BLAST OFF: Students across Tucson are learning science a different way at Davis-Monthan

TUCSON, Ariz. (KGUN) — Science is not usually a topic fifth grade students love.But at Davis-Monthan Air Force base, students are ditching the books and getting hands-on learning as part of the DOD Starbase program.”Our students come in for 25 hours of S.T.E.A.M. instruction spread over five visits. Each visit has a different focus, but those focuses encompass a lot of the S.T.E.A.M. entities,” says Kristine Impellizzeri, director of the Davis-Monthan program, said.S.T.E.A.M. stands for Science, Technology, Engineering, Arts and Mathematics.The first of five courses focused on science and building a ‘starship’ that would keep an egg from cracking on impact.With over 30 students being divided into groups, the results were mixed.But that is exactly what Impellizzeri and her group of teachers are going for.“It’s really, really exciting to see the end result, because that’s the process we want them to go through,” says Impellizzeri.Fifth grade student Elayna Livingood was in one group that succeeded on their first try. And she says science isn’t her favorite subject. “I didn’t really know what science meant until today. And today was just really fun. I didn’t think we were gonna do something really fun with like, hands on doing this,” says Livingood.Impellizzeri and her team are part of the federally funded Starbase program, but she also has Tucson roots of her own. And she says the community she knows all too well, has played a pivotal role in the success they have seen.”We’ve been really, really supported here. Our community out here not only represents positive role models to our students, but they also set the stage with providing opportunities for students to learn about different careers,” says Impellizzeri.Starbase usually brings in 900 students over the course of a year, and they are partnered with the Vail School District, but also aim to bring in schools from around Tucson.More information can be found on their Facebook page.

——Blake Phillips is a reporter for KGUN 9. Originally from St. Louis, Mo., Blake grew up in Sierra Vista. During his college tenure at the Missouri School of Journalism, Blake worked for the NBC affiliate KOMU-TV in Columbia. He is excited to return to a place he calls home and give back to the community in which he grew up. Share your story ideas and important issues with Blake by emailing [email protected].

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Kangana Ranaut criticizes Oscars for selecting ‘anti-India’ films

Bollywood actor-turned-BJP MP Kangana Ranaut criticized the selection criteria for the Oscars, accusing the Academy of picking ‘anti-India’ films, which show the country in a bad light, for the competition.To Read Lifestyle Stories in Urdu – Click Here
Out and about to promote her first film as a solo director, ‘Emergency’, Kangana Ranaut took the opportunity to speak about the selection criteria of the titles, chosen to compete for the foreign language category at the prestigious Oscar Awards.
Weeks after Kiran Rao’s critically acclaimed ‘Laapataa Ladies’, failed to make it to the Oscars 2025 shortlist, Ranaut has now claimed that ‘anti-India’ films are deliberately picked in the Academy Awards race to show the country as a ‘shithole’.
“Usually, the agenda they push for India is very different. Jo Oscar pick karta hai (What Oscars pick) is anti-India,” she asserted. “Abhi bhi jo film praise garner kar rahi hai (even now, the film that is garnering praise), I was very excited about it. I heard the director say that in India, you don’t have the freedom to love the way you want to love because of religious intolerance. I haven’t even seen the film.”
“For the Oscars, it has to be a film that makes the country look bad. Slumdog Millionaire, etc. It always has to be a film that makes the country look like a shithole,” maintained the ‘Queen’ actor.
Ranaut further clarified about her movie, “Emergency is not that film.”
“The West is ready to see how India stands today. I have never cared about these awards. I don’t care about Indian awards or Western awards. It is a film that’s brilliantly made, and it is as good as any international film,” she described. “But at the same time, I know how geopolitics works. We, as nationalist people, don’t have much hope with these award functions.”
Also Read: ‘Laapataa Ladies’ makers react after film’s exit from Oscars 2025 race
For the unversed, Ranaut is awaiting the release of her ambitious debut directorial ‘Emergency’, scheduled to hit theatres on January 19.
The political biopic, directed and produced by, and starring Ranaut in the lead role of former Prime Minister of India, Indira Gandhi, was previously scheduled for theatrical release on September 6, last year. However, the film’s certificate was revoked by CBFC (Central Board of Film Certification), due to its sensitive theme.

61st BT YOUNG SCIENTIST & TECHNOLOGY EXHIBITION BEGINS TODAY

Over 1,000 students from across the island of Ireland will flood through the doors of the RDS to participate in the 61st Young Scientist & Technology Exhibition, which represents the 25th year that BT Ireland has stewarded the exhibition.  The participants will begin their unforgettable BTYSTE experience this morning, setting up their projects and preparing for the first round of judging, which will be carried out by 85 leading experts from Ireland’s science, technology, engineering, and mathematics (STEM) academic and industry sectors.
The first round of judging will be completed after the official opening of the exhibition this afternoon by President of Ireland, Michael D. Higgins.  
A supporter of the BTYSTE for many years, President Higgins’ address to students and their teachers this afternoon will be particularly momentous as it will be his last in office.
Throughout President Higgins’ terms in office, his championing of the exhibition has inspired many young people to explore their passion for STEM by entering the BTYSTE.
The opening ceremony will be streamed live from 2pm on the BTYSTE website and on Facebook Live. 
 As the RDS Dublin fills up with many young people seeking to change the world for the better, BT Ireland, in partnership with Business in the Community Ireland (BITC) and the American Chamber (AmCham), will hold an exclusive Executive Leaders Forum for business leaders this morning.
This year’s forum will focus on the importance of collaboration for expanding Ireland’s STEM pipeline.  
Broadcaster Áine Kerr will MC today’s Forum, and speakers will include Managing Director of BT Ireland, Shay Walsh, as well as 2024 BTYSTE winner Seán O’Sullivan, who will talk about the importance of fostering STEM interest from an early age.
Companies represented at the event’s panels include IDA Ireland, American Chamber, Analog Devices, NOW Group, Fidelity Ireland, and ServiceNow.  
Speaking ahead of the first day of the exhibition today, Mari Cahalane, Head of the BTYSTE said: “This year marks 25 years since BT Ireland became custodian of the Young Scientist & Technology Exhibition and is an extremely special occasion for me as I have been privileged be part of the organisational proceedings on behalf of BT Ireland since then.Advertisement
“Since its inception in the 1960s, the exhibition epitomises BT Ireland’s purpose, ‘connect for good’, setting many of the brightest young minds that this country has ever seen on the path to change the world, and we could not be prouder to help evolve this incredible event in the last twenty-five years.”
BT Ireland’s team of almost 180 volunteers will be ensuring that the participants and their teachers will enjoy a BTYSTE experience this year that they will never forget.
I would like to thank them for all their hard work, and to our esteemed guest, President Higgins, for his unwavering support over the years, helping us and all involved keep the BTYSTE prominently on the national agenda each year. 
The BTYSTE opens to the public from Thursday, January 09 to Saturday, January 11, with a full programme of fantastic events and special acts for everyone to enjoy, including all student projects being on display throughout.
Additionally, over 60 brilliant stands from the exhibition’s partners, including the Department of Education, Analog Devices, Amgen, RTE, Stripe, BT, Re-turn, Permanent TSB, will be on display in the RDS. 
Tickets to the BTYSTE can be purchased at https://ticketing.btyoungscientist.com or at the venue.
Visitors can plan their visit to the RDS in advance by downloading the?free?BT Young Scientist & Technology Exhibition app, available on Android and Apple devices.
Full of helpful information, the app includes an exhibition map, a search tool for student projects and exhibitors, a schedule of events, as well as links to the BTYSTE social networks for live updates throughout the event.? 
For more information on the exhibition, please visit the BT Young Scientist & Technology Exhibition website or follow @BTYSTE on Facebook, Instagram, X (Twitter), YouTube or Snapchat.

How Can Cloud ERP Tools Aid Business Growth?

Could your company’s supply chain management be more efficient? The answer to that is probably yes because there are always positive changes we can make. It could be a small change to how you handle your inventory or a massive overhaul of your communication between departments. Either way, you could benefit from a high-end cloud ERP system and enterprise resource planning solution like NetSuite.

These platforms bring everyone together via smart dashboards and cloud-based systems to keep everyone informed, productive, and compliant at all times. Sales teams, warehouse staff, managers, HR, marketing, and more can see the same information so nobody is out of the loop.

Here are 4 ways to make the most of a cloud ERP system to improve business growth:

1. Manage Your Inventory

You can’t run an effective supply chain and get people the items they need if you aren’t familiar with the inventory. Without an effective cloud ERP system like Oracle Netsuite in Singapore, this can get tricky.

Inventory managers need to keep track of stock and be aware of when items are about to run out. You could be a manufacturer in need of a steady supply of raw materials or a brand with a vast product line and a growing audience. Sales teams and those dealing with orders need to be sure it’s possible to complete what’s promised. You can’t have one department promising to build a custom sauna for someone by the end of the month when another doesn’t have the materials yet. The best cloud systems bring everyone together and make it easy to share data. So, sales teams should be better informed about availability and waiting times on items.

2. Manage Your Orders

Image by champpixs from Getty Images

With the sales and warehouse teams on the same page about stock and available materials, it is much easier to get orders set up and send customers what they need. Effective order management with Netsuite ERP tools can make a big difference in the way a company operates. What you want is a fluid system where everything moves from one place to another without unnecessary delays or problems.

Sales teams can log orders into the system with all the appropriate information about product types, quantities, and combined orders. These logs may also offer information about perks like express shipping to speed up the process and keep customers happy. The warehouse team can see all this on their device, knowing everyone is seeing the same accurate information, and can get the items ready for shipment. A well-designed cloud ERP system like this should also make it easier for the sales team to communicate with financial departments regarding invoicing and other data.

3. Manage Your Finances

Next, there are all the financial benefits that come from adding Oracle Netsuite to your management system. Following the flow of orders and sales is essential to ensure efficiency, and that new-found efficiency should have people coming back to your company more often. You’re going to want some effective software that can track how well you are doing, your real-time profit and loss data, and anything else upper management needs to know.

These cloud-based solutions provide full access across departments, so everyone should have access to the same data to avoid confusion. Warehouse managers and sales teams can see the prices of goods and totals of orders. Budgeting teams can see where increased profits may be better spent. There is also the benefit of being able to improve your company’s tax management, making it easier to file correctly.

4. Manage Your Customer Data

Image by AndreyPopov from Getty Images

This last factor cannot be overlooked as it could help improve business growth even further. Customer data is a valuable commodity in any business. Knowing how many people are buying your goods isn’t enough. Data on customer demographics and preferences can help you understand your buyers a little better and see how they fit with your target market.

Analytics can help branding teams improve marketing to build sales in struggling areas. They can also showcase popular items, seasonal changes, and spending habits. Meanwhile, secure customer data can help customer service teams deliver better support and effective customer profiles. The more teams that have access to this data at any given time, the better the chance of keeping customers happy, retaining them, and building an even better picture of what clients want.

Get All This With An ERP Tool You Can Trust

Whatever your reason for needing a new cloud ERP system for your company, you need to be sure it’s one you can rely on. NetSuite is a great example of a respected ERP system, thanks to its implementation in businesses across the world. Companies in Singapore and beyond have been able to set up this system and get everyone on board promptly. They have experienced business growth via the range of tools on offer for full supply chain management and the ease of use of the system.

Any system will take a little time to get used to, but the beauty of the dashboards and process here is the smooth learning curve. You can have all your systems and data transferred onto this ERP, have everyone access their portal from mobile devices wherever they are, and completely streamline the process. Before long, you should find that the flow of information between workers and management and between different departments is more efficient.

Get Started With A Free Demo

Image by Funtap from Getty Images

The best way to decide if NetSuite or ERP systems are more generally right for your operation is to test one out. There are top Singapore software designers specializing in the sale and set-up of cloud ERP systems, CRM tools, and a whole lot more. These knowledgeable suppliers can set you up with a demo of the best fit, talk you through the benefits and features, and then get you set up with a pricing plan. This approach will also mean additional user support as you implement the product and get used to the processes. So, talk to your team about the potential of cloud ERP for business growth and get started on that free trial.

The film sequels of 2025: Marvel, Avatar, and Paddington bring back favorites

As one year ends and another begins, the film industry insists that old acquaintances should not be forgotten. A bimonthly helping of sequels is coming to a theater near you in 2025, with continuations of long-running franchises, including Avatar, Mission: Impossible, and the Marvel Cinematic Universe, and a couple of overdue follow-ups like Zootopia 2, Paddington In Peru, and Tron: Ares. But those we know nothing about, such as the mysterious Predator sequel Badlands, are the ones we’re most excited about. 
Ease into a new year with some familiar faces and check out some of 2025’s most anticipated sequels, and also Jurassic World Rebirth. 

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Den Of Thieves 2: Pantera (January 10)

Six years is too long to wait for a sequel to Den Of Thieves, the 2018 heist thriller-cum-instant-cable-classic that operates like Heat with a concussion (complimentary). Reuniting with his former enemy, Donnie (O’Shea Jackson Jr.) links up with walking whiskey flask “Big Nick” O’Brien (Gerard Butler in his scummiest scumbag performance), who’s tired of working with the so-called “good guys” of the Los Angeles County Sheriff’s Department and wants in on honest criminality, not simply police corruption. Big Nick catches up with Donnie in Europe, where they will pool their talents for a massive diamond heist. One hopes Pantera retains the original’s junky action movie atmosphere, proving once again why Gerard Butler is king of January. 

Paddington In Peru (February 14)
https://www.youtube.com/watch?v=NTvudSGfHRI

As is typically the case when a new Paddington movie floats politely into theaters, the world could use the rain-ready teddy. Returning for a third installment, Paddington takes his first steps without Sally Hawkins (Emily Mortimer takes over as Molly Brown) and director Paul King, who is currently serving a life sentence in the Wonka factory. Commercial vet Dougal Wilson will make his feature debut stepping in for King, but it remains to be seen if Paddington (Ben Whishaw), now searching for his Aunt Lucy in Darkest Peru, can withstand so much change. Nevertheless, a heaping helping of marmalade would hit the spot right now. As always, our prayers are with the little guy because we’d hate to give a hard stare to a Paddington movie. 
Thunderbolts* (May 2)

Marvel should swap the much-discussed asterisk in the title for its upcoming superhero team-up Thunderbolts* for a question mark. With its cache ebbing and flowing post-Endgame—its biggest flop was followed by one of its biggest hits—the studio is doubling down on change and putting second-stringers in the starting lineup. While we wait to see how a new Captain America handles himself off streaming, Thunderbolts* makes a whole movie out of Avengers rejects (played by Florence Pugh, David Harbour, Wyatt Russell, and Lewis Pullman—with ringers Julia Louis-Dreyfus and Rachel Weisz) led by Captain America’s best friend, Bucky Barnes (Sebastian Stan). Marvel’s banter wizards better be working overtime on this one, because if Thunderbolts* isn’t funny, what are we even doing here? 

Final Destination: Bloodlines (May 16)
Finally, some real sequels. It’s been 14 long years since the Grim Reaper last greased the tracks of his sadistic Rube Goldberg machines, and fans are ready for some of the most implausible death scenarios the hooded menace can think of. We don’t know what the plot of this new entry is (and probably couldn’t explain the plot of the last five), but Final Destination: Bloodlines has a lot to live up to—Final Destination 5 made for a surprisingly satisfying closed loop. 
Mission: Impossible—The Final Reckoning (May 23)

Ethan Hunt’s mission, should he choose to accept it, is to reckon one final time. For what is supposedly the actor’s last Mission after 30 years on the run, Tom Cruise and director Christopher McQuarrie want to go out on a high note, especially after the somewhat underwhelming response to Mission: Impossible—Dead Reckoning Part One. We’ve already seen some pretty spectacular stunts in the trailer, as well as more callbacks and references to other franchise entries, which Dead Reckoning played to enthralling effect. But will Cruise succeed in his life’s mission of killing himself on screen for our entertainment? We’ll find out on May 23. 

28 Years Later (June 20)

In 2002, Danny Boyle, Alex Garland, and Cillian Murphy made zombie movies move faster than any zombie movie had moved before. Twenty-two years later, they’re ready to make the dead sprint again with 28 Years Later, part one of a diptych of legacy sequels surrounding the still-running problem of undead Brits. 28 Years Later’s plot is still a bit hazy, though we know there are doctors in this movie, and one of them is Ralph Fiennes playing a post-apocalyptic general practitioner helping a young boy’s sick mother (thoughts and prayers with that woman). There’s also some talk of a Bone Temple, which will be further explored in 2026’s 28 Years Later: The Bone Temple. 
M3gan 2.0 (June 27)
Thanks to some tight dance moves and a macabre sense of humor, 2022’s M3gan slayed all day at the box office. The surprise hit served memes and scares in equal measure, priming its audience for an even campier sequel. Rest assured, M3gan 2.0 is booting up for a summer release, stepping away from the January doldrums of its predecessor and tiding us over until she and Annabelle can get their own team-up movie together. We’re asking again: Annabelle Loves M3gan, when?

Jurassic World Rebirth (July 2)

Universal was so preoccupied with whether or not it could, it didn’t stop to think if it should keep rebooting the praying-for-extinction Jurassic Park franchise. Ignoring the warnings of Dr. Ian Malcolm (and Jeff Goldblum, who “enjoyed trying to make [Jurassic World Dominion] good”), the studio is ramping up another Jurassic Park trilogy. Directed by Gareth Edwards (Rogue One and 2014’s Godzilla) and written by original series screenwriter David Koepp, Rebirth stars Scarlett Johansson and Mahershala Ali. Still, all the talent in the world can’t hide the fact that there is very little mosquito blood left to drain. Even if critics hate Jurassic World Rebirth (and with a title like that, how could they?), the franchise continues to put butts in seats, which would make Dr. John Hammond proud. 
Downton Abbey 3 (September 12)
They’re ba-a-a-ck. After the Crawley family’s brief dalliance with showbiz in Downton Abbey: A New Era, Julian Fellowes’ long-running upstairs-downstairs epic returns with Paul Giamatti in tow. He’ll have big shoes to fill as Downton Abb3y will be the first trip to Yorkshire since Dame Maggie Smith’s passing last year. There isn’t much known about this trilogy capper, but we won’t say no to some Giamatti in period clothing.

Tron: Ares (October 10)
Photo: Disney

Fifteen years after Disney last revved its neon Light Cycle, Tron: Ares arrives at a time more primed for sucked-into-a-video game narratives than the first two Tron movies ever imagined. Now that American audiences have been Welcomed To The Jungle via the Jumanji reboots, they may be more interested in Disney’s long-running computer-generated experiments. It won’t be easy, given how much of the sequel is still shrouded in mystery, save for one damning exception: The movie stars Jared Leto. 
Predator: Badlands (November 7)
Director Dan Trachtenberg hit the bullseye with Prey, 2022’s surprising Predator prequel, pitting the monster against a Comanche warrior in 1719 and giving audiences the first truly great Predator movie since 1988. Trachtenberg’s follow-up, Predator: Badlands, takes the opposite route, sending the Predator to an alien planet far into the future. It’s another big gamble that does not, in any way, sound as attractive as a Predator in the 1700s. There are some things to pique our interest, though, including Elle Fanning playing two characters. That said, Trachtenberg promises the Predator is the protagonist this time, and “Predator is the hero” is never as fun as “Predator is going to rip your face off.” But Trachtenberg’s formal daredevilry has paid off in the past. Secrecy did 10 Cloverfield Lane and Prey plenty of favors; the less we hear about Badlands is probably for the better. 

Wicked: For Good (November 21)

Ever wonder how the Wicked Witch got so wicked? Wicked: For Good promises to settle the matter…for good. It’s hard to imagine there being even more to the story that wasn’t explored in the overlong Part One, but that movie did set up a few dangling threads that need tying. For what it’s worth, the second half of Wicked, the musical, doesn’t have a great reputation, with many scratching their heads at the idea of splitting the show into two movies in the first place. If Ariana Grande and Cynthia Erivo already sang the show’s best songs, why should we follow a yellow brick road towards For Good? We’ll at least keep holding space for another bizarre press tour filled with finger-holding. 
Zootopia 2 (November 26)
Unlike Moana 2, Zootopia 2 wasn’t cobbled together from a discarded TV show and forced into theaters to refresh the brand for a 2026 live-action movie (allegedly). Still, the long-overdue sequel arrives nearly a decade after Disney’s colossal hit about a detective bunny rabbit and a con artist fox. Specifics are scarce, but Hopps (Ginnifer Goodwin) and Wilde (Jason Bateman) will return to the streets of Zootopia for another round of ill-advised metaphors about policing. Oh, and, yes, Shakira will be there too.

Avatar: Fire And Ash (December 19)
Our fingers are crossed that Fire And Ash comes out this year, but these Avatar sequels tend to be tardy. Not that we’re complaining, because they also tend to overdeliver. James Cameron’s third trip to Pandora again concerns the ongoing adventures of Jake Sully (Sam Worthington) and his Na’vi bride Neytiri (Zoe Saldaña) fighting off the continued colonization and ecological devastation of the latter’s homeland. This time, though, the call is coming from inside the house, with Pandora’s “Ash people,” a new Na’vi tribe Cameron’s been hyping, taking shots at the Sully clan. The joke’s on them, though, because that family is formidable. 

More from A.V. Club

3 Theatrical Film Slates to Watch in the Year Ahead

Theatrical film’s comeback on the back end of 2024 was nothing short of remarkable.
Last year’s domestic box office wrapped just 3.9% under 2023’s total, a largely unexpected improvement from around 10% by the end of the summer and well over 20% at the end of spring.

Record-shattering June and July hits “Inside Out 2” and “Deadpool & Wolverine” first triggered the reversal before fall standout “Beetlejuice Beetlejuice” and a slew of holiday hits led by “Wicked” and “Moana 2” undid the year’s prior outlook.

One might think this optimistic turn from 2024’s strike-addled film slates will make 2025 a shoo-in for cinema’s best year since the pandemic.

But some distributors’ slates remain as unpredictable as ever.

DISNEYDisney’s pair of summer blockbusters proved pivotal for obtaining the highest studio share of 2024 grosses and countering recent misfortunes of the years prior.

Still, “Inside Out 2” and “Deadpool & Wolverine” were both overdue sequels to characters that hadn’t been seen in a while, as opposed to Pixar’s new IP “Elio” in 2025 and two upcoming MCU films sporting superheroes new to that universe’s current iteration.

Likewise, the next “Captain America” film, which kicks off Disney’s slate in February, is the first to star Anthony Mackie after his character assumed the role of the titular hero, instead of Chris Evans. Marvel hasn’t seen recent success with new branches of its filmic universes, as Sony’s “Madame Web” and “Kraven the Hunter” bombed hard last year.

Plus, Disney hasn’t put its best foot forward with its live-action and photorealistic remakes of animated classics. “Mufasa: The Lion King” isn’t doing terribly at the box office but its performance pales in comparison to 2019’s “The Lion King.” Sean Bailey, the exec who spearheaded these live-action revisits, left Disney in February 2024, a sign the strategy behind such films could change after March’s “Snow White” and May’s “Lilo & Stitch.”

As for aging franchises, it’s tough to see how the return of “Tron,” which sees franchise newcomer Jared Leto in his first leading film role after Marvel dud “Morbius,” will stand out. Still, a new “Avatar” film will be crucial to offsetting any misfires.

WARNER BROS.If major studios routinely face accusations that they try to play the hits too much, Warner Bros.’ 2025 slate is set to skirt that claim significantly.

Sure, James Gunn’s rebooted take on the DC Universe kicks off with “Superman” in July, but it will follow June’s high-octane original “F1” from “Top Gun: Maverick” director Joseph Kosinski.

The rest of the Warners slate holds firm with that pattern. New works from acclaimed directors Bong Joon Ho, Barry Levinson, “Black Panther’s” Ryan Coogler, Paul Thomas Anderson and Maggie Gyllenhaal dot out the calendar, alongside films from such established franchises as “Final Destination,” “The Conjuring” and “Mortal Kombat” complementing a cinematic take on gaming’s mammoth “Minecraft.”

With horror opener “Companion” and comedy “Animal Friends” added to the mix, that’s a whopping nine first-time film properties on the slate, including “Minecraft,” vs. just four established film franchises.

There is also a “Spinal Tap” sequel from original director Rob Reiner that has yet to receive a release date, as well as the next installment of Kevin Costner’s “Horizon: An American Saga,” which was removed from its August 2024 date and remains unscheduled.

Such a vote of confidence in non-franchise films is the work of Mike De Luca and Pam Abdy, the two film execs Warner Bros. Discovery plucked from MGM in 2022.

NEONSpeaking of non-franchise fare, you haven’t heard the last of Neon.

Horror film “Longlegs” stood out last summer as a modest hit that grossed $74 million stateside, the indie distributor’s best domestic hit ever. That benchmark resonated with the industry due to the film’s budget and marketing coming in under $10 million, a reminder of the genre’s dependable model in the right hands.

Neon still specializes in foreign and arthouse fare — it has released the last five Palme d’Or winners and is distributing 2021 winner Julia Ducournau’s next film — but its current 2025 schedule consists almost entirely of horror movies. That includes two films from “Longlegs” director Osgood Perkins in “The Monkey” and “Keeper,” haunted-house thriller “Presence” from Steven Soderbergh and “Hell of a Summer,” the debut film from “Stranger Things” and “It” star Finn Wolfhard.

Even the one non-horror film on the calendar, “The Life of Chuck,” is a Stephen King adaptation from horror maestro Mike Flanagan, whose last film, “Doctor Sleep,” was the follow-up to King’s classic frightfest “The Shining.” Perkins’ “The Monkey” is also adapted from a King story.

Coming off its best year yet at the box office, Neon’s new slate will truly test horror’s theatrical vitality.

School of Rock child stars tie the knot more than 20 years after filming

Your support helps us to tell the storyFrom reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it’s investigating the financials of Elon Musk’s pro-Trump PAC or producing our latest documentary, ‘The A Word’, which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.Your support makes all the difference.Read moreTwo School of Rock child actors have married after first meeting on the set of the comedy film when they were 10.Caitlin Hale and Angelo Massagli, both 33, tied the knot on 4 January at a ceremony attended by their co-stars – with Jack Black sending the couple a “generous” video message.Massagli and Hale both featured in Richard Linklater’s 2003 film, which starred Black as a struggling musician-turned-substitute teacher who makes a rock band out of his class of children. Hale played Marta, the band’s backup singer, while Massagli’s role was Frankie, the “tough guy” security guard.Joining Black in the film, which was written by and also starred The White Lotus creator Mike White, were a cast of other young stars, who were high-schoolers and middle-schoolers at the time.Massagli recalls being impressed with Hale when they first met at the audition for the film in New York City. “I was like, ‘wow, that girl’s really, really, really something else,’” Massagli told The New York Times.After the film aired, both Hale and Massagli left showbiz to pursue other careers; Hale works as an OB-GYN ultrasound technologist and Massagli is now a lawyer for TikTok.Hale said the cast bonded quickly on and off set, remaining in touch through a group chat after they finished filming. But it wasn’t until Hale and Massagli, coincidentally, were both studying in Florida in 2018 that they reconnected.‘School of Rock’ child stars Caitlin Hale and Angelo Massagli

Why embracing complexity unleashes true business transformation

When it comes to business transformation, leaders often concentrate on the big gestures, such as grand visions, sweeping plans, or (worse) ‘charisma’. However, real change is seen over time in the minute shifts of relationships and connections, not the big idea. Transformation is not achieved through a single initiative or individual; rather, it emerges from the interplay of multiple, seemingly small components within the system. And it is rarely what anyone expected.At the heart of any business transformation lies interference with an existing system of relationships. “Transformation” is not contained ‘in’ any specific person, process, or command (especially not in a plan), but is rooted in new and complex relationships formed during the intended interference which makes up the process. Imagine your organisation’s routines, workflows, and strategies as one set of static designs. Any structural changes, new technology, or cultural shifts will intersect with the first. This is where the organisation may find unexpected, unplanned, and highly creative outcomes emerge. Focusing solely on transformation as clever, discrete fixes often fails to achieve meaningful transformation. Leaders should create conditions for emergence rather than trying to dictate or control outcomes. This involves fostering interactions through cross-functional collaboration, experimenting with layered initiatives, and staying open to the unexpected. The real magic of transformation happens when teams and disciplines converge, freely allowing patterns of interaction to emerge. This helps organisations to break free from silos and develop genuinely new ways of working. Leaders who create opportunities for teams to interact by sharing insights, exposing differences, and resolving tension can uncover the hidden potential in these overlaps. Rethinking responsibilityTransformation is relational, and investment is needed in processes that build connections across boundaries, such as cross-team projects, open forums, and maximising diverse perspectives.Transformation depends on the distributed causation of the entire system. One of the most challenging aspects of transformation is the question of accountability. Leaders often feel pressured to “own” the outcome, but transformation isn’t about any one person or department. No single part is the outcome, and every part contributes to it. Transformation, therefore, calls for humility and shared ownership. Leaders can create a sense of collective momentum by empowering others to take responsibility for their piece of the system. The leader’s role shifts from directing traffic to cultivating the system’s ability to evolve independently.Which is the path to change?Two distinct approaches compete for dominance in organisational change.The first involves the reduction of an organisation to its components, decomposing processes, roles, and technologies and reassembling (re-ordering) them in a new way. This engineering mindset is linear and methodical, providing clarity for leaders. It reflects reductionist thinking, influenced by Frederick Winslow Taylor’s 1911 book, The Principles of Scientific Management and Herbert Simon’s The Sciences of the Artificial. John Kotter’s model, ‘The 8-Step Process for Leading Change’, is a prime example of this structured approach to change management, and you won’t escape it in an MBA programme. This risks oversimplifying the messy, interconnected nature of the organisation. By isolating components, you can overlook the ripple effects of change and the unintended consequences that inevitably emerge in a complex system.The second outlook adopts a systems perspective, focusing on patterns, relationships, and feedback loops to see how organisations act as dynamic networks. This view emerged in the post-war, interdisciplinary search for cybernetic principles governing complex systems. Peter Senge’s book, The Fifth Discipline, introduced this into organisational learning but was seen more as a 1990s management fad. Though emergence is an intriguing idea, it is not easy to make it a recipe or a formula. Complexity can feel vague and unwieldy, and practitioners sometimes struggle to translate insights about systems into actionable steps. It is better to see it as a general (and different) way of seeing the world, and a good place to start would be Margaret Wheatley’s Leadership and the New Science. We love to think we can predict change through reduction, but I believe the systems perspective has the edge. Organisations are complex, adaptive entities, not predictable machines. Change efforts that fail to account for the dynamic interplay of people, processes, and feedback loops will falter. The challenge lies in integrating the depth of the complexity and pattern with the ability to act decisively. Like leadership, transformation is an art as much as it is a science or craft. Like art, it thrives in the spaces between.Chris Dalton is an associate professor of management learning at Henley Business School. He writes management books, teaches Management Learning and Personal Development on the Henley MBA and is a course leader for Management Today’s Classroom series.Imag credit: Getty Images.

Thai Police Charges Mahout With Negligence After Elephant Kills Tourist

Thai police have charged a mahout after an elephant in his care killed a Spanish tourist last week.
Theerayut Inthaphudkij, 38, was charged with negligence causing death, local authorities announced on Monday.
The tourist – 22-year-old Blanca Ojanguren García – sustained a head injury after being shoved by the elephant while she was bathing the animal.
She later died in the hospital from her injuries.
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Her death has renewed concerns over Thailand’s booming elephant tourism industry, which animal rights groups have long criticised as unethical and dangerous.
Activists say that elephant bathing is disruptive to natural grooming behaviours and could injure the animals, exposing them to unnecessary stress.
After the attack, experts weighed in to say that the elephant might have been stressed because of the interaction with tourists.
García was hurt by a female elephant, 45-year-old female Phang Somboon, at the Koh Yao Elephant Care Centre in southern Thailand. Her boyfriend, who had been travelling with her, was also at the centre during the incident.
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There are nearly 3,000 elephants held in tourist attractions across Thailand, according to an estimate by international charity World Animal Protection.
People for the Ethical Treatment of Animals (Peta) told the BBC in a statement that “such incidents highlight the dangers to both humans and animals alike.”
Similar charges of negligence have previously been pressed against mahouts whose elephants killed tourists.
In 2017, an elephant camp owner and a mahout were charged with recklessness causing death and injuries after an elephant killed a Chinese tour guide and injured two tourists in the Thai beach town, Pattaya. In 2013, a 27-year-old elephant had its tusks cut after it attacked and killed a woman.
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García, a law and international relations student at Spain’s University of Navarra, was living in Taiwan as part of a student exchange programme. She and her boyfriend arrived in Thailand on 26 December 2024.
Spain’s foreign minister, Jose Manuel Albares, said the Spanish consulate in Bangkok was assisting García’s family.