Janusz Olejniczak, who played the piano parts in Oscar-winning movie ‘The Pianist,’ dies at 72

WARSAW, Poland (AP) — Polish musician and teacher Janusz Olejniczak, who played the piano parts in the 2002 Oscar-winning movie “The Pianist,” has died at the age of 72, his family said Monday. The family’s statement to the media said Olejniczak died Sunday of a heart attack. The statement said that his “extraordinary musical sensitivity, especially in the interpretations of music by Frederic Chopin, brought him international fame and recognition.” Aleksander Laskowski, a spokesman for the national Frederic Chopin Institute, said the staff were “deeply saddened” by Olejniczak’s death. Laskowski described him as “one of the most outstanding contemporary performers of Chopin’s music,” also on period instruments, and a superb teacher. Composer and conductor Jerzy Maksymiuk, who was a personal friend, said Olejniczak’s “sensitive soul and extraordinary talent transpired throughout his interpretations” in which he created a “unique aura.”

Maksymiuk said he had lunch with Olejniczak on Sunday and they discussed his “great plans” which he was determined to pursue despite his health problems.Olejniczak’s international career was launched in 1970 when, aged only 18, he was a laureate of the 8th International Frederic Chopin Piano Competition in Warsaw. Commentators said he bore a physical resemblance to the romantic-era composer, a trait that even led Olejniczak to play the role of Chopin in the 1991 movie “The Blue Note” by director Andrzej Zulawski.

In 2002, Olejniczak recorded the piano parts for Roman Polanski’s “The Pianist.” His hands can be seen playing the piano in the movie, for which Polanski won the best director Oscar and Adrien Brody won for best actor.

Olejniczak also performed contemporary music, including by the acclaimed, late Polish composer Wojciech Kilar. Born Oct. 2, 1952, in Wroclaw, Olejniczak began his piano education at the age of 6. He studied in Warsaw, Paris and Essen. For many years he was on the jury of the Chopin piano competitions, and, since 2018, of the two editions of the Chopin competition on period instruments.

Jessica Hersey Takes on Business Development SVP Role at Red River’s Government Technologies

Jessica Hersey has joined Red River as senior vice president of business development for government technology services. She confirmed her new role in a post on LinkedIn Saturday.
Hersey brings to Red River over 25 years of experience in the government contracting industry. She most recently served as vice president of business development for the Americas at Janes. In this role, she was in charge of developing and implementing strategies to expand the Janes Group’s presence within the U.S. and Canadian federal markets. 
Hersey also spent seven years at Leidos, where she oversaw business development and capture operations as VP. 
The executive began her career at Lockheed Martin, joining the defense contractor as an electrical engineer and software developer in 1997. Throughout her over 19 years at the Bethesda, Maryland-headquartered company, she was appointed to various positions of increasing responsibilities, becoming senior program manager for key government contracts and projects from 2008 up to 2016. 
Hersey holds a master’s degree in electrical and electronics engineering from George Washington University and a bachelor’s degree from the Worcester Polytechnic Institute.

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Jessica Hersey Takes on Business Development SVP Role at Red River’s Government Technologies

Jessica Hersey has joined Red River as senior vice president of business development for government technology services. She confirmed her new role in a post on LinkedIn Saturday.
Hersey brings to Red River over 25 years of experience in the government contracting industry. She most recently served as vice president of business development for the Americas at Janes. In this role, she was in charge of developing and implementing strategies to expand the Janes Group’s presence within the U.S. and Canadian federal markets. 
Hersey also spent seven years at Leidos, where she oversaw business development and capture operations as VP. 
The executive began her career at Lockheed Martin, joining the defense contractor as an electrical engineer and software developer in 1997. Throughout her over 19 years at the Bethesda, Maryland-headquartered company, she was appointed to various positions of increasing responsibilities, becoming senior program manager for key government contracts and projects from 2008 up to 2016. 
Hersey holds a master’s degree in electrical and electronics engineering from George Washington University and a bachelor’s degree from the Worcester Polytechnic Institute.

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Space probe’s journey to Jupiter’s moon underway with help from U-M science team

A pair of University of Michigan scientists were involved in the development of the recent launch of NASA’s Europa Clipper, which will study Jupiter’s moon, Europa.Research professor of climate and space sciences, Dr. Margaret Kivelson, says her previous work on the Galileo probe, which confirmed the existence of water on Europa, inspired her to lead a team in developing the Europa Clipper’s magnetometer to return to Europa and learn more about its ocean.

“When you discover something interesting like that, you want to learn more. And we’ve had a limited number of encounters with Europa.”

Fellow U-M research professor, Dr. Xianzhe Jia, who helped engineer the magnetometer, says the device will use Europa’s magnetic field to study its ocean hidden beneath 100 kilometers of ice.

“We would like to understand how deep this ocean is, how thick this ocean might be, and how salty this water might be.”

The Europa Clipper is expected to arrive near Europa in seven years.Non-commercial, fact based reporting is made possible by your financial support.  Make your donation to WEMU today to keep your community NPR station thriving.Like 89.1 WEMU on Facebook and follow us on TwitterContact WEMU News at 734.487.3363 or email us at [email protected]

The Franchise not-so-delicately tackles superhero movies’ “girl problem”

The hierarchy of power in the Maximum Universe is about to change, and, naturally, everybody is mad about it. As the tumultuous production of Tecto: Eye Of The Storm continues, its prospects become more dubious. If opportunities to disrupt an already rocky shoot keep popping up like so many unnecessary superhero cameos, then Tecto is primed to become Maximum Studios’ very own version of The Flash.
Of course, considering the well-documented shortsightedness of real-life superhero tentpoles, it’s likely that The Franchise has an episode in the pipeline lampooning the sweaty need for last-minute reshoots and flashy cameos. This week, however, focuses on a different hot-button issue, one responsible for much of the criticisms that have been lobbed at Marvel Studios over the years: the clumsy (re: sexist) handling of female characters. In “Scene 54: The Lilac Ghost,” directed by Liza Johnson and written by Rachel Axler, the production of Tecto comes to yet another screeching halt courtesy of the latest edict from the studios’ top brass, who feel compelled to address its lack of powerful women on the macho set of Tecto. This week, Maximum tackles feminism, and the results are predictably grim. 

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Our road to box-office calamity begins with a 4 a.m. pick-up with Quinn (Katherine Waterston), who co-stars in Tecto as the Lilac Ghost, a cosmic being who, as comic lore has it, doesn’t boast any superpowers of note. Quinn’s last day onset is already emotional—not for any positive reasons, but due to an anxious desire to exit Tecto as soon as possible. And who’s there to make her final makeup session even more awkward than Dag (Lolly Adefope), who cheerfully notes that the last time she watched one of Quinn’s films was on her phone. Also, it was an illegal streaming situation. She feels really bad about it (oh, Dag).  
While Daniel, Tecto’s visibly exhausted 1st AD (Hamish Patel), preps Quinn for her final day, we spot Anita (Aya Cash) sprinting to a 5 a.m. meet-up with Maximum producer/slab of prime chuck Pat (Darren Goldstein). This is supposed to be a quick chat over a shitty cup of studio coffee, but Anita, ever the arbiter of taste, dumps it, asking how anyone could drink the crap. Not missing a beat, The Franchise has Pat chug the joe down happily, stating quite plainly that he, in fact, literally has no taste (as in, tastebuds). “I know what they say: ‘Pat the Philistine has no taste!’ Yeah, guess what? I don’t! Jokes on you, pal!” As fumbling metaphors about art versus commerce go, The Franchise has done better. 

So what brings Anita, Pat, and, to a degree, Bryson (Isaac Powell) together this fine, frantic morning? An old critique has resurfaced online due to last week‘s scrapping of The Sisters Squad: Maximum has a problem with “girl characters.” The studio’s original plan, reactionary and unimaginative in its design and doomed to fail, was appropriately simple: silo all their female characters into one movie, thus silencing social-media debate amongst the fans and simultaneously empowering the women—two birds, one bazooka. No Sisters Squad means online fan blogs (referred to disparagingly as “the culture”) are saying Maximum isn’t feminist, an accusation they’re desperate to counter. (Sidebar: There’s something obnoxiously Boys-ian about Maximum’s title choices, stretching The Franchise’s satire further into full-on lampoon, which is all good fun until you notice how abrasively this Cracked ridiculousness clashes with the series’ flirtations with drama.)

It’s no surprise that The Franchise handles the treatment of women in the superhero industry with brick-fist subtlety. It’s an obvious dig at the bad old days of Ike Perlmutter’s reign at Marvel, where plans to produce female-centric films like Captain Marvel were dismissed out of hand, and Black Widow was given second-fiddle status despite her founding Avenger status. When Pat closes out this odious morning meet by calling Anita “sugar tits”—a joke he feels he can make, considering he “would never actually say that”—you begin to get a clearer picture of how much of a clusterfuck the rest of Day 51 (of 117) will be.
One of The Franchise’s more darkly amusing aspects is how it finds galling new ways to dig a deeper hole for Tecto on a scene-to-scene basis. Following Anita’s demoralizing meeting, the first thing we see is director par excellence Eric (Daniel Brühl) selecting a single extra from a row of brunettes in black leotards to play the “dead wife” of the film’s hero. Of course, none of them will do and are dismissed accordingly. “Rest in peace,” Dag says to the group as they shuffle back to obscurity. Brutal.
I’m struggling to figure out if Dag’s attitude is a put-on or if she actually gives a rip about art. Her mindset concerning this superhero picture suggests she feels it’s beneath her, so why has Dag jumped onto this sinking ship? Will it be good for her career? (Is Tetco going to be good for anybody’s career?) One minute, she’s copping to streaming movies from torrent sites, and the next, she’s calling Quinn “one of the great actors of her generation” and lamenting that Tecto has her dressed up like “a Mormon in space.” I keep going back to that “Blood on our hands” line from last week. Is Dag’s character meant to point out the pathetic vibes coming off this diminishing movie genre, criticize it as lesser art destroying the cinematic medium, or simply contribute to a caustic workplace like everyone else? All three?    

At least Dag’s snark is pertinent this week. As Anita soon illustrates to Eric, the Lilac Ghost has no discernible human qualities to remark upon other than the usual boilerplate pap: She’s described as “strong, independent,” and (my favorite) a “female ghost.” She has no powers to make her stand out among this sausage fest, but, as script supervisor Steph (Jessica Hynes) helpfully reminds everyone, she is clumsy. Well, now!
Lilac Ghost’s shortcomings as a character have precedent, as Daniel is quick to stress. In the comics, she lost her powers in a “soul-swap with Immortus” (probably not that one), which, technically, bestows some gravitas on the character and will likely be a plot beat fans will expect to see. Not to be a nerd about it or anything, Daniel says, but that’s her comic-accurate arc. (“I’ll tell you who had an ‘arc,’” Dag chimes in. “Joan.”) Maximum doesn’t have time for such trivialities. They need the Lilac Ghost to be a badass by tomorrow.
So what’s it to be? New powers for a ghost character who, canonically, has none? Surely, the Culture will excuse some creative license if it means female empowerment, right? After all, is comic lore sacrosanct? On that last point, Dag feels that it’s not, but it’s interesting to see Daniel grapple with the issue. Something is lurking under those glassy, underslept eyes. Future episodes will tell. 
But we must now pivot to Adam’s (Billy Magnussen) trailer, where unfair body expectations rear their wooly behinds in the form of livestock supplements. Adam is showing the usual side effects of hormone abuse—paranoia and anxiety being his chief characteristics this week—and also a suggestively anthropomorphic one: Amid the swath of severe backne across his sculpted shoulders is a hair that either is or is not wool. Is Adam turning into a sheep? No. (I don’t think The Franchise is that kind of show—at least not yet.) But is Maximum’s blind eye to performance-enhancing drugs allowing the star of Tecto to descend into a frothing mess of self-hatred and insomnia? Clearly! 

Let’s return to the Lilac Ghost Dilemma. Eric’s nervous solution to Tetco’s “woman problem” is giving Lilac the powers of a man. Steph suggests she be able to talk to a horse. Taking from the comics (Comic Book Accuracy being a sticking point in this conversation), there’s an issue where Lilac learns a new language by kissing people on the mouth. No good. Dag has a suggestion: arm Quinn with “The Stick Of Maximum Potency,” a weapon of cosmic power that is the property of Professor Poton in the comics. A large stick with a name that may as well be “throbbing member,” put the hands of a woman? Is nothing sacred?
As the producer tasked with mitigating this looming PR disaster, Anita has to field Daniel’s concerns about the Lilac Ghost situation. But look at her eyes during their testy backroom row: She’d already checked out well before she admitted as much to Daniel. “I just need to land this plane, cash my check, and jetpack out of here. Boutique development house. Actual movies. Not this franchise bullshit.” Daniel takes this confession about as well as you’d think; his impassioned bid for comic accuracy suggests there’s still a fan somewhere deep inside his quiet place (probably on life support, but still) who lets him secretly love what he does while hating the mockery it’s become.
Anita’s attempt to imbue the Lilac Ghost with more female empowerment has somewhat deflated the star. Here’s another example of The Franchise’s deploying its impeccable casting to great effect. Waterston’s delivery of the line “I am mortified” after hearing Maximum’s plans to badass-ify the Lilac Ghost is appropriately sad and frustrating to watch. Her expression, a mask of doom and despair, cuts through the day’s comic chaos and pathetic grasps at political correctness to reach a sentiment that sums up The Franchise at its best: Something this rudderless needs to fail. In an earlier scene, we see Quinn leaning back in a chair so her steady stream of tears won’t ruin her superhero makeup. Waterston sells the bit, and for a fleeting moment, The Franchise strikes the nimble funny-and-bleak balance it thinks it’s pulling off 100-percent of the time. 

Stray observations
• It is possible to sustain whiplash watching The Franchise work out its approach to sexism in the workplace. 
• Aha! Skullsteppers: Skullcap Of Destiny. That was driving me crazy. Two more Maximum posters just out of view: Thunderon: Sound Of Rumble and Crimson Splash: Red Sea Vengeance: A New Cycle. (Note that the Crimson Splash poster is behind Anita as all these menstruation jokes go flying around. Subtle!) 
• “The Lilac Ghost” could be a deeply embedded reference to DC’s Black Orchid character. For the sake of my sanity, I choose to believe at least one person working on The Franchise has actually read a comic book.   
• “I may have done a sexism once, in a beer commercial, but I’ve always wanted to do a feminism!” 
• I want all of Eric’s sweaters. You probably didn’t need to know that, but it’s true. Where does he get those?
• “On behalf of little girls everywhere,” Bryson says to Anita, “thank you.” Is Bryson a secret agent of chaos here to dismantle the Maximum superhero-industrial complex from the inside?
• One unintended result of Adam’s insecurities is an onset miscommunication between the Tecto star and his director. In The Franchise’s most labored joke yet, Adam believes Eric said “herd” instead of “heard,” which triggers thoughts of sheep in Adam’s sleep-deprived brain. 
• Before we wrap up, we must touch on “the yawn.” Seven years after Anita’s joke concerning a sleepy Daniel during their mumblecore production of The Nevertheless-ness, Dan still can’t live it down. Anita made a producer laugh, which, Daniel feels, secured her promotion, while Dan fought off jokes about his perceived laziness.
• So what’s on your mind, group? Is comic accuracy important? How do you feel The Franchise is doing in terms of tone? Is Lilac Ghost Dilemma a halfway decent band name, and if so, what genre are we talking about here?

More from A.V. Club

Texas condemned for placing book on colonization in library’s fiction section

Anti-censorship advocates have joined book publisher Penguin Random House in condemning a Texas county that reclassified an account of European settlers’ colonization of Indigenous Americans as fiction.The furor in Montgomery county – near Houston – follows the decision by a citizens review panel, at the behest of rightwing activists, to place Colonization and the Wampanoag Story by Linda Coombs in the fiction section of children’s libraries.The book aims to present young readers with a historic look from the perspective of Native people of the colonization of New England, according to PEN America, the nonprofit advocacy group for free expression in literature.It was published in September 2023 as one of five titles in Penguin Random House’s Race to the Truth series of similarly themed stories intended for middle grades. Other books include Slavery and the African American Story by Patricia Williams Dockery and This Land by Ashley Fairbanks.“To claim this book is fiction dismisses our perspective and history,” said a statement from Debbie Reese, founder of American Indians in Children’s Literature.“Books like Colonization and the Wampanoag Story are important to Native kids because they affirm our existence as Native people in the present day. But they’re also for non-Native kids, because those kids are being shaped by the information in books. This country is better off if we all know history in a more informed way.”The Houston Public Library, Austin Public Library, Fort Worth Public Library and the Library of Congress all recognize it as a work of nonfiction, according to the San Antonio Current newspaper.The decision to reclassify the book was made without the input of any librarian, the Current reported. It sparked outrage when the citizens review panel approved the reclassification after a challenge in September by a resident of the east Texas county.Montgomery officials, following a national trend, bowed to pressure from conservatives to set up a mechanism to ban books certain members of the public found objectionable. According to the Texas Freedom to Read Project, the committee was originally intended to be empowered to assess books considered to be “sexually explicit”, but it has extended its purview.The project, after filing a public information request to learn which books had been challenged, launched a petition that has so far amassed more than 34,000 signatures demanding commissioners reinstate the book “to its rightful home in the juvenile nonfiction collection of the Montgomery county memorial public library”.“As Texas parents, we object to the actions taken by the citizens review committee to reclassify a nonfiction book to fiction,” Anne Russey, the group’s co-founder, said.“If this decision is allowed to stand, what will stop the elected officials, or their politically appointed surrogates, from reclassifying other nonfiction books that contain perspectives, facts, or ideas they don’t like or disagree with?”The Montgomery commission did not immediately respond to a request for comment.According to PEN America, Texas is second in the nation in book banning, with 1,567 titles removed between July 2021 and December 2023. Only Florida, with 5,107, has banned more.A member of the Texas Indigenous Council, Antonio Diaz, told the Current that the state had a long history of “whitewashing” Indigenous history.“While it’s upsetting that any government entity would allow individuals to exercise such a bigoted, biased policy, it’s not a surprise in Texas,” he said. “Racism abounds.”

From the Cold War to high tech: Behind the scenes at TechPlace, Brunswick’s business incubator

From the outside, the former Navy aircraft maintenance building isn’t much to look at — a drab relic of the 1940s when Brunswick Naval Air Station opened at a former municipal airfield.

More than a decade after the base was decommissioned in 2011, the Cold War vibe lingers inside long gray corridors that evoke military bureaucracy, a business suite furnished with a Navy-leftover brown leather sofa and chairs, and a windowless chamber once dubbed the “spooky room.”

Based on Maine’s southern midcoast, TechPlace is an incubator for early-stage manufacturing and technology startups. A world apart from Northeastern University’s modern Roux Institute in Portland, TechPlace is an equally important hub for entrepreneurs.

Adjacent to the Brunswick Landing business park, TechPlace is a maze of rented and shared offices, manufacturing workspaces, laboratories and storage areas used by dozens of early-stage manufacturers in sectors from aviation and aerospace to advanced materials and composites.

Photo / Jim Neuger
Jaimie Logan, director of TechPlace in Brunswick, in the composites layup facility. The blue vacuum hose is used to remove pollutants.

“You come into a former Navy facility. Then you open a door and there’s crazy innovation going on,” Jaimie Logan says during a three-hour tour of the 95,000-square-foot facility.

As director of TechPlace since 2022, the former maritime attorney and state official with Maine’s Department of Economic and Community Development is the self-proclaimed “den mother” of this unassuming innovation hub with an outsized impact.

“It’s not just a feeder for Brunswick,” she says as she dashes in and out of offices. “It’s a statewide asset.” 

That asset has a big fan base among startup mentors across Maine.

“I often describe it as a launchpad for companies moving from concept to production,” says Susan Ruhlin, executive director of Dirigo Labs in Waterville.

Along similar lines, Eaton Peabody business consultant and Biddeford Mayor Marty Grohman says, “For a startup that’s got a prototype to test out and scale up, TechPlace is like a dream. All the tools, technology and people are right there. You can feel the energy.”

Longtime tenants include Greisen Aerospace LLC, whose President Daniel Greisen rented a desk shortly after TechPlace opened.

“It was pretty dead at the beginning, but it slowly grew and got more and more companies,” says Greisen, whose company now occupies more than 2,500 square feet and does contract work for the U.S. Defense Department.

Photo / Jim Neuger
Daniel Greisen, president of Greisen Aerospace, in the welding booth in TechPlace in Brunswick.

As much as Greisen would love to stay put at TechPlace, he’s braced for the inevitability of moving as his company grows – even if that means giving up a shared paint booth and useful collaborations.

“On the manufacturing side,” he says, “we all help each other out.”

The same goes for VarneyCNC, a composites manufacturer whose projects include building a polyurethane foam swim platform for a powerboat.

“We’re a good example of how much stuff you can pack into 3,000 square feet,” says Nathan Varney, the company’s president. At TechPlace, “we all speak the same language.”

An incubator is born

The idea behind TechPlace was part of the original redevelopment plan for Brunswick Landing, according to Steve Levesque, the first executive director of the Midcoast Regional Redevelopment Authority until his retirement in late 2021.

“We had a lot of very big buildings on the campus, but we didn’t have anything that could accommodate a small business,” he recalls. Upon seeing the former aircraft maintenance building at 74 Orion St., “I said, ‘This would be a great small business incubator,’ because it’s already broken up into a lot of small spaces and small shops.”

With funding from a combination of sources, TechPlace opened in 2015. It’s owned and operated by the Midcoast Regional Redevelopment Authority, which also owns and operates the public portions of the adjacent Brunswick Landing.

Photo / Jim Neuger
Nathan Varney, president of VarneyCNC, stands at the control panel for a five-axis CNC router in the company’s production facility in TechPlace in Brunswick.

As Brunswick Executive Airport deals with the aftermath of August’s accidental spill of toxic firefighting foam, and the MRRA seeks a successor to Kristine Logan who recently resigned as executive director, it’s business as usual for TechPlace’s 38 members. Together they employ 111 people.

Bubbling bioreactors

Inside the PhytoSmart lab, the sound of liquid bubbling inside sterile bioreactors behind a protective tent evokes a micro-brewery, minus the hoppy aroma.

But this isn’t beer being brewed, it’s micro-algae being processed into phytonutrients by operations director Patrick Cregten for use in superfoods for dogs and cats.

“We can find it [micro-algae] in any ocean in the world that I keep alive in the lab,” says Cregten, a marine biologist and aquaculturist from New Zealand.

Under a patented process, Cregten uses the bioreactors to spin the water out of the algae to turn it into powder. The powder is then dried to create Omega-3 essential fatty acids to keep pets healthy.

“There’s no other source I know of Omega-3 that is not either fish or ultra-processed,” explains Cregten, happy for some visitors on a day he’s working on his own.

“I don’t think we’d be able to exist anywhere else,” he says. “The capital costs in doing what we’re doing are outrageous, so to have a place that has almost all of what you need is fantastic.”

His take on TechPlace after working there for five years: “This is a wild mix of production and laboratory spaces that I don’t think you’d find in many places.”

Equally keen on the co-working setup, Cregten says, “It’s a community for sure — we all gossip around the water cooler.”

Biomedical innovator

Salmonics LLC is another life sciences startup with roots in TechPlace. The company, founded in 2020, turns fish-derived plasma proteins that would otherwise be discarded as waste into biomedical products for research and diagnostic purposes.

The company, whose investors include Norway’s Lerøy Seafood Group, is currently marketing seven products with another in development and working on a product for veterinary surgical use, to stop bleeding, reduce inflammation and provide pain relief.

In the early days of the pandemic, Cem Giray launched Salmonics in a space previously used by the Navy to paint finished airplane parts. Despite investing heavily to adapt the space, Giray says the reasonable rent was a big plus for a new business with limited financial resources.

“It was the perfect setup in terms of support, infrastructure and networking and other support,” he says. “It works really well for a startup.”

Today with a team of six employees and eight contractors, Salmonics rents around 2,400 square feet of laboratory, manufacturing and storage space at TechPlace, frequently collaborating with other members.

Harbor Digital, for example, supplies Salmonics’ information technology system, while Greisen Aerospace has been using its engineering and 3D-printing capabilities to develop a blood-collection apparatus for Salmonics.

“Even companies outside of TechPlace have provided some support as well,” Giray says. “It’s really nice to have that Brunswick Landing network.”

Photo / Jim Neuger
Cem Giray, CEO and president of Salmonics LLC, in the company’s lab in TechPlace in Brunswick.

About about a third of the way toward a $2 million fundraising goal, Salmonics plans to stay put at TechPlace for the foreseeable future.

“We can produce 20, maybe 25, times what we produce currently within the same footprint,” Giray says. “We can certainly add on people and more production.”

Alumni in the neighborhood

STARC Systems, a maker of clean modular barriers used during renovations, was TechPlace’s first industrial tenant, occupying around 4,500 square feet in the machine shop area. Previously, it was based in a 2,500-square-foot space about 75 miles up the coast in Cushing.

“We quickly outgrew that and needed room to build our product,” says Bruce Bickford, the first employee hired by the company’s founder, Tim Hebert, in early 2014.

TechPlace “was our first opportunity to have a large space to ourselves,” he recalls. “There was no commercial real estate of that size that had enough room and an overhead door at a reasonable price. It was a tremendous opportunity to help us get launched.”

After leaving TechPlace in September 2017, the company went to Brunswick Landing, where it has continued to grow. Today on the Landing, its 103 employees spread across three locations.

The company, led by President and CEO Chris Vickers, is majority-owned by North Branch Capital, a private equity firm based in Oak Brook, Ill., via a buyout in September 2023. At the time, there was also significant reinvestment by Hebert, who was recognized as a Mainebiz Business Leader of the Year in 2020.

North Branch bought a stake from Richmond, Va.-based Blue Heron Capital, which invested $3.5 million in STARC Systems in 2017.

STARC Systems will continue its next chapter in a new 85,000-square-foot manufacturing and administrative facility near Hangar 6 at Brunswick Landing. STARC Systems will lease the facility from Priority Real Estate Group, of Topsham.

Currently in final permitting, the project will break ground this fall, according to Bickford, who says the company is keen to keep its employee base in Brunswick.

“Going somewhere else is disruptive,” he says. “We enjoy the amenities of the Landing, and some flexibility in terms of how we can occupy new spaces.”

Similar to STARC, bluShift Aerospace is another TechPlace graduate now based at Brunswick Landing, where the company occupies around 12,000 square feet of manufacturing and office space along with a rocket-launch test site. The 12-employee company plans to keep hiring.

“Brunswick is a great place for us to attract talent, and our plans are to keep that as our R&D and headquarters location,” says Sascha Deri, bluShift’s founder and CEO. Decades ago when he was in high school, he used to drive past the Brunswick Naval Air Base when it was was off limits to the public and glimpse planes flying overhead.

While TechPlace had not yet opened when he founded bluShift in Massachusetts in 2014, the attractive location and funding from Maine Technology Institute “made it very easy to jump to Maine” in 2016, he says.

His first impression of TechPlace: “Awe and excitement, starting aerospace here among tech entrepreneurs in a place of such rich aviation heritage,” he says.

Charting a new course

Today, there isn’t much room for companies that outgrow TechPlace but want to stay in the neighborhood. That’s because Brunswick Landing is about 97% full, according to Jake Levesque, MRRA’s director of innovation and development since August 2023.

With plenty of options elsewhere on the site, the agency aims to create a second startup hub, for companies that are beginning to scale up.

“We’re in the process of discussing options with developers to create a TechPlace 2.0 or TechPlace Grad School,” Levesque explains.

Location options include 11 lots currently for sale of varying sizes. Though pretty scattered, five are grouped together near Hangar 5. Levesque reports that handful of developers are interested in building on the lots, undeterred by the aftermath of this summer’s toxic chemical spill.

“There is a lot of negative talk happening right now, but our development efforts are about five years ahead of schedule,” he says.

Meanwhile at the current TechPlace, Josh Hardy helps out wherever he can, months after his former employer — aquaculture startup Running Tide — closed down and cleared out.

“I’ve been approached by a few business owners to come and work for them, but I’m trying to take it slow and figure out what makes sense for me,” he says. At TechPlace, he’s perfectly placed to do that.

Pawan Kalyan Appointed Deputy CM of Andhra Pradesh; Gets Rural Development, Science and Technology Portfolios

🔊 Take a moment and listen

The Andhra Pradesh government made a significant political move on Friday by appointing Pawan Kalyan, the chief of the Janasena Party, as the state’s Deputy Chief Minister. The actor-turned-politician has been entrusted with multiple key portfolios, including Panchayat Raj and Rural Development, Environment, Forests, and Science and Technology. This appointment marks a notable development in Kalyan’s political journey, as he assumes a vital leadership role in the state’s governance.In another important decision, Chief Minister N Chandrababu Naidu’s son, Nara Lokesh, was assigned the portfolios of Human Resources Development, Information Technology, and Communication. Lokesh’s inclusion in the cabinet highlights his increasing political presence and the strategic importance of these sectors in the state’s developmental agenda.
The appointments were part of a broader reshuffle that saw as many as 24 ministers sworn into the cabinet on Wednesday, signaling a comprehensive reorganization of the government. One of the notable appointments includes Anitha Vangalapudi, who will now serve as the Home Minister, taking on the critical responsibility of maintaining law and order in the state.P Narayana, another key figure in the new cabinet, has been allotted the Municipal Administration portfolio, a role of significant importance given the ongoing development of Amaravati, the planned capital city of Andhra Pradesh. As the state moves forward with its ambitious infrastructure projects, particularly in the capital region, Narayana’s role will be pivotal in shaping the urban landscape and ensuring the effective execution of municipal functions.
These appointments reflect the Andhra Pradesh government’s emphasis on leadership, experience, and strategic political alliances, as it continues its efforts to drive progress across various sectors. With new leaders at the helm of important ministries, the state is poised for continued development, particularly in areas like rural development, technology, and urban planning.
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Small Business Week: Jo Anne’s Place Health Foods

There are local small business success stories, and then there’s Jo Anne’s Place Health Foods, which is in a category all its own in terms of both longevity and the level of caring customer service.
Jo Anne Fallaise founded Jo Anne’s Place Health Foods in 1976, initially operating out her Lindsay home. Come 1998, her daughter Margo and her husband Paul, having learned the business firsthand, had taken the reins, allowing Jo Anne to retire, knowing the business was in very good hands
Today, Jo Anne’s Place Health Foods offers a full line of natural foods, supplements and other health-conscious products at two very busy locations – in Peterborough at 1260 Lansdowne Street West and in Lindsay at 370 Kent Street West.
Sharon Walker is the general manager of the Peterborough location. She says the storied history of the business, and maintaining that tradition of full customer service remains front of mind.
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Walker recalls a time when there was push back from the medical profession when it came to natural products and their health benefits, noting fuller recognition and fostering of a symbiotic relationship is now the reality.
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Noting Jo Anne’s Place staff see their customers as “family,” Walker says a strong desire that they “be well” is at the heart of their day-to-day interactions. As such, educating customers is a big part of what they do.
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For more information on Jo Anne’s Place Health Foods, visit www.joannesplace.ca.
(Written by: Paul Rellinger)