The most recurring theme within the book is that of feminism. Upon the first mention of God with the pronoun “He,” Kamstra includes a footnote apologizing for using a masculine pronoun, and explaining that she is only doing so out of convention and not because she buys into the gendered category of God as a man. She follows this theme up later in the book by including a chapter on “The Divine Feminine,” in which she speaks of how liberating it is to see the divine as a nurturing, empathetic, life-giving, and overall feminine rather than domineering, bullying, masculine character.Kamstra includes frequent explanations of terms such as “mansplaining” for her reading audience, and provides a trigger warning before mentioning that someone once referred to her as “anorexic” due to her slender frame. Additionally, the book begins with a trigger warning in which she warns the reader that the book will discuss Religious Trauma, and readers who might be triggered by such discussion ought to reconsider reading the book.Kamstra also frequently pauses to explain the feminist vocabulary she is using, and provides a helpful Glossary of terms at the back of the book, defining difficult terms like “Microaggression,” and “White Privilege” for the reader.Kamstra also establishes a mantra for the book from the outset: Demolish, Repair, Restore. By this she means that one ought to rid oneself of previous dogmas and unpleasantness from one’s religious experience, do whatever work is necessary to rehabilitate oneself from these trauma, and then build a new framework from which to proceed. Each chapter ends with a “demolish, repair, restore” section which gives guidance to the reader on how to take the various challenges mentioned in the chapter, break them down, and build back up from the rubble.Additionally, she provides prayers or spiritual exercises to build one up at intervals through the book.

Kamstra has an online following in the “deconstruction” community, as indicated on the cover of her book under her name: “TikTok’s beloved RevKarla.” The TikTok profile she mentions has over seven-hundred-thousand followers. This seems to indicate that there is an inbuilt audience for her book to whom she has probably already expressed the various messages and themes included in the book.Nevertheless, this manuscript reads like a book in search of an audience. In most respects, this is a very personal autobiography, explaining her specific struggles and life circumstances, and then assuming the reader will directly relate to them, offering advice to reconstruct the damages she faced.It seems, however, that the message of the book is tailored only to those who grew up in a very similar church environment as her and underwent the sorts of personal struggles she faced. Nothing is more indicative of this than the point in the story where she feels as if she is committing a rebellious act by picking up a C.S. Lewis book, about which she states, “I knew that no bona fide, card-carrying Evangelical would be caught with one of his books in their home.”This shows how incredibly narrow her audience must be, given that Lewis’s Mere Christianity sits at number one on the “Top 100 Christian Books” as measured by the Worldview Institute, with a further two of his books in the top ten, and the rest of his books featured somewhere on the list. Lewis is extremely well-read and well-regarded in Evangelical circles, but according to her, the most well-regarded authors were Rick Warren, Joyce Meyer, Charles Stanley, and Tim LaHaye; all of whom are well-read in a specific subset of American churches without the global reach and acclaim of writers like Lewis (also, only one of these three are featured in the Top 100).This is no doubt true of the church circles in which she trafficked prior to leaving the church for her current “Spiritual-but-not-religious” status, but under-represents the broader Western church as a whole.However, if her personal experiences with the church are not more generalizable than they seem, her hefty TikTok following would need to be accounted for in some other way. A brief perusal of her channel demonstrates that her videos center around political themes and more general criticisms of Evangelicalism – both popular subjects for the young, politically active, post-Christian audience of TikTok.While the author admits that each person’s deconstruction experience is very individual, all of the coaching revolves around her personal experiences and conflicts she faced in her personal life.So the degree to which this book fulfills its stated purpose of offering wisdom to those undergoing deconstruction will largely depend on how much the reader is able to relate to her particular experiences and views.The book makes no obvious attempt to expand its reach beyond those who already understand her personal background, views, and experiences, so this book is probably written with her online followers in mind, with them as the target audience.

I am a conversion and deconversion researcher, and so all of my reading is done with my research in mind. What this book did for my research is to confirmed what I call the “Modal-Typical Church,” meaning those environments most likely to produce deconverts. Her church hit these markers, which include a church which encourages or enforces isolation of its members away from outside ideas or influences, a ridged literalist approach to scripture, demanding high levels of certainty in one’s beliefs, emphasizing the supernatural world, and high demands to conform one’s behaviors to church standards.Autobiographies are always helpful insofar as they provide case studies that add further data to the pile I already have.In this case it seems that deconstruction (meaning a generic questioning of the religious teachings one has received) and deconversion (meaning discarding one’s Christian identity in favor of an Atheist identity) both follow the same model and trajectory, the only significant difference being in how one’s rejection of one’s former Christian identity is expressed after the fact.

While readable, the book assumes the reader holds views and experiences similar to those of the author, and adopts a familiar more than a persuasive tone. This is not a book written to persuade, but rather to reflect and console. The degree that you would enjoy reading this book will largely depend on how agreeable you find the narrative and themes I have outlined above.

San Francisco Voters Enact Business Tax Changes

With support from nearly 70% of voters in the November 2024 election, Proposition M will substantially modify the San Francisco Business and Tax Regulations Code (the “SF Tax Code”), which imposes a number of taxes on entities engaging in business in the City.The following is a summary of key existing provisions in the SF Tax Code and the changes outlined in Proposition M:

Gross Receipts Tax

Existing Law: The Gross Receipts Tax is a tax on the gross receipts of a business for all taxable business activities attributable to the City. The rates vary, depending on the category of business activity and amount of gross receipts. There are 14 categories of business activities, and the rates range from 0.053% to 1.008%. Most small businesses with gross receipts of up to $2.2 million are exempt from paying the Gross Receipts Tax.

Proposition M: Proposition M reduces the number of business activity classifications from 14 to 7. The rates of tax on gross receipts are modified for each category, with a new range of 0.1% to 3.716%. For tax years beginning on or after January 1, 2025, the small business gross receipts exemption threshold is increased to $5 million.

The changes to the Gross Receipts Tax will likely have the greatest impact on small businesses that will fall under the new $5 million threshold to qualify for the small business exemption. On the other hand, businesses that do not qualify for any exemption will face slightly higher rates of tax, with scheduled increases to rates through 2028.

Homelessness Gross Receipts Tax

Existing Law: The Homelessness Gross Receipts Tax imposes an annual tax on each person engaged in business in the City that receives or is a member of a combined group that receives more than $50 million in total taxable gross receipts. The tax is imposed at varying rates, based on seven different business categories, and ranging from 0.175% to 0.69%.

Proposition M: Proposition M lowers the threshold for a person or combined group’s taxable gross receipts to $25 million, with rates of tax ranging from 0.164% to 0.492%.

The changes to the Homelessness Gross Receipts Tax will primarily impact businesses with gross receipts in the City in excess of $25 million that were not previously subject to the tax. For businesses already subject to the Homelessness Gross Receipts Tax, the changes result in slightly lower rates of tax across business categories.

Overpaid Executive Gross Receipts Tax

Existing Law: The Overpaid Executive Gross Receipts Tax (“OEGRT”) imposes an additional gross receipts tax on a person or combined group’s taxable gross receipts in which the highest-paid managerial employee, within or outside of the City, earns more than 100 times the median compensation of employees based in the City, with rates ranging from 0.1% to 0.6%.

Proposition M: Proposition M modifies the method of calculating the OEGRT for tax years beginning on or after January 1, 2025, with rates ranging from 0.02% to 0.129%.

The changes to the OEGRT will impact the small number of businesses subject to the tax under the existing rules. The changes to the method of calculating the OEGRT make it less likely that the tax will apply. For those businesses to which it does apply, the rates will be lower.

Relationship to Proposition L

The November 2024 ballot included two propositions relating to business taxes: Proposition M, which modifies a number of provisions among various existing business tax ordinances in the City; and Proposition L, which would have created a new gross receipts tax on transportation network companies and autonomous vehicle businesses. Both measures required a simple majority to pass. While both measures achieved the required votes to pass, Proposition M contained a provision that would essentially negate Proposition L if both measures passed. Therefore, Proposition M is the only one of the two City business tax measures that will become effective.

‘Wicked’ fans are begging moviegoers to follow this one rule

Entertainment gossip and news from Newsweek’s network of contributorsWicked fever is sweeping the globe, as the film adaptation of the beloved musical has officially hit theaters.Centered around the origin story of The Wizard of Oz characters Glinda/Galinda (played by Ariana Grande) and Elphaba (played by Cynthia Erivo), it finds the two girls as college roommates at Shiz University, and how they became their respective witches.

Cynthia Erivo and Ariana Grande attend the European Premiere of “Wicked: Part One” at The Royal Festival Hall on November 18, 2024 in London, England. Fans heading to the film’s screening are encouraging others not…
Cynthia Erivo and Ariana Grande attend the European Premiere of “Wicked: Part One” at The Royal Festival Hall on November 18, 2024 in London, England. Fans heading to the film’s screening are encouraging others not to sing along.
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While this is only part one of the tale, similar to the musical’s structure, audiences must wait until next year to see the second half. However, fans have quite a bit of thoughts about maintaining a code of conduct for the screenings — particularly, when it comes to singing along to the catchy melodies.No matter how catchy tracks like “Popular” might be or how well you remember “Defying Gravity” from your days of watching Glee, fans who are going to see Wicked really don’t want anyone singing along. This is because they want the focus to be on Grande, Erivo, Jonathan Bailey (who plays Fiyero), Jeff Goldblum (who plays the Wizard), and the rest of the cast’s vocals.”If you want to sing in the theatre whilst watching Wicked, there is a sing-a-long version in December, otherwise I’m gonna need you to stfu and let a couple voices of a generation do it,” Kevin McHale, who played Artie on Glee, even tweeted. “Also, if I see 1 goddamn phone, I’m smacking that sh*t down.”If you want to sing in the theatre whilst watching Wicked, there is a sing-a-long version in December, otherwise I’m gonna need you to stfu and let a couple voices of a generation do it! Also, if I see 1 goddamn phone, I’m smacking that shit down.— Kevin McHale (@druidDUDE) November 21, 2024
“PSA every show on Broadway of Wicked is a non singalong version,” another Wicked fan added on X (formerly known as Twitter). “If hundreds of people a week can make it through then you can make it through a two and a half hour movie.”PSA every show on Broadway of Wicked is a non singalong version. If hundreds of people a week can make it through then you can make it through a two and a half hour movie— rhea’s life (you’re just living in it) (@hopefulromances) November 19, 2024
An AMC spokesperson named Ryan Noonan also confirmed to the IndyStar that silence will be mandatory, pointing to the theater chain’s “long-standing policy” for “disruptive behavior.””The Wicked preshow spot incorporates the themes of the film as a fun, engaging reminder to moviegoers to not disrupt the experience for those around them as they enjoy the show,” Noonan added.For those who do want to sing along, you will need to wait a few more weeks. According to Variety, there will be screenings across the U.S. for fans to join in on December 25 (Christmas Day).

Denzel Washington’s First Movie Star Performance Came In A Film No One Saw

If this is the first you’re hearing of “The Mighty Quinn,” that’s not on you. A beleaguered MGM half-heartedly distributed the neo-noir over President’s Day in 1989, and, despite rave reviews from Gene Siskel and Roger Ebert (which meant a lot back then), it fizzled out and disappeared from theaters. A film of such quality tended to find its audience through home video and cable back then, but “The Mighty Quinn” never caught on.

So 35 years after its bungled release, this colorful Caribbean thriller starring Washington, Robert Townsend, and Mimi Rogers is ripe for rediscovery. Why should you bother? Pretend it’s 1989, and all you know of Washington is “Carbon Copy,” “A Soldier’s Story,” and “Cry Freedom.” You happen across this stylish thriller on HBO and see Washington, in the opening scene, suavely take down a knife-wielding assailant with a spin kick and a smile. Then, like the James Bond we deserved and never got, he struts over to his woman who’s been watching him ply his sexily lethal trade. This ludicrously handsome devil keeps grinning because he knows he’s got it like that. He’s Chief Inspector Xavier Quinn, and he’s the law on this Caribbean island.

Quinn falls prey to hubris, and bottoms out in front of a community that trusts him to fight for them, but we’ve got a feeling about this guy and we’ve definitely got a feeling about Washington. He’s going to come through. It’s a rare feel-good film noir, and those vibes are off the charts when Washington is sharing the screen with Rogers’ femme fatale. This film’s time is long overdue.
We spoke more about “The Mighty Quinn” on today’s episode of the /Film Daily podcast, where we ranked our Top 5 Denzel Washington performances:

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