California cat travels 800 miles after being lost at Yellowstone

IE 11 is not supported. For an optimal experience visit our site on another browser.Sept. 19, 202401:43Now PlayingCalifornia cat travels 800 miles after being lost at Yellowstone01:43UP NEXT’All I saw was teeth and claws’: Boy saves father from bear attack01:40Video shows woman rescued from python’s grip in Thailand00:48Baby Hippo named Moo becomes viral sensation01:24Pair of rare Amur tiger cubs make their public debut at the Minnesota Zoo01:08Florida woman survives alligator attack01:20Watch: Dead fish plague Greek tourist resort after last year’s floods00:52’Aggressive’ water buffalo found after escaping in Iowa00:27Video shows efforts to free whale that was tangled up in ropes in Sydney harbor00:49Watch: California sea lions have taken over a beach in Monterey01:00Sphen the penguin – who became a gay icon – has died00:37Police searching for woman who enticed tiger at New Jersey zoo01:20NBCUniversal Local ‘Clear the Shelters’ campaign begins04:39Watch: 2014 news report of dead bear cub found in Central Park01:38Whale smashes boat, capsizing vessel in New Hampshire00:59First look at new giant pandas at San Diego Zoo01:29A look inside world’s first VIP airline for dogs02:47Shark attacks along Texas coast prompt Coast Guard warning02:15Over 100 dolphins saved after shallow tide left them stranded off Cape Cod00:49The Maryland Zoo keeps animals cool during heat wave00:42A California couple lost their beloved while vacationing at Yellowstone. Two months later, he turned up 800 miles away. KSBW’s Zoe Hunt reports.Sept. 19, 2024Read

A picture perfect career: Boldig reflects on being a downtown business owner for 30 years

OCONOMOWOC — As Lori Boldig prepares to retire from running her downtown Oconomowoc store, it’s the seemingly little moments that have left some of the biggest impressions.She said one of her favorite memories is of a customer who visited The Gallori with her son who wanted to buy a piece of art. He used his allowance money — about $10 — to purchase a poster from the movie “Titanic.” She said because he didn’t have enough money at the time to buy it, he made a layaway payment. About six months ago, that same boy, now a man, returned to the shop. He now works on Broadway.Interactions with her customers over the years are the memories that Boldig carries close to her heart, but the ones involving children who have an appreciation for art are the moments that mean a little something more, she said.”I love to see young people appreciating the artwork. You don’t get that in schools as much anymore,” Boldig said.Earlier this month, Boldig announced she was selling her business, The Gallori, which she has operated in downtown Oconomowoc for 30 years, although she has been in the framing and art business for longer.”I feel like they are all my friends. I have known people for so long,” Boldig said. When customers bring in their items to be framed, she said they often tell her about their travels and interests.”I love hearing stories about where they went, or something they found stuck in a drawer from their parents,” she said.
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 It’s no secret that downtown Oconomowoc has undergone many changes during the past three decades, but through the ups and downs of road construction and a struggling economy, Boldig said The Gallori was able to make it through.Nowadays with all of the events and beautification of the downtown area, Boldig said the area “is so vibrant.””This town has everything,” she said. In addition to operating a store at 133 E. Wisconsin Ave., Boldig has served in leadership roles, including as co-president of the Downtown Oconomowoc Business Association, which she joined after it was started by fellow business owner Laurel Whelan. She has also served on the board of directors for the Oconomowoc Area Chamber of Commerce and on the city’s Bureau of Economic Development & Tourism Commission. It was from the chamber that she was recognized with a Women in Business Leadership Award. Boldig has also received recognition from the Professional Picture Framing Association.Boldig sold the business to Kelly Garcia, who plans to continue operating it as a custom framing shop and will sell gift items. The plan is to make the ownership transition in early October.While Boldig said she will miss her shop and her customers, it’s time for a new chapter in life, which will see her with whole weekends free to spend with family. She and her husband have built a cabin up north that they want to spend more time at, as well, and will eventually retire to.However, they do plan to stay in Oconomowoc for a couple more years until Boldig’s husband retires, so until then, she will still be available to meet for coffee and will be attending downtown events.“I hope it doesn’t lose its small-town charm,” Boldig said of Oconomowoc. “I think our downtown is vital to showcasing small businesses, mom and pop places.”

Tourists following GPS directions drive into the sea, are rescued by bartender in South Carolina

You’ve arrived — in deep water!

A couple following GPS directions accidentally drove straight into a marina in South Carolina — and had to be pulled from the sinking vehicle by a brave bartender, according to cops and witnesses.

The SUV was later removed from the marina by a diving team. WCIV

The couple followed their GPS into the water WCIV

The man and woman, both in their 60s,  were leaving 71 Seafood restaurant in the beachside town of Isle of Palms on Saturday night, when they steered their SUV onto a boat ramp and went splashing into the sea, according to local police.

Johnny Himmelsbach, a bartender at the eatery and former lifeguard, heard the car hit the water and promptly dove in to rescue them,  according to The Post and Courier.

“It could have gone a different way. Everything aligned for a perfect rescue,” the restaurant’s manager  Christopher Sollom told the outlet.

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The unidentified couple — who were visiting the town on vacation  —  managed to roll their windows down, allowing Himmelsbach to grab them from the partially submerged vehicle, police and witnesses said.

“[He] didn’t even hesitate — he jumped right in and was able to pull two people out of the car before it submerged into the water,” Sollom told WCIV-TV.

As Himmelsbach pulled the pair from the SUV, another employee, Cash Luther,  jumped in to help and fellow bartender Shannon Standhardt called 911, the station reported.

Bartender Johnny Himmelsbach pulled the couple from the sinking car. Handout

The couple followed their GPS into the water WCIV

Sollom said the couple was in “a lot of shock” after the near-death experience but “happy to be alive” — thanks to the heroic barkeep.

“He’s truly an angel,” Standhardt told the station.“His heroic actions helped these innocent travelers…I can’t say we will ever forget this evening.”

The city shut down the boat ramp for roughly a day as a dive team removed the car from the water.

The tourists “successfully completed a DUI field test” and declined medical care at the scene,  Isle of Palms Police spokesperson Sgt. Matt Storen told The Daily Mail.

“There could have been a really bad ending to this,” Storen said. “At the end of the day, two people can go home to their families because….[workers] risked their lives to save others.”

Mercy Killing OTT release date: When and where to watch Sai Kumar’s film

With each passing day, Aha is bagging rights to low-budget films one after the other. The popular Telugu platform has become a savior for all the producers who are struggling to sell their films online. Next in line on Aha’s radar is a low-budget Telugu film titled Mercy Killing that has Sai Kumar in the lead role.Mercy Killing’s OTT release date is hereWell, the latest update is that Mercy Killing will be available for streaming from September 28, 2024. The same will be confirmed by Aha in the next few days. Mercy Killing is about a girl named Swecha, who does not know who her parents are and goes on a quest to find out who they are.
Mercy Killing on AhaMercy Killing’s star cast detailsWhat happens to her in her journey and who helped her to find her parents is the basic story of the film. Ishwarya Vullingala, Harika Pedada, Ramaraju, Surya, Anand Chakrapani, Garshan Srinivas, FM Babai, Shaking Shesu, Ragastalam Laxmi, Lab Sharath, and Hemasundhar played key roles in this film.The sad part is that not many even knew that such a film came out in the first place. Such was the low-key promotion for the film. But sadly, when the film came out, only Sai Kumar’s role and his performance were talked about and the rest went in vain.Venkat Ramana has directed this film which has been made under a budget of Rs 4 crore. Aha has bought the digital rights for a very low price. Well, we need to see how this film fares when it comes out on OTT.Apart from Mercy Killing, Aha is ready with the grand finale of Indian Idol 3 Telugu which will stream on September 20, 2024 on Aha. There is a lot of buzz for the finale and as many as five singers are fighting for the top spot. Watch this space for more updates on this project.

Kandor Mane Kathe on OTT: When, where to watch Comedy Khiladigalu Suraj’s film

Kandor Mane Kathe, the Kannada film that has Comedy Khiladigalu fame comedian Suraj Kumar in the lead, is coming to OTT. The film directed by Pranav Shetty had a limited theatrical release in early June but did not catch the attention of audiences. The makers have signed up with Cinebazzar OTT for the digital release of the film.Kandor Mane Kathe on Cinebazzar
Rathnapuri V Bhaskar, the CEO of Cinebazzar OTT tells OTTplay that Kandor Mane Kathe will be made available on his platform from September 27. Cinebazzar OTT follows a transactional video-on-demand (TVOD) or rental format only, wherein Kandor Mane Kathe will be priced at R 49.In the film, Suraj plays a lazy and irresponsible young man, whose days are spent smoking, drinking, and hanging out with friends, until he gets married, and his new family decides to change his ways. From making him do household chores to rebuking him for not earning a livelihood, they do all they can to get him to be more responsible. The question, though, is, will he be able to change his hard-set ways and become a different man?Kandor Mane Kathe, produced by Manjula S, also stars Apoorva Shree, Rakshitha Keremane, Ramith Elakki, Deerav Srivathsa, Dingri Nagaraj, Raj Surya, among others. The film is the latest acquisition by Cinebazzar OTT, which has been struggling to build its content library, what with film teams preferring to give their content to Amazon Prime Video, even if it is for rental only.Suraj Kumar in Kandor Mane KatheIn recent times, Cinebazzar has got films like Dasappa, which had a simultaneous theatrical and digital release, Orchestra Mysuru, Tagarypalya, Aarata, 1888, Chandni Bar, Usire Usire, Chow Chow Bath, etc., on board, with Pruthvi Ambaar’s cop thriller Matsyagandha to drop on September 20. Kandor Mane Kathe will be the next release.

Translation Scientist

Ccamp is looking for a self-driven, highly motivated, pro-active individual, capable of working independently and as a part of the team, for the following positions:Two positions are available at the Discovery to Innovation Accelerator (DIA), C‑CAMP, based on the mentioned experience;• Post-Doctoral Translation Scientist – 1 position• Translation Scientist – 1 positionRoles and Responsibilities:Designing and executing Translational research projects and protocols for different Discovery to Innovation Accelerator (DIA) projects.a. Perform experiments, collect and analyse data.b. Maintain accurate record of all the experiments and provide ready access to all data to the reporting authority.c. Conduct literature reviews as per the requirement of the projects.d. Participate in project meetings, seminars, Laboratory meetings and other lab activities.e. Maintain confidentiality of the project, workflow.f. Prepare detailed progress report, presentation and other articles for reporting authority.Collaborating and complementing a larger team of professionals, working on existing projects at DIA and other members at C‑CAMP.Travelling occasionally as per project requirements.Undertaking relevant training on additional techniques required for project execution and subsequently training the team.

Mannequins flew around the moon on a path astronauts could soon take. Scientists just revealed how they fared

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As Artemis II — NASA’s mission that will send four astronauts to circumnavigate the moon as soon as next year — draws closer, a new study is revealing how well its Orion spacecraft will protect the crew.

The findings are based off data from Artemis I, a 25-day journey around the moon and back in late 2022. The Orion capsule on that mission, which followed a trajectory similar to the one Artemis II is set to take, was uncrewed but carried special nonhuman guests.

Two of them, mannequin torsos called Helga and Zohar, rode along as test of how much radiation astronauts might experience as they venture to the moon. The mannequins were made of materials that mimic the soft tissue, organs and bones of a person and, like the spacecraft, included detectors to track radiation exposure along the way.

Now, scientists have released the first results after studying the detector data, published Wednesday in the journal Nature. The findings show that the shielding technology used in the spacecraft was effective in mitigating radiation experienced on the trip.

“The Artemis I mission marks a crucial step in advancing our understanding of how space radiation impacts the safety of future crewed missions to the Moon,” said Sergi Vaquer Araujo, lead for the space medicine team at the European Space Agency, in a statement.

Araujo was not involved in the study. But the European Space Agency contributed five mobile dosimeters to measure radiation throughout the Orion spacecraft.

“We are gaining valuable insights into how space radiation interacts with the spacecraft’s shielding, the types of radiation that penetrate to reach the human body, and which areas inside Orion offer the most protection,” Araujo said.

NASA’s Orion spacecraft for the Artemis I mission was successfully recovered on December 11, 2022, off the coast of Baja California.

Regan Geeseman/NASA

Radiation worries

NASA has studied the impact of space radiation on human health for decades, dating back to the first crewed space missions of the 1960s. Data is also regularly collected from astronauts spending six months to a year aboard the International Space Station.

The station remains in low-Earth orbit, meaning it is partly protected by Earth’s magnetic field, as well as heavy shielding incorporated into the orbiting laboratory’s design. Earth’s magnetic field also prevents cosmic rays from reaching the astronauts.

But for future missions to deep space, astronauts will stray far from Earth’s protection and will need to rely on a well-shielded spacecraft and protective spacesuits.

Long-duration space missions to the moon and Mars will expose astronauts to radiation from cosmic rays, or high energy particles that move through space. To reach outer space, astronauts will also have to travel through Earth’s Van Allen Belts, two bands of radiation that surround our planet like giant doughnuts, according to NASA.

Sensors embedded in the Orion capsule captured continuous radiation data on the journey from Earth to the moon and back for the first time, the researchers said. While there is some data from the Apollo missions, it was not collected continuously.

In this screengrab from video, astronauts Suni Williams and Butch Wilmore attend a NASA press conference about Boeing Starliner on September 13, 2024.

NASA

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The sensors showed that radiation exposure within Orion varied significantly depending on the location of the detectors, according to the study authors.

A cosmic ‘storm shelter’

As Orion passed through the Van Allen Belts, the data showed the most shielded areas, such as the capsule’s “storm shelter,” provided four times more protection than the least shielded areas. The researchers determined radiation exposure in these spots stayed at a safe level for the astronauts to avoid acute radiation sickness.

“The storm shelter is a very tight area used for storing crew supplies,” said lead study author Stuart George, scientist within the Space Radiation Analysis Group at NASA’s Johnson Space Center in Houston, in an email. “We found that the storm shelter was the most shielded area on the vehicle, which is good because it was designed that way!”

Passing through the Van Allen Belts was considered comparable to the crew encountering a space weather event.

As the sun nears solar maximum — the peak in its 11-year cycle, expected this year — it becomes more active, releasing intense solar flares and coronal mass ejections. Coronal mass ejections are large clouds of ionized gas called plasma and magnetic fields that release from the sun’s outer atmosphere.

The core stage for the Artemis II rocket arrived at NASA’s Kennedy Space Center on July 24.

Kim Shiflett/NASA

When these outbursts are directed at Earth, they can affect spacecraft, satellites, the space station and even the electric power grid on the ground.

“This helped us to validate our shelter design to protect crew from energetic solar particle events caused by space weather,” George said.

Cosmic ray exposures, which can account for the majority of radiation astronauts might experience on long-term spaceflights, were 60% lower on Artemis I than those experienced by previous missions, including robotic missions to Mars, George said.

The team also noted a surprise in the findings. As Orion passed through the Van Allen Belts, the spacecraft did a flip to perform a thruster burn, ensuring it was on the right trajectory. During the flip, radiation levels inside the capsule dropped by 50% because the maneuver placed more of Orion’s shielding within the path of radiation, George said.

The measurements taken during Artemis I could inform the design of future human spaceflight missions, the study authors said.

Mannequin torsos Helga (left) and Zohar were returned to Earth by the Artemis I mission so researchers could see how much radiation they were exposed to. Zohar wore a protective vest.

Courtesy NASA

Planning for Artemis II

If a solar storm were to occur while the Artemis astronauts were in space, it could last for days.

The storm shelter concept has been changed for Artemis II since the smaller shelter aboard Artemis I might not be big enough for the crew to carry out normal operations if they had to remain there for an extended period during a solar storm, also known as a solar particle event.

The Crew Dragon capsule carrying four astronauts returns to Earth after a five-day mission to orbit on September 15, 2024. The capsule is expected to land off the coast of Dry Tortugas, Florida. The Polaris Dawn mission reached a higher altitude than any human has traveled in five decades and conducted the first privately funded and operated spacewalk.

SpaceX

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“On Artemis II, the crew will (bungee) tie supplies to the least shielded wall of the Orion spacecraft,” George said by email.

“This means that during an energetic solar particle event the crew will be able to use much more of the cabin while still being effectively sheltered from radiation. It will be really interesting to test this out in space, with crew in the loop.”

The core stage for Artemis II’s powerful rocket arrived at NASA’s Kennedy Space Center in Florida over the summer, and assembly is already underway for the Artemis III rocket. Artemis III — slated for 2026 — aims to land a woman and a person of color at the lunar south pole for the first time.

Meanwhile, the Artemis II crew, including NASA astronauts Reid Wiseman, Victor Glover, Christina Koch and Canadian Space Agency astronaut Jeremy Hansen, have been field training in Iceland. Although they won’t make a landing, the crew will travel 4,600 miles (7,402 kilometers) beyond the far side of the moon to capture images of lunar surface features like craters from orbit.

NASA astronaut Christina Koch participates on August 1 in crew geology training in Iceland ahead of the Artemis II mission.

Robert Markowitz/NASA

“Having humans hold the camera during a lunar pass and describe what they’re seeing in language that scientists can understand is a boon for science,” said Kelsey Young, lunar science lead for Artemis II and science officer at NASA’s Goddard Space Flight Center in Greenbelt, Maryland, in a statement.

“In large part, that’s what we’re training astronauts to do when we take them to these Moon-like environments on Earth.”

Book Club: Kelly Bishop’s memoir gives us plenty to chew on (politely, with our mouths closed)

It’s been a while since we held a book club  at The A.V. Club, but we found just the right book to relaunch the format: The Third Gilmore Girl by Kelly Bishop, which debuted September 17 via Simon & Schuster. In her memoir, Bishop recounts her life in the entertainment industry, from her turbulent childhood to her start as a dancer in Radio City Music Hall’s Corps de Ballet to her Tony-winning performance in the original cast of A Chorus Line on Broadway, to her role as the sophisticated matriarch of the Gilmore family. She also reveals intimate details of her personal life, including the ups and downs of her relationships with family, friends, and lovers.
After reading The Third Gilmore Girl, A.V. Club staffers Mary Kate Carr and Cindy White got together for a very book club-style conversation about the book and what they learned from it. We’ll look for your thoughts in the comments section. 

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Were you a fan of Kelly Bishop before reading the book? How much did you know about her going in?
MKC: Like many millennials I know Kelly Bishop best from Gilmore Girls—I’ve seen it a few times through and used to watch it with my little sister, so it’s got a special place in my heart. I’ve also obviously seen Dirty Dancing. And I knew she became famous as a Broadway star, I was vaguely aware she had a Tony, but I had no idea until reading the breadth of her stage career. I know you’re a big theater person, Cindy, so I’m assuming you were maybe a little more familiar before reading the book?

CW: Gilmore Girls was actually the way I came to know her first too. I learned about her work in A Chorus Line and her Tony win later on. I’d seen her in Dirty Dancing too, of course, but that role didn’t really register with me until after I’d gotten to know her as Emily Gilmore. Maybe I was too busy paying attention to Jennifer Grey and Patrick Swayze.

Were there any revelations in the book that stood out to you?
CW: I used to listen to the cast recording of A Chorus Line a lot when I was a kid, which is kind of surprising looking back on it now, because it’s a pretty risque show. I’ve always loved “At The Ballet,” but I had no idea how much of it was based on Bishop’s actual childhood. It’s pretty incredible to think about all of the performers who have sung that song through the years, and how they’re basically telling her story, over and over. That’s a kind of immortality.
MKC: That’s a really good point. I had no context at all for A Chorus Line so all of that was new to me. The way she describes the collaborative process that sparked the show does sound so exciting and unique, and the book is worth it just to get insight into such an important cultural artifact.
Generally, though, I wouldn’t say the book has a lot of “revelations,” per se. Even though Bishop has clearly had a rich and varied career, she came across as resistant or perhaps just indifferent to writing any kind of salacious Hollywood tell-all. Her anecdotes tend to be pretty matter-of-fact. For example, the most intriguing relationship in the book is between her and Chorus Line director-choreographer Michael Bennett, with whom she had a creatively close but also at times adversarial bond. She gives us a few instances where she had to sass Bennett and put him in her place, but I would’ve loved for her to go deeper there and paint a clearer picture of their collaboration and estrangement.

CW: I definitely agree. Michael Bennett was a giant of the American theater, and it seems like he didn’t get talked back to or turned down very often. So, that was pretty bold of her. It was interesting how she described butting heads with him, and often admitted that he’d been right. Like the story of how he wanted her to wear the flesh-colored leotard as Sheila and she thought it was for sex appeal, but he saw it as a way to show the character as naked and vulnerable. Speaking of which, there’s footage of her performing “At The Ballet” in the show on YouTube. It’s really interesting to watch it again knowing the backstory of that number.
[embedded content]
MKC: Oh, I found this after reading the Chorus Line section, and it’s such a necessary complement to the book. I think for those of us who know her as Emily Gilmore, it’s hard to picture Bishop as this kind of performer. Emily was so buttoned up. But Bishop does a good job in the book of creating a through line of her career, identifying what most attracted her to roles—she likes playing smart-mouthed, confident women, and that helped me draw a connection between Sheila and Emily.
What did you think of the writing style?
MKC: Well, as much as I enjoy any kind of behind-the-scenes narrative, I found the writing style hard to connect with. It’s clear that Bishop is a no-fuss, no-frills person, so the language is really clear and frank. That makes the book really easy to read, but the prose isn’t necessarily leaping off the page. I got the feeling that some of these stories would be a lot better if she was telling them to you over a cocktail, as opposed to being written down.

CW: I had less trouble connecting to it than you did, I think. I liked that I could really hear her voice come through in the writing. Is it fancy, polished prose? No, but it made me feel like I was at that cocktail party and she was telling those stories directly to me. And I agree that it made for an easy read. Besides her voice, I think her personality comes through as well. You said she’s a no-fuss, no-frills person, and I got that too. I admire how strong-willed and self-determined she is. Even when she makes mistakes, she makes them confidently. She knows her talents and her limitations, and I have to respect anyone with such a clear picture of themselves.
MKC: It’s probably partially the benefit of hindsight, but reading it you definitely get the sense that Bishop has always known who she is and what she’s capable of. Clearly that’s paid off in her career as she was able to find the right lane for herself in entertainment. I just kept wishing she would go deeper, anywhere, particularly in the post-Chorus Line sections. She hit each major moment of her personal and professional life almost perfunctorily. Seven years of Gilmore Girls completely flies by in her telling, and I don’t really feel like I know much more about the making of the show than I did before, which is a bummer for a memoir called The Third Gilmore Girl.
CW: Yeah, there was not as much Gilmore Girls content as I was expecting, though I know it was just a fraction of her career. I was also a fan of Bunheads, the show she did with Amy Sherman-Palladino [who wrote the memoir’s foreword] after Gilmore Girls, but the section on it in the book is very brief. Apparently, it wasn’t a very good experience for her. It’s totally understandable, since she was going through a rough time with her husband’s health and working far from home, I was just hoping for a little more. 

Did the book leave you with questions you wish it had answered? 
CW: I have a lot of general questions, some of which you’ve already addressed, and one very specific one. She mentions the night the cast of Hamilton celebrated the anniversary of the opening of A Chorus Line at The Public Theater. I’ve watched the footage from that night many times on YouTube. So I went back again and noticed that near the end of the video Bishop is standing next to Ariana DeBose, who was in the ensemble at that time in the show’s history. Bishop talks about giving advice to one of the chorus members who had caught her eye during the show, a sort of passing-the-torch moment. I keep wondering if it was DeBose who she said that to. It would have been poetic, as she would go on to win an Oscar for playing Anita in West Side Story, a role that Bishop once played on stage herself. But in the book she never tells us who it was.
[embedded content]
MKC: That’s hilarious, I ALSO instantly wanted to believe it was Ariana DeBose.
I think, as you’ve said, The Third Gilmore Girl gives us a good idea of who Kelly Bishop is as a person, but a much more generalized view of her career. There could certainly be whole books about just her time working on Chorus Line or her time on Gilmore Girls. I feel like I got a little taste of everything, but would’ve loved a full meal out of any one of those experiences from her.

CW: That’s a great summary. It’s a brisk and easy read, which is either a selling point or a shortcoming, depending on what you want out of it. Anything else to add before we wrap up?
MKC: Just that, despite any disappointments I did have with the book, I’m really glad she wrote it and we have this account of her amazing career! She’s clearly a private person, so I thought it was powerful she chose to share difficult things about her childhood or her abortion. I was touched by that. It is wonderful to get insight into the person behind the performer. 
CW: Yeah, she’s had an amazing life, and I’m glad that she was willing to share so much of it in the book.

More from A.V. Club

Use UPI’s Digital Footprints To Expand Business Prospects: FM To Banks

SUMMARY
Finance minister Nirmala Sitharaman the crucial role UPI plays in shaping the future of India’s banking sector.
She urged banks to leverage the digital footprints created by UPI to grow their business.
The FM highlighted that India accounts for 45% of all real-time payments globally and asked banks to seize this opportunity.

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Finance minister Nirmala Sitharaman has called on Indian banks to use the digital footprints generated by the Unified Payments Interface (UPI) to expand their business prospects.
Speaking at the 90th Foundation Day of the Bank of Maharashtra in Pune on Thursday (19 September), Sitharaman emphasised the crucial role UPI plays in shaping the future of India’s banking sector.

“The potential for the Indian banking system rests a lot on this particular feature (creating digital footprints) of UPI… this feature actually gives us the advantage that you (banks) can plan for your future,” she said.
Sitharaman highlighted that India accounts for 45% of all real-time digital payments globally and urged Indian banks to seize this opportunity and deepen their digital payment services, noting that UPI is already being used in seven countries besides India. These countries include Bhutan, Nepal, Sri Lanka, Singapore, France, Mauritius, and the UAE.

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The Indian government has been actively promoting UPI on the global stage. In July, the National Payments Corporation of India (NPCI) launched the ‘UPI One World’ wallet, enabling seamless payments for foreign tourists. 
Additionally, India recently signed an agreement to extend UPI services to the Maldives, while discussions are ongoing to integrate UPI with Malaysia’s PayNet.
India’s efforts to expand UPI internationally are further backed by over 30 memoranda of understanding (MoUs) with various nations, as revealed by IT Minister Ashwini Vaishnaw last year. 

NPCI International Payments Limited (NIPL), the global arm of NPCI, has also signed an agreement with the Bank of Namibia to develop a UPI-style digital payments system for Namibia.
As a result of these initiatives, UPI transactions have surged. In August 2024 alone, UPI transactions grew by 41% year-on-year, reaching 14.96 billion, while reporting a 3.6% increase month-on-month. While earlier today, it was reported that the NPCI is considering raising the market share cap for UPI apps from the proposed 30% to 40%.

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