Barack Obama’s 10 Favorite Movies Of 2024 Include Dune: Part Two

Niko Tavernise/Warner Bros

As 2024 draws to a close, everyone who’s prone to opining on the art they’ve consumed throughout the year is making their lists of bests, worsts and so on. Your friendly neighborhood entertainment junkies at /Film have been busy little beavers over the last couple of weeks, compiling what we collectively believe to be the year’s 20 best movies and 15 best TV shows. You may or may not agree with our selections, but we do hope you’ll give each and every title a shot if you’ve got the time.

This list-making bug doesn’t just bite critics; regular ol’ moviegoers love to get in on the act as well. All you have to do is spend a little time on TikTok or YouTube, and you’ll find folks of all ages weighing in on their favorites of the year. One person we’ve become accustomed to hearing from every December is former president Barack Obama. Even when he was in office, he managed to set aside time to watch movies and television, and read a load of books. He even formed his own production company when he left office (Higher Ground Productions), so entertainment is clearly much more than a hobby for him.
If you’ve been waiting for Obama to release his 2024 lists, that time has arrived. What were the former chief executive’s favorite movies of 2024?

Obama’s favorite movies of 2024 include Dune: Part Two and Anora

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Here are Barack Obama’s (apparently unranked) top ten films of 2024:

“All We Imagine as Light”
“Conclave”
“The Piano Lesson” (pictured above)
“The Promised Land”
“The Seed of the Sacred Fig”
“Dune: Part Two”
“Anora”
“Dìdi”
“Sugarcane”
“A Complete Unknown”

Obama typically offers up a varied list, and this year is no exception. All of these films received widespread critical acclaim, so it’s hard to say that any of them feel like left-field choices. Due to its omission, we’ll have to assume that Obama somehow couldn’t slot “Hot Frosty” into his viewing schedule prior to releasing his top ten.

The best part of Obama’s list is that it might compel American moviegoers to give foreign films like “All We Imagine as Light” (an Indian film that was controversially denied Oscar consideration by the country’s Academy Award-nominating committee), “The Promised Land” and “The Seed of the Sacred Fig” a shot. They might also watch Malcolm Washington’s barely-promoted-by-Netflix adaptation of August Wilson’s classic play “The Piano Lesson” (which stars greats like Samuel L. Jackson, John David Washington, Erykah Badu, and Danielle Deadwyler). And they’ll hopefully read up on “Anora” before they gather the family around the television to check out Sean Baker’s extremely randy comedy.
It’s especially heartening that Obama not only listed one blockbuster, but that he chose the very best of the year in Denis Villeneuve’s “Dune: Part Two.” All in all, this is a very respectable top ten, Mr. President. We salute your taste in cinema.

10 Great Movies Leaving Netflix At The End Of December

As the year closes out, Netflix will initiate its biggest movie exodus of 2024. Between now and January 1, 2025, dozens upon dozens of films will exit the streaming platform, meaning you have less than two weeks to squeeze in some of your favorites—or perhaps discover a great new movie. And I’ve got ten great recommendations for you. From a romance about a couple whose memory of one another is slowly fading away, to an epic buddy cop epic that features some of the best on-screen chemistry ever, to a psychological thriller about a man convinced of an apocalyptic event, this grouping of movies has something for everyone, no matter what genre or kind of story they’re looking for.

So what movies should be on your radar? Below, I’ve put together ten great options, some of which are amongst my favorite movies ever. Then, at the bottom of the article, you’ll find a massive compilation of every single film leaving Netflix before the end of December 2024. Hopefully you find your next movie night movie in this bunch. Happy watching!

The 10 Best Movies Leaving Netflix in December 2024
Eternal Sunshine of the Spotless Mind (2004)

Why not start with one of my all-time favorite movies: Eternal Sunshine of the Spotless Mind. I have cherished this movie ever since seeing it in theaters twenty years ago, and I still get those warm nostalgic fuzzies every time I rewatch it. The story follows Joel Barish (Jim Carrey, in his best performance ever) after he discovers his girlfriend Clementine Kruczynski (Oscar winner Kate Winslet, who matches Carrey’s every step) underwent a procedure to erase all memories of their relationship after a big fight. Heartbroken, Joel also decides to take the same path. But as he relives the highs and lows of their relationship during the operation, Joel suddenly has a change of heart. The film then takes viewers on a surreal journey through Joel’s subconscious, revisiting memories both new and old as he holds onto fragments of Clementine before they vanish forever. Director Michel Gondry’s dreamlike aesthetic—his practical effects, his in-camera tricks, his minimal CGI to create a surreal environment—makes this movie feel as though it hasn’t aged a single day. If you haven’t seen Eternal Sunshine of the Spotless Mind, then do yourself a favor before it’s gone from Netflix.

Take Shelter (2011)

The descent into paranoia is both deeply unsettling…and frighteningly familiar. Sometimes we believe something we’ve been told couldn’t possibly be true, that defies all logic and reasoning—but for whatever reason, it persists. Few movies have allegorically captured that mental struggle better than Take Shelter. This critically acclaimed film from director Jeff Nichols centers on Curtis LaForche (Michael Shannon), a small-town blue-collar worker who suddenly experiences a wave of apocalyptic visions. Fearful these visions could be premonitions, Curtis obsessively builds a storm shelter in his backyard to protect his family—his wife Samantha (Oscar winner Jessica Chastain) and their young, hearing-impaired daughter Hannah (Tova Stewart). As his behavior increasingly grows erratic, Curtis struggles with whether his warnings of an impending disaster are genuine or the onset of mental illness. The slow-burn approach from Nichols, the deliberate pacing, the quiet, domestic moments juxtaposed against Curtis’s growing fears, it all creates a palpable sense of dread that permeates the entire film. This movie will shock you throughout—and that includes its final, awe-inspiring frame.

Before Sunset (2004)
This is one of those cases where if you haven’t seen the first movie, it’s okay to see the sequel. But…if you’re able to watch Before Sunrise before you see Before Sunset, you should. Regardless, Before Sunset can be thoroughly enjoyed thanks to how simple-yet-magical it is. Picking up nine years after the events of the previous film, this story finds successful author Jesse (Ethan Hawke) on a book tour in Paris. Based on his chance encounter with Céline from the first film, Céline (Julie Delpy) meets back up with Jesse at a bookstore event. These two separated lovers have a limited amount of time to spend together before Jesse must catch his flight back to the United States. Set in real time, the sun slowly sets in the background as they stroll through the streets of Paris while they discuss their lives, relationships and the lingering impact of their brief yet profound connection years earlier. Directed by Richard Linklater, and co-written with Hawke and Delpy, Before Sunset crafts dialogue that feels organic and deeply personal throughout, always flowing seamlessly, always capturing the rhythm of a genuine conversation. This is simply one of the most watchable movies ever, and it will leave you feeling happy and hopeful in the end.
Bad Boys I & II (1995, 2003)
Say what you will about Michael Bay, who has unleashed his “Bayhem” brand of filmmaking upon moviegoing audiences for over three decades now. While his high-octane approach isn’t for everyone, there are some of his movies that seem to be universally loved—starting first and foremost with the Bad Boys movies, which follow the heightened escapades of Miami narcotics detectives Mike Lowrey (Will Smith) and Marcus Burnett (Martin Lawrence). In Bad Boys, the duo must recover a stolen cache of heroin while protecting a key witness, Julie Mott (Téa Leoni). Along the way, their drastically different personalities—Mike’s smooth-talking, risk-taking demeanor versus Marcus’s cautious, stress-laden approach—create both thrilling and hilarious friction as their mission spirals out of control. Then Bad Boys II, which might just be Bay’s best film to date, ups the ante even further, as Mike and Marcus take on a powerful Cuban drug lord smuggling ecstasy into Miami. As their personal lives become entangled—especially with Mike secretly dating Marcus’s sister, Syd (Gabrielle Union)—the explosive action and chaotic comedy escalate to even greater heights. If you’re looking for some grade-A entertainment, it’s hard to do worse than these films where Smith and Lawrence register some of the best on-screen chemistry you’ll ever witness.
Funny People (2009)
Judd Apatow isn’t afraid to incorporate drama and tragedy into his comedies. In fact, it should be expected at this point for a director whose made a career of finding comedy in the most uncomfortable and dire of situations. But no Apatow movie goes quite as far as Funny People—which might be why it’s his best film. The story centers on George Simmons (Adam Sandler), a retired comedian who became a very successful and rich movie star. But despite his wealth and seeming good health, he is diagnosed with life-threatening leukemia and only has an 8% chance to love. Facing his own mortality, George hires struggling stand-up comedian Ira Wright (Seth Rogen) as his assistant and opening act, and the two form an unlikely bond. As George reflects on his life, he reconnects with Laura (Leslie Mann), the love of his life who is now married to a nice man named Clarke (Eric Bana) and has children. The film provides an inside look at the stand-up comedy world, exploring the struggles and insecurities faced by someone like George, whose career and personal life serve as a lens through which the movie examines the price of fame and the ways humor can both connect and isolate people. Watch out for appearances from awesome real-life funny people like Jonah Hill, Jason Schwartzman and Aubrey Plaza in this super-funny-yet-super-sad gem.
Ella Enchanted (2004)
There have been some great films that blended together classic fantasy elements with modern humor and sensibilities, from charming films like Enchanted and Big Fish to darker movies like Pan’s Labyrinth and The Little Princess. But one has always, unfortunately, flown a bit under the radar, has never been taken quite as seriously as the rest: Ella Enchanted. And that’s too bad, because it’s great. This musical romantic comedy follows the story of “Ella of Frell” (Anne Hathaway in an early role), a who was cursed at birth with the “gift” of obedience by a well-meaning but misguided fairy named Lucinda (Vivica A. Fox). This magical compulsion forces Ella to obey any command given to her, no matter how harmful or absurd, and Ella’s cruel stepmother Dame Olga (Joanna Lumley) and wicked stepsisters Hattie (Lucy Punch) and Olive (Jennifer Higham) constantly take advantage. Determined to free herself, Ella sets out to find Lucinda and break the spell. Along the way, she falls for Prince Char (Hugh Dancy), who helps her in her plight. The vibrant costumes, the whimsical sets, the magical creatures create a fairy tale atmosphere, while the witty dialogue and pop culture references make the movie feel fresh and accessible to a modern audience.
Step Up Revolution (2012)
Okay, it’s time for some honesty: I love Step Up Revolution. In a couple different ways. At first, I loved it for so-bad-it’s-good reasons, as the movie is chock-full of ridiculous moments you can enjoy with a crowd (and perhaps a few libations). But after several watches, I truly, genuinely began to love the movie and its up-to-the-ceiling high energy. If you’re a fan of dance movies (like I am), then this one is for you. The story is simple enough: Emily Anderson (Kathryn McCormick), an aspiring dancer, moves to Miami, hoping a prestigious dance company. Along the way, she crosses paths with Sean (Ryan Guzman), the charismatic leader of a dance crew called “The Mob” that specializes in elaborate flash mob performances. As Emily and Sean grow closer, the crew faces a challenge when a wealthy developer (who happens to be Emily’s father), Bill Anderson (Peter Gallagher), plans to demolish their historic neighborhood and build luxury properties in their place. The story is pretty basic, but is also secondary to the film’s true core strength: the highly choreographed, vibrantly colorful, visually stunning dance performances that take full advantage of Miami’s beautiful architecture. Each routine, no matter how insane it gets (and trust me, they get quite insane), is meticulously planned and incorporates diverse styles, from contemporary to street dance to…uh, bungee cords? Trust me, if you’re in the right mood, this movie is one heck of a time.
300 & 300: Rise of an Empire (2007, 2014)
The last one-two punch on this list provides two decidedly different paths for action movies. The first, 300, is directed by ever-controversial Zack Snyder, a man whose artistry I find inspiring. At this point, I’m flummoxed by how polarizing his style has become, especially when 300, which might be his best film, delivers some of the most intoxicating visuals we’ve seen in the modern era of film. But if you’re not into his brand of storytelling, then 300: Rise of an Empire might be more your speed. Director Noam Murro gave us a hyper-stylized action epic that paid homage to Snyder’s unique vision, while also crafting his own aesthetic, a desaturated color palette punctuated by splashes of vivid red and gold. The first film recounts the Battle of Thermopylae during the Greco-Persian Wars, where King Leonidas (Gerard Butler) of Sparta leads 300 of his finest warriors against the massive Persian army commanded by King Xerxes (Rodrigo Santoro). And the following film serves as both a sequel and a parallel story to 300, focusing on the naval conflict between the Athenian general Themistocles (Sullivan Stapleton) and the Persian forces led by the vengeful Artemisia (Eva Green), a ruthless commander in service to King Xerxes (Rodrigo Santoro). Enjoy these either back to back or separately—you really can’t go wrong.
Every Movie Leaving Netflix in December 2024
Note: The dates mark your final days to watch these movies.

December 22: Garfunkel and Oates: Trying to be Special (2016)
December 24: The Flash (2023)
December 26: Gatham (2020); Parugu (2008); Pressure Cooker (2020); Seethamma Vakitlo Sirimalle Chettu (2013); Sri Rama Rajyam (2011); Yevadu (2014)
December 27: A Twelve Year Night (2018); Django & Django (2021); Fifty (2015)
December 31: 2 Guns (2013); 3:10 to Yuma (2007); 300 (2007); 300: Rise of an Empire (2014); 8 Mile (2002); A Biltmore Christmas (2023); A Heidelberg Holiday (2023); A Merry Scottish Christmas (2023); Alfie (2004); Along Came Polly (2004); American Gangster (2007); American Psycho (2000); An Elf’s Story: The Elf on the Shelf (2021); Anchorman: The Legend of Ron Burgundy (2004); Aruna & Her Palate (2018); As Above, So Below (2014); Bad Boys (1995); Bad Boys II (2003); Before Sunset (2004); Being Julia (2004); Big Daddy (1999); Black & White (2009); Blippi The Musical (2021); Blippi’s Spooky Spell Halloween (2021); Boss & Me (2014); Bridesmaids (2011); Brüno (2009); Call Me by Your Name (2017); Captain Phillips (2013); Chicken Run (2000); Christmas in Notting Hill (2023); Christmas Island (2023); Christmas on Cherry Lane (2023); Christmas with a Kiss (2023); Cloudy with a Chance of Meatballs 2 (2013); Collateral (2004); Couples Retreat (2009); Dragnet (1987); Easy A (2010); Elf Pets: Santa’s St. Bernards Save Christmas (2021); Ella Enchanted (2004); Ender’s Game (2013); Escape Plan (2013); Eternal Sunshine of the Spotless Mind (2004); EuroTrip (2004); Fast & Furious (2009); Fast Times at Ridgemont High (1982); Field of Dreams (1989); Fireproof (2008); First Daughter (2004); Friday Night Lights (2004); Funny People (2009); Get Him to the Greek (2010); Goosebumps (2015); H (2002); Haikyu!! Movie 3: Genius and Sense (2017); Halloween (2018); Haul Out the Holly (2022); Haul Out the Holly: Lit Up (2023); Here Comes the Boom (2012); Hero (2002); House of Flying Daggers (2004); How High 2 (2019); In Good Company (2004); Jarhead (2005); Jaws (1975); Jaws 2 (1978); Jaws 3 (1983); Jerry Lee Lewis: Trouble in Mind (2022); Jersey Girl (2004); Just Go With It (2011); Kung Fu Panda (2008); Kung Fu Panda 3 (2016); Life (1999); Long Story Short (2021); Luccas Neto in: Children’s Day (2019); Matilda (1996); Memories of Love (2018); Midnight Run (1988); Midnight Sun (2018); Midway (1976); Million Dollar Baby (2004); Miracle in Bethlehem, PA (2023); My Sunshine (2015); Non-Stop (2014); Paul Blart: Mall Cop (2009); Paul Blart: Mall Cop 2 (2015); Paw Patrol: The Movie (2021); Posesif (2017); Predestination (2014); Psycho II (1983); Red Dragon (2002); Redemption (2013); Robin Hood (2010); Safe House (2012); Salt (2010); Scarface (1983); Shark Tale (2004); Shot Caller (2017); Sky Captain and the World of Tomorrow (2004); Spookley the Square Pumpkin (2004); Spy Game (2001); Starsky & Hutch (2004); Step Up Revolution (2012); Superbad (2007); Take Shelter (2011); Tangerine (2015); The Birds (1963); The Bounty Hunter (2010); The Boy Next Door (2015); The Butterfly Effect (2004); The Covenant (2006); The Deer Hunter (1978); The Family Man (2000); The Girl Next Door (2004); The Great Waldo Pepper (1975); The Hospital (2006); The House Bunny (2008); The Karate Kid (2010); The Last Dragon (1985); The Legend of Hercules (2014); The Little Rascals(1994); The Mechanic (2011); The Money Pit (1986); The Notebook (2004); The Prince & Me (2004); The Prince of Egypt (1998); The Sentinel (1977); The Sweetest Thing (2002); The Take (2016); The Tale of Despereaux (2008); Transformers (2007); Transformers: Age of Extinction (2014); Transformers: Dark of the Moon (2011); Transformers: Revenge of the Fallen (2009); Twisted (2004); U-571 (2000); Unfriended (2014); Van Helsing (2004); Vera Drake (2004); Wallace & Gromit: The Curse of the Were-Rabbit (2005); Wimbledon (2004); Win a Date with Tad Hamilton! (2004); You’re Next (2011); Zathura: A Space Adventure (2005); Zombieland (2009); Zookeeper (2011)

Yale scientists: Covid spike protein found in blood of individuals two years after they received injections

by WorldTribune Staff, December 20, 2024 Real World NewsThe Covid spike protein was found in the blood of people up to two years after they received the Covid mRNA injection, a team of scientists at Yale University have found.
The individuals in the study were never infected with Covid, antibody tests show. The immune system normally rapidly destroy newly produced spike proteins. The finding suggests some people who took the shots may be making the proteins on their own.
“The spike proteins shouldn’t be there,” Alex Berenson noted in a Dec. 19 Unreported Truths Substack.com analysis. “A possible reason is that genetic material delivered in the shots has integrated with human genes and is continuing to activate protein-making structures in our cells. If found to be correct, this explanation has serious implications for mRNA vaccine safety and the more than 1 billion people who received mRNA Covid doses.”
The head of the Yale team, Dr. Akiko Iwasaki, is a scientist who had strongly advocated for the Covid jabs.
Iwasaki is a former president of the American Association of Immunologists. In May 2021, she told The Washington Post that concerns about mRNA shots were “absurd” and added that “no safety concerns” had been found in their clinical trials. She later signed a letter advocating Covid vaccine mandates.
At an October town hall, Iwasaki reported that the team had found Covid spike protein in a study participant more than 700 days after the person’s last mRNA shot, and in others more than 450 days after.
The Yale team reported its findings on conference calls with participants in their study in October and again this week, Berenson noted. “Two people independently told Unreported Truths of the study’s findings.”
The people who told Unreported Truths of the findings included one person who participates in the study and directly heard the reports from the Yale researchers on the conference call. The other person is a scientist who is in contact with multiple members of the Yale team.
“The researchers discussed publishing the findings with at least one major peer-reviewed journal, a person with direct knowledge of those discussions said. The journal declined,” Berenson added.
The Yale scientists plan to publish their findings soon on a unreviewed “pre-print” server so that other researchers and members of the public can see them and discuss their implications.
“They also intend to send samples to an independent lab for validation, though they do not believe they’re mistaken,” Berenson wrote.
Phillip Altman, a Pharmacologist – Clinical Trial and Drug Regulatory Affairs senior industry pharmaceutical consultant in drug research and regulatory approval with more than 40 years experience, noted in a Dec. 19 Substack.com analysis:
“This was ALWAYS a danger from the very beginning when an experimental gene-based product was imposed on the world’s population without the usual proper safety testing. Such gene-based products carry significant safety risks and this is why, up to now, these products were researched and used in only rare genetic disorders and cancers where there was no viable alternative. Many gene-based products have failed safety testing and their long term safety is uncertain. …
“If the results of this Yale University study can be confirmed, it means that potentially billions of people have had their DNA altered, possibly permanently, to produce toxic spike protein indefinitely which may translate into a range of cardiovascular, neurological, immunological and oncogenic effects into the future.
“How can the politicians, health bureaucrats and so-called ‘health experts’ allow this to continue in light of this frightening prospect?
“I predict Big Pharma will endeavor to block publication and discredit this Yale study without providing any evidence to the contrary.”

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  Dr. Akiko Iwasaki, mRNA jab, WorldTribune.com, Yale scientists: Covid spike protein found in blood of individuals two years after they received injections

Scientists warn that ‘mirror life’ could destroy life on Earth. Read this before you panic

The Current16:05‘Mirror life’ research poses risk to all life on Earth, scientists warnA group of scientists are waving a red flag about research into “mirror life” which they say could decimate life on Earth. In an article published this month in the journal Science, 38 researchers analyzed the risk posed by mirror life — living cells with opposite molecular structures to those of regular life on Earth. Their cells’ molecular makeup would be identical aside from being backwards — like a mirror-image, hence why researchers call it mirror life.Simply put, the backwards structure would mean that a living organism made up of mirrored cells couldn’t be detected by our immune systems and wouldn’t have any predators in an ecosystem, giving them the potential to damage any and all living things with no way of stopping their spread.”It would grow persistently, and we would have no way of eating it [or] fighting it,” Kate Adamala, a synthetic biologist and co-author of the paper, told The Current’s Matt Galloway. “So the consequences for the environment could be catastrophic.”Given the possibly disastrous consequences, the scientists warn in their paper that no researchers should attempt to create mirror life.”Unless compelling evidence emerges that mirror life would not pose extraordinary dangers, we believe that mirror bacteria and other mirror organisms … should not be created,” the paper reads in part.But while researchers are worried about the possible consequences, there’s a few reasons not to panic just yet.Mirror life doesn’t exist yet, can’t form naturallyThe orientation of molecules can be thought of like being left-handed or right-handed.Mirror molecules are 3D mirror images of regular molecules — like how your left hand is a mirror-image of your right hand. DNA and RNA are made up of “right-handed” building blocks called nucleotides, while proteins are made up of “left-handed” amino acids, scientists explain in the journal article. Kate Adamala is a synthetic biology researcher and co-author of the paper warning about possible negative consequences of mirror life.

The Book Box: A local store with community impact

DRAPER, Utah — The Book Box in Draper partnered with Primary Children’s Hospital in Lehi to spread a little joy this holiday season.
Sisters Randi Rose and Kayleigh Dixon opened their storefront location after the success of their mobile shop in Lehi. 
Buy local, give local
“The mobile shop was built and began in Lehi, so this cause [Primary Children’s Hospital] is near and dear to our hearts. We special ordered activity books, children’s books, and small toys that the hospital stands in need of,” said Rose. 
The booksellers invited the community to buy gifts to be dropped in their donation box through Dec. 20. Additionally, the store is matching every donation made. 
Filling a need for indie bookstores
Rose and Dixon started their mobile store as something to “keep them busy” while their kids were in school. However, it turned into something much bigger. 
“It turned into a lot more when we realized what a need there was for more indie bookstores in Utah,” said Rose. “… and how much we honestly loved the job and the people. Thanks to all of our wonderful customers and book friends, we were able to open the Draper shop at the end of June 2024, just a couple months before our one-year anniversary for opening the trailer.”
Randi Rose and Kayleigh Dixon stand in front of The Book Box in Draper, Utah. (The Book Box)
The sisters said that mixing family and business was never a concern. In fact, they say the store has made them closer than ever. 
“It has honestly brought us so much closer and only strengthened our relationship. It’s been easy and so fun to do it all together.”
A bookstore with booklovers in mind
Rose and Dixon say The Book Box is like “an adult book fair” complete with bright colors and nostalgic music or Taylor Swift.
“We focus on stocking cheeky merchandise or unique items you can’t typically find at big-box stores,” said Dixon. “We carry a lot of books that we personally recommend or that our employees recommend or love. Honestly, even when customers come in and order or recommend a book we haven’t heard of, a lot of times we order a few to stock! We want there to be something for everyone.”
Additionally, they love to give book recommendations to customers.
Not your average ‘big-box’ store
The sisters said when they began their mobile shop they noticed a community starting to build. 
“It became a social club, and we kept seeing the same people coming back to us because they loved that aspect of the shop… You just don’t find that in bigger stores.”
That community followed them to their Draper store. 
“We also focus on carrying brands that are local to Utah or owned by other women,” said Rose. “That’s been super fun and makes it feel like we are part of something bigger, like a little community.”
Other reading: A lasting legacy: Randy’s Records founder dies at 83

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Filmed in the Chicago Area, Spirit Award-Nominated ‘Ghostlight’ Stars a Real-Life Family of Chicago’s Theater Scene

A movie still of Keith Kupferer and Dolly de Leon in Ghostlight, which is screening at the Gene Siskel on Dec. 23 and 28, 2024 and is available on select streaming services. (Courtesy of Luke Dyra and IFC Films)

When Chicago-based director Kelly O’Sullivan, a self-described “theater kid at heart,” wrote the feature film “Ghostlight,” she said she wanted to explore a theater stage as a place where people can deal with their darkest emotions.Thanks to our sponsors:
“Where you can deal with things that society at-large encourages you to keep private,” O’Sullivan said. “Theater celebrates the good, the bad, and the ugly parts of you.”
“Ghostlight” premiered at the Sundance Film Festival early this year. It was later released in theaters nationwide this summer after being picked up by IFC Films. The movie is returning to theaters next week with screenings at the Gene Siskel Film Center on Dec. 23 and 28.
The movie and its cast members have recently been nominated for several awards, including two Film Independent Spirit Awards: best feature under $1 million and best lead performance for Chicago stage veteran Keith Kupferer’s role as Dan in the film.
In “Ghostlight,” an unlikely and emotionally troubled father Dan, played by Kupferer, finds himself in a local theater’s production of Romeo and Juliet, amid dealing with a family crisis.
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Similar to their 2019 film, “Saint Frances,” Chicago-based directors Kelly O’Sullivan and Alex Thompson filmed “Ghostlight” in the Chicago area, specifically in Waukegan, Highwood, Highland Park and Lincolnwood.
“It couldn’t be filmed in Chicago because the Chicago theater landscape is actually so rich and so vast,” O’Sullivan said. “We wanted it to be a little outside of Chicago, so that the community theater could feel a little more scrappy.”
Inner turmoil and vulnerability take center stage, quite literally, as Dan navigates his relationships with his wife Sharon, played by another local stage veteran and Rivendell Theatre Ensemble founder Tara Mallen, and his daughter Daisy, played by Katherine Mallen Kupferer.
If their last names didn’t already give it away, the family members depicted in the film are also a real-life family, which Kupferer said made for a more natural and authentic performance.
When asked about what it’s like being in a theater family, Kupferer, laughing, said, “There’s never a dull moment.”
Directors Kelly O’Sullivan, left, and Alex Thompson, middle, on the set of Ghostlight. (Courtesy of Drew Tieng and IFC Films)

O’Sullivan said she wrote “Ghostlight” with Kupferer in mind to play the lead after having performed with him in a 2014 local theater production of “The Humans.” The movie is Kupferer’s first leading role in a feature film.
“I don’t generally like to watch myself, but I think because my family was also in it, it was easier for me to watch it,” Kupferer said, who’s originally from the East Coast. “There was a certain amount of ease that I started to watch it with because I was with my family and a lot of the folks in it were friends of mine, also, who were actors.”
Kupferer said that while movies can be deeply personal, he said he hopes “Ghostlight” reminds audience members about the importance of independent films.
“I hope that people come away saying, films can still be made like this, that they don’t have to have Marvel characters or these giant AI effects,” Kupferer said. “That stories can be told on a very simple and human scale.”
O’Sullivan, who is originally from Arkansas and attended Northwestern, and Thompson, who is originally from Kentucky and attended DePaul, are now working on their upcoming film, “Mouse,” which was filmed in Arkansas.
A movie still of Keith Kupferer, right, Katherine Mallen Kupferer, center, and Tara Mallen in Ghostlight. (Courtesy of IFC Films)

Contact Eunice Alpasan: @eunicealpasan | 773-509-5362 | [email protected]

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‘Sonic The Hedgehog 3’ Has One Of The Best Audience Scores Of 2024 Movies

Sonic the Hedgehog 3 is not just a box office hit, projected to dominate this weekend before Christmas, but it’s also a critic and especially audience hit.

The reviews are coming in, and with over a thousand verified ratings on Rotten Tomatoes, Sonic 3 has a 98% audience score, one of the highest of any film this year, and tied with other animated films like Transformers One and The Wild Robot, which also have 98%s (and are worth watching by all ages). It also has a very solid 85% critic score. Here’s how all the movies stack up:

Sonic the Hedgehog – 64% critic score, 93% audience score
Sonic the Hedgehog 2 – 69% critic score, 96% audience score
Sonic the Hedgehog 3 – 85% critic score, 98% audience score.
Sonic 3Rotten Tomatoes
Obviously, we know the curse of third films in trilogies, but Sonic has defied that, and this is the best-reviewed movie across all metrics. As for its potential box office, the first film made $319 worldwide, making it enough of a hit to warrant a sequel. The second film improved and made $405 million. If that trend continues, we could be looking at a half a billion dollar haul for the third film, and no doubt this will probably lead to even more films in the future, given the trajectory of the franchise here. Sonic 3 is looking to open with $70 million or so this weekend, which puts it above the first film and right around the second. More, if it surpasses these estimates.

Sonic 3 brings back the OGs James Marsden and Ben Schwartz as Sonic, Idris Elba returns as Knuckles from the second film and now Keanu Reeves has been added as the infamous Shadow the Hedgehog, which it seems has gone very, very well. I haven’t gotten the chance to see it yet, but the trailers look awesome, and I guess it really panned out.

The first Sonic the Hedgehog was one of the first batch of video game projects in the modern era that convinced people we were starting to break the video game “curse” of terrible adaptations. All three Sonic movies have done great, Super Mario Bros. was a megahit. We’ve had incredible live action and animated video game shows like The Last of Us, Fallout, Arcane, Cyberpunk 2077 and Castlevania. This probably really kicked off with Castlevania in 2017, but that wasn’t the wild breakout hit that Sonic was in 2020 in the same way.

So, let’s see what we learn about Sonic 4 in a few months, most likely…
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Pick up my sci-fi novels the Herokiller series and The Earthborn Trilogy.