Lance Morrow’s books remain as fresh as ever

When I studied journalism four decades ago, our college classes gathered in the same building where other professors taught literature, history, philosophy and theater. Our nearness to each other hinted that all of this wisdom was tied together somehow.Maybe being a good reporter also meant connecting with the finest words and ideas the world had produced, along with the story of how the human race had fared so far.

But I was still too young to grasp how important it was to know culture — books, music, Greek legends and classic paintings — as a way to better understand current events. That lesson would emerge for me during breaks in the campus student union while I sipped coffee, opened the latest copy of Time magazine and read the back-page essays of Lance Morrow.

Morrow, who died late last year at 85, had a spot at the end of the magazine because he was supposed to have the last word on the week’s events. His essays were meant as a kind of summing up — some small moment of clarity that would make the muddle of the news seem, however briefly, part of a larger pattern of meaning.Morrow, deeply read and alert to historical precedents, might cite Helen of Troy in a piece about the Falklands War or compare the violence of Iranian politics to the excesses of the French Revolution.

He was learned, but not dryly so.

Morrow could also be funny, and he knew that his country could be shaped more deeply by a popular sitcom than an act of Congress. One of Morrow’s best essays was about “The Mary Tyler Moore Show.” I still know by heart his description of dull-witted Ted Baxter, the show’s TV anchorman. Morrow memorialized Baxter as a man “with the mane of Eric Sevareid and the brain of a hamster.”

In 1986, I was on campus when a classmate approached and told me the Space Shuttle Challenger had exploded. In his next essay after the tragedy, Morrow beautifully summed up the loss: “The mission seemed symbolically immaculate, the farthest reach of a perfectly American ambition to cross frontiers. And it simply vanished in the air.”

Morrow continued to inspire me as I left college and took up newspapering. During a bitterly cold visit to Cleveland, Ohio in 1981, I picked up a copy of “Fishing in the Tiber,” one of Morrow’s essay collections, in a local bookstore. I have the book open now, and the weather of that long-ago night in Cleveland has come back to me, the wind like a hundred knives in my back.

In some broader way, all of Morrow’s books, including “Second Drafts of History” and “The Noise of Typewriters,” are deeply sensory for me. He had a genius for helping readers not only to think but to feel, which is why I’ve been rereading him this winter.

All these years after I first met some of these sentences, they remain inexhaustibly new.

Email Danny Heitman at [email protected].

Here’s how some Philly high school students built a library from scratch. ‘Kids just kept coming, renewing books.’

It started as an audacious idea: What if a group of students at a Philly high school that never had its own library created one from scratch?If it seems far-fetched — the Philadelphia School District in 2023-24 reported having the equivalent of just two full-time certified school librarians among its 216 schools, a ratio experts say is possibly the worst in the country — you haven’t met the students of Kensington Health Sciences Academy.The DreamEscape Library was born a little over a year ago, when the KHSA student government advisers challenged teens to come up with a service project that would positively change their community. The kids mulled over several options, then zeroed in on one that felt perfect.“We all grew up without a library,” said Akeem Mack, now a KHSA senior. “That had an effect on a lot of kids. Teachers assigned a book, and people wouldn’t read it, because people didn’t like to read.”‘You need a book!’In a neighborhood high school in a historically underfunded school system, getting from what-if to grand opening was no small feat.The library got started with a $1,000 seed grant from the Philly Service Award, which works with the nonprofit Herb It Forward Foundation and Drexel University to encourage students to improve Philadelphia. There was no money for staff or space, but the students vowed to be the librarians themselves and to start, they pushed a single cart of books around.“There’s a lot of areas in Philly where they give out free books,” said Angie Medina, a senior. “We used any type of resources that came into our hands.”The first few volumes came from teachers’ classroom collections. The students gathered more slowly but surely — general fiction, graphic novels, fantasy, romance. Every book had to be stamped by hand, entered into the electronic catalog, and reinforced with tape.“We started off with our small little genres that we recommended, then we involved a catalog and a website,” said Christian Toro, a sophomore.The students and their teacher advisers, Ethan Feuer and Elena Marcovici, were clear: The library couldn’t just be cast-off books that no one wanted to read. They needed books teens of varying interests and reading levels would want to sink their teeth into.“Kids will not read books they don’t want to read just to appease a teacher,” said Feuer. “We want them to love reading, and to do that requires a book they actually want to read.”The student librarians had to sell their peers on reading, convince students why they would want to take books home, and why their goal was important.“We’d be in the hallway saying, ‘Get a book? Get a book? You need a book!’” said Brooklyn Grigger, a senior.The library crew talked up their project at assemblies, in the hallways, and via social media accounts they created. They held a big launch event in February 2024, drawing students with free food, urging them to register for the library and check out books.“Unlike wealthier schools in our district, we don’t have a library at our school,” an early Instagram post read. “That is absurd and unfair. But, we are trying to start one! Follow our page to help us achieve our goal and contribute if you can. Thank you for supporting us!”What books can meanThe library crew chose a name that symbolized what books can mean: DreamEscape Library.“People use books to escape reality, to live lives that are inaccessible to them,” said Grigger. “That’s how most of us describe reading books, what we use books for.”Buzz about DreamEscape spread. The library is small, but KHSA is known for its tight-knit community and school spirit.“Kids just kept coming, renewing books and stuff,” said Mack.In the spring, DreamEscape got a big boost. The librarians won a Young Entepreneurs prize from the Philly Service Award that came with $20,000 to expand the library. They were able to purchase couches, beanbag chairs and sturdy wooden bookshelves. At the beginning of this school year, DreamEscape moved into Room 107B, a multipurpose spot that serves the special education office and meeting space.The library is open three days a week, from 2:34 to 3:30 p.m, with student librarians creating a schedule and assigning themselves set tasks. It can be overwhelming when 20 students crowd into the room, but the crew loves it, they say.Building a library in a historically underserved neighborhood feels especially meaningful, said Ryan King, a sophomore.“It feels good to be able to help our peers,” said King. “It feels good to do this.”Making reading cool and accessible, even via an 800-volume library that’s open limited hours, has made a difference, said Feuer, who teaches ninth-grade English, often to classes made up primarily of students who read below grade level.“Right away, we’re seeing improvement in kids’ reading because they read more, they read books they like,” he said.For Marcovici, the experience is “incredible,” she said. “I think teaching is such a hard job, and there’s so many times when you feel like you’re failing kids, but being part of the library gives me so much hope. It’s really rejuvenating.”KHSA Principal Nimet Eren pops her head into DreamEscape whenever she can, inevitably observing students excited about reading, students excited to have their own space.A library was always on her wish list, said Eren, but she lacked the staff to manage one.“It’s a dream as a principal to have these teachers and these students working so hard to make their goals and their hopes for the school come true,” she said.Jean Darnell, the district’s new director of library sciences, who wants a library in every district school, is excited to visit DreamEscape this month, she said.“I think it’s remarkable that student voice, choice and agency is in full effect at Kensington Health Sciences Academy,” Darnell said. “There isn’t a better way to support student agency than putting in the sweat equity to ensure their intellectual freedom rights are protected with hands-on, primary source engagement in the school library.”

‘Itihashe Hatekhari’: These children’s books link history to everyday life in the present and past

All nine titles of the Itihase Hatekhari series.

History is being tested in India. Education and textbooks have continuously been at the centre of scrutiny amidst the rise of the Hindu nationalist BJP government. Textbooks vary, not only from state to state but from school to school. Both the state and central government produce their own textbooks. Local schools can base their instruction on curriculums supplied by either the central government or the state governments. However, as younger generations in India seek greater mobility across the subcontinent, there has been an increased prioritisation of national examinations based on central government curricula.Under the BJP’s influence, significant changes have been made to school textbooks, framing India’s history with a Hindu-centric focus. History has been constantly evoked as a space for political and ideological debate by the current BJP government. Prime Minister Narendra Modi has spoken at length about so-called “concocted narratives” in modern retellings of India’s history, disputing the place of non-Hindus in India’s history.Countering fascism“History is a very political subject in the sense that all governments have their own kind of histories to push,” said Anwesha Sengupta, a historian and academic at the Institute of Development Studies Kolkata. “If you ask me, is this unprecedented? No, it is not. But the degree is unprecedented, and the ideology is more dangerous. It’s a fascist ideology.”Textbook revisionism becomes particularly dangerous in the context of the Indian education focus on rote memorisation. Even after students graduate from school, these history textbooks play a critical role in political discourse amidst rife misinformation in the news and online that blends fact and fiction. “Not only the child, but even the adults cannot make any distinction between these two, they cannot understand which one is history, and which one is perhaps propaganda, in the sense that the history books do not train you,” said Sengupta.“I think young minds are being infected in ways that are deeply troubling. There are numerous instances of children engaging in everyday acts of violence against their own classmates who might be Muslim or just non-Hindu,” said Gaurav Mukherjee, Visiting Assistant Professor of Law and the Stuart F Smith Teaching Fellow at the University of Connecticut and a former Hauser Postdoctoral Global Fellow at NYU Law. “There needs to be bottom-up and top-down mobilisation to push back against these changes.”At the Institute for Development Studies Kolkata, academics, historians, and teachers are working to push back against this revisionist history through an initiative in Bengali titled Ithihashe Hatekhari. Funded by Rosa Luxemburg Schiftung, the three-year project is publishing children’s history books for late elementary school and middle-grade students that centre on the diversity of India and the narratives of those often marginalised.“There are two things we try to do, with intersectionality as a lens. We want children to understand how gender, caste, and religion come together to shape my worldview but also to shape my past,” says Anwesha Sengupta in her office after finishing her lunch of rice and daal. An academic and historian at the Institute for Development Studies Kolkata. Trained as a historian, Sengupta is one of the head coordinators of this project.“The other ethical point we have in mind as historians is that there can be multiple experiences and in all these multiple narratives there can be different heroes and different villains. So there has to be space for all of these narratives. The idea is to encourage the reader to be empathetic towards other possibilities,” she adds. The initiative has published nine books, covering the partition of India, language diversity, citizenship, the tea trade, ongoing wars, the politics of river boundaries, food, clothes, and attire.

Books on Indian attires, sports, and food. Photo by Debarati Bagchi. These historical narratives directly provide a foundation for understanding contemporary issues of debate. In exposing students to the history of the various dialects across India in their book The Languages of Our Country, the project offers a foundation to understand the pushback against the current BJP government’s attempts to impose Hindi as a national language.While writing the book on Partition, Sengupta spent time in historical archives to uncover narratives specific to minority experiences. In one chapter, she writes about lower-caste workers who were sent to the Andaman Islands during the partition. In another, she focuses primarily on young women’s experiences.Being Indian“My point was to counter the narratives that are being circulated on social media and also through political speeches and also some of the textbooks that Hindus were the only victims,” says Sengupta.Sengupta considers their book Desher Manoosh, or Citizens of Our Country, their most political book in the context of the Citizenship Amendment Act. “We use several life stories to give a sense to the children about how marginalised people are often further marginalised through these acts,” she said, expanding the scope of discourse to consider not only how the CAA particularly targets Muslims, but also negatively impacts poor and lower-caste communities at the borders.These books confront complex issues that are difficult to dissect, even for adults. As a trained historian, Sengupta has found herself contending with complex issues like nationhood and citizenship while writing the text. “We are not questioning the idea of India, we are not questioning the idea of ‘Indian’,” she said. “What we are trying to convey is how this concept of Indian and India is historically constructed and constantly changing. As an academic writing for a more mature audience who are trained in social science, would I like to push this binary further? Yes, I would. But, when I’m writing for younger children, I’m kind of accepting this.”The nine books have been published in Bengali, English, and Assamese. And Sengupta has heard from individual readers who have worked to translate the text into their regional languages, including Malayalam and Marathi.The institute initially published 250 booklets in Bangla and 100 booklets in both English and Assam that they distributed for free among a network of schoolteachers and reading groups who were looking for materials to offer students a broader perspective of history in the wake of textbook revisions and curriculum centralisation. These books function as supplementary tools, taught by teachers during free periods or after school.Additionally, Itihase Hatekhari books have been made available via free PDFs that the Institute has published online. This decentralised dissemination makes it difficult to estimate the exact number of people reading these books, though Sengupta estimates the number is around 1,500. Beyond the intended audience of children, the institute is also receiving feedback from adult readers who have found their work helpful resources to understand and learn about the nuanced background of contemporary debated issues. Coordinating with publishers in both London and West Bengal, the Institute of Development Studies Kolkata hopes that these books will be available on the market to be purchased by the end of 2025.

Translated titles in English. Photo by Anwesha Sengupta.Making difficult choicesThe initiative is also hosting workshops and storytelling sessions in Kolkata to encourage students to write and imagine alongside the books. These programmes specifically work with children from underprivileged backgrounds. They’ve partnered with the Sanghati School, an organisation that provides additional instruction for children living in slums. Workshops have also particularly targeted the children of sex workers, Muslim families, and village labourers. In 2023, a little less than 100 students attended.“It seems huge, but in terms of actual numbers, it’s nothing. It’s not comparable to the other kinds of changes that are happening,” Sengupta said.The Institute for Development Studies Kolkata found themselves constantly thinking about potential backlash to their efforts. They never faced explicit threats from the government or nationalist forces. Instead, it was friends and colleagues who encouraged them to be careful about what they published out of fear for their safety.As a result, their book on Partition limits mentions Kashmir, but only two sentences are used to gesture toward the fact that many of the boundaries drawn during Partition are still incomplete and fuel modern conflict. “Initially we thought we’d have a separate chapter on it [Kashmir] but then people said that would generate so much controversy that the books may get banned and that’s not our intention,” said Sengupta. “We want the books to be read.”While translating their book on citizenship from English to Assamese, they removed references to detention camps in Assam at the translator’s insistence. “We figured that since the translator is based in Guwahati, and if something happens, it would affect him and not us,” said Sengupta.Additionally, in their forthcoming book on food cultures, they limited their mentions of beef. Beef has been a contentious issue amidst the rise of right-wing Hindu nationalism, with “cow vigilante” riots targeting those suspected of eating beef or slaughtering cows. Though they originally hoped to expand on the misconceptions around beef consumption in India, after editing the book they limited themselves to a few sentences where they asserted that beef has been eaten in India throughout history.“We are not too adventurous. That has been a complaint actually, [but] getting things banned, that’s not our purpose,” said Sengupta. Their fear emerges in the context of a broader political environment of harassment and mob violence against those who contradict mainstream Hindu nationalist narratives.“Books are being attacked, books are being burned, books are being banned. All sorts of things are happening. Particularly history has emerged as one of the central battlegrounds,” said Baidik Bhattacharya, an Associate Professor of Literary Studies at the Center for the Study of Developing Societies. Bhattacharya cites the case of Wendy Doniger, a professor of the history of religions at the University of Chicago, whose book The Hindus: An Alternative History faced such extreme vitriol after publication that Penguin India recalled all copies. As he sees it, the case served as a warning to future authors and publishers.The Institute of Development Studies Kolkata has never received any explicit threats against Itihase Hatekhari. But the fear of potential backlash was enough of a catalyst for self-censorship. In comparison to cases of explicit backlash and book banning, self-censorship is far quieter. It’s impossible to measure what authors have decided not to write in when confronted by an atmosphere hostile to free speech.“The climate of fear creates a sense of pressure on authors [to] self-censor. They are producing the kind of literature which would be approved by this current regime, but literature also has this other side too,” said Bhattacharya. “Writing is something which is often subversive, often contradictory to political forces.” But even with self-censorship, initiatives like Itihase Hatekhari utilise storytelling as an opportunity to disrupt and counterbalance right-wing nationalist narratives threatening to overtake current discourse.

Books on war, tea trade, and rivers of India. Photo by Anwesha Sengupta.Norah Das Rami is a sophomore at the University of Pennsylvania studying English and Political Science.

Walmart’s CEO shares the 10 books that shaped his year

Careers

Walmart’s CEO shares the 10 books that shaped his year

Sarah Perkel and

Dominick Reuter

2025-01-12T11:27:01Z

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Walmart President and CEO Doug McMillon read plenty of business books in the last year.

Ethan Miller/Getty

Doug McMillon, the CEO of Walmart, shared some insight into his reading habits.His book list covers a wide range of interests — from managerial strategies to developments in tech.Here are 10 books that McMillon read in the last year, and the one he said impacted him the most.

‘It will be jolly nice’: illustrator Helen Oxenbury, 86, on preparing for her first solo show – and a new book with Michael Rosen

The imaginations of hosts of little children, many now parents themselves, have been shaped by the paintbrush of Helen Oxenbury. Her illustrations have guided millions of toddlers off to the Land of Nod, yet the first solo exhibition of her work has been a long time coming.And so, just as oddly, has any follow-up collaboration with Michael Rosen, considering the huge success of We’re Going on a Bear Hunt, their 1989 picture book.But now not only is a London gallery about to celebrate Oxenbury’s influential drawings, but the spring will see a key publishing event as she teams up with Rosen once again.“I have finished the drawings, but I still cannot possibly explain what it is about. It is quite weird. It feels a bit like a Dr Seuss, which I love,” the 86-year-old told the Observer this weekend.It is only the second time the duo have worked together and Oxenbury’s new illustrations are to accompany a Rosen poem called Oh Dear, Look What I Got!, a work he has regularly performed live. It describes a series of mishaps on a shopping expedition and features the same repeated, ear-worm phrases that are such a popular trademark of Bear Hunt.View image in fullscreen“I like the title, Oh Dear, which is quite a mild exclamation. It couldn’t really have been Oh shit, I know, although I do sometimes say that when I am drawing a picture,” confessed Oxenbury.“I’ve already read the book to some of my eight grandchildren and normally, when I say, ‘Look, this is something that Granny has done,’ they can be quite uninterested. This time, though, I have found they did later come out with some of the repetitive bits of verse.”Infamously, when Oxenbury’s watercolours for Bear Hunt were first shown to Rosen he was rather nonplussed. “He asked, ‘What on earth story is this?’ because he had imagined something quite different,” recalled Oxenbury.“But I hope Michael trusts me. He should do by now! It is up to our editor at Walker Books to show him the finished images. We did have some trouble with the ending, but that was sorted out.”Rosen and Oxenbury were invited to work separately on the original book, which was inspired by an American folk song. The Ipswich-born artist based her final, atmospheric beach scenes on childhood memories of the light at Felixstowe and on the River Deben.“I would never have believed that book would still be so popular. It sold OK when it was first published, then took off in the most extraordinary way.” Since then Bear Hunt has been turned into both an animated film and a stage show.View image in fullscreenHer upcoming exhibition, Helen Oxenbury: Illustrating the Land of Childhood, is planned to run from 6 March until 14 December at the Peggy Jay gallery at Burgh House in Hampstead, north London, close to Oxenbury’s home.“I have no idea why I haven’t had a solo show before, but it will be jolly nice to see it all up there,” she said. “I tend to forget what I have done.”Male illustrators, she notes, historically have had no such trouble taking centre stage. “Men have taken the limelight because they are men,” she said. “The number of men having their own exhibitions is enormous, but it just stems from their general dominance.skip past newsletter promotionafter newsletter promotion“Children’s book illustrations may have started out with women, such as Kate Greenaway and Beatrix Potter, at a time when it didn’t make much money, but then in the 60s and 70s it became quite a career and there was money to be made.”One of these offending men was Oxenbury’s own late husband, the writer and illustrator John Burningham, who died in 2019 and is best known for Mr Gumpy’s Outing and Avocado Baby. The couple met at London’s Central School of Art and Design in 1957, where Oxenbury was studying set design. They later married and had three children.Did they influence each other’s work? “No, I don’t think so, although someone did once say they would have known we were married because the babies we drew look the same. But I think we were influenced by our babies!”A multiple winner of the prestigious Kate Greenaway medal, including joint recognition in 1969 for her work on Edward Lear’s The Quangle Wangle’s Hat and Margaret Mahy’s The Dragon of an Ordinary Family, and then later in 1999 for Lewis Carroll’s Alice’s Adventures in Wonderland, Oxenbury has a wealth of work to select from for her solo show.“I’ll choose from Bear Hunt, because people know that one so well, and from So Much by Trish Cooke, because it is a delightful book I enjoyed doing. And then perhaps something from The Three Little Wolves and the Big Bad Pig, by Eugene Trivizas, which is quite funny,” the illustrator said, explaining that she always sees “quite clearly” how the pictures should look whenever she reads a new text.“I instantly know how it should be done, although whether I can do it is another matter.”So now, in the later phases of a 50-year career, the woman who first brought colour and form to Rosen’s famous verse is to get more of the recognition she deserves.The depth of her emotional impact on readers, though, still surprises her: “It is nice when people say they know my work, because you sit there doing all these pictures on your own for days. So it is lovely to get people’s reactions.”

No. 20 Michigan State hosts Washington after Ladine’s 23-point game

Washington Huskies (12-4, 3-1 Big Ten) at Michigan State Spartans (12-3, 2-2 Big Ten)East Lansing, Michigan; Sunday, 2 p.m. ESTBOTTOM LINE: Washington visits No. 20 Michigan State after Elle Ladine scored 23 points in Washington’s 79-58 victory over the Wisconsin Badgers.The Spartans have gone 8-0 in home games. Michigan State ranks fifth in the Big Ten with 12.3 offensive rebounds per game led by Grace Vanslooten averaging 2.7.The Huskies have gone 3-1 against Big Ten opponents. Washington scores 73.9 points while outscoring opponents by 14.4 points per game.Michigan State averages 7.1 made 3-pointers per game, 2.8 more made shots than the 4.3 per game Washington allows. Washington scores 15.2 more points per game (73.9) than Michigan State allows to opponents (58.7).The Spartans and Huskies match up Sunday for the first time in Big Ten play this season.TOP PERFORMERS: Julia Ayrault is scoring 16.6 points per game and averaging 7.9 rebounds for the Spartans.Ladine is averaging 15.7 points for the Huskies.LAST 10 GAMES: Spartans: 7-3, averaging 77.3 points, 37.0 rebounds, 16.4 assists, 12.8 steals and 6.1 blocks per game while shooting 41.8% from the field. Their opponents have averaged 64.9 points per game.Huskies: 7-3, averaging 70.0 points, 35.5 rebounds, 14.7 assists, 6.1 steals and 6.2 blocks per game while shooting 46.1% from the field. Their opponents have averaged 59.9 points.The Associated Press created this story using technology provided by Data Skrive and data from Sportradar.​COPYRIGHT 2025 BY CHANNEL 3000. ALL RIGHTS RESERVED. THIS MATERIAL MAY NOT BE PUBLISHED, BROADCAST, REWRITTEN OR REDISTRIBUTED.

Book review: Malta’s struggling economy before Mintoff derailed it

‘The Stolper Report’Publisher: Quinque Publishers / 2023Pages: 262pp
Quinque Publishers have published in facsimile the 60-year-old Stolper Report on the Maltese economy.
In 1964 Professor Wolfgang Stolper from the University of Michigan was commissioned by the United Nations to draw up a report on the Maltese economy coinciding with Malta’s attainment of Independence in 1964.
Stolper, of Austrian origin, had moved first with his family to Berlin and then in 1933 when Hitler and the Nazis were gaining power, to the United States. ADVERTISEMENT
There he studied at Harvard University under Joseph Schumpeter. Later on he was to collaborate with the other famous economist, Paul A. Samuelson.
The now republished facsimile of the Stolper Report does not feature so far among the official list of his publications, which goes to show the importance of this republication.
Apart from this the republication of the report fills an important gap in the study of the history of Malta in those turbulent years when Malta was being granted independence before it was prepared for it.
Britain, the colonial overlord, was handing out independence to country after country regardless whether the country in question was ready for it. Many were not and there is a long list of them which collapsed in civil war just a few months after independence.
In Malta’s case, its situation was rendered even more precarious when, again, the British overlord unilaterally decided to slim down its military presence that had been the mainstay of the British presence practically since the 1814 Vienna Congress, which assigned Malta to Britain in a definitive way.
So with one hand Britain was giving Malta its independence which the Maltese until persuaded by George Borg Olivier did not really want (they wanted something called Dominion Status instead) but at the same time Britain was taking away the mainstay of this small island’s economy – its naval ship repair dockyard. And also the stationing of thousands of British troops and their families.
Only a man of the stature of George Borg Olivier would undertake to launch the ship of state in such stormy seas.
The report shows the way. Obviously, it is not the whole story. Though few in number, there are books about Malta’s history in the 1960s which explain how Malta’s economic miracle became a fact.
Nor is this the whole story, either. There is the Mintoff factor to consider, which came later, the derailing of the economic miracle brought about by the wrong policies that Mintoff introduced together with the Mintoffian hordes fuelled by hatred that when the British flag was lowered they were not in power. That sad story has not been fully written so far, either.
On the one hand there was the gradual forward movement by the economy under Borg Olivier, West-leaning, coherent and democrat (with some exceptions) and on the other a country and a government led by a maverick, a demagogue, ideologically nearer to the Third World than to Malta’s traditional ally, the West.
Even in Opposition Mintoff was a factor to reckon with, as the six-month crippling strike at the dockyard showed.
A press release carried by most news outlets in November without any debate or context referred to a conference jointly organised by the Faculty of Economics, Management and Accountancy of the University and the Central Bank of Malta brought together, it said, by former prime minister Alfred Sant.
Among the speakers there were the former Nationalist minister Tonio Fenech, the Acting Governor of the Central Bank, Alexander Demarco, and various speakers from academe.
The point I want to make in as forceful manner as possible is the point made by the report itself and not necessarily the points made by the various speakers, at least according to the report.
The Stolper Report describes how the authorities were advised to tackle the various aspects of the Maltese economy of the time.
But immediately we are faced with the huge problem of emigration – the Report makes it very clear that there could be no future for the Maltese economy unless there were massive emigration outflows.
Now that the situation has been reversed and Malta is now inundated with Third Country Nationals many times working for rock bottom wages we tend to regard the almost forced emigration of thousands of Maltese as somehow wrong. The emigrants were accompanied to the ships with bands and blessings.
Most had the lowest level of education and in Australia, Canada and the UK had to take on the lowest of jobs. Then, as things do, their children grew up, were educated and many now have good jobs.
The main thrust of the economy under Borg Olivier (and his redoubtable Minister of Finance Giovanni Felice) was Tourism.
Encouraged by the government, but owned by the private sector, hotels like the Hilton, the Sheraton, the Cote d’Or and others flourished.
Then came the factories, the new industrial estates, the links with the foreign owners.
All this required space, which Malta (thought it) had and workers specialised in construction and in operating the machines.
Time and again the report outlines how it came to hit a brick wall – the outmoded, centralised way in which the civil service expected to run things, even at the cost of efficiency. And run to the party and the minister for guidance at each and every difficulty.
As the afore-mentioned conference seems to have pointed out, only the telephone system, out of the utilities, has been privatised in all these 60 years.
Saying this hides a whole story – how the Mintoff regime lumped us with cast-offs from other countries – such as the Strowger system which then the next Nationalist government threw out, fortunately for us. Where would we be if this brave step was not taken?
There were then more wrong turnings brought about by the Mintoff regime – the socialism introduced all over the place, the dismantling of the National Bank, which may not have been exempt from mistakes, and the pall brought in over the whole country with the austerity measures.
After the Jewish victory in the six-day war the mostly Arab oil-producing countries of OPEC hiked the price of oil.
Mintoff reacted by draconian austerity measures – street lighting reduced to a minimum, or just switched off, etc.
Other countries also brought in austerity measures but removed them after a while. I remember the Pope being driven in a horse carriage when he went to place flowers at the Madonna pillar in Piazza di Spagna on 8 December 1973.
But otherwise all was normal – shops were open and advertising billboards lit – a far cry from austerity-blighted Malta. No wonder that when the incubus was lifted in 1987 the economy exploded.
There are other facets of this Mintoffian nightmare – the centralisation of imports, the so-called import substitution, the Desserta chocolate and all the other substitutes of well-known brand names which got people flocking to Sicily to stock up on toothpaste.
Without forgetting the continual peddling of the Maltese neutrality to get poor substitutes of anything in return from China, Romania and so on. We became the people clamouring, begging, for hand-outs.
This and perhaps more was the result of the 1971 vote that threw out the reforms proposed by the Stolper Report.
Its validity is proved by the disaster that followed its shelving.
Many will agree with me, others will not – Malta’s economic progress lost something like 20 years when the Stolper Report ceased to be followed. As the November conference agreed, on some matters some negative traits of our country are still there, 60 years later.
Others would point out at increases in the minimum wage and a freer rein on such matters as construction but again this deviation from Stolper is the cause of our lopsided development. There we remain, till today at least.