Technology Insider: Trump’s tech moves so far – 10 quickfire takes

Home / BusinessBy Chris KeallTechnology Editor/Senior Business Writer·NZ Herald·27 Jan, 2025 01:00 AM13 mins to readGift articleSaveShare this articleReminder, this is a Premium article and requires a subscription to read.Copy LinkEmailFacebookTwitter/XLinkedInRedditUS President Donald Trump used his first days in office to issue a blizzard of executive orders pertaining to issues including cryptocurrency, TikTok, EVs and artificial intelligence. Photo / Getty ImagesNow that the dust has settled – a little – let’s take a quick look at Donald Trump’s tech-sector moves so far as he begins his second presidential term.1. Rocket Lab’s Mars boost
Rocket Lab shares – already on an extended bull run – jumped by a third on

Gender, Rebellion and Rising books explored in Vernon

Valley Voices is back to bring a new book to light along with putting an important conversation into the spotlight from a local poet.

The event, called Gender, Rebellion & Rising Book Launch and Reading, features local novelist Hannah Calder and poet jaz papadopoulos Feb. 5, 7-9 p.m. at the Caetani Centre (admission is by donation).

Calder’s new book, Hester in Sunlight (New Star Books) is an experimental “novel atop a novel,” where readers follow the main character, a writer, in the very act and exploration of writing the book they are reading.

The writer’s contemporary world (anxiety, pronouns, teenage phone addicts, divorce) often collides with a re-imagining of Hester’s world (adultery, stockings, cottages, skirts that sweep the town’s dirt).

Calder says others have described her style as “unique, metafictional, bizarre, frustrating, poetic, absurd, playful.”

But she would say, “my style reflects a certain porousness in the way I encounter the world as a writer. In this novel, I write about my style, and I play tricks on the reader by presenting autobiographical elements that are fictional and fictional elements that are autobiographical. And all this play with reality and fiction spills over into my approach to Hawthorne and The Scarlet Letter.”

Calder, who teaches English and creative writing at Okanagan College, says her desire to free Hester from her fate fed a desire to write this book—and it left Calder reflecting on the limitations of her life and the lives of others.

“I’m also writing about the straitjacket of being in character and what it feels like to break free and become other selves. I picked up on this complexity in Hawthorne’s characters. They feel like aspects of his psyche or characters from his dreaming mind, and I wanted to explore what it means to live in all possible ways rather than in one, fixed way.”

If women were discarded scapegoats in Hawthorne’s day, a time traveller might be surprised by how sexual assault survivors have been treated and impacted by the trials of the #MeToo era.

I Feel That Way Too is a poetic and critical exploration of the role of media and social power — one that has brought forth an array of moving stories from readers since its launch last fall by papadopoulos.

“I appreciate every time a reader approaches me to say they felt seen by the work, or that it put words to murky feelings they’ve been carrying. This goal is written right into the text: When I open to you / with a wordless nothing / all I hope you’ll say back is / I feel that way too.”

With so many affirming and important conversations astir, papadopoulos continues to feel hopeful.

The book was a bestseller in their hometown of Winnipeg and one of the community’s Greek Orthodox priests recently requested a copy.

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Ex-Washington Post columnist Jennifer Rubin slams paper, accuses journalists of enabling ‘authoritarian regime’

Former Washington Post columnist Jennifer Rubin joined MSNBC on Saturday and lambasted her former employer, accusing the Washington Post of trying to “ingratiate” themselves with President Donald Trump. “They seem to think that their own press outlet should be muzzled, should be quieted, should not upset Donald Trump so much. And so you see, for…

‘I’m obsessed with ACOTAR, so I dug up everything you need to know about the next book.’

Do we have an ACOTAR book 6 release date?As it stands, Maas is being SUPER hush-hush on the release date, so no — we don’t have a definite date locked in yet. Personally, I am actually okay with this, because good things take time and she doesn’t do her best work when she’s rushed, in my opinion (see: the final Crescent City book, which I loved, obv, but just doesn’t have the same Maas flair as the other books. My guess is that she was under pressure with a deadline looming. I said what I said.)But while no official release date has been announced, the book — which will be published by Bloomsbury, who are behind the previous books in the series — is expected to hit Australian shelves in late 2025 or early 2026. Following the release of House of Flame and Shadow in early 2024, Maas confirmed that ACOTAR 6 would be her next priority project, making this timeline seem like a realistic estimate.And while the length of the wait for the new book might be frustrating for fans (might be??), Maas has been clear that she won’t be rushing to get in done. TBH, given the complexity of the ACOTAR world and the multiple character arcs that we need to follow, this careful approach makes total sense.What will ACOTAR 6 be about?If there’s one thing Sarah J Maas is good at, it’s keeping plot details under wraps. Case in point: we don’t yet have confirmed details about whose story ACOTOR’s sixth book will follow.But there are several compelling theories floating around the internet as to what we might get from ACOTAR book six. Many fans believe the sixth book will focus on Elain Archeron’s story — which makes sense given that the first three books centred on Feyre, while the fifth book, A Court of Silver Flames, focused on Nesta. (And the fourth book is sort of an all-in segue between Feyre’s story and Nesta’s, paving the way for a new MC).

Going For Growth: New Rules For Visiting Tourists

Monday, 27 January 2025, 1:12 pmPress Release: New Zealand Government

Hon Nicola
WillisMinister for Economic
GrowthHon Erica
StanfordMinister of
ImmigrationHon Louise
UpstonMinister for Tourism and
HospitalityThe Government is relaxing visitor visa
requirements to allow tourists to work remotely while
visiting New Zealand, Economic Growth Minister Nicola
Willis, Immigration Minister Erica Stanford and Tourism
Minister Louise Upston say.“The change is part of
the Government’s plan to unlock New Zealand’s potential
by shifting the country onto a faster growth track,”
Nicola Willis says.“Tourism is New Zealand’s
second largest export earner generating revenue of almost
$11 billion and creating nearly 200,000
jobs.“Making the country more attractive to
‘digital nomads’ – people who work remotely while
travelling – will boost New Zealand’s attractiveness as
a destination.”Erica Stanford says updating the
visitor visa reflects the realities of the modern, flexible
working environment.“This is a brand-new market of
tourist New Zealand can tap into. We want people to see our
country as the ideal place to visit and work while they do
it.“From today, visitor visas will
allow people to work remotely for a foreign employer while
they are holidaying here. Anyone who intends to work
remotely for more than 90 days should look at possible tax
implications.“The change will enable
many visitors to extend their stays which will lead to more
money being spent in the country.”

Advertisement – scroll to continue reading

Tourism Minister
Louise Upston says digital nomad visas are becoming more
common as ways of working become increasing more digitised
and flexible.“Many countries offer digital nomad
visas and the list is growing, so we need to keep pace to
ensure New Zealand is an attractive destination for people
who want to ‘workcation’ abroad.“Compared to
other kinds of visitors, international remote workers have
the potential to spend more time and money in New Zealand,
including during the shoulder
season.”The change applies to all
visitor visas, including tourists and people visiting
family, as well as partners and guardians on longer-term
visas.Only remote work which is based
overseas is allowed. Visitors whose employment requires them
to be in New Zealand such as sales representatives of
overseas companies, performers and people coming to work for
New Zealand employers must still obtain visas relevant to
their circumstances.“This Government is committed
to supporting a smarter, efficient and predictable
immigration system to grow our economy. Delivering economic
growth is critical to improving our quality of life,
strengthening local businesses, lifting incomes, and
creating opportunities for Kiwis,” Erica Stanford
says.

© Scoop Media

Neil Gaiman’s new books cancelled amid sex abuse allegations

A publisher of Neil Gaiman’s graphic novels has cancelled his upcoming work following allegations of sexual assault against the author.Dark Horse Comics was due to publish the final issue of Gaiman’s Anansi Boys, an eight-part adaptation of his 2005 novel (itself a spin-off from his 2001 book American Gods). But the publisher announced on the weekend that it was joining the growing list of companies distancing themselves from him.Neil Gaiman has denied the allegations made against him. Credit: James BrickwoodEight women have accused Gaiman of sexual assault. The allegations first surfaced when two of the accusers spoke out on the British podcast Master: The Allegations Against Neil Gaiman in July 2024.Gaiman has denied the accusations.Last week, Marc Bernardin, the writer and producer of the Anansi Boys comic book series, which is illustrated by Shawn Martinbrough, told fans the seventh issue would be the last and issued an apology to the alleged victims.“Last Wednesday, issue 7 of Anansi Boys hit the stands,” he said. “It will be the last issue. Dark Horse will not collect it into a trade [paperback]. I am incredibly proud of the work we did on the book … everyone involved gave their all. But all of that pales.Loading“Anansi Boys is about two brothers, twins. One is meek, timid, like a flopsy, set-upon puppy. The other brother is narcissistic, hedonistic, governed by nothing other than his own pursuit of sensation and pleasure.“They seem so different, but they are very much flip-sides of the same coin,” Bernardin added. “I never gave too much thought about that. Until now. My heart breaks for the survivors and any pain seeing these books on the shelves might have caused.”

Trump’s a Luddite, but his blossoming tech bromance makes perfect sense

January 27, 2025 — 11.26am January 27, 2025 — 11.26amNormal text sizeLarger text sizeVery large text sizeWhen I drove around Silicon Valley in 2017, talking to tech gods for a magazine piece, trying to figure out if artificial intelligence would be friend or foe, Washington barely seemed to be on their radar.As far as they were concerned, they were the nation’s capital. In DC, politicians merely passed laws. In Silicon Valley, techies were creating a new species, trying to conjure a nonhuman sentient mind. Forget Henry Adams; this was Mary Shelley stuff. Some tech titans were buoyant about the future. Some were wary. Elon Musk warned we might be “summoning the demon”.Meta chief Mark Zuckerberg (left) watches the inauguration next to Amazon founder Jeff Bezos and his partner, Lauren Sanchez; Alphabet CEO Sundar Pichai and Tesla boss Elon Musk.Credit: BloombergSilicon Valley was run by a bunch of boys with toys. Brilliant, quirky young engineers trying to get more toys than the others, better rockets or self-driving cars or robots. They were developing a monopoly on Americans’ attention, learning how to ratchet up the algorithms to create division, distrust and envy; siloing people; and spreading angst — all under the innocent guise of connecting us and making our lives better.Within their own elite circle, the tech billionaires were volatile — sometimes friendly; sometimes feuding; sometimes, in the case of Musk and Mark Zuckerberg, threatening cage matches; sometimes, in the case of Musk, selling off his houses and sleeping on friends’ couches. They were the richest, most potent men in the world, with a visceral high school vibe. They were the bitchiest, weirdest mathletes in history.Eventually, the digerati gazed east and discovered a fascinating new toy they could fight over: the American president. Suddenly, Democratic Silicon Valley is Trump country. The moment crystallised when Zuckerberg — fed up with Democrats’ sermonising about his company’s failure to shut down misinformation in 2016 — bought a yacht; put on a gold necklace and got a streetwear makeover; declared that Donald Trump’s response to the assassination attempt was “one of the most badass things I’ve ever seen in my life”; and ended fact-checking at Meta.Sam Altman, OpenAI chief executive, speaks as President Donald Trump, left, SoftBank Group chief executive Masayoshi Son and Oracle chairman, Larry Ellison, right, listen at the White House.Credit: APWow, the tech moguls thought: This could be cool, to not only control all communications and manipulate all emotions in the country, but to reprogram the government’s regulatory engine so it runs like we want it to! Just give some puny millions to Trump’s campaign and inauguration, throw some flattery at the unquenchable maw of Trump’s ego, and you were suddenly at his elbow onstage in the Capitol when he swept back into power.Trump is a 78-year-old Luddite who has a beautiful young woman nicknamed the “human printer” following him around with a petite printer in her backpack. She cranks out positive stories to show him and takes dictation for his social media posts. He still prefers a Sharpie to a keyboard.Yet suddenly, he’s the saviour of TikTok teens and crypto bros. King Donald’s court is filled with the lords of the cloud, courtiers who are bringing their chaos and drama to a Trump orbit brimming with chaos and drama. At the inauguration, the tech tycoons outranked most of the political class in the seating placement — sitting on par with former presidents.AdvertisementIt’s a remarkable spectacle watching an entirely new power centre flock to Washington, fight for Trump’s attention, jockey to prove their loyalty, post groveling encomiums to Trump, throw money at him, and clamour for eight-figure mansions around town.As OpenAI CEO Sam Altman gushed on Musk’s social platform X this past week, “watching @potus more carefully recently has really changed my perspective on him,” adding, “I’m not going to agree with him on everything, but I think he will be incredible for the country in many ways.”Trump, who always wanted elites to love him, relishes the crème de la tech lining up to kiss his ring. If they see him as a new toy to compete over, he sees them the same way.The returning president wasted no time putting the cat among the pigeons when he held a news conference on Tuesday announcing a joint venture among OpenAI, SoftBank and Oracle called “Stargate” to generate about $US100 billion ($159 billion) in computing infrastructure for AI, with a goal to invest $US500 billion by the end of Trump’s term.Trump, savouring his new image as a champion of Silicon Valley in its bid to beat out China on AI, showcased Altman at the White House, even though he knows Altman and Musk — who co-founded OpenAI — are in a legal feud. Musk has accused his former pal, Altman, of deserting their original mission when he changed its nonprofit status to for-profit; Altman allies think Musk is just jealous that the young, ragtag crew working in a makeshift office blasted off a few years after he left, ultimately creating ChatGPT.Musk went bananas (or more bananas) on X, declaring that the troika did not have the money for such an initiative. Altman fired back, saying Musk was wrong, and Musk escalated the brawl by posting old Altman tweets criticising Trump.It was an eye-popping crack in the Donald/Elon bromance, which is being watched closely now that Trump has given Musk the power to roam the West Wing, where he is working out of an office on the second floor, and take a hatchet to government.Furious Trump aides told Politico that the mercurial Musk got over his skis, discrediting a project Trump had just called “tremendous” and “monumental”.Did Trump think flirting with Musk’s nemesis was a good way to put Musk in his place and remind people that there’s only one star of the Trump show?Asked by reporters about Musk undermining him, Trump was nonchalant. He knows from digital insults.The president dismissed it as a personality clash, noting that Musk “hates one of the people,” allowing, “I have certain hatreds of people, too.”The colliding egos of Silicon Valley have joined the colliding egos on the Potomac, but the president is not perturbed. Mixing it up, stirring conflict for its own sake — this is just how Trump has fun.This article originally appeared in The New York Times.Most Viewed in World

What was the first movie to use stop-motion?

(Credits: Far Out / 20th Century Studios / MUBI / Dreamworks Pictures) Sun 26 January 2025 17:05, UK Stop-motion is one of the oldest special effects techniques in the history of filmmaking. While most people today think of animated movies when picturing the uniquely time-consuming process, its origins go back to the mid-1800s. In its early uses, it gave the illusion of movement to any number of objects on film, from toys to hairbrushes and even live actors. Over the years, though, the practice developed toward its modern incarnation, which primarily uses puppets or plasticine figures. How is stop-motion defined, though? Well, it’s simply a technique in which objects are physically moved in minuscule increments between individually photographed frames. When the frames are played back, the objects display a uniquely identifiable sense of movement that is totally different from CGI techniques or standard animation.Identifying the first movie to use stop-motion isn’t as simple as it may appear on the surface. For example, many outlets list Albert E Smith and J Stuart Blackton’s The Humpty Dumpty Circus as the first film to use the technique. For this to be true, the short film – which animates the movement of a toy set – would need to have been made in 1897 or 1898, as some outlets claim. However, others have put its release year as 1908, and there are no official records or copies of the film to clear up the disparity. In fact, only one image from the film exists today.If The Humpty Dumpty Circus did come out in 1908, then the first movie to use stop-motion is Segundo de Chomón’s Le théâtre de Bob, released in 1906. This Spanish filmmaker was often compared to the legendary Georges Méliès because he also made fantasy films with mind-boggling visual illusions. Le théâtre de Bob features three minutes of stop-motion footage showing dolls moving around a miniature theatre operated by a child named Bob. So, what was the first feature-length stop-motion movie?The Adventures of Prince Achmed was the first feature-length stop-motion animated movie, and it is also the oldest animated feature film in general. This 1926 Lotte Reiniger film used meticulously cut silhouette figures shot against backlit glass panels. The technique is similar in style to shadow puppeteering, with the difference being her figures were animated frame by frame instead of being moved in live-action. (Credit: BBC)Fascinatingly, Reiniger also attempted to pioneer another aspect of filmmaking with Prince Achmed. She was one of the first filmmakers in the 20th century to try to include a queer romance in her film. However, her efforts to explicitly show the Emperor of China and a male character problematically named Ping Pong as gay lovers were censored in the theatrically released version of the film. “I knew lots of homosexual men and women from the film and theatre world in Berlin,” Reiniger once said, “and saw how they suffered from stigmatization. I suspect that when the Emperor kisses Ping Pong, that must have been the first happy kiss between two men in the cinema.”…and what about the highest-grossing stop-motion movie?The highest-grossing stop-motion movie was released in 2000 and was made by Aardman Animation, the iconic animation studio known for creating Wallace and Gromit. It starred Mel Gibson as a heroic plasticine rooster who became the leader of a group of chickens on a Yorkshire farm who wanted to escape before they were turned into chicken pies. The film, of course, was Chicken Run, and it banked an impressive $227 million at the worldwide box office. The rest of the top ten highest-grossing stop-motion films are all efforts from the 2000s, like Wallace & Gromit: The Curse of the Were-Rabbit, Coraline, Corpse Bride, and The Boxtrolls. The sole movie from earlier than 2000, though, is 1993’s iconic The Nightmare Before Christmas, which you could probably argue is the most popular stop-motion animated movie ever made. After all, Henry Selick and Tim Burton’s masterpiece has fostered a 30-year reputation as a cult classic beloved by everyone from families to goth kids to comic book geeks.[embedded content]Related TopicsSubscribe To The Far Out Newsletter