Five seminal scenes that turned great movies into masterpieces
(Credits: Far Out / MUBI / Criterion Collection / Columbia Pictures) Wed 8 January 2025 13:30, UK Some films are widely labelled as ‘masterpieces’, and hoards of movie lovers regularly rewatch them to deconstruct their favourite moments. When you feel that instantaneous click with a film that forever cements it in your brain as something that you love, it’s hard not to revisit it to recreate the feeling you had when first watching it.Whether you find yourself desperately trying to feel the same rush after watching Whiplash for the first time or the flood of tears that came after The Umbrellas of Cherbourg, any cinephile will relate to that relentless quest for recreation and understanding as you comb through a beloved piece of work.And sometimes, when re-exploring the classics that have shaped cinema, we notice certain moments that elevate the whole film, turning it from something great to the reason why you will always remember it.So, with that in mind, here are five scenes that turned great movies into certified masterpieces.Five scenes that turned movies into masterpieces: Before Sunrise (Richard Linklater, 1995) Few films capture the early stages of falling in love as beautifully as Before Sunrise, with the rest of the trilogy charting the natural course of a relationship in a way that is cripplingly honest and human. However, the first instalment shows the evolution of a romantic spark between two unsuspecting lovers who are taken aback by their encounter’s spontaneity. As the film goes on, we see them go through the ecstatic highs of initial attraction as they sneak glances at each other and are enthralled by every new piece of information they discover and the subtle lows of small disagreements that signal potential bumps in the road. While the film is widely loved by both cynics and hopeful romantics, one scene marks it as a masterpiece: the moment in the listening booth. There is nothing more thrilling than the perceived danger of stealing glances at someone you have a crush on, and the listening booth scene is beyond perfect in how it captures this feeling. There is something so innocent about it, with this lingering romantic tension hanging over them as they stand next to each other in this confined space, trying to focus on listening to a piece of music but most likely thinking about whether the other person is going to ‘make a move’. It’s completely wonderful and remains one of the most loved moments in Jesse and Celine’s relationship. [embedded content]8½ (Federico Fellini, 1963) The impact of Federico Fellini on wider cinema cannot be understated. His 1963 film 8½ is perhaps the most celebrated from his filmography, with filmmakers like Martin Scorsese, Quentin Tarantino and Abbas Kiarostami often referencing his work. However, there is one scene from 8½ that crops up the most. 8½ is a semi-autobiographical story about a director looking back on his life and career, struggling to find purpose and creative motivation as he reflects on his memories. While there are many stunning moments in the film, with an introspective and sensitive performance from Marcello Mastrianni, the ending has elevated it to the status it holds today. During the final scene, all the characters from Anselmi’s life gather in one dance sequence on the beach, reaffirming the magic of filmmaking and revitalising his passion for life. In addition, it blends the story of making the film with the film itself, with the unbridled joy and bittersweet quality of this final moment becoming a wake-up call to the power of creativity and life itself. [embedded content]Beau Travail (Claire Denis, 1999) Beau Travail is one of the most hypnotic and mesmerising films of all time, with Claire Denis expertly commenting on the confines of masculinity through the lives of these soldiers in the desert. The film shows Denis at her best, expertly restraining information and showing everything with a masterful subtlety and precision that completely encompasses the audience. However, a film that is built on repressed feelings and sexual tension desperately needs a catharsis, and the ending scene allows for a euphoric release that cements the film as a true masterpiece. In the final scene, after learning that Galoup has killed himself, we see a sequence of the disgraced soldier dancing alone in a nightclub, surrounded by nothing but mirrors, as he finally lets himself go and frees himself from the facade. It’s a euphoric moment that is also marked by what comes before it, highlighting his duality and capability for softness that has always been pushed away, leaving us devastated by the tenderness he was distanced from. [embedded content]All That Jazz (Bob Fosse, 1979) Funnily enough, All That Jazz shares some similar qualities to the last two films but is starkly different in its vivacious energy and surrealist undertones. It follows the life and career of Joe Gideon, a genius musical theatre director whose health and personal life is rapidly declining after years at the top of the entertainment industry. Given that it was based on the life of Bob Fosse, it’s a brave and vulnerable piece of work in which the director critiques himself and his own personal failings, reflecting on his relationships, his treatment of women and his capabilities as a father. While there are many moments that stand out, the dizzying fantasy sequence towards the end elevates the project to a whole new level, with Gideon singing about his imminent death in a tongue and cheek way as all his loved ones come onto the stage and plead him not to die. It’s incredibly heightened and glittery, with larger-than-life set pieces and costumes that feel distinctly dystopia, given the subject matter of the song. No one has ever achieved anything quite like it, with Fosse showing that if you want your own really great biopic, then you simply have to make it yourself. [embedded content]I Saw The TV Glow (Jane Schoenbrun, 2024) I don’t think I’ll ever stop talking about I Saw The TV Glow, which remains one of the most profound cinema experiences I’ve ever had. It tells the story of Owen, a teenager whose reality begins to crack when introduced to a television show called The Pink Opaque. It’s a strange and ethereal piece of work that leaves you feeling as though you are also stuck in the screen, with a nightmarish quality that gradually builds into a scream as you realise that Owen is also trapped and unable to live authentically, forever stuck in alien-feeling skin. But in all the beautifully haunting moments from the film, there is one that truly rattled me to my core. Towards the end, there is a scene that takes place in the future, with Owen working in an arcade. But after years of not truly living and having all the joy and possibility sucked out of life, Owen is a hollow shell of a person, aged by the weight of an unrealised self. We see him look in the mirror and realise that there is all this potential glowing inside of him, but it dawns on him that it will never be reached. He lets out a horrific scream, scratching away at his skin as he desperately tries to make sense of his life and the crippling feeling of not being who you are supposed to be. It ends with an urgent and poignant message about self-realisation and someone who isn’t able to come of age, leaving us with a wake-up call about trans folk all over the world who face increasing challenges in living as their true selves. [embedded content]Related TopicsSubscribe To The Far Out Newsletter